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Thirty-six years ago, Nek Chand, a humble transport official in the northern Indian city of Chandigarh, began to clear a patch of jungle in order to make a small garden. He set stones around the clearing and before long sculpted a few figures recycled from materials he found at the site. Gradually his creation covered twenty-five acres, consisting of several thousand(...)
Théorie du paysage
octobre 2007, Liverpool
The Collection, the ruin and the theatre: architecture, sculpture and landscape in Nek Chand's Rock Garden, Chandigarh
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Thirty-six years ago, Nek Chand, a humble transport official in the northern Indian city of Chandigarh, began to clear a patch of jungle in order to make a small garden. He set stones around the clearing and before long sculpted a few figures recycled from materials he found at the site. Gradually his creation covered twenty-five acres, consisting of several thousand sculptures set in large mosaic courtyards and encompassing huge buildings and interlinking waterfalls. Published to accompany an exhibition of the same name at the Royal Institute of British Architects Gallery in Liverpool, The Ruin and the Theatre presents this incredible artistic and cultural achievement for the first time—analyzing key aspects of the garden’s collections, its architecture, and the landscape setting alongside beautiful full-color illustrations that pay homage to this modern wonder of the world.
Théorie du paysage
Remembering places: a memoir
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Born in Warsaw in 1926, Joseph Rykwert is one of the best-known critics and historians of architecture. One of very few writers to be awarded the RIBA’s highest honour, the Royal Gold Medal, in 2014, and author of countless books and essays, his influence over the past 60 years cannot be underestimated. In this memoir he tells for the first time of how his life’s(...)
Remembering places: a memoir
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Born in Warsaw in 1926, Joseph Rykwert is one of the best-known critics and historians of architecture. One of very few writers to be awarded the RIBA’s highest honour, the Royal Gold Medal, in 2014, and author of countless books and essays, his influence over the past 60 years cannot be underestimated. In this memoir he tells for the first time of how his life’s experiences shaped his working life. He addresses the dualities between which he had to navigate: Jewish/Polish, Polish/British and later, Practice/Scholarship. He spent most of his working life between the US and UK and worked both as a designer and a writer; as such his ground-breaking ideas and work have had a major impact on the thinking of architects and designers since the 1960s and continue to do so to this day.
Théorie de l’architecture
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism,(...)
Modern architecture and the end of empire. 2nd edition
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism, Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.
Modernisme
Hopkins in the city
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At the start of the 1980s, Michael Hopkins and Partners was a successful architecture firm in London, with a solid track record of design and building. By the end of the 1990s, they were far more impressive having established themselves as innovators at the highest level. That work is most evident in five urban buildings in England that they built in that period; those(...)
Hopkins in the city
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At the start of the 1980s, Michael Hopkins and Partners was a successful architecture firm in London, with a solid track record of design and building. By the end of the 1990s, they were far more impressive having established themselves as innovators at the highest level. That work is most evident in five urban buildings in England that they built in that period; those buildings are the focus of ''Hopkins in the city." In addition to close examinations of those buildings, including survey drawings and new photographs, the book offers building studies from five contemporary European architects and Michael Hopkins’s own perspective as presented in his lecture ''Technology Comes to Town.'' Essays by Adam Caruso and Helen Thomas, meanwhile, frame the British scene and revisit the fundamental issues of technology, style, and context that run through discussions of twentieth-century architecture.
Architecture, monographies
livres
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This engaging book considers the British social reform movement at the beginning of the twentieth century through the lens of the garden city movement, a plan to build new communities on open land that would provide a healthy, aesthetically pleasing environment free from overcrowding and pollution. Standish Meacham argues that although the garden city movement(...)
Regaining paradise : englishness and the early garden city movement
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This engaging book considers the British social reform movement at the beginning of the twentieth century through the lens of the garden city movement, a plan to build new communities on open land that would provide a healthy, aesthetically pleasing environment free from overcrowding and pollution. Standish Meacham argues that although the garden city movement initially embodied radical schemes for the reformation of society, it became in the hands of its upper middle-class proponents a device for maintaining the established order in the face of threatening social change. Meacham shows that even socialist architects closely associated with the movement and its most famous prewar projects at Letchworth and Hampstead relied for inspiration on the villages of England's pre-industrial squirearchy. The result was the reaffirmation of a particular concept of Englishness that influenced both social policy and urban design.
livres
avril 1999, New Haven
Théorie de l’urbanisme
A history of future cities
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own(...)
A history of future cities
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own time, the sheikh of Dubai has endeavored to transform his desert city into a Vegas-esque skyscraper-studded global hub. The cultural and historical threads that connect these cities and their conflicted embrace of modernity are brought into relief in Daniel Brook’s captivating mix of history and reportage—a story of architects and authoritarians, artists and revolutionaries who take these facsimiles of the West and turn them into crucibles of non-Western modernity.
Théorie de l’urbanisme
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Cette monographie consiste en une compilation des projets architecturaux les plus récents du parcours d'Alvaro Siza. Tout au long de sa vaste trajectoire créative, Alvaro Siza a reçu les plus prestigieux prix d'architecture, comme par exemple le Mies van der Rohe d'Architecture Contemporaine de l'Union européenne (1988), le Pritzker (1992), le National de l'Architecture(...)
Alvaro Siza: Note sur une architecture sensible
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Cette monographie consiste en une compilation des projets architecturaux les plus récents du parcours d'Alvaro Siza. Tout au long de sa vaste trajectoire créative, Alvaro Siza a reçu les plus prestigieux prix d'architecture, comme par exemple le Mies van der Rohe d'Architecture Contemporaine de l'Union européenne (1988), le Pritzker (1992), le National de l'Architecture du Portugal (1993), la médaille d'or de la Fondation Alvar Aalto (1998) et, enfin, la Médaille d'Or Royale du Royal Institute of British Architects (février 2009). Ses ouvrages ont été regroupés dans diverses typologies, telles que les équipements culturels, les centres de loisirs, les bâtiments de bureaux, les bâtiments publics, les habitations et les centres commerciaux. A travers une vaste sélection d'images, de graphiques et de documentation, le lecteur pourra entreprendre un véritable voyage au coeur de l'oeuvre artistique de cet architecte portugais.
Architecture, monographies
Strange details
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Confronted with the intricate construction details of Italian architect Carlo Scarpa's Querini Stampalia Gallery--steel joined at odd intervals, concrete spilled out of concatenated forms, stone cut in labyrinthine patterns--Michael Cadwell abandoned his attempts to categorize them theoretically and resolved instead to appreciate their idiosyncrasies and evoke their(...)
Strange details
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Confronted with the intricate construction details of Italian architect Carlo Scarpa's Querini Stampalia Gallery--steel joined at odd intervals, concrete spilled out of concatenated forms, stone cut in labyrinthine patterns--Michael Cadwell abandoned his attempts to categorize them theoretically and resolved instead to appreciate their idiosyncrasies and evoke their all-embracing affects. What he had dismissed as a collection of fetishes he came to understand as a coherently constructed world that was nonetheless persistently strange. In Strange Details, Cadwell looks at the work of four canonical architects who "made strange" with the most resistant aspect of architecture--construction. In buildings that were pivotal in their careers, Scarpa, Frank Lloyd Wright, Mies van der Rohe, and Louis Kahn all created details that undercut our critical and analytical terra firma. Cadwell explores the strangeness in the material menagerie of Scarpa's Querini Stampalia, the wood light frame construction of Wright's Jacobs House, the welded steel frame of Mies's Farnsworth House, and the reinforced concrete of Kahn's Yale Center for British Art. Each of these architects, he finds, reconfigures the rudimentary facts of construction, creating a subtle but undeniable shift in a building’s physicality. And for each of them, nature is strange, and its strangeness infects; nature unmoors exhausted cultural ideas, constricted analytical procedures, and outmoded production techniques. An awakening to nature's strangeness forces a new sense of the world, one that we can detect in these architects' configurations of the world's materials--their strange details.
Théorie de l’architecture
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Between 1985 and 2002, British New Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003) transformed a modest vernacular cottage into one of the most remarkable residences of the late 20th century: the Hexenhaus. Hidden in the forests outside of Hessen, Germany, the "Witch's House" was the residence of Axel Bruchhäuser, owner of the furniture company Tecta,(...)
Dear Axel...99 postcards from Alison and Peter Smithson
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Between 1985 and 2002, British New Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003) transformed a modest vernacular cottage into one of the most remarkable residences of the late 20th century: the Hexenhaus. Hidden in the forests outside of Hessen, Germany, the "Witch's House" was the residence of Axel Bruchhäuser, owner of the furniture company Tecta, which had its factory nearby. The Smithsons completely redefined the relationship between the house and its surrounding landscape by means of more than 20 small additions, extractions, satellite buildings, furnishings and alternative routes. During this decades-long process, the couple kept close correspondence with Bruchhäuser, as evidenced by this collection of 99 handwritten postcards, collected here for the first time. Following Walther König's publication of "Hexenhaus: A house for a man and a cat" (2021), this publication offers a new, intimate perspective on this ambitious project.
Architecture, monographies
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"Charles Correa – seen by many in India as a sort of guru, as someone capable to transcend and grasp the ineffable reality that surrounds us – has left his noteworthy architectural heritage across the globe. In 2013, the Royal Institute of British Architects (RIBA) celebrated him as one of the greatest contemporary urban planners showcasing his work in an exhibition(...)
The ineffable in Charles Correa
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"Charles Correa – seen by many in India as a sort of guru, as someone capable to transcend and grasp the ineffable reality that surrounds us – has left his noteworthy architectural heritage across the globe. In 2013, the Royal Institute of British Architects (RIBA) celebrated him as one of the greatest contemporary urban planners showcasing his work in an exhibition called: 'Charles Correa: India’s greatest architect'. Profoundly tied to my Indian origins, to me Correa has been the master over distance, a personal benchmark to set my goals against. He was my inspiring thinker, architect and urbanist, or simply said, the designer I would have liked to be. Many of Correa’s last works show his deep-rooted search of the highest spiritual dimension in the attempt to trap part of the cosmic energy surrounding us into architectural works that were – and are – the shadow of his soul."
Architecture, monographies