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Fabrications
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This volume features full-scale architectural installations by 16 prominent architects or teams which suggest alternatives to the way architecture is conventionally presented in a museum context. The participating institutions and architects are as follows: Museu d'Art Contemporani de Barcelona: MVRDV, Riegler & Riewe, Abalos & Herreros, Vicente Guallart;(...)
octobre 1998, Barcelona
Fabrications
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This volume features full-scale architectural installations by 16 prominent architects or teams which suggest alternatives to the way architecture is conventionally presented in a museum context. The participating institutions and architects are as follows: Museu d'Art Contemporani de Barcelona: MVRDV, Riegler & Riewe, Abalos & Herreros, Vicente Guallart; Wexner Center for the Arts: Stanley Saitowitz, Mockbee & Coker, Eric Owen Moss, John & Patricia Patkau; San Francisco Museum of Modern Art: Hodgetts & Fung, Rob Wellington Quigley, Elizabeth Ranieri and Byron Kuth, Sheila Kennedy and J. Frano Violich; Museum of Modern Art, New York: Enrique Norten, Monica Ponce de Leon and Nader Tehrani, Munkenbeck and Marshall, Smith-Miller & Hawkinson.
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octobre 1998, Barcelona
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What if the people seized the means of climate production? In this groundbreaking book, Holly Jean Buck charts a possible course to a liveable future. Climate restoration will require not just innovative technologies to remove carbon from the atmosphere, but social and economic transformation. The steps we must take are enormous, and they must be taken soon. Looking at(...)
octobre 2019
After geoengineering: climate tragedy, repair, and restoration
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What if the people seized the means of climate production? In this groundbreaking book, Holly Jean Buck charts a possible course to a liveable future. Climate restoration will require not just innovative technologies to remove carbon from the atmosphere, but social and economic transformation. The steps we must take are enormous, and they must be taken soon. Looking at industrial-scale seaweed farms, the grinding of rocks to sequester carbon at the bottom of the sea, the restoration of wetlands, and reforestation, Buck examines possible methods for such transformations and meets the people developing them. Both critical and utopian, speculative and realistic, After Geoengineering presents a series of possible futures. Rejecting the idea that technological solutions are some kind of easy workaround, Holly Jean Buck outlines the kind of social transformation that will be necessary to repair our relationship to the earth if we are to continue living here.
Abts
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With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and(...)
Abts
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With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts’s work within an art-historical framework of methods, process, and style, but also examine her paintings’ philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work.
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This first monograph from Dutch architect and urban planner Kees Christiaanse and his firm, Kees Christiaanse Architects & Planners, or KCAP, follows the conception and realization of their most important designs. KCAP works at the interface between urban planning and architecture, combining the fields. Their broad range of projects includes large-scale urban and(...)
Architecture, monographies
mars 2006, Rotterdam
Situation : KCAP architects and planners
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This first monograph from Dutch architect and urban planner Kees Christiaanse and his firm, Kees Christiaanse Architects & Planners, or KCAP, follows the conception and realization of their most important designs. KCAP works at the interface between urban planning and architecture, combining the fields. Their broad range of projects includes large-scale urban and landscape planning, complex inner city regeneration and restructuring, and the same sorts of new building commissions that keep conventional architects in business. As Europe’s attention has shifted to the revival of urban areas, KCAP has done pioneering work at former dockland and industrial locations and on the waterfronts of major rivers, in projects where the firm often acts as supervisor, urban planner and architect at once. In the space of 15 years, KCAP has grown into an international office with an impressive built oeuvre that challenges the way architecture and urban planning are conceived. This survey and analysis of their work brings their ideas and experience to readers curious about urban revival both abroad and at home.
Architecture, monographies
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Nature and communities in the global south is being overwhelmed at a shocking rate. In many places this is due to ventures such as large-scale open-pit mining, oil extraction in tropical areas, and the spread of monocultures. These and other such forms of natural resource appropriation are usually known as extractivisms. This introductory book on the one hand adopts an(...)
septembre 2021
Extractivisms: politics, economy and ecology
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Nature and communities in the global south is being overwhelmed at a shocking rate. In many places this is due to ventures such as large-scale open-pit mining, oil extraction in tropical areas, and the spread of monocultures. These and other such forms of natural resource appropriation are usually known as extractivisms. This introductory book on the one hand adopts an interdisciplinary and critical perspective, incorporating contributions from economics, politics, ecology, and more. On the other hand it is an exercise in the politics among humans and with the environment. Eduardo Gudnyas explores negative local impacts such as ecological and health degradation or violence, along with spillover effects that redefines democracy and justice. Significantly, presented for the first time in English is a comprehensive overview of the theoretical innovations currently being discussed in the South, such as the distinction between appropriation and production modes and a redefinition of surplus to include social and economic features or new understandings on conflict dynamics. Furthermore, Gudynas discusses the Latin American peculiarities of extractivisms produced both by conservative and new-left governments, making clear that it has very deep roots in culture and ideologies, and offers solutions for the future.
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
Revues
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Come on a fascinating journey and explore some 300 museums, interpretation sites and exhibition centres across Québec. Whether you’re seeking new attractions for group trips or fun outings with friends and family, you’re sure to find what you’re looking for. Québec’s museums have so much to offer! Whether it’s large or small, in the heart of the city or out in the(...)
Museums to discover : Québec museum guide
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Come on a fascinating journey and explore some 300 museums, interpretation sites and exhibition centres across Québec. Whether you’re seeking new attractions for group trips or fun outings with friends and family, you’re sure to find what you’re looking for. Québec’s museums have so much to offer! Whether it’s large or small, in the heart of the city or out in the countryside, with a focus on art, history or science, each one offers a gateway to the many pleasures of cultural tourism. You’ll find exhibitions, multimedia shows, guided tours, workshops, garden tours, interpretation trails, even boat rides on the St. Lawrence. Some of them host large-scale events, while others welcome you into an intimate community, but they all promise a medley of ways to enjoy yourself. Afterwards you can enjoy a cup of tea on a charming terrace, unpack your picnic hamper down by the water or visit a thematic gift shop. Take this indispensable guide along whenever you set off to discover Québec’s museums!
Architecture du Québec
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Over the past six years, documentary photographer and architectural historian Julia Reyes Taubman has taken more than 30,000 photographs across the sprawled terrain of Detroit, ambitiously mapping out a comprehensive survey of a major American city. Photographing on the ground, in the buildings and by air and water, Reyes Taubman believes that when buildings and landscape(...)
Julie Reyes Taubman: Detroit, 138 squares miles
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Over the past six years, documentary photographer and architectural historian Julia Reyes Taubman has taken more than 30,000 photographs across the sprawled terrain of Detroit, ambitiously mapping out a comprehensive survey of a major American city. Photographing on the ground, in the buildings and by air and water, Reyes Taubman believes that when buildings and landscape are manipulated by nature and time they become more visually compelling than almost any architectural intervention.As Reyes Taubman scrutinizes this 138-square-mile metropolis in transition, she pays particular attention to the scale and the solidity of the buildings that characterized the former “Motor City” at the height of its industrial wealth and power. More than a photographic saturation job of a single city, Detroit: 138 Square Miles provides contextual perspective in an extended caption section in which Reyes Taubman collaborated with University of Michigan professors Robert Fishman and Michael McCulloch to emphasize the social imperatives driving her documentation. An essay by native Detroiter and bestselling author Elmore Leonard addresses the social and cultural significance of the post-industrial condition of this metropolis. The volume's spine is specially treated with black ink to evoke the industrial character of its subject.
Monographies photo
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Forced to find beauty in mediocrity, poetry in pragmatism, history in the absence of monuments and the future in the past, Crimson has been shaped by the experience of living and working in Rotterdam, the city that never thinks. Over the past seven years they have produced research projects, plans and initiatives that range from purely historical studies, book reviews and(...)
janvier 1900, Rotterdam
Too blessed to be depressed : Crimson architectural historians 1994-2002
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Forced to find beauty in mediocrity, poetry in pragmatism, history in the absence of monuments and the future in the past, Crimson has been shaped by the experience of living and working in Rotterdam, the city that never thinks. Over the past seven years they have produced research projects, plans and initiatives that range from purely historical studies, book reviews and critiques of contemporary architecture to exhibitions, panoramas and urban planning schemes. For them, history is not a clear-cut period in the past but a total panoramic experience in which mythology, truth, writing, building and demolition intermingle. The Crimson historians don’t keep their distance, they dive right in. Too Blessed To Be Depressed is a coming-of-age book, one that shows the development of a practice and an attitude towards the outside world based not on analysis and simplification but on an endless quest for all the narratives, contradi ctions, and obsessions that make the city what it is. It presents an initial selection of work by Crimson divided among three themes: History (what to make of it, how to deal with it), Obsession (theirs along with those of others) and Top Down (the impact of large-scale infrastructural and other interventions on the city).
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Many people have a love of maps. But what lies behind the process of map-making? How have cartographers through the centuries developed their craft and established a language of maps which helps them to better represent our world and help users to understand it? This book tells the story of how widely accepted mapping conventions originated and evolved—from map(...)
Why North is up: map conventions and where they came from
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Many people have a love of maps. But what lies behind the process of map-making? How have cartographers through the centuries developed their craft and established a language of maps which helps them to better represent our world and help users to understand it? This book tells the story of how widely accepted mapping conventions originated and evolved—from map orientation, projections, typography, and scale, to the use of color, symbols, ways of representing relief, and the treatment of boundaries and place names. It charts the fascinating story of how conventions have changed in response to new technologies and ever-changing mapping requirements, how symbols can be a matter of life or death, why universal acceptance of conventions can be difficult to achieve, and how new mapping conventions are developing to meet the needs of modern cartography. "Why North is Up" offers a guide to the sometimes hidden techniques of map-making through the centuries.