3021 Résultats
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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now(...)
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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
avril 2005, Vancouver
avril 2005, Vancouver
Titre:
Dream city : Vancouver and the global imagination
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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now emerging as an experiment in contemporary city-making, with international interest in Vancouver as a model of post-industrial urbanism increasing exponentially. Lance Berelowitz explores the links between the city’s seductive natural setting, its turbulent political history and changing civic values, and its planning and design culture. He also makes the startling case that Vancouver is to Canada’s imagination what Los Angeles is to the American — a mythologized place of endless possibilities, while being grounded in an altogether more limited set of socio-economic and environmental limitations. Dream City is richly illustrated with both historical and contemporary photographs of many significant buildings and public spaces, as well as specially commissioned maps that reveal the underlying patterns of growth and change of Canada’s youngest metropolis.
Dream city : Vancouver and the global imagination
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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now emerging as an experiment in contemporary city-making, with international interest in Vancouver as a model of post-industrial urbanism increasing exponentially. Lance Berelowitz explores the links between the city’s seductive natural setting, its turbulent political history and changing civic values, and its planning and design culture. He also makes the startling case that Vancouver is to Canada’s imagination what Los Angeles is to the American — a mythologized place of endless possibilities, while being grounded in an altogether more limited set of socio-economic and environmental limitations. Dream City is richly illustrated with both historical and contemporary photographs of many significant buildings and public spaces, as well as specially commissioned maps that reveal the underlying patterns of growth and change of Canada’s youngest metropolis.
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livres
livres
Publication:
avril 2005, Vancouver
avril 2005, Vancouver
Sujet:
Architecture du Canada
Architecture du Canada
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livres
livres
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$95.00
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Penny Slinger is a Los Angeles–based artist whose work investigates the feminine, the magical and the erotic. While studying at Chelsea College of Art in the late 1960s, Slinger encountered Max Ernst’s Une semaine de bonté (1934), initiating an enduring involvement with both the Surrealist movement and the medium of collage. In her first publication, "50% The Visible(...)
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Penny Slinger is a Los Angeles–based artist whose work investigates the feminine, the magical and the erotic. While studying at Chelsea College of Art in the late 1960s, Slinger encountered Max Ernst’s Une semaine de bonté (1934), initiating an enduring involvement with both the Surrealist movement and the medium of collage. In her first publication, "50% The Visible(...)
Titre:
Penny Slinger: An exorcism. A photo romance
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Penny Slinger is a Los Angeles–based artist whose work investigates the feminine, the magical and the erotic. While studying at Chelsea College of Art in the late 1960s, Slinger encountered Max Ernst’s Une semaine de bonté (1934), initiating an enduring involvement with both the Surrealist movement and the medium of collage. In her first publication, "50% The Visible Woman" (1971), Slinger explored the image of woman through a series of often provocative photomontage self-portraits and poetic texts. Such themes resonated keenly with the emerging feminist movement, and in 1973 Rolling Stone noted: "this book will become as important on your bookshelf as Sgt. Pepper’s is on your record rack." With "An exorcism: A photo romance", Slinger explores the feminine psyche further. Developed from a visit to Lilford Hall in 1970 with her then-partner, the filmmaker Peter Whitehead, Slinger provides us with a series of haunting images that chart a process of self-discovery and awakening that was described by Sheldon Williams as "a cascade of photo-collage imagery which has all the emergent trepidation of Hesse’s Steppenwolf."
Penny Slinger: An exorcism. A photo romance
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Penny Slinger is a Los Angeles–based artist whose work investigates the feminine, the magical and the erotic. While studying at Chelsea College of Art in the late 1960s, Slinger encountered Max Ernst’s Une semaine de bonté (1934), initiating an enduring involvement with both the Surrealist movement and the medium of collage. In her first publication, "50% The Visible Woman" (1971), Slinger explored the image of woman through a series of often provocative photomontage self-portraits and poetic texts. Such themes resonated keenly with the emerging feminist movement, and in 1973 Rolling Stone noted: "this book will become as important on your bookshelf as Sgt. Pepper’s is on your record rack." With "An exorcism: A photo romance", Slinger explores the feminine psyche further. Developed from a visit to Lilford Hall in 1970 with her then-partner, the filmmaker Peter Whitehead, Slinger provides us with a series of haunting images that chart a process of self-discovery and awakening that was described by Sheldon Williams as "a cascade of photo-collage imagery which has all the emergent trepidation of Hesse’s Steppenwolf."
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livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
BLK/MRKT Gallery : Two
BLK/MRKT Gallery : Two
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The BLK/MRKT Gallery near Los Angeles is one of the most influential galleries for new contemporary art. The artists that it shows are informed by all aspects of urban contemporary culture; influences that range from design and illustration to music and street art. Its targeted and professional approach to emerging talent has rightly caught the eye of the media, the(...)
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The BLK/MRKT Gallery near Los Angeles is one of the most influential galleries for new contemporary art. The artists that it shows are informed by all aspects of urban contemporary culture; influences that range from design and illustration to music and street art. Its targeted and professional approach to emerging talent has rightly caught the eye of the media, the(...)
Titre:
BLK/MRKT Gallery : Two
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The BLK/MRKT Gallery near Los Angeles is one of the most influential galleries for new contemporary art. The artists that it shows are informed by all aspects of urban contemporary culture; influences that range from design and illustration to music and street art. Its targeted and professional approach to emerging talent has rightly caught the eye of the media, the international art scene and brand managers at leading companies. This attention allows the gallery to work as a successful platform for the promotion of promising contemporary artists. BLK/MRKT TWO presents current work from a selection of artists associated with the gallery. These include David Ellis, Ian Francis, Mark Dean Veca, Lucy McLaughlan, Mel Kadel, Dave Kinsey, Mark Jenkins, Tiffany Bozic, Gregory Euclide and Ben Tour. Rich with striking images, BLK/MRKT TWO illustrates the most current forms of visual expression and trends in contemporary art. Like in the BLK/MRKT Gallery, the book also refrains from putting art on an elite pedestal and instead makes the progressive work produced at the conjunction between urban culture and creative vision accessible to all.
BLK/MRKT Gallery : Two
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The BLK/MRKT Gallery near Los Angeles is one of the most influential galleries for new contemporary art. The artists that it shows are informed by all aspects of urban contemporary culture; influences that range from design and illustration to music and street art. Its targeted and professional approach to emerging talent has rightly caught the eye of the media, the international art scene and brand managers at leading companies. This attention allows the gallery to work as a successful platform for the promotion of promising contemporary artists. BLK/MRKT TWO presents current work from a selection of artists associated with the gallery. These include David Ellis, Ian Francis, Mark Dean Veca, Lucy McLaughlan, Mel Kadel, Dave Kinsey, Mark Jenkins, Tiffany Bozic, Gregory Euclide and Ben Tour. Rich with striking images, BLK/MRKT TWO illustrates the most current forms of visual expression and trends in contemporary art. Like in the BLK/MRKT Gallery, the book also refrains from putting art on an elite pedestal and instead makes the progressive work produced at the conjunction between urban culture and creative vision accessible to all.
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livres
livres
Publication:
octobre 2007, Berlin
octobre 2007, Berlin
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
Titre:
Anthony Hernandez
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail,(...)
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail,(...)
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Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied body of work united by its arresting beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed his own style of street photography, one uniquely attuned to the desolate allure and sprawling expanses of LA. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an extensive plate section that includes many photographs that have never before been exhibited or published.
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied body of work united by its arresting beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed his own style of street photography, one uniquely attuned to the desolate allure and sprawling expanses of LA. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an extensive plate section that includes many photographs that have never before been exhibited or published.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$45.00
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in(...)
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in(...)
Titre:
Against the grain: Louis I. Kahn visiting assistant professorship
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in Los Angeles. Dan Wood in "Boulevard Triumphant: ecological infrastructure, architecture, modernization, and the image of the city" a studio for a civic center in Gabon that challenged the architectural language in Africa beyond the clichés and nostalgia to create an architecture that embodied a new ambition. Lisa Gray and Alan Organschi in "Timber innovation district: new timber technologies and contemporary high performance wood architecture" researched wood as a material for larger-scale projects for a site on New Haven’s working waterfront, with projects ranging from bridges to manufacturing facilities and multi-family housing. Edited by Jackie Kow and Nina Rappaport the book is designed by MGMT.design and is distributed by Actar D.
Against the grain: Louis I. Kahn visiting assistant professorship
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in Los Angeles. Dan Wood in "Boulevard Triumphant: ecological infrastructure, architecture, modernization, and the image of the city" a studio for a civic center in Gabon that challenged the architectural language in Africa beyond the clichés and nostalgia to create an architecture that embodied a new ambition. Lisa Gray and Alan Organschi in "Timber innovation district: new timber technologies and contemporary high performance wood architecture" researched wood as a material for larger-scale projects for a site on New Haven’s working waterfront, with projects ranging from bridges to manufacturing facilities and multi-family housing. Edited by Jackie Kow and Nina Rappaport the book is designed by MGMT.design and is distributed by Actar D.
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livres
livres
Publication:
août 2016
août 2016
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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$44.50
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Titre:
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
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livres
livres
Publication:
mars 2018
mars 2018
Classification:
livres
livres
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$107.95
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been(...)
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been(...)
Titre:
Soundspace : architecture for sound and vision
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$107.95
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been pre-eminently involved in drawing together these diverse disciplines. This book is an eclectic survey of issues central to building for contemporary media. Renowned guest authors from the fields of media and architecture have contributed ideas and projects, and an detailed overview of architectural acoustics serves as an integrated technical guide. Practical applications are presented in an illustrated portfolio of distinguished projects by studio bau:ton, ranging from museums to recording studios and film production facilities. Projects like the Fox Scoring Stage in Los Angeles or Bad Animals in Seattle are complemented by international examples such as Sony Music in Tokyo, X-Art in Austria and many more. Peter Grueneisen is the principal architect and a founder of studio bau:ton.
Soundspace : architecture for sound and vision
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$107.95
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been pre-eminently involved in drawing together these diverse disciplines. This book is an eclectic survey of issues central to building for contemporary media. Renowned guest authors from the fields of media and architecture have contributed ideas and projects, and an detailed overview of architectural acoustics serves as an integrated technical guide. Practical applications are presented in an illustrated portfolio of distinguished projects by studio bau:ton, ranging from museums to recording studios and film production facilities. Projects like the Fox Scoring Stage in Los Angeles or Bad Animals in Seattle are complemented by international examples such as Sony Music in Tokyo, X-Art in Austria and many more. Peter Grueneisen is the principal architect and a founder of studio bau:ton.
Classification:
livres
livres
Publication:
août 2003, Basel
août 2003, Basel
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
livres
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$115.00
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The squares of Venice as a source of inspiration for modern architects and urban planners. Is it possible to interpret the urban spaces in ancient Venice as we would analyse those in Los Angeles or Rotterdam? This book is the attempt to analyse Venice's Campi in the same way we would consider public space today. It focuses on those places so essential to public life(...)
$115.00
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Résumé:
The squares of Venice as a source of inspiration for modern architects and urban planners. Is it possible to interpret the urban spaces in ancient Venice as we would analyse those in Los Angeles or Rotterdam? This book is the attempt to analyse Venice's Campi in the same way we would consider public space today. It focuses on those places so essential to public life(...)
Titre:
Auftritte/ Scenes : interaction with architectural space : the Campi of Venice
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The squares of Venice as a source of inspiration for modern architects and urban planners. Is it possible to interpret the urban spaces in ancient Venice as we would analyse those in Los Angeles or Rotterdam? This book is the attempt to analyse Venice's Campi in the same way we would consider public space today. It focuses on those places so essential to public life and which offer an endless number of variations in our urban surroundings. We are actors on the stages of the city. The continual fascination with Venice's campi shows that this feature of urban architecture still has a significant role to play in modern life and they have a great creative potential to offer today's architects and planners. This publication documents Venice's squares in detail, analysing them precisely. Extensive visual material including plans, photographs of models, and photo sequences of the actual squares complement the texts to provide a comprehensive reference on this topic. Alban Janson and Thorsten Bürklin led this research project from the University of Karlsruhe in Venice.
Auftritte/ Scenes : interaction with architectural space : the Campi of Venice
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The squares of Venice as a source of inspiration for modern architects and urban planners. Is it possible to interpret the urban spaces in ancient Venice as we would analyse those in Los Angeles or Rotterdam? This book is the attempt to analyse Venice's Campi in the same way we would consider public space today. It focuses on those places so essential to public life and which offer an endless number of variations in our urban surroundings. We are actors on the stages of the city. The continual fascination with Venice's campi shows that this feature of urban architecture still has a significant role to play in modern life and they have a great creative potential to offer today's architects and planners. This publication documents Venice's squares in detail, analysing them precisely. Extensive visual material including plans, photographs of models, and photo sequences of the actual squares complement the texts to provide a comprehensive reference on this topic. Alban Janson and Thorsten Bürklin led this research project from the University of Karlsruhe in Venice.
Classification:
livres
livres
Publication:
juillet 2002, Basel
juillet 2002, Basel
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$85.00
(disponible en magasin)
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Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to(...)
$85.00
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Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to(...)
Titre:
Jonas Wood- Drawings, 2003-2023
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$85.00
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Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to take shape: a language that would come to define his mature practice. Drawing played a central role in Wood's process, serving as both preparatory sketches for his collages and paintings, as well as independent works of art in their own right. At the core of Wood's prolific output lies a deep appreciation for the handmade—a reverence reflected in his engagement with found photographs, manual projectors and half-erased pencil sketches. Although rendered in a flattened perspective, the resulting tableaux are deeply layered, revealing traces of the artist's hand, miscellaneous references and the transformative nature of various artistic media. The comprehensive catalog features an essay by Douglas Fogle and a conversation between Laura Owens and the artist.
Jonas Wood- Drawings, 2003-2023
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$85.00
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Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to take shape: a language that would come to define his mature practice. Drawing played a central role in Wood's process, serving as both preparatory sketches for his collages and paintings, as well as independent works of art in their own right. At the core of Wood's prolific output lies a deep appreciation for the handmade—a reverence reflected in his engagement with found photographs, manual projectors and half-erased pencil sketches. Although rendered in a flattened perspective, the resulting tableaux are deeply layered, revealing traces of the artist's hand, miscellaneous references and the transformative nature of various artistic media. The comprehensive catalog features an essay by Douglas Fogle and a conversation between Laura Owens and the artist.
Classification:
livres
livres
Publication:
janvier 2024
janvier 2024
Classification:
livres
livres
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$78.00
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory.(...)
$78.00
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory.(...)
Titre:
Too Many Products Too Much Pressure
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$78.00
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory. In 1980, as a young photographer just beginning her MFA in San Francisco and developing a keen interest in documenting labor, Janet Delaney embarked for a week on the job with her soon-to-retire father. The days are long and exhausting, but there is, in the incessant driving, carrying and chatting, a restless, pulsing energy streaming from Delaney’s photographs. Picturing the beauty parlors with a critical distance (she did, after all, grow up in a time of questioning constricted gender roles and capitalist consumer culture), using frontal, wide shots and often harsh flash, Delaney created a witty documentation of a day in the life of a salesman.
Too Many Products Too Much Pressure
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(disponible en magasin)
Résumé:
"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory. In 1980, as a young photographer just beginning her MFA in San Francisco and developing a keen interest in documenting labor, Janet Delaney embarked for a week on the job with her soon-to-retire father. The days are long and exhausting, but there is, in the incessant driving, carrying and chatting, a restless, pulsing energy streaming from Delaney’s photographs. Picturing the beauty parlors with a critical distance (she did, after all, grow up in a time of questioning constricted gender roles and capitalist consumer culture), using frontal, wide shots and often harsh flash, Delaney created a witty documentation of a day in the life of a salesman.
Classification:
livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Monographies photo
Monographies photo
