5764 Résultats
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60(...)
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60(...)
Publication:
septembre 2008, London
septembre 2008, London
Titre:
Talking Art interviews with artists since 1976
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60 influential artists of the last quarter of the twentieth century. The importance of the artists is unmistakable, including Frank Stella, David Hockney, Robert Motherwell, Jasper Johns, Barbara Kruger, Brice Marden, Gilbert & George, George Segal, Richard Serra, Claes Oldenburg, Sol LeWitt and John Baldessari. With an outstanding index of artists and others cited by the interviewees.
Talking Art interviews with artists since 1976
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60 influential artists of the last quarter of the twentieth century. The importance of the artists is unmistakable, including Frank Stella, David Hockney, Robert Motherwell, Jasper Johns, Barbara Kruger, Brice Marden, Gilbert & George, George Segal, Richard Serra, Claes Oldenburg, Sol LeWitt and John Baldessari. With an outstanding index of artists and others cited by the interviewees.
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Publication:
septembre 2008, London
septembre 2008, London
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical(...)
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical(...)
Titre:
The silences of Mies: 02.AKAD
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical genealogy, and to connect it to the present moment, when the possibility and very sense of criticality as a strategy of negativity seem more questinable than ever. Sven-Olov Wallenstein teaches philosophy and aesthetics at the University College of Södertörn in Stockholm, and is the editor-in-chief of Site magazine.
The silences of Mies: 02.AKAD
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical genealogy, and to connect it to the present moment, when the possibility and very sense of criticality as a strategy of negativity seem more questinable than ever. Sven-Olov Wallenstein teaches philosophy and aesthetics at the University College of Södertörn in Stockholm, and is the editor-in-chief of Site magazine.
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livres
livres
Publication:
janvier 1900, Stockholm
janvier 1900, Stockholm
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His(...)
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His(...)
Titre:
Aldo Rossi: works and projects
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His later work has been shaped by mannerism and a tirelss determination to keep on inventing, showing evident signs of modernism and innovation. In his secondary capacity as designer of interiors, furniture and objects, he has more directly recreated the conventional comfort of his own world of forms.
Aldo Rossi: works and projects
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His later work has been shaped by mannerism and a tirelss determination to keep on inventing, showing evident signs of modernism and innovation. In his secondary capacity as designer of interiors, furniture and objects, he has more directly recreated the conventional comfort of his own world of forms.
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livres
livres
Publication:
janvier 1991, Barcelona
janvier 1991, Barcelona
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar(...)
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar(...)
Publication:
octobre 2017
octobre 2017
Titre:
The moderns: midcentury American graphic design
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
The moderns: midcentury American graphic design
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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livres
livres
Publication:
octobre 2017
octobre 2017
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livres
livres
Titre:
Blast 1
Blast 1
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In December 1913, Ezra Pound wrote to William Carlos Williams calling the London art/literary scene “The Vortex.” Wyndham Lewis in turn appropriated the term to christen his budding movement in the arts, “Vorticism.” Vorticism was baptized on June 20, 1914 in the first issue of BLAST, A Review of the Great English Vortex — Lewis’s revolutionary magazine. BLAST is now(...)
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In December 1913, Ezra Pound wrote to William Carlos Williams calling the London art/literary scene “The Vortex.” Wyndham Lewis in turn appropriated the term to christen his budding movement in the arts, “Vorticism.” Vorticism was baptized on June 20, 1914 in the first issue of BLAST, A Review of the Great English Vortex — Lewis’s revolutionary magazine. BLAST is now(...)
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Blast 1
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In December 1913, Ezra Pound wrote to William Carlos Williams calling the London art/literary scene “The Vortex.” Wyndham Lewis in turn appropriated the term to christen his budding movement in the arts, “Vorticism.” Vorticism was baptized on June 20, 1914 in the first issue of BLAST, A Review of the Great English Vortex — Lewis’s revolutionary magazine. BLAST is now considered one of this century’s examples of modernist expression and typography, both historically indispensable and a milestone in modern thought. To the artistic audience of its time, the first issue of BLAST came as a brutal shock, a quality that has been preserved in this first facsimile edition.
Blast 1
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In December 1913, Ezra Pound wrote to William Carlos Williams calling the London art/literary scene “The Vortex.” Wyndham Lewis in turn appropriated the term to christen his budding movement in the arts, “Vorticism.” Vorticism was baptized on June 20, 1914 in the first issue of BLAST, A Review of the Great English Vortex — Lewis’s revolutionary magazine. BLAST is now considered one of this century’s examples of modernist expression and typography, both historically indispensable and a milestone in modern thought. To the artistic audience of its time, the first issue of BLAST came as a brutal shock, a quality that has been preserved in this first facsimile edition.
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livres
livres
Publication:
août 2009
août 2009
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livres
livres
Titre:
Architecture/Astrology
Architecture/Astrology
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Artist Dan Graham and writer Jessica Russell's playful Architecture/Astrology considers some of the most important and innovative figures in the world of architecture from an angle few would expect: their star signs. Originally published as a column for Domus magazine, Graham and Russell's book integrates critical analysis with astrology and mythology to offer alternative(...)
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Artist Dan Graham and writer Jessica Russell's playful Architecture/Astrology considers some of the most important and innovative figures in the world of architecture from an angle few would expect: their star signs. Originally published as a column for Domus magazine, Graham and Russell's book integrates critical analysis with astrology and mythology to offer alternative(...)
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Architecture/Astrology
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Artist Dan Graham and writer Jessica Russell's playful Architecture/Astrology considers some of the most important and innovative figures in the world of architecture from an angle few would expect: their star signs. Originally published as a column for Domus magazine, Graham and Russell's book integrates critical analysis with astrology and mythology to offer alternative perspectives on the work and personalities of artist/architects including Frank Gehry (a restless, dreamy Pisces), Frank Lloyd Wright (a romantic Gemini with one foot in the past and the other in the future), Eero Saarinen (a dynamic, dramatic Leo) and Le Corbusier (a logical, balanced Libra). With accompanying illustrations by Mieko Meguro.
Architecture/Astrology
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Artist Dan Graham and writer Jessica Russell's playful Architecture/Astrology considers some of the most important and innovative figures in the world of architecture from an angle few would expect: their star signs. Originally published as a column for Domus magazine, Graham and Russell's book integrates critical analysis with astrology and mythology to offer alternative perspectives on the work and personalities of artist/architects including Frank Gehry (a restless, dreamy Pisces), Frank Lloyd Wright (a romantic Gemini with one foot in the past and the other in the future), Eero Saarinen (a dynamic, dramatic Leo) and Le Corbusier (a logical, balanced Libra). With accompanying illustrations by Mieko Meguro.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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Cet ouvrage présente des images inédites qui informent sur les conditions de la conception et de la construction de ce que le Time Magazine a qualifié de plus belle exposition du siècle. Par un heureux concours de circonstances et alors que l’architecture des expositions nationales suisses avait été polarisée jusque-là entre traditionalisme et prouesses technologiques,(...)
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Cet ouvrage présente des images inédites qui informent sur les conditions de la conception et de la construction de ce que le Time Magazine a qualifié de plus belle exposition du siècle. Par un heureux concours de circonstances et alors que l’architecture des expositions nationales suisses avait été polarisée jusque-là entre traditionalisme et prouesses technologiques,(...)
Publication:
janvier 2015
janvier 2015
Titre:
Expo 64: le printemps de l'architecture suisse
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Cet ouvrage présente des images inédites qui informent sur les conditions de la conception et de la construction de ce que le Time Magazine a qualifié de plus belle exposition du siècle. Par un heureux concours de circonstances et alors que l’architecture des expositions nationales suisses avait été polarisée jusque-là entre traditionalisme et prouesses technologiques, l’Expo 64 a échappé à l’air de son temps pour déployer une créativité joyeuse. Collectés par les Acm depuis 1994, dessins originaux, plans d’ingénieurs et d’architectes, photographies de maquettes et de terrain permettent de montrer comment cette exposition nationale, dont la gestation se déroule en pleine guerre froide, a réussi à percer.
Expo 64: le printemps de l'architecture suisse
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Cet ouvrage présente des images inédites qui informent sur les conditions de la conception et de la construction de ce que le Time Magazine a qualifié de plus belle exposition du siècle. Par un heureux concours de circonstances et alors que l’architecture des expositions nationales suisses avait été polarisée jusque-là entre traditionalisme et prouesses technologiques, l’Expo 64 a échappé à l’air de son temps pour déployer une créativité joyeuse. Collectés par les Acm depuis 1994, dessins originaux, plans d’ingénieurs et d’architectes, photographies de maquettes et de terrain permettent de montrer comment cette exposition nationale, dont la gestation se déroule en pleine guerre froide, a réussi à percer.
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livres
livres
Publication:
janvier 2015
janvier 2015
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that(...)
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that(...)
Titre:
The holiday makers: magazines, advertising, and mass tourism in Postwar America
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that characterized midcentury modernity. The Holiday Makers tells the story of how advertisers sold tourist travel in popular magazines during this era, transforming consumer culture in the process.
The holiday makers: magazines, advertising, and mass tourism in Postwar America
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that characterized midcentury modernity. The Holiday Makers tells the story of how advertisers sold tourist travel in popular magazines during this era, transforming consumer culture in the process.
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livres
livres
Publication:
mai 2012
mai 2012
Classification:
livres
livres
Titre:
Daido Moriyama
Daido Moriyama
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This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a(...)
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This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a(...)
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Daido Moriyama
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This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a travelling insurance salesman. Moriyama studied graphic design and, in the 1960s, moved to Tokyo to work with the VIVO group of photographers, which included Eikoh Hosoe and Shomei Tomatsu. Accompanied by a surge in Japanese economic growth and mass culture, Moriyama was published in several magazines and journals, earning him the accolade of Most Promising Photographer by the Japan Photography Critics Association. Moriyama was a member of PROVOKE Magazine at the time of international youth movements and unrest in 1968. The magazine, and Moriyama's photography, sought to assert an independence over the classically held notion of photography as purely a visual sign. He was aware that the camera can not offer a complete record and it is in this very partialness that the real excitement and enigma in his work arises. Exploring themes of self-expression, the disfiguration of urban landscapes, eroticism and fading Japanese traditions, Moriyama remarked that one of photography's essential qualities is its amateurism, and another its anonymity. These have numbered among his preoccupations from the beginning and most of Moriyama's images follow a snapshot aesthetic, often taken while running or from a moving car, without the use of a viewfinder.
Daido Moriyama
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This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a travelling insurance salesman. Moriyama studied graphic design and, in the 1960s, moved to Tokyo to work with the VIVO group of photographers, which included Eikoh Hosoe and Shomei Tomatsu. Accompanied by a surge in Japanese economic growth and mass culture, Moriyama was published in several magazines and journals, earning him the accolade of Most Promising Photographer by the Japan Photography Critics Association. Moriyama was a member of PROVOKE Magazine at the time of international youth movements and unrest in 1968. The magazine, and Moriyama's photography, sought to assert an independence over the classically held notion of photography as purely a visual sign. He was aware that the camera can not offer a complete record and it is in this very partialness that the real excitement and enigma in his work arises. Exploring themes of self-expression, the disfiguration of urban landscapes, eroticism and fading Japanese traditions, Moriyama remarked that one of photography's essential qualities is its amateurism, and another its anonymity. These have numbered among his preoccupations from the beginning and most of Moriyama's images follow a snapshot aesthetic, often taken while running or from a moving car, without the use of a viewfinder.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Nozone x: forecast
Nozone x: forecast
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated(...)
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated(...)
Publication:
septembre 2008, New York
septembre 2008, New York
Titre:
Nozone x: forecast
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated with dry charts and graphs predicting technological, economic, and ecological transformations that are already dramatically altering the way we live. Forecast revisualizes these abstractions about everything from our environment to our waistlines, from the stock market to the Middle East through the eyes of cartoonists and graphic designers who have made comics with a conscience: Ward Sutton imagines a nation divided into a red and a blue zone; Paula Scher maps out the Northern Hemisphere of 2100; Elizabeth Amon interviews New Yorker journalist Elizabeth Kolbert on global warming; and Tom Tomorrow looks back on the legacy of Bush-Cheney. Ultimately, Forecast is an optimistic book: using humor, it encourages all of us to take responsibility for predictions of the future and to take action to affect change. Forecast is the latest installment of Nozone. Featured in the Cooper Hewitt's Design Triennial, Nozone is a decade-old political graphic design and comics zine, edited around a theme. Nicholas Blechman is principal of Knickerbocker Design in New York City and art director of the New York Times Book Review. He is the editor of Empire and co-author of Evil, both published by Princeton Architectural Press. Blechman is publisher of the award-winning political underground magazine Nozone.
Nozone x: forecast
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Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated with dry charts and graphs predicting technological, economic, and ecological transformations that are already dramatically altering the way we live. Forecast revisualizes these abstractions about everything from our environment to our waistlines, from the stock market to the Middle East through the eyes of cartoonists and graphic designers who have made comics with a conscience: Ward Sutton imagines a nation divided into a red and a blue zone; Paula Scher maps out the Northern Hemisphere of 2100; Elizabeth Amon interviews New Yorker journalist Elizabeth Kolbert on global warming; and Tom Tomorrow looks back on the legacy of Bush-Cheney. Ultimately, Forecast is an optimistic book: using humor, it encourages all of us to take responsibility for predictions of the future and to take action to affect change. Forecast is the latest installment of Nozone. Featured in the Cooper Hewitt's Design Triennial, Nozone is a decade-old political graphic design and comics zine, edited around a theme. Nicholas Blechman is principal of Knickerbocker Design in New York City and art director of the New York Times Book Review. He is the editor of Empire and co-author of Evil, both published by Princeton Architectural Press. Blechman is publisher of the award-winning political underground magazine Nozone.
Classification:
livres
livres
Publication:
septembre 2008, New York
septembre 2008, New York
