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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with(...)
Architecture & arts 1900 /2004 : a century of creative projects in building, design, cinema, painting, sculpture
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with architecture a common project of a radical, at times visionary, aesthetic transformation of reality. The volume includes works by Malevich, Cartier-Bresson, Steichen, Terragni, Depero, Fritz Lang, Le Corbusier, Gehry, Rossi, Piano, and Oldenburg, to name a few. This richly illustrated volume offers a complete overview of architects and artists from the historic avant-gardes (Futurism, Suprematism, Constructivism, Dadaism, Neoplasticism, Expressionism, Surrealism, and the modern movements until the postwar period) to the contemporary world, starting from Informal-Spatialist work and continuing with Situationism, Brutalism, Pop Art, Minimalism, and Post modernism to the present day.
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février 2005, Milan
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Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled(...)
février 2024
Hannah Höch: Assembled worlds
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Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled pictures as static films. This richly illustrated and expertly annotated book explores comprehensively for the first time Höch’s life-long fascination with film and the visual culture of the modern industrial age. Covering her entire career, It demonstrates how montage evolved in a field of tension between artistic experimentation, commercial exploitation, and political appropriation. A text on photomontage by Höch, written in 1948, and a text-collage on the history of montage, in which major protagonists of Modernism and Avant-garde have their say, round out this volume.
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n 1950, a young Vancouver architectural apprentice was handed a small house project that his boss was too busy to take on. The apprentice, Ron Thom, took the simple plan and rectangular foundation that had been roughed in, and transformed it into a groundbreaking work of architecture that gained national fame. Inspired by Frank Lloyd Wright and Richard Neutra, but using(...)
Ron Thom: Copp House. West Coast Modern houses series
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n 1950, a young Vancouver architectural apprentice was handed a small house project that his boss was too busy to take on. The apprentice, Ron Thom, took the simple plan and rectangular foundation that had been roughed in, and transformed it into a groundbreaking work of architecture that gained national fame. Inspired by Frank Lloyd Wright and Richard Neutra, but using local wood and paying careful attention to its verdant oceanside setting, Thom created a landmark for the new architectural movement known as West Coast Modernism. The client, Dr. Harold Copp, was himself a trailblazer, the first head of the physiology department in the University of British Columbia’s new Faculty of Medicine and a research pioneer. Generously illustrated with both vintage and contemporary architectural photography, line drawings, and photographs of the architect and residents, The Copp House is the story of a cultural landmark on the shores of Vancouver.
Architectes canadiens
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W.M. Dudok
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Willem Marinus Dudok (1884-1974) is regarded internationally as one of the most important Dutch architects. As director of Public Works and City Architect to Hilversum, Dudok realized in that municipality not only his world-famous City Hall but also a welter of smaller projects including public baths, a library, housing, schools, a sports park and a cemetery. It was in(...)
W.M. Dudok
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Willem Marinus Dudok (1884-1974) is regarded internationally as one of the most important Dutch architects. As director of Public Works and City Architect to Hilversum, Dudok realized in that municipality not only his world-famous City Hall but also a welter of smaller projects including public baths, a library, housing, schools, a sports park and a cemetery. It was in this period that Dudok developed his own idiom, marked by compositions of cubic volumes. Besides his Hilversum buildings, others he built in Rotterdam, Paris and Velsen have been the subject of great interest. They are regarded as exemplifying an architecture that appeals not only to the professional world but also to the public at large. This compact though well illustrated volume gives a complete overview of the major works by this architect who succeeded in striking a unique balance between modernism and tradition.
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mars 2001, Rotterdam
Architecture, monographies
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
Earthwards. Robert Smithson and art after Babel
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
livres
novembre 1997
Land Art
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
Hans Eijkelboom: Good intentions and modern housing
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
Monographies photo
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In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions....It has developed out of our own preferences for living in a modern way."California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which(...)
Living in a modern way: California design 1930-1965
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In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions....It has developed out of our own preferences for living in a modern way."California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California's mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds others pecific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use(exemplified by Charles and Ray Eames's plywood and fiberglass furniture).
Design, époques et styles
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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism(...)
Positions on emancipation: architecture between aesthetics and politics
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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism as more engaged with the social and political effects of global capitalism. This book relays a passionate debate between some of the most outstanding theoreticians and eloquent protagonists of this new attitude, leaving us with an overview of such postulated ambitions. Against the liberal “anything goes” and the revival of architectural autonomy, these attitudes believe less in the possibility for even the most experimental architectural object to have a changing effect on society. Their approaches instead vary from activism to the construction of new critical narratives.
Théorie de l’architecture
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The British architect David Chipperfield (born 1953) founded his eponymous design firm in 1985, and has been an exemplary exponent of modernism and its ongoing relevance ever since. The confident elegance of his buildings extends a legacy of discreet craftsmanship and clarity learned from early 20th-century architecture: "If you look at a building by Mies van der Rohe,"(...)
David Chipperfield Architects, monograph vol. II
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The British architect David Chipperfield (born 1953) founded his eponymous design firm in 1985, and has been an exemplary exponent of modernism and its ongoing relevance ever since. The confident elegance of his buildings extends a legacy of discreet craftsmanship and clarity learned from early 20th-century architecture: "If you look at a building by Mies van der Rohe," he observes, "it might look very simple, but up close, the sheer quality of construction, materials and thought are inspirational.""David Chipperfield Architects: Monograph Vol. II" brings the architect's most comprehensive monograph back into print in an updated edition that features 32 new works by Chipperfield's firm. More than 60 projects are represented in this volume, from Chipperfield's early buildings in Japan to the many major museums and galleries, residential and commercial developments, flagship stores and educational buildings built by the practice around the world today.
Architecture, monographies
$77.00
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Designed by architects Jan Duiker and Bernard Bijvoet in 1925, the former Zonnestraal Sanatorium is an icon of the Nieuwe Bouwen style, the Dutch branch of the International Style of modernism: as one of the genuine highlights of twentieth-century architecture, it has been considered for the UNESCO World Heritage List. The complex, whose name means "ray of sunshine," was(...)
décembre 2010
Zonnestraal Sanatorium: the history and restotation of a moderne monument
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Designed by architects Jan Duiker and Bernard Bijvoet in 1925, the former Zonnestraal Sanatorium is an icon of the Nieuwe Bouwen style, the Dutch branch of the International Style of modernism: as one of the genuine highlights of twentieth-century architecture, it has been considered for the UNESCO World Heritage List. The complex, whose name means "ray of sunshine," was originally created as a treatment center for tuberculosis patients. By the early 1960s, the buildings, which had been constructed for limited use in concrete, steel and glass, were in ruin. After four decades of research and planning, its restoration is nearing completion under the supervision of the architects Hubert-Jan Henket and Wessel de Jonge. This publication traces the former sanatorium's past, emphasizing the battle for recognition of the Zonnestraal site's importance, its complex restoration process and providing a critical dossier on the general management of modern monuments.