3085 Résultats
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livres
livres
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar(...)
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar(...)
Titre:
Circa 1700 : architecture in Europe and the Americas
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar urban images of the eighteenth century date from this period. In all of this activity, architects and architectural ideas, formed mostly in Italy and influenced by the baroque architecture of Rome, especially the late works of Francesco Borromini and Gian Lorenzo Bernini, played a central role. Twelve contributors provide a comprehensive look at the design, renewal, and expansion of capitals and countries including Naples, Rome, Vienna, Stockholm, Saint Petersburg, England, Amsterdam, Cádiz, Lisbon, Quebec City, and Lima. The result is a fascinating cross section that allows a comparative reading of baroque architecture: from country to country, from region to region, and from the Old World to the New.
Circa 1700 : architecture in Europe and the Americas
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar urban images of the eighteenth century date from this period. In all of this activity, architects and architectural ideas, formed mostly in Italy and influenced by the baroque architecture of Rome, especially the late works of Francesco Borromini and Gian Lorenzo Bernini, played a central role. Twelve contributors provide a comprehensive look at the design, renewal, and expansion of capitals and countries including Naples, Rome, Vienna, Stockholm, Saint Petersburg, England, Amsterdam, Cádiz, Lisbon, Quebec City, and Lima. The result is a fascinating cross section that allows a comparative reading of baroque architecture: from country to country, from region to region, and from the Old World to the New.
Classification:
livres
livres
Publication:
janvier 1900, Washington
janvier 1900, Washington
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
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Urban Illustration features the most stunning and innovative street art from Berlin, where unknown local heroes and famous international street artists share a common canvas. In the course of documenting over 500 of the best examples of art work in the streets of this dynamic German capital, the book transcends it's core function as a city guide and becomes a magic carpet(...)
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Urban Illustration features the most stunning and innovative street art from Berlin, where unknown local heroes and famous international street artists share a common canvas. In the course of documenting over 500 of the best examples of art work in the streets of this dynamic German capital, the book transcends it's core function as a city guide and becomes a magic carpet(...)
Titre:
Urban illustration Berlin: street art cityguide
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Urban Illustration features the most stunning and innovative street art from Berlin, where unknown local heroes and famous international street artists share a common canvas. In the course of documenting over 500 of the best examples of art work in the streets of this dynamic German capital, the book transcends it's core function as a city guide and becomes a magic carpet for armchair travelers and street art officionados alike. With a focus on popular techniques such as stencils, cutouts, markers and wheatpaste, the author Benjamin Wolbergs documents the diverse styles of artists including D*Face from London, Faile and Swoon from New York and Fuck Your Crew from Berlin, just to name a few. In addition to the images, 17 in-depth interviews give detailed information about the artists backgrounds and methods. A separate City map leads the way to the locations in the heart of Berlin where author Benjamin Wolbergs took his fascinating photographs, and where new street art is waiting to be discovered daily.
Urban illustration Berlin: street art cityguide
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Urban Illustration features the most stunning and innovative street art from Berlin, where unknown local heroes and famous international street artists share a common canvas. In the course of documenting over 500 of the best examples of art work in the streets of this dynamic German capital, the book transcends it's core function as a city guide and becomes a magic carpet for armchair travelers and street art officionados alike. With a focus on popular techniques such as stencils, cutouts, markers and wheatpaste, the author Benjamin Wolbergs documents the diverse styles of artists including D*Face from London, Faile and Swoon from New York and Fuck Your Crew from Berlin, just to name a few. In addition to the images, 17 in-depth interviews give detailed information about the artists backgrounds and methods. A separate City map leads the way to the locations in the heart of Berlin where author Benjamin Wolbergs took his fascinating photographs, and where new street art is waiting to be discovered daily.
Classification:
livres
livres
Publication:
novembre 2008, Corte Madera
novembre 2008, Corte Madera
Sujet:
Espaces Public
Espaces Public
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livres
livres
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$42.00
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By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and(...)
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By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and(...)
Titre:
Incoporating architects: How American architecture became a practice of empire
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By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and financial mechanisms on which those systems came to depend. However, despite the extraordinary power of these architects, their histories remain shrouded in myth and concealed—by design. This forensic analysis traces a history of architects at one such firm, AECOM, as they assembled their own multinational corporation and embedded themselves in the operations of American empire after World War II, shielding themselves from the instabilities of a postwar political economy. ''Incorporating Architects'' reveals how architects, through their businesses more than their drawings or buildings, modulated the political economy, gripped the reins of their profession, and produced the global injustices that define our neoliberal present.
Incoporating architects: How American architecture became a practice of empire
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By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and financial mechanisms on which those systems came to depend. However, despite the extraordinary power of these architects, their histories remain shrouded in myth and concealed—by design. This forensic analysis traces a history of architects at one such firm, AECOM, as they assembled their own multinational corporation and embedded themselves in the operations of American empire after World War II, shielding themselves from the instabilities of a postwar political economy. ''Incorporating Architects'' reveals how architects, through their businesses more than their drawings or buildings, modulated the political economy, gripped the reins of their profession, and produced the global injustices that define our neoliberal present.
Classification:
livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and(...)
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and(...)
Titre:
The Funambulist n.63 : follow the money
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and the liberation of our monetary imaginary can be tools of emancipation. From the CFA franc (Ndongo Samba Sylla, Moses März) to the US dollar (Lily H. Chumley) or the Palestinian Pound (Hicham Safieddine), The Funambulist navigates monetary politics around the world, and more specifically in Sudan (Nisrin Elamin & Laleh Khalili), Puerto Rico (Roque Salas Rivera) or Brazil (Cho). The issue also contains a board game entitled "You’ve Got Yourselves a Revolution, Now What?" imagined by the issue editors Myriam Amri and Léopold Lambert and designed by Aude Abou Nasr. As for the cover, it features an artwork by Adriana Martínez Barón.
The Funambulist n.63 : follow the money
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and the liberation of our monetary imaginary can be tools of emancipation. From the CFA franc (Ndongo Samba Sylla, Moses März) to the US dollar (Lily H. Chumley) or the Palestinian Pound (Hicham Safieddine), The Funambulist navigates monetary politics around the world, and more specifically in Sudan (Nisrin Elamin & Laleh Khalili), Puerto Rico (Roque Salas Rivera) or Brazil (Cho). The issue also contains a board game entitled "You’ve Got Yourselves a Revolution, Now What?" imagined by the issue editors Myriam Amri and Léopold Lambert and designed by Aude Abou Nasr. As for the cover, it features an artwork by Adriana Martínez Barón.
Classification:
périodiques
périodiques
Publication:
janvier 2026
janvier 2026
Sujet:
Revues
Revues
Classification:
livres
livres
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Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital(...)
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Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital(...)
Titre:
Ursula Schulz-Dornburg: Yerevan 1996-1997
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Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital city of Yerevan. She developed the films on her return to Germany and in 2001 she edited and compiled the prints into a traditional notebook used in Armenian schools which she had bought back from one of her trips. This hand-made sketchbook was then dedicated to her daughter, Julia, who was studying architecture at the time. This publication is a facsimile of the original sketchbook, an artist's book work embedded with the history of the cultural artefacts long-since disassembled and the actions of the artist in walking through time and space, documenting and compiling the material.
Ursula Schulz-Dornburg: Yerevan 1996-1997
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Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital city of Yerevan. She developed the films on her return to Germany and in 2001 she edited and compiled the prints into a traditional notebook used in Armenian schools which she had bought back from one of her trips. This hand-made sketchbook was then dedicated to her daughter, Julia, who was studying architecture at the time. This publication is a facsimile of the original sketchbook, an artist's book work embedded with the history of the cultural artefacts long-since disassembled and the actions of the artist in walking through time and space, documenting and compiling the material.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
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''Working in Mumbai'' is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior(...)
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''Working in Mumbai'' is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior(...)
Titre:
Working in Mumbai: RMA Architects
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''Working in Mumbai'' is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior architecture, critical conservation, and work and living spaces that straddle the binaries of the global and the local as well as the rural and the urban. While the book is a portfolio of the selected works of RMA Architects, the projects are curated so as to unravel and clarify the challenges faced by architects in India and in several parts of the “majority” world where issues related to rapid urbanization and the impacts of global capital are among the many that dispute conventional models of practice. ''Working in Mumbai'' is used emblematically to interrogate the notion of context and understand how the practice evolved through its association with the city of Mumbai.
Working in Mumbai: RMA Architects
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''Working in Mumbai'' is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior architecture, critical conservation, and work and living spaces that straddle the binaries of the global and the local as well as the rural and the urban. While the book is a portfolio of the selected works of RMA Architects, the projects are curated so as to unravel and clarify the challenges faced by architects in India and in several parts of the “majority” world where issues related to rapid urbanization and the impacts of global capital are among the many that dispute conventional models of practice. ''Working in Mumbai'' is used emblematically to interrogate the notion of context and understand how the practice evolved through its association with the city of Mumbai.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$37.95
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Bringing together media studies and environmental humanities, the contributors to ''Saturation'' develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be(...)
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Bringing together media studies and environmental humanities, the contributors to ''Saturation'' develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be(...)
Publication:
novembre 2021
novembre 2021
Titre:
Saturation: an elemental politics
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Bringing together media studies and environmental humanities, the contributors to ''Saturation'' develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be maximally dissolved or absorbed in a solution. Contributors to this collection expand notions of saturation beyond water to consider saturation in sound, infrastructure, media, Big Data, capitalism, and visual culture. Essays include analyses of the thresholds of HIV detectability in bloodwork, militarism's saturation of oceans, and the deleterious effects of the saturation of cellphone and wi-fi signals into the human body. By channeling saturation to explore the relationship between media, the environment, technology, capital, and the legacies of settler colonialism, ''Saturation'' illuminates how elements, the natural world, and anthropogenic infrastructures, politics, and processes exist in and through each other.
Saturation: an elemental politics
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Bringing together media studies and environmental humanities, the contributors to ''Saturation'' develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be maximally dissolved or absorbed in a solution. Contributors to this collection expand notions of saturation beyond water to consider saturation in sound, infrastructure, media, Big Data, capitalism, and visual culture. Essays include analyses of the thresholds of HIV detectability in bloodwork, militarism's saturation of oceans, and the deleterious effects of the saturation of cellphone and wi-fi signals into the human body. By channeling saturation to explore the relationship between media, the environment, technology, capital, and the legacies of settler colonialism, ''Saturation'' illuminates how elements, the natural world, and anthropogenic infrastructures, politics, and processes exist in and through each other.
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livres
livres
Publication:
novembre 2021
novembre 2021
Classification:
livres
livres
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$82.00
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Deichman Bjørvika, Olso’s new public library, was completed and opened in summer 2020 after a lengthy period of planning and construction. Located opposite the city’s Opera House and the Munch Museum, this imposing building fits into the ensemble in the new cultural quarter of the Norwegian capital. The project, designed by Lundhagem and Atelier Oslo Architects following(...)
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Deichman Bjørvika, Olso’s new public library, was completed and opened in summer 2020 after a lengthy period of planning and construction. Located opposite the city’s Opera House and the Munch Museum, this imposing building fits into the ensemble in the new cultural quarter of the Norwegian capital. The project, designed by Lundhagem and Atelier Oslo Architects following(...)
Publication:
avril 2022
avril 2022
Titre:
Deichman Bjørvika: Oslo Public Library. Lund Hagem Architects, Atelier Oslo
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Deichman Bjørvika, Olso’s new public library, was completed and opened in summer 2020 after a lengthy period of planning and construction. Located opposite the city’s Opera House and the Munch Museum, this imposing building fits into the ensemble in the new cultural quarter of the Norwegian capital. The project, designed by Lundhagem and Atelier Oslo Architects following an international architectural competition, was conceived around a radical paradigm of the library as a place for conviviality and substantial multimedia platforms in a conducive, unobtrusive environment. The publication documents in detail the planning and building process, from the first draft to the opening. Essays by the novelist Elif Shafak and the library’s long-term director Liv Sæteren explain the significance of the institution as an integrative social force, while Niklas Maak pays tribute to the building from the perspective of architectural criticism. Iwan Baan and Hélène Binet capture the architecture and its atmosphere in exquisite photographs.
Deichman Bjørvika: Oslo Public Library. Lund Hagem Architects, Atelier Oslo
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Deichman Bjørvika, Olso’s new public library, was completed and opened in summer 2020 after a lengthy period of planning and construction. Located opposite the city’s Opera House and the Munch Museum, this imposing building fits into the ensemble in the new cultural quarter of the Norwegian capital. The project, designed by Lundhagem and Atelier Oslo Architects following an international architectural competition, was conceived around a radical paradigm of the library as a place for conviviality and substantial multimedia platforms in a conducive, unobtrusive environment. The publication documents in detail the planning and building process, from the first draft to the opening. Essays by the novelist Elif Shafak and the library’s long-term director Liv Sæteren explain the significance of the institution as an integrative social force, while Niklas Maak pays tribute to the building from the perspective of architectural criticism. Iwan Baan and Hélène Binet capture the architecture and its atmosphere in exquisite photographs.
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livres
livres
Publication:
avril 2022
avril 2022
Classification:
périodiques
périodiques
Titre:
Scapegoat 12/13: c\a\n\a\d\a
Scapegoat 12/13: c\a\n\a\d\a
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
Titre:
Scapegoat 12/13: c\a\n\a\d\a
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Scapegoat 12/13: c\a\n\a\d\a
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Classification:
périodiques
périodiques
Publication:
mai 2022
mai 2022
Sujet:
Revues
Revues
Classification:
livres
livres
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$27.00
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Résumé:
Avec des images frappantes et un grand souci de vulgarisation, Mansoor Khan explique de façon originale pourquoi notre modèle économique est voué à l’échec. Si notre esprit peut imaginer une croissance infinie et exponentielle – c’est la première courbe, le « concept » –, notre corps nous rappelle les limites auxquelles nous buterons inévitablement, à l’image des(...)
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Avec des images frappantes et un grand souci de vulgarisation, Mansoor Khan explique de façon originale pourquoi notre modèle économique est voué à l’échec. Si notre esprit peut imaginer une croissance infinie et exponentielle – c’est la première courbe, le « concept » –, notre corps nous rappelle les limites auxquelles nous buterons inévitablement, à l’image des(...)
Titre:
La voie de la sobriété : La troisième courbe ou la fin de la croissance
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Avec des images frappantes et un grand souci de vulgarisation, Mansoor Khan explique de façon originale pourquoi notre modèle économique est voué à l’échec. Si notre esprit peut imaginer une croissance infinie et exponentielle – c’est la première courbe, le « concept » –, notre corps nous rappelle les limites auxquelles nous buterons inévitablement, à l’image des ressources de la planète que nous ne pouvons exploiter à l’infini – c’est la deuxième courbe, la « réalité ». L’illustration la plus manifeste de cette finitude des ressources est le pic pétrolier autour de 2008, quand le sommet de la courbe a été atteint. C’est sur la base de ce constat que l’auteur développe la troisième courbe, celle de la « sobriété énergétique » et de l’équilibre économique, à l’intérieur des limites écosystémiques de la planète. C’est seulement en identifiant les relations oubliées entre l’argent et l’énergie, le capital et les ressources, le concept et la réalité, que nous pourrons comprendre les pièges de la croissance perpétuelle et redéfinir un horizon viable.
La voie de la sobriété : La troisième courbe ou la fin de la croissance
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Résumé:
Avec des images frappantes et un grand souci de vulgarisation, Mansoor Khan explique de façon originale pourquoi notre modèle économique est voué à l’échec. Si notre esprit peut imaginer une croissance infinie et exponentielle – c’est la première courbe, le « concept » –, notre corps nous rappelle les limites auxquelles nous buterons inévitablement, à l’image des ressources de la planète que nous ne pouvons exploiter à l’infini – c’est la deuxième courbe, la « réalité ». L’illustration la plus manifeste de cette finitude des ressources est le pic pétrolier autour de 2008, quand le sommet de la courbe a été atteint. C’est sur la base de ce constat que l’auteur développe la troisième courbe, celle de la « sobriété énergétique » et de l’équilibre économique, à l’intérieur des limites écosystémiques de la planète. C’est seulement en identifiant les relations oubliées entre l’argent et l’énergie, le capital et les ressources, le concept et la réalité, que nous pourrons comprendre les pièges de la croissance perpétuelle et redéfinir un horizon viable.
Classification:
livres
livres
Publication:
octobre 2022
octobre 2022
Sujet:
Théorie/ philosophie
Théorie/ philosophie
