3122 Résultats
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187 pages : chiefly illustrations (some color) ; 40 cm
Description:
187 pages : chiefly illustrations (some color) ; 40 cm
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São Paulo : [publisher not identified], 2018.
São Paulo : [publisher not identified], 2018.
Titre:
Hans Broos : memória de uma arquitetura / [edição e autoria] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; tradução, Aita Di Marco, An Puntch = Hans Broos : memory of an architecture / [edition and authorship] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; translation, Anita Di Marco, Ann Puntch.
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187 pages : chiefly illustrations (some color) ; 40 cm
Hans Broos : memória de uma arquitetura / [edição e autoria] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; tradução, Aita Di Marco, An Puntch = Hans Broos : memory of an architecture / [edition and authorship] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; translation, Anita Di Marco, Ann Puntch.
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Description:
187 pages : chiefly illustrations (some color) ; 40 cm
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livres
livres
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São Paulo : [publisher not identified], 2018.
São Paulo : [publisher not identified], 2018.
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313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
Description:
313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
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Tübingen : Wasmuth, ©2017.
Tübingen : Wasmuth, ©2017.
Titre:
Frau Architekt : seit mehr als 100 Jahren : Frauen im Architektenberuf = over 100 years of women as professional architects / Herausgeber*innen, Mary Pepchinski [and three others] ; Übersetzungen, Jeremy Gaines, Christiane Court, Sylvia Lyschik.
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313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
Frau Architekt : seit mehr als 100 Jahren : Frauen im Architektenberuf = over 100 years of women as professional architects / Herausgeber*innen, Mary Pepchinski [and three others] ; Übersetzungen, Jeremy Gaines, Christiane Court, Sylvia Lyschik.
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313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
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livres
livres
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Tübingen : Wasmuth, ©2017.
Tübingen : Wasmuth, ©2017.
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66 unnumbered pages : chiefly color illustrations ; 28 cm
Description:
66 unnumbered pages : chiefly color illustrations ; 28 cm
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Lugano : Artphilein Editions, [2014], ©2014
Lugano : Artphilein Editions, [2014], ©2014
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Niamey Iférouane ((petites histoires incertaines)) / Adriana Beretta.
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66 unnumbered pages : chiefly color illustrations ; 28 cm
Niamey Iférouane ((petites histoires incertaines)) / Adriana Beretta.
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66 unnumbered pages : chiefly color illustrations ; 28 cm
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livres
livres
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Lugano : Artphilein Editions, [2014], ©2014
Lugano : Artphilein Editions, [2014], ©2014
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xii, 175 pages : illustrations (chiefly color) ; 23 x 28 cm
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xii, 175 pages : illustrations (chiefly color) ; 23 x 28 cm
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Albuquerque : University of New Mexico Press, ©2003.
Albuquerque : University of New Mexico Press, ©2003.
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Gone : photographs of abandonment on the High Plains / Steve Fitch.
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xii, 175 pages : illustrations (chiefly color) ; 23 x 28 cm
Gone : photographs of abandonment on the High Plains / Steve Fitch.
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xii, 175 pages : illustrations (chiefly color) ; 23 x 28 cm
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livres
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Albuquerque : University of New Mexico Press, ©2003.
Albuquerque : University of New Mexico Press, ©2003.
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xviii, 405 pages : illustrations (some color) ; 24 cm.
Description:
xviii, 405 pages : illustrations (some color) ; 24 cm.
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Donington : Shaun Tyas, 2012.
Donington : Shaun Tyas, 2012.
Titre:
Patrons and professionals in the Middle Ages : proceedings of the 2010 Harlaxton Symposium / edited by Paul Binski and Elizabeth A. New.
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xviii, 405 pages : illustrations (some color) ; 24 cm.
Patrons and professionals in the Middle Ages : proceedings of the 2010 Harlaxton Symposium / edited by Paul Binski and Elizabeth A. New.
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xviii, 405 pages : illustrations (some color) ; 24 cm.
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livres
livres
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Donington : Shaun Tyas, 2012.
Donington : Shaun Tyas, 2012.
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audio
audio
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Falsetto.
Falsetto.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2017.
[Place of publication not identified] : Lateral Addition, 2017.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2017.
[Place of publication not identified] : Lateral Addition, 2017.
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livres
livres
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Old Cambridge : a series of original sketches / with descriptive letter-press by W.B. Redfarn.
Old Cambridge : a series of original sketches / with descriptive letter-press by W.B. Redfarn.
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26 leaves : all illustrations ; 28 x 38 cm
Description:
26 leaves : all illustrations ; 28 x 38 cm
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Cambridge : W.B. Spaulding, 1876.
Cambridge : W.B. Spaulding, 1876.
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Old Cambridge : a series of original sketches / with descriptive letter-press by W.B. Redfarn.
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26 leaves : all illustrations ; 28 x 38 cm
Old Cambridge : a series of original sketches / with descriptive letter-press by W.B. Redfarn.
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26 leaves : all illustrations ; 28 x 38 cm
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Cambridge : W.B. Spaulding, 1876.
Cambridge : W.B. Spaulding, 1876.
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xiv, 476 pages : illustrations ; 26 cm.
Description:
xiv, 476 pages : illustrations ; 26 cm.
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New York : Fordham University Press, 2014.
New York : Fordham University Press, 2014.
Titre:
Sabato Rodia's Towers in Watts : art, migrations, development / edited by Luisa Del Giudice.
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xiv, 476 pages : illustrations ; 26 cm.
Sabato Rodia's Towers in Watts : art, migrations, development / edited by Luisa Del Giudice.
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xiv, 476 pages : illustrations ; 26 cm.
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livres
livres
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New York : Fordham University Press, 2014.
New York : Fordham University Press, 2014.
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$52.00
(disponible sur commande)
Résumé:
Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity(...)
$52.00
(disponible sur commande)
Résumé:
Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity(...)
Publication:
février 2008, New York
février 2008, New York
Titre:
Romare Bearden a black odyssey
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$52.00
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Résumé:
Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity to play professional baseball for the Philadelphia Athletics. But it is for his rich and textured collages that Bearden is best known today. In 1977, Bearden created a sequence of 20 collages based on episodes from Homer's Odyssey. It may come as a surprise to even his most avid followers that this devoted chronicler of African American culture and the Harlem Renaissance would gravitate to such a canonical text. But in the essay accompanying Romare Bearden: A Black Odyssey, scholar Robert G. O'Meally argues for their thematic consistency and suggests that, in the figures of Odysseus, Penelope, Poseidon, Nausicca and others, Bearden found themes sympathetic to the African American experience. These motifs of wandering, mourning and the questing for home--considering Bearden's scores of interiors and exteriors, country and city life and depictions of family love--emerge as the central themes of all his art. Romare Bearden: A Black Odyssey, the first in-depth consideration of these collages since they were originally exhibited 30 years ago, will prove a surprise to Bearden fans and newcomers alike.
Romare Bearden a black odyssey
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$52.00
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Résumé:
Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity to play professional baseball for the Philadelphia Athletics. But it is for his rich and textured collages that Bearden is best known today. In 1977, Bearden created a sequence of 20 collages based on episodes from Homer's Odyssey. It may come as a surprise to even his most avid followers that this devoted chronicler of African American culture and the Harlem Renaissance would gravitate to such a canonical text. But in the essay accompanying Romare Bearden: A Black Odyssey, scholar Robert G. O'Meally argues for their thematic consistency and suggests that, in the figures of Odysseus, Penelope, Poseidon, Nausicca and others, Bearden found themes sympathetic to the African American experience. These motifs of wandering, mourning and the questing for home--considering Bearden's scores of interiors and exteriors, country and city life and depictions of family love--emerge as the central themes of all his art. Romare Bearden: A Black Odyssey, the first in-depth consideration of these collages since they were originally exhibited 30 years ago, will prove a surprise to Bearden fans and newcomers alike.
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livres
livres
Publication:
février 2008, New York
février 2008, New York
Classification:
livres
livres
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$75.00
(disponible en magasin)
Résumé:
Curated and written by her great-nieces, who lived in the house throughout their lives, this book offers an unparalleled glimpse into Frida Kahlo, opening a new perspective into this iconic artist’s family home and refuge. Casa Kahlo was more than a second home—it was a place where Frida could truly be herself away from the house she shared with her husband, the artist(...)
$75.00
(disponible en magasin)
Résumé:
Curated and written by her great-nieces, who lived in the house throughout their lives, this book offers an unparalleled glimpse into Frida Kahlo, opening a new perspective into this iconic artist’s family home and refuge. Casa Kahlo was more than a second home—it was a place where Frida could truly be herself away from the house she shared with her husband, the artist(...)
Publication:
avril 2026
avril 2026
Titre:
Casa Kahlo: Frida Kahlo's home and sanctuary
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Prix:
$75.00
(disponible en magasin)
Résumé:
Curated and written by her great-nieces, who lived in the house throughout their lives, this book offers an unparalleled glimpse into Frida Kahlo, opening a new perspective into this iconic artist’s family home and refuge. Casa Kahlo was more than a second home—it was a place where Frida could truly be herself away from the house she shared with her husband, the artist Diego Rivera. At Casa Kahlo—surrounded by her artistic family and the vibrant Indigenous culture she immersed herself in—she spent time with her closest confidantes (her sisters), her friends, and her lovers. The house also served as an additional studio space for Kahlo where she taught art classes to a legion of loyal students who referred to themselves as Los Fridos. Remarkably, Casa Kahlo has been occupied by Frida’s family since they bought the house in 1930. Meticulously documenting the interiors, this book features a rich array of personal items and never-before-published letters and postcards to her sisters, her mother, and her most beloved niece Isolda. Hundreds of personal items offer an intimate view into her artistic environment and personal life: from her early drawings and paintings (including the first painting she showed Rivera at eighteen years old) to later drawings; her distinctive jewelry and clothing; key documents, including her birth and marriage certificates; artworks; and keepsakes ranging from dolls to her taxidermy butterfly collection.
Casa Kahlo: Frida Kahlo's home and sanctuary
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Prix:
$75.00
(disponible en magasin)
Résumé:
Curated and written by her great-nieces, who lived in the house throughout their lives, this book offers an unparalleled glimpse into Frida Kahlo, opening a new perspective into this iconic artist’s family home and refuge. Casa Kahlo was more than a second home—it was a place where Frida could truly be herself away from the house she shared with her husband, the artist Diego Rivera. At Casa Kahlo—surrounded by her artistic family and the vibrant Indigenous culture she immersed herself in—she spent time with her closest confidantes (her sisters), her friends, and her lovers. The house also served as an additional studio space for Kahlo where she taught art classes to a legion of loyal students who referred to themselves as Los Fridos. Remarkably, Casa Kahlo has been occupied by Frida’s family since they bought the house in 1930. Meticulously documenting the interiors, this book features a rich array of personal items and never-before-published letters and postcards to her sisters, her mother, and her most beloved niece Isolda. Hundreds of personal items offer an intimate view into her artistic environment and personal life: from her early drawings and paintings (including the first painting she showed Rivera at eighteen years old) to later drawings; her distinctive jewelry and clothing; key documents, including her birth and marriage certificates; artworks; and keepsakes ranging from dolls to her taxidermy butterfly collection.
Classification:
livres
livres
Publication:
avril 2026
avril 2026
