3106 Résultats
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
Titre:
Hans Ulrich Obrist : the Czech files
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
Hans Ulrich Obrist : the Czech files
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$21.00
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Chicago's Krueck & Sexton Architects--designers of showrooms for Christie's and Herman Miller, the Joseph Cornell Galleries at The Art Institute of Chicago and many other industrial and residential projects nationwide--is internationally recognized as one of the most innovative and accomplished design firms practicing today. Founded in 1979, the firm has produced a body(...)
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Chicago's Krueck & Sexton Architects--designers of showrooms for Christie's and Herman Miller, the Joseph Cornell Galleries at The Art Institute of Chicago and many other industrial and residential projects nationwide--is internationally recognized as one of the most innovative and accomplished design firms practicing today. Founded in 1979, the firm has produced a body(...)
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Krueck & Sexton: the new spertus institute a study in light
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Chicago's Krueck & Sexton Architects--designers of showrooms for Christie's and Herman Miller, the Joseph Cornell Galleries at The Art Institute of Chicago and many other industrial and residential projects nationwide--is internationally recognized as one of the most innovative and accomplished design firms practicing today. Founded in 1979, the firm has produced a body of work noted for its thoughtful and provocative explorations of the possibilities of Modernism. This volume focuses on an expansion of the Spertus Institute of Jewish Studies, an 80-year-old Chicago institution that selected Krueck & Sexton to design a signature architectural statement about the nature of Jewish culture and learning. The result is a 150,000-square-foot unabashedly contemporary building on historic South Michigan Avenue, whose presence among traditional nineteenth-century masonry buildings both respects and challenges the notions of past and present. Light Study reveals the concepts and processes behind the design of this institution.
Krueck & Sexton: the new spertus institute a study in light
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Chicago's Krueck & Sexton Architects--designers of showrooms for Christie's and Herman Miller, the Joseph Cornell Galleries at The Art Institute of Chicago and many other industrial and residential projects nationwide--is internationally recognized as one of the most innovative and accomplished design firms practicing today. Founded in 1979, the firm has produced a body of work noted for its thoughtful and provocative explorations of the possibilities of Modernism. This volume focuses on an expansion of the Spertus Institute of Jewish Studies, an 80-year-old Chicago institution that selected Krueck & Sexton to design a signature architectural statement about the nature of Jewish culture and learning. The result is a 150,000-square-foot unabashedly contemporary building on historic South Michigan Avenue, whose presence among traditional nineteenth-century masonry buildings both respects and challenges the notions of past and present. Light Study reveals the concepts and processes behind the design of this institution.
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livres
livres
Publication:
mars 2008, Illinois
mars 2008, Illinois
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Gego: Measuring infinity
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
Publication:
juin 2023
juin 2023
Titre:
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
Gego: Measuring infinity
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$91.00
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
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livres
livres
Publication:
juin 2023
juin 2023
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$178.00
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Beginning in the 1940s, John A. Russell, dean of the School of Architecture at the University of Manitoba, nurtured a strong tradition of Modernist design with close connections to architectural giants such as Mies van der Rohe and Walter Gropius. Under Russell’s guidance, a generation of young architects, such as James Donahue and David Thordarson, adapted the principles(...)
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Beginning in the 1940s, John A. Russell, dean of the School of Architecture at the University of Manitoba, nurtured a strong tradition of Modernist design with close connections to architectural giants such as Mies van der Rohe and Walter Gropius. Under Russell’s guidance, a generation of young architects, such as James Donahue and David Thordarson, adapted the principles(...)
Titre:
Winnipeg modern: architecture, 1945-1975
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Beginning in the 1940s, John A. Russell, dean of the School of Architecture at the University of Manitoba, nurtured a strong tradition of Modernist design with close connections to architectural giants such as Mies van der Rohe and Walter Gropius. Under Russell’s guidance, a generation of young architects, such as James Donahue and David Thordarson, adapted the principles of European Modernism to the prairie geography. Other nationally renowned architects, such as Etienne Gaboury and Gustavo da Roza, also left a lasting Modernist mark on Winnipeg’s skyline and private residences. Designed by architect Herbert Enns, "Winnipeg Modern" captures the grace and beauty of the Modernist period and includes critical and historical essays on the aesthetic and social project of Modernist architecture in Winnipeg. Illustrated with 240 photographs from local and national archives, the private archives of architect Henry Kalen, and contemporary photographer Martin Tessler, this book is a testament to the Modernist principles of structural expression and purity of form.
Winnipeg modern: architecture, 1945-1975
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Beginning in the 1940s, John A. Russell, dean of the School of Architecture at the University of Manitoba, nurtured a strong tradition of Modernist design with close connections to architectural giants such as Mies van der Rohe and Walter Gropius. Under Russell’s guidance, a generation of young architects, such as James Donahue and David Thordarson, adapted the principles of European Modernism to the prairie geography. Other nationally renowned architects, such as Etienne Gaboury and Gustavo da Roza, also left a lasting Modernist mark on Winnipeg’s skyline and private residences. Designed by architect Herbert Enns, "Winnipeg Modern" captures the grace and beauty of the Modernist period and includes critical and historical essays on the aesthetic and social project of Modernist architecture in Winnipeg. Illustrated with 240 photographs from local and national archives, the private archives of architect Henry Kalen, and contemporary photographer Martin Tessler, this book is a testament to the Modernist principles of structural expression and purity of form.
Publication:
janvier 2006, Winnipeg
janvier 2006, Winnipeg
Sujet:
Architecture du Canada
Architecture du Canada
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livres
livres
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$81.50
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During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. "Barcelona and Modernity" examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centres of modernist art and architecture in Europe.(...)
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During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. "Barcelona and Modernity" examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centres of modernist art and architecture in Europe.(...)
Publication:
novembre 2006, New Haven / London
novembre 2006, New Haven / London
Titre:
Barcelona and Modernity : Picasso, Gaudi, Miro, Dali
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During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. "Barcelona and Modernity" examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centres of modernist art and architecture in Europe. Focusing on the Catalan Renaixença, Modernisme, Noucentisme, avant-garde movements of the early 20th century, and artistic reactions to the Spanish Civil War, essays by an extraordinary team of scholars offer new insights into the work of such Catalan artists as Antoni Gaudí, Pablo Picasso, Joan Miró, and Salvador Dalí, among others, by setting them in context with the art of their teachers, colleagues, and rivals. With approximately 350 works in a variety of media—painting, sculpture, photography, furniture, decorative arts, and architectural design — this book also explores how Catalan artists derived inspiration from local traditions while contributing their own innovations to international modernism.
Barcelona and Modernity : Picasso, Gaudi, Miro, Dali
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During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. "Barcelona and Modernity" examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centres of modernist art and architecture in Europe. Focusing on the Catalan Renaixença, Modernisme, Noucentisme, avant-garde movements of the early 20th century, and artistic reactions to the Spanish Civil War, essays by an extraordinary team of scholars offer new insights into the work of such Catalan artists as Antoni Gaudí, Pablo Picasso, Joan Miró, and Salvador Dalí, among others, by setting them in context with the art of their teachers, colleagues, and rivals. With approximately 350 works in a variety of media—painting, sculpture, photography, furniture, decorative arts, and architectural design — this book also explores how Catalan artists derived inspiration from local traditions while contributing their own innovations to international modernism.
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livres
livres
Publication:
novembre 2006, New Haven / London
novembre 2006, New Haven / London
Classification:
livres
livres
Titre:
Bruce Goff: Material worlds
Bruce Goff: Material worlds
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Celebrated as one of the most innovative and daring architects of the twentieth century, Bruce Goff (1904–1982) imagined a truly independent modern American architecture throughout his six-decade-long career, which began when he was just twelve years old, working as an apprentice at an architectural firm in Tulsa, Oklahoma. Distinguishing himself from the restrained(...)
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Celebrated as one of the most innovative and daring architects of the twentieth century, Bruce Goff (1904–1982) imagined a truly independent modern American architecture throughout his six-decade-long career, which began when he was just twelve years old, working as an apprentice at an architectural firm in Tulsa, Oklahoma. Distinguishing himself from the restrained(...)
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Bruce Goff: Material worlds
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$73.00
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Celebrated as one of the most innovative and daring architects of the twentieth century, Bruce Goff (1904–1982) imagined a truly independent modern American architecture throughout his six-decade-long career, which began when he was just twelve years old, working as an apprentice at an architectural firm in Tulsa, Oklahoma. Distinguishing himself from the restrained modernism of the postwar period, Goff created single-family homes that were at once livable and adventurous, featuring radical spatial relationships, and designed fantastical large-scale commercial and industrial spaces. His architectural legacy often overshadows his equally experimental artistic career; this book explores the full sweep of Goff’s creativity, which flowed between media and artistic practices. It highlights 150 objects, including architectural drawings and models; abstract paintings; and photographs, ephemera, and building fragments. Inspired by a range of cultural and artistic traditions, from Native American art to Japanese joinery and the landscapes of science fiction, Goff’s work represents a unique synthesis of diverse influences.
Bruce Goff: Material worlds
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Celebrated as one of the most innovative and daring architects of the twentieth century, Bruce Goff (1904–1982) imagined a truly independent modern American architecture throughout his six-decade-long career, which began when he was just twelve years old, working as an apprentice at an architectural firm in Tulsa, Oklahoma. Distinguishing himself from the restrained modernism of the postwar period, Goff created single-family homes that were at once livable and adventurous, featuring radical spatial relationships, and designed fantastical large-scale commercial and industrial spaces. His architectural legacy often overshadows his equally experimental artistic career; this book explores the full sweep of Goff’s creativity, which flowed between media and artistic practices. It highlights 150 objects, including architectural drawings and models; abstract paintings; and photographs, ephemera, and building fragments. Inspired by a range of cultural and artistic traditions, from Native American art to Japanese joinery and the landscapes of science fiction, Goff’s work represents a unique synthesis of diverse influences.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$43.00
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The architecture of the Soviet Union in the 1920s and 1930s was integral to shaping 20th-century modernism. Russian architect Konstantin Melnikov (1890–1974) was a key figure of this movement, with many of his realized projects, such as his cylindrical residential house completed in 1929, becoming modernist icons. Because he refused to conform to architectural standards(...)
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The architecture of the Soviet Union in the 1920s and 1930s was integral to shaping 20th-century modernism. Russian architect Konstantin Melnikov (1890–1974) was a key figure of this movement, with many of his realized projects, such as his cylindrical residential house completed in 1929, becoming modernist icons. Because he refused to conform to architectural standards(...)
Titre:
Konstantin Melnikov: The master of the architectural form
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The architecture of the Soviet Union in the 1920s and 1930s was integral to shaping 20th-century modernism. Russian architect Konstantin Melnikov (1890–1974) was a key figure of this movement, with many of his realized projects, such as his cylindrical residential house completed in 1929, becoming modernist icons. Because he refused to conform to architectural standards after Stalin's cultural turn in 1932, his works were largely forgotten for several decades. He was rehabilitated and received public recognition for his imaginative constructions only a few years prior to his death in 1974. This publication presents models of Melnikov's built and unbuilt works, created under the direction of scholar Pavel Kuznetsov by the students of the Accademia di Architettura in Mendrisio. The models are accompanied by photographs, sketches and project descriptions expanding on Melnikov's work. An essay by Kuznetsov situates the architect in his historical context, shedding light on an underappreciated figure of architectural history.
Konstantin Melnikov: The master of the architectural form
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The architecture of the Soviet Union in the 1920s and 1930s was integral to shaping 20th-century modernism. Russian architect Konstantin Melnikov (1890–1974) was a key figure of this movement, with many of his realized projects, such as his cylindrical residential house completed in 1929, becoming modernist icons. Because he refused to conform to architectural standards after Stalin's cultural turn in 1932, his works were largely forgotten for several decades. He was rehabilitated and received public recognition for his imaginative constructions only a few years prior to his death in 1974. This publication presents models of Melnikov's built and unbuilt works, created under the direction of scholar Pavel Kuznetsov by the students of the Accademia di Architettura in Mendrisio. The models are accompanied by photographs, sketches and project descriptions expanding on Melnikov's work. An essay by Kuznetsov situates the architect in his historical context, shedding light on an underappreciated figure of architectural history.
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$45.00
(disponible en magasin)
Résumé:
Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions(...)
$45.00
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions(...)
Titre:
How Modern: Biographies of Architecture in China 1949–1979
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions of this history persist: that nationalization and collectivism denied architects creative independence, that projects focused on industrial productivity over design quality, and that the promotion of a “national style” limited more modern formal choices. At once a question and a proposition, How Modern: Biographies of Architecture in China 1949–1979 reassesses New China’s architectural production. Reproducing primary sources alongside short essays and interviews with architects, archivists, historians, and residents, the book reflects on issues such as agency, innovation, collaboration, expertise, standardization, craft, and local and international impact. It challenges a monolithic history of socialist modernity by foregrounding the varied conditions under which modernism was conceived, realized, and experienced.
How Modern: Biographies of Architecture in China 1949–1979
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions of this history persist: that nationalization and collectivism denied architects creative independence, that projects focused on industrial productivity over design quality, and that the promotion of a “national style” limited more modern formal choices. At once a question and a proposition, How Modern: Biographies of Architecture in China 1949–1979 reassesses New China’s architectural production. Reproducing primary sources alongside short essays and interviews with architects, archivists, historians, and residents, the book reflects on issues such as agency, innovation, collaboration, expertise, standardization, craft, and local and international impact. It challenges a monolithic history of socialist modernity by foregrounding the varied conditions under which modernism was conceived, realized, and experienced.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
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$75.00
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Anni Albers (1899–1994) has long been revered as a trailblazing weaver, textile designer, and visual artist; she also was an insightful and eloquent writer, and her books On Designing and On Weaving are canonical writings in design history. "Anni Albers: Constructing textiles" explores the ideas of materiality, construction, and architecture across her body of work,(...)
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Anni Albers (1899–1994) has long been revered as a trailblazing weaver, textile designer, and visual artist; she also was an insightful and eloquent writer, and her books On Designing and On Weaving are canonical writings in design history. "Anni Albers: Constructing textiles" explores the ideas of materiality, construction, and architecture across her body of work,(...)
Sujet:
Design, monographies
Design, monographies
Publication:
janvier 2026
janvier 2026
Titre:
Anni Albers: Constructing Textiles
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$75.00
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Anni Albers (1899–1994) has long been revered as a trailblazing weaver, textile designer, and visual artist; she also was an insightful and eloquent writer, and her books On Designing and On Weaving are canonical writings in design history. "Anni Albers: Constructing textiles" explores the ideas of materiality, construction, and architecture across her body of work, establishing her legacy as a thinker, theoretician, and innovator. The book’s essays include essential writings by Albers herself on the making and meaning of textiles, as well as new pieces by Glenn Adamson on her relationship to architecture, Karis Medina on the material and technique of her weavings, Amy Jean Porter on her writing, and Jeffrey Saletnik on East Asian influences in Albers’s work and thinking. Among the book’s hundreds of beautifully reproduced images are works held in private collections that have never before been published. An essential volume in the literature about modernism, this book reinforces Albers’s position as a leading figure in twentieth-century art.
Anni Albers: Constructing Textiles
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$75.00
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Anni Albers (1899–1994) has long been revered as a trailblazing weaver, textile designer, and visual artist; she also was an insightful and eloquent writer, and her books On Designing and On Weaving are canonical writings in design history. "Anni Albers: Constructing textiles" explores the ideas of materiality, construction, and architecture across her body of work, establishing her legacy as a thinker, theoretician, and innovator. The book’s essays include essential writings by Albers herself on the making and meaning of textiles, as well as new pieces by Glenn Adamson on her relationship to architecture, Karis Medina on the material and technique of her weavings, Amy Jean Porter on her writing, and Jeffrey Saletnik on East Asian influences in Albers’s work and thinking. Among the book’s hundreds of beautifully reproduced images are works held in private collections that have never before been published. An essential volume in the literature about modernism, this book reinforces Albers’s position as a leading figure in twentieth-century art.
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Design, monographies
Design, monographies
Classification:
périodiques
périodiques
Titre:
Anima 4
Anima 4
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$30.00
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In this edition, we turn our attention to institutions, legacies and the individuals who shape how design is seen, understood and remembered. At the Triennale Design Museum in Milan, an ambitious programme under Stefano Boeri and Marco Sammicheli has reasserted the relevance of archives and exhibitions alike. We explore two major retrospectives staged during Milan Design(...)
$30.00
(disponible en magasin)
Résumé:
In this edition, we turn our attention to institutions, legacies and the individuals who shape how design is seen, understood and remembered. At the Triennale Design Museum in Milan, an ambitious programme under Stefano Boeri and Marco Sammicheli has reasserted the relevance of archives and exhibitions alike. We explore two major retrospectives staged during Milan Design(...)
Sujet:
Revues
Revues
Publication:
mai 2026
mai 2026
Titre:
Anima 4
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$30.00
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Résumé:
In this edition, we turn our attention to institutions, legacies and the individuals who shape how design is seen, understood and remembered. At the Triennale Design Museum in Milan, an ambitious programme under Stefano Boeri and Marco Sammicheli has reasserted the relevance of archives and exhibitions alike. We explore two major retrospectives staged during Milan Design Week: a survey of Lella and Massimo Vignelli, whose rigorous modernism reshaped graphic design on both sides of the Atlantic, and a closer look at the work of Edward Barber and Jay Osgerby. Elsewhere, we consider how design operates as a cultural practice as much as a commercial one. Bianca Saunders and Andu Masebo, both working in London across fashion and furniture respectively, reflect on identity, making and the city as a source of influence. We also turn to contemporary anxieties around technology, with an opinion piece unpacking the limitations and implications of so-called ‘AI slop’.
Anima 4
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$30.00
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Résumé:
In this edition, we turn our attention to institutions, legacies and the individuals who shape how design is seen, understood and remembered. At the Triennale Design Museum in Milan, an ambitious programme under Stefano Boeri and Marco Sammicheli has reasserted the relevance of archives and exhibitions alike. We explore two major retrospectives staged during Milan Design Week: a survey of Lella and Massimo Vignelli, whose rigorous modernism reshaped graphic design on both sides of the Atlantic, and a closer look at the work of Edward Barber and Jay Osgerby. Elsewhere, we consider how design operates as a cultural practice as much as a commercial one. Bianca Saunders and Andu Masebo, both working in London across fashion and furniture respectively, reflect on identity, making and the city as a source of influence. We also turn to contemporary anxieties around technology, with an opinion piece unpacking the limitations and implications of so-called ‘AI slop’.
Classification:
périodiques
périodiques
Publication:
mai 2026
mai 2026
Sujet:
Revues
Revues
