2988 Résultats
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a(...)
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
septembre 2007, Basel, Boston, Berlin
septembre 2007, Basel, Boston, Berlin
Titre:
Donald Judd : Architecture in Marfa, Texas
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a large collection of architectural designs that explore the relationship between architecture and art. Of special importance for Judd’s work in this field is a former military fort in Marfa, Texas, part of which he purchased and then, beginning in 1971, transformed into one of the largest existing ensembles of contemporary art. The Marfa buildings have for the first time been carefully measured and drawn to scale by the author and his students. Using standard CAD drawings together with historical and contemporary photographs, this volume illustrates Judd’s architectural alterations to the buildings in Marfa, and discusses and describes them in its accompanying text. The result is an invaluable source of inspiration for contemporary architecture.
Donald Judd : Architecture in Marfa, Texas
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a large collection of architectural designs that explore the relationship between architecture and art. Of special importance for Judd’s work in this field is a former military fort in Marfa, Texas, part of which he purchased and then, beginning in 1971, transformed into one of the largest existing ensembles of contemporary art. The Marfa buildings have for the first time been carefully measured and drawn to scale by the author and his students. Using standard CAD drawings together with historical and contemporary photographs, this volume illustrates Judd’s architectural alterations to the buildings in Marfa, and discusses and describes them in its accompanying text. The result is an invaluable source of inspiration for contemporary architecture.
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livres
livres
Publication:
septembre 2007, Basel, Boston, Berlin
septembre 2007, Basel, Boston, Berlin
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$115.00
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
Titre:
Moholy-Nagy: laboratory of vision
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
Moholy-Nagy: laboratory of vision
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
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livres
livres
Publication:
octobre 2011
octobre 2011
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livres
livres
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In recent years risography has captured the attention of printers and artists, especially in independent and self-publishing circles, given the technical and visual qualities it offers. Varied and vivid spot colors, the warmth of the finishes, and occasional imperfections in uniformity and register are just some of these attractive features. Designed mainly for(...)
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In recent years risography has captured the attention of printers and artists, especially in independent and self-publishing circles, given the technical and visual qualities it offers. Varied and vivid spot colors, the warmth of the finishes, and occasional imperfections in uniformity and register are just some of these attractive features. Designed mainly for(...)
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Riso art: A creative's guide to mastering risography
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In recent years risography has captured the attention of printers and artists, especially in independent and self-publishing circles, given the technical and visual qualities it offers. Varied and vivid spot colors, the warmth of the finishes, and occasional imperfections in uniformity and register are just some of these attractive features. Designed mainly for high-volume photocopying and printing, Risographs are far less expensive than conventional photocopy machines and laser or ink printers. Rich in illustrations, pictures, detailed instructions and infographics, this practical guide to Risograph printing will teach readers how to set up a Risograph, how to prepare files to print, how to make overprints and knockouts, how to choose paper, how to handle freshly printed works, what ink to use and about any additional equipment they will need to become a Riso master. An ideal primer for novice users of a Riso printer, readers will also learn how to apply artistic printing techniques that will allow them to print with brighter, more expressive, saturated colors that, unlike photocopy ink, do not fade over time. The book also includes profiles of notable printers, with one featured work of Riso art and the printing technique used.
Riso art: A creative's guide to mastering risography
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In recent years risography has captured the attention of printers and artists, especially in independent and self-publishing circles, given the technical and visual qualities it offers. Varied and vivid spot colors, the warmth of the finishes, and occasional imperfections in uniformity and register are just some of these attractive features. Designed mainly for high-volume photocopying and printing, Risographs are far less expensive than conventional photocopy machines and laser or ink printers. Rich in illustrations, pictures, detailed instructions and infographics, this practical guide to Risograph printing will teach readers how to set up a Risograph, how to prepare files to print, how to make overprints and knockouts, how to choose paper, how to handle freshly printed works, what ink to use and about any additional equipment they will need to become a Riso master. An ideal primer for novice users of a Riso printer, readers will also learn how to apply artistic printing techniques that will allow them to print with brighter, more expressive, saturated colors that, unlike photocopy ink, do not fade over time. The book also includes profiles of notable printers, with one featured work of Riso art and the printing technique used.
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livres
livres
Publication:
mai 2023
mai 2023
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking(...)
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking(...)
Titre:
Penguin by design : a cover story 1935-2005
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book-cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.
Penguin by design : a cover story 1935-2005
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book-cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
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livres
livres
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$25.00
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Since the 1980s, Colin Sackett, a book artist, designer and printer based in Axminster, has been publishing books which take peripheral information as a source material, and rejuvenate it so as to make it newly intelligible and vital. Sources as diverse as book indexes, Ordnance Survey maps, watercress labels and radio commentaries are singled out. These texts are edited(...)
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Since the 1980s, Colin Sackett, a book artist, designer and printer based in Axminster, has been publishing books which take peripheral information as a source material, and rejuvenate it so as to make it newly intelligible and vital. Sources as diverse as book indexes, Ordnance Survey maps, watercress labels and radio commentaries are singled out. These texts are edited(...)
Titre:
Englshpublshing : Colin Sackett writing and readings, 1991-2002
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Since the 1980s, Colin Sackett, a book artist, designer and printer based in Axminster, has been publishing books which take peripheral information as a source material, and rejuvenate it so as to make it newly intelligible and vital. Sources as diverse as book indexes, Ordnance Survey maps, watercress labels and radio commentaries are singled out. These texts are edited and rearranged, sifted and panned and sieved, so that language comes to the surface new and raw and untarnished. The art here is typographical, and the end product of these explorations is a backlist of impeccable publications of simplicity and plainness. Englshpublshing sees a body of work published discretely in the 1990s, with essays, commentaries and unpublished pieces, compiled into a single volume with a standardised format. An opportunity, then, to concentrate on content, rather than product, and what is striking is the consistent wit and audacity charging this assault on an unsuspected hotchpotch of source material. Unrelated words and works strike off each other in counterpoint, building a compelling impression of some coherent whole from the parts, like the variations of a Bach suite.
Englshpublshing : Colin Sackett writing and readings, 1991-2002
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Since the 1980s, Colin Sackett, a book artist, designer and printer based in Axminster, has been publishing books which take peripheral information as a source material, and rejuvenate it so as to make it newly intelligible and vital. Sources as diverse as book indexes, Ordnance Survey maps, watercress labels and radio commentaries are singled out. These texts are edited and rearranged, sifted and panned and sieved, so that language comes to the surface new and raw and untarnished. The art here is typographical, and the end product of these explorations is a backlist of impeccable publications of simplicity and plainness. Englshpublshing sees a body of work published discretely in the 1990s, with essays, commentaries and unpublished pieces, compiled into a single volume with a standardised format. An opportunity, then, to concentrate on content, rather than product, and what is striking is the consistent wit and audacity charging this assault on an unsuspected hotchpotch of source material. Unrelated words and works strike off each other in counterpoint, building a compelling impression of some coherent whole from the parts, like the variations of a Bach suite.
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livres
livres
Publication:
mai 2004, Exeter
mai 2004, Exeter
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over(...)
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over(...)
Publication:
juin 2003, Rotterdam
juin 2003, Rotterdam
Titre:
20 jaar/years 010 : 1983-2003
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over one hundred monographs by and about Dutch architects, with Rem Koolhaas's "S,M,L,XL" as a provisional peak, 010 have published books on more wide-ranging architecture, interior design, photography, industrial design, graphic design, and the visual arts. These aspects include a keen interest in the theory and history of architecture and design. The lion’s share of this book is taken up with a catalogue spanning the period 1983-2003. Exhaustively annotated and illustrated, it gives not just the technical details of each book such as size, format, and binding style but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
20 jaar/years 010 : 1983-2003
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over one hundred monographs by and about Dutch architects, with Rem Koolhaas's "S,M,L,XL" as a provisional peak, 010 have published books on more wide-ranging architecture, interior design, photography, industrial design, graphic design, and the visual arts. These aspects include a keen interest in the theory and history of architecture and design. The lion’s share of this book is taken up with a catalogue spanning the period 1983-2003. Exhaustively annotated and illustrated, it gives not just the technical details of each book such as size, format, and binding style but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
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livres
livres
Publication:
juin 2003, Rotterdam
juin 2003, Rotterdam
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livres
livres
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$62.50
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its(...)
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its(...)
Titre:
The book on the floor: André Malraux and the imaginary museum
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
The book on the floor: André Malraux and the imaginary museum
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Ai Weiwei
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had(...)
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had(...)
Titre:
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had played out in turn-of-the-millennium China? (For one thing, architecture might have stood in for film; where Warhol created an alter-Hollywood, Ai is a self-invented starchitect)." After spending the early 1980s in New York, Ai moved back to Beijing in 1994. Already an important member of the Stars group, a socially critical movement that borrowed heavily from western art and culture, he established the famed China Art Archives and Warehouse in 1997. In 2000, on the occasion of the Shanghai Biennale, he organized the attention-grabbing group exhibition Fuck Off in collaboration with curator Feng Boyi. More recently, he was involved in the design of the Olympic Stadium in Beijing by Herzog & de Meuron. This publication takes an in-depth look at Ai's under-explored engagement with ceramics, and is published on the occasion of a solo exhibition of his recent ceramic work at Holland's Groningen Museum.
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had played out in turn-of-the-millennium China? (For one thing, architecture might have stood in for film; where Warhol created an alter-Hollywood, Ai is a self-invented starchitect)." After spending the early 1980s in New York, Ai moved back to Beijing in 1994. Already an important member of the Stars group, a socially critical movement that borrowed heavily from western art and culture, he established the famed China Art Archives and Warehouse in 1997. In 2000, on the occasion of the Shanghai Biennale, he organized the attention-grabbing group exhibition Fuck Off in collaboration with curator Feng Boyi. More recently, he was involved in the design of the Olympic Stadium in Beijing by Herzog & de Meuron. This publication takes an in-depth look at Ai's under-explored engagement with ceramics, and is published on the occasion of a solo exhibition of his recent ceramic work at Holland's Groningen Museum.
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livres
livres
Publication:
avril 2008, Rotterdam
avril 2008, Rotterdam
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livres
livres
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$14.95
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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in(...)
$14.95
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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in(...)
Titre:
Gordon Matta-Clark: doors, floors, doors
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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.
Gordon Matta-Clark: doors, floors, doors
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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.
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livres
livres
Publication:
février 2018
février 2018
Classification:
livres
livres
Titre:
The photographer's cookbook
The photographer's cookbook
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In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that(...)
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Résumé:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that(...)
Titre:
The photographer's cookbook
Actions:
Prix:
$37.50
(disponible sur commande)
Résumé:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum’s collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in 'The Photographer’s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s many before they made a name for themselves as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography’s most important practitioners.
The photographer's cookbook
Actions:
Prix:
$37.50
(disponible sur commande)
Résumé:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum’s collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in 'The Photographer’s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s many before they made a name for themselves as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography’s most important practitioners.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Bouffe
Bouffe
