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Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or(...)
Photography degree zero: reflection on Roland Barthe's Camera Lucida
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Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or philosophy, servetoreopen a vital conversation on Barthes’s influential work.
Théorie de la photographie
John Stezaker : One on one
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One on One, the exhibition catalog accompanying the Tel Aviv Museum exhibition presents a new set of previously unseen collages produced by Stezaker over the past two years. Featured are over 40 full color illustrations including a selection of ten images from The 3rd Person Archive. With essays from curator Irith Hadar and Dalit Matatyahu and a conversation with the(...)
John Stezaker : One on one
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One on One, the exhibition catalog accompanying the Tel Aviv Museum exhibition presents a new set of previously unseen collages produced by Stezaker over the past two years. Featured are over 40 full color illustrations including a selection of ten images from The 3rd Person Archive. With essays from curator Irith Hadar and Dalit Matatyahu and a conversation with the artist, Christophe Gallois and Daniel F. Herrmann.
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This volume brings together a dozen zestful interviews and conversations between the LA-based artist Mike Kelley and some of the leading voices in contemporary culture over the last couple of decades.
Interviews, conversations, and chit-chat (1986-2004)
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This volume brings together a dozen zestful interviews and conversations between the LA-based artist Mike Kelley and some of the leading voices in contemporary culture over the last couple of decades.
CCA on paper, 4th edition
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''CCA on Paper'' presents all the print and electronic publications of the Canadian Centre for Architecture. Through illustrations, documents, and visual elements, CCA on Paper reflects the diversity in subject matter and graphic design of CCA publications, while attesting to their contribution to international discourse on architecture. A conversation between Phyllis(...)
CCA on paper, 4th edition
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''CCA on Paper'' presents all the print and electronic publications of the Canadian Centre for Architecture. Through illustrations, documents, and visual elements, CCA on Paper reflects the diversity in subject matter and graphic design of CCA publications, while attesting to their contribution to international discourse on architecture. A conversation between Phyllis Lambert and Mirko Zardini on the history and philosophy of publishing at the CCA also runs through the guide.
Publications du CCA
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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and(...)
Anarcho-Indigenism: Conversations on land and freedom
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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and their politics. There has also been a long history of (often imperfect) collaboration between anarchists and indigenous activists, over land rights and environmental issues, including recent high-profile anti-pipeline campaigns. ''Anarcho-Indigenism'' is a dialogue between anarchism and indigenous politics, featuring interviews from indigenous contributors Véronique Hébert, Gord Hill, Freda Huson, J. Kehaulani Kauanui, Clifton Ariwakehte Nicholas and Toghestiy, as well as the Marxist scholar specialist in indigenous people’s history and politics, Roxanne Dunbar-Ortiz. The contributors reveal what indigenous thought and traditions and anarchism have in common, without denying the scars left by colonialism even within this anti-authoritarian movement. They ultimately offer a vision of the world that combines anti-colonialism, feminism, ecology, anti-capitalism and anti-statism.
Autochtone
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In November 2022, the first annual Alchemy Lecture took place at York University in Toronto, bringing four deep and agile writers from different geographies and disciplines into vibrant conversation on a topic of urgent relevance: humans and borders. Now, in these pages, that conversation is captured and expanded in insightful, passionate ways. Architect, artist, and(...)
Borders, human itineraries, and all our relation. The alchemy lecture 1
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In November 2022, the first annual Alchemy Lecture took place at York University in Toronto, bringing four deep and agile writers from different geographies and disciplines into vibrant conversation on a topic of urgent relevance: humans and borders. Now, in these pages, that conversation is captured and expanded in insightful, passionate ways. Architect, artist, and urban theorist Dele Adeyemo (UK/Nigeria) calls attention to the complexity of Black infrastructures, questioning how “the environments that surround us condition the possibility of our being.” Poet Natalie Diaz (US/Mojave/Akimel O’otham) writes: “Like story, migration is the sensual movement of knowledge,” and asks, “What is the language we need to live right now?” Philosopher Nadia Yala Kisukidi (France) suggests there is no diasporic life “without the dynamics of fabulation, where we pass down, from generation to generation, the stories of our ancestors who walked barefoot for many months.” And cultural theorist Rinaldo Walcott (Canada) asks us to consider inheritances beyond white supremacist logics: “What might it mean to live a life, if we can’t risk desiring and working towards utopia?”
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Grey room 31
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Feature: Kaira M.Cabanas: Yves Klein's Performative Realism Rosalyn Deutsche, Aruna D'Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto: Feminist Time: A Conversation Ed Eigen: On the record: J.M.W. Turner's Studies for the Burning of the Houses of Parliament and Other Uncertain Bequests to History John Hardwood: The Wound Man: George Nelson and the(...)
Revues
mai 2008, Cambridge
Grey room 31
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Feature: Kaira M.Cabanas: Yves Klein's Performative Realism Rosalyn Deutsche, Aruna D'Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto: Feminist Time: A Conversation Ed Eigen: On the record: J.M.W. Turner's Studies for the Burning of the Houses of Parliament and Other Uncertain Bequests to History John Hardwood: The Wound Man: George Nelson and the 'End of Architecture'. Tom Williams: Lipstick Ascending: Claes Oldenburg in New Haven in 1969.
Revues
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Première étude exhaustive dédiée à l'œuvre de l'artiste française, cette monographie se révèle aussi captivante et surprenante que son sujet. Plein d'esprit, de poésie, d'humour, de récits et d'imprévus, l'art du mensonge orchestré par Laure Prouvost est ici décrypté à travers les textes de spécialistes et une conversation entre l'artiste et son modèle, Barbara Steveni.(...)
Laure Prouvost : hit flash back
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Première étude exhaustive dédiée à l'œuvre de l'artiste française, cette monographie se révèle aussi captivante et surprenante que son sujet. Plein d'esprit, de poésie, d'humour, de récits et d'imprévus, l'art du mensonge orchestré par Laure Prouvost est ici décrypté à travers les textes de spécialistes et une conversation entre l'artiste et son modèle, Barbara Steveni. Une liste complète des travaux et des expositions de Laure Prouvost conclut l'ouvrage.
A+U 630: Heatherwick Studio
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Based in London, Heatherwick Studio is a multi-award-winning design and architecture office. Discover how lead architect Thomas Heatherwick, a self-proclaimed “maker in the world of designing buildings”, achieved international acclaim through notable works. Besides featuring more than fifteen built and unbuilt projects, the issue includes essays by Ruth Conroy Dalton and(...)
A+U 630: Heatherwick Studio
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Based in London, Heatherwick Studio is a multi-award-winning design and architecture office. Discover how lead architect Thomas Heatherwick, a self-proclaimed “maker in the world of designing buildings”, achieved international acclaim through notable works. Besides featuring more than fifteen built and unbuilt projects, the issue includes essays by Ruth Conroy Dalton and Heatherwick Studio, as well as the architect in conversation with curator and writer Mami Kataoka.
Revues
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''Through the Ruins: Talks on Human Rights & the Arts 1'' is the inaugural volume of talks by activists, scholars, and artists from around the globe, presented at the OSUN Center for Human Rights and the Arts at Bard College (CHRA). In their own words and in conversation with others, they make evident the richness and range of contemporary practices at the intersection of(...)
Through the ruins: Talks on human rights and the arts 1
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''Through the Ruins: Talks on Human Rights & the Arts 1'' is the inaugural volume of talks by activists, scholars, and artists from around the globe, presented at the OSUN Center for Human Rights and the Arts at Bard College (CHRA). In their own words and in conversation with others, they make evident the richness and range of contemporary practices at the intersection of human rights and the arts.
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