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472 pages : illustrations ; 29 cm
Toronto : Riverside Architectural Press, 2013.
ACADIA 2013 adaptive architecture : proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture / edited by Philip Beesley, Omar Khan, Michael Stacey.
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472 pages : illustrations ; 29 cm
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Toronto : Riverside Architectural Press, 2013.
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Description:
153 pages, 7 unnumbered pages : illustrations (chiefly color), plans, color portraits ; 24 cm
[Buffalo, N.Y.] : Architectural Ceramic Assemblies Workshop, [2017], Hong Kong : Printed by Regal Printing, ©2017
Architectural Ceramic Assemblies Workshop : Bioclimatic Ceramic Assemblies II / edited by Laura Garófalo and Omar Khan.
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153 pages, 7 unnumbered pages : illustrations (chiefly color), plans, color portraits ; 24 cm
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[Buffalo, N.Y.] : Architectural Ceramic Assemblies Workshop, [2017], Hong Kong : Printed by Regal Printing, ©2017
audio
Nick Evans : Solar Eyes.
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1 online resource
[Place of publication not identified] : Tramway, 2013.
audio
[Place of publication not identified] : Tramway, 2013.
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Printed Matter 2011
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Printed Matter 2011
Who owns antiquity?
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Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of(...)
Who owns antiquity?
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Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.
Muséologie
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that(...)
Olympic sculpture park for the Seattle Art Museum Weiss/Manfredi
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that rises over the existing infrastructure to reconnect Seattle’s urban core to the revitalized waterfront. The park not only brings art outside the museum walls but also brings the park itself into the landscape of the city. This study offers an opportunity to take a fresh look at the city and explore some hypotheses about the wider meaning of an urban design project.
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Digital currencies (cryptocurrencies) and digital property require large amounts of land, resources, and data centers and infrastructures to store these ''supplies''. There is a larger architectural and urban infrastructural challenge and urgency on how these various kinds of digital exchanges are mediated, to limit the detrimental use of our everyday resources. (...)
Digitalstructures: Data and urban strategies of the civic future
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Digital currencies (cryptocurrencies) and digital property require large amounts of land, resources, and data centers and infrastructures to store these ''supplies''. There is a larger architectural and urban infrastructural challenge and urgency on how these various kinds of digital exchanges are mediated, to limit the detrimental use of our everyday resources. Using a mixed-media approach, this book couples a novel exploration of XR (mixed-reality) and AR (augmented reality) into several parts of the book. To prolong the shelf-life of emergent data and case-studies on the topic, the book is complemented with an open-access digital platform for readers to access video interviews with the industry experts, diagrammatic mapping and graphical cartography, and 3D artifacts that shows how data interacts with phygital properties.
Architecture numérique
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''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites(...)
Dwelling in the world: family, house, and home in Tianjin, China, 1860-1960
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''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites than the new public ideology of the nation. Placing the Chinese home in a global context, she challenges Euro-American historical notions that the private sphere emerged from industrialization. She argues that concepts of individual property rights that emerged during the Republican era became foundational to state-society relations in early Communist housing reforms and in today’s middle-class real estate boom.
Histoire jusqu'à 1900, Asie
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly(...)
Unhoused: Adorno and the problem of dwelling
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”
Théorie de l’architecture
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Field Guide to the Street Trees of New York City acquaints New Yorkers and visitors alike with fifty species of trees commonly found in the neighborhoods where people live, work, and travel. Beautiful, original drawings of leaves and stunning photographs of bark, fruit, flower, and twig accompany informative descriptions of each species. Detailed maps of the five boroughs(...)
Field guide to the street trees of New York city
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$31.95
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Field Guide to the Street Trees of New York City acquaints New Yorkers and visitors alike with fifty species of trees commonly found in the neighborhoods where people live, work, and travel. Beautiful, original drawings of leaves and stunning photographs of bark, fruit, flower, and twig accompany informative descriptions of each species. Detailed maps of the five boroughs identify all of the city's neighborhoods, and specific addresses pinpoint where to find a good example of each tree species. Trees provide invaluable benefits to the Big Apple: they reduce the rate of respiratory disease, increase property values, cool homes and sidewalks in the summer, block the harsh winds of winter, clean the air, absorb storm water runoff, and provide habitat and food for the city's wildlife.
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