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In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren’s (1632–1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed(...)
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In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren’s (1632–1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed(...)
Titre:
Christopher Wren: in search of eastern antiquity
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In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren’s (1632–1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed common assumptions about the European origins of Classical and Gothic architecture, tracing these building traditions not to the Greeks or Germans but to the stonemasons of the biblical East. In a deft analysis, Hart contextualizes Wren’s use of classical elements—columns, domes, and cross plans—within his enthusiasm for the East and the broader Anglican interest in the Eastern church. A careful study of diary records reappraises Wren’s working relationship with Robert Hooke (1635–1703), who shared in many of Wren’s theoretical commitments. The result is a new, deepened understanding of Wren’s work.
Christopher Wren: in search of eastern antiquity
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In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren’s (1632–1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed common assumptions about the European origins of Classical and Gothic architecture, tracing these building traditions not to the Greeks or Germans but to the stonemasons of the biblical East. In a deft analysis, Hart contextualizes Wren’s use of classical elements—columns, domes, and cross plans—within his enthusiasm for the East and the broader Anglican interest in the Eastern church. A careful study of diary records reappraises Wren’s working relationship with Robert Hooke (1635–1703), who shared in many of Wren’s theoretical commitments. The result is a new, deepened understanding of Wren’s work.
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livres
livres
Publication:
avril 2020
avril 2020
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Architecture, monographies
Architecture, monographies
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xi, [1], 264 pages, [58] plates : illustrations (wd-engr.) ; 17.3 cm (12)̲
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xi, [1], 264 pages, [58] plates : illustrations (wd-engr.) ; 17.3 cm (12)̲
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London: Ackerman [sic] ... Berger ... Drake ... Birmingham; Zanetti ... Manchester, 1840.
London: Ackerman [sic] ... Berger ... Drake ... Birmingham; Zanetti ... Manchester, 1840.
Titre:
Guide for drawing the acanthus, and every description of ornamental foliage; By I. Page ...
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xi, [1], 264 pages, [58] plates : illustrations (wd-engr.) ; 17.3 cm (12)̲
Guide for drawing the acanthus, and every description of ornamental foliage; By I. Page ...
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xi, [1], 264 pages, [58] plates : illustrations (wd-engr.) ; 17.3 cm (12)̲
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livres
livres
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London: Ackerman [sic] ... Berger ... Drake ... Birmingham; Zanetti ... Manchester, 1840.
London: Ackerman [sic] ... Berger ... Drake ... Birmingham; Zanetti ... Manchester, 1840.
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2 volumes in 4 bks. (Book I. viii, 40 pages, 35 plates Book II. 1 preliminary leaf, pages 43-72, 61 plates Book III. 1 preliminary leaf, pages 75-104, 22 plates Book IV....
Description:
2 volumes in 4 bks. (Book I. viii, 40 pages, 35 plates Book II. 1 preliminary leaf, pages 43-72, 61 plates Book III. 1 preliminary leaf, pages 75-104, 22 plates Book IV....
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London : Printed for A. Ward, in Little-Britain ; S. Birt, in Ave-Mary-Lane ; D. Browne, without Temple-Bar ; C. Davis, in Pater-noster-Row ; T. Osborne, in Gray's-Inn ; and A. Millar, against St. Clement's Church in the Strand, MDCCXLII [1742]
London : Printed for A. Ward, in Little-Britain ; S. Birt, in Ave-Mary-Lane ; D. Browne, without Temple-Bar ; C. Davis, in Pater-noster-Row ; T. Osborne, in Gray's-Inn ; and A. Millar, against St. Clement's Church in the Strand, MDCCXLII [1742]
Titre:
The architecture of A. Palladio ; in four books : containing a short treatise of the five orders, and the most necessary observations concerning all sorts of building ; as also the different construction of private and publick houses, high-ways, bridges, market-plates, xystes, and temples, with their plans, sections, and uprights / revis'd, a design'd and publish'd by Giacomo Leoni, a venetian, architect to his most serene Highness, the late Elector Palatine ; translated from the Italian original.
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2 volumes in 4 bks. (Book I. viii, 40 pages, 35 plates Book II. 1 preliminary leaf, pages 43-72, 61 plates Book III. 1 preliminary leaf, pages 75-104, 22 plates Book IV....
The architecture of A. Palladio ; in four books : containing a short treatise of the five orders, and the most necessary observations concerning all sorts of building ; as also the different construction of private and publick houses, high-ways, bridges, market-plates, xystes, and temples, with their plans, sections, and uprights / revis'd, a design'd and publish'd by Giacomo Leoni, a venetian, architect to his most serene Highness, the late Elector Palatine ; translated from the Italian original.
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2 volumes in 4 bks. (Book I. viii, 40 pages, 35 plates Book II. 1 preliminary leaf, pages 43-72, 61 plates Book III. 1 preliminary leaf, pages 75-104, 22 plates Book IV....
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livres
livres
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London : Printed for A. Ward, in Little-Britain ; S. Birt, in Ave-Mary-Lane ; D. Browne, without Temple-Bar ; C. Davis, in Pater-noster-Row ; T. Osborne, in Gray's-Inn ; and A. Millar, against St. Clement's Church in the Strand, MDCCXLII [1742]
London : Printed for A. Ward, in Little-Britain ; S. Birt, in Ave-Mary-Lane ; D. Browne, without Temple-Bar ; C. Davis, in Pater-noster-Row ; T. Osborne, in Gray's-Inn ; and A. Millar, against St. Clement's Church in the Strand, MDCCXLII [1742]
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livres
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$39.99
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain(...)
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain(...)
Titre:
An organic architecture: the architecture of democracy
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain an important expression of the architect’s core philosophy and are being reissued now in a new edition to commemorate the 150th anniversary in 2017 of Frank Lloyd Wright’s birth. In the lectures, Frank Lloyd Wright discusses several of his recent projects, including his Usonian houses, his homes and studios at Taliesin, Wisconsin and Arizona, Fallingwater and the Johnson administration building. His charismatic, flamboyant character and hugely creative intelligence leap to life from the pages as he looks to the ‘Future’, both in terms of the then-imminent Second World War and his vision for cities.
An organic architecture: the architecture of democracy
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain an important expression of the architect’s core philosophy and are being reissued now in a new edition to commemorate the 150th anniversary in 2017 of Frank Lloyd Wright’s birth. In the lectures, Frank Lloyd Wright discusses several of his recent projects, including his Usonian houses, his homes and studios at Taliesin, Wisconsin and Arizona, Fallingwater and the Johnson administration building. His charismatic, flamboyant character and hugely creative intelligence leap to life from the pages as he looks to the ‘Future’, both in terms of the then-imminent Second World War and his vision for cities.
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livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$50.00
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The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned(...)
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The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned(...)
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Pricegore & Yinka Ilori: Dulwich Pavilion
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The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned the first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant large-format book documents this piece of built poetry in a series of striking atmospheric photographs by Sophie Roycroft. Concise essays by Job Floris and Sumayya Vally situate the project within its social, political, and cultural context and are complemented by technical details and selected plans and drawings on and inside the book’s cover.
Pricegore & Yinka Ilori: Dulwich Pavilion
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The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned the first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant large-format book documents this piece of built poetry in a series of striking atmospheric photographs by Sophie Roycroft. Concise essays by Job Floris and Sumayya Vally situate the project within its social, political, and cultural context and are complemented by technical details and selected plans and drawings on and inside the book’s cover.
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livres
livres
Publication:
août 2021
août 2021
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$50.00
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Nestled in British Columbia between the Rocky Mountains and the sea, Canada’s Pacific Northwest is home to interior designers and architects with their eyes on the outdoors, a varied population, and the future. In this book, design writer Julia Dilworth talks to them about their motivations and how they work, and showcases their projects, in full-colour photographs and(...)
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Nestled in British Columbia between the Rocky Mountains and the sea, Canada’s Pacific Northwest is home to interior designers and architects with their eyes on the outdoors, a varied population, and the future. In this book, design writer Julia Dilworth talks to them about their motivations and how they work, and showcases their projects, in full-colour photographs and(...)
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West Coast North: Interiors designed for living
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Nestled in British Columbia between the Rocky Mountains and the sea, Canada’s Pacific Northwest is home to interior designers and architects with their eyes on the outdoors, a varied population, and the future. In this book, design writer Julia Dilworth talks to them about their motivations and how they work, and showcases their projects, in full-colour photographs and their own words. The 29 firms profiled bring varied backgrounds and approaches to projects from old-home renos to new builds and from rooms and apartments to breweries, working closely with their clients and other firms. With a characteristic West Coast concern for the environment, they’re keeping old builds out of landfills and bringing the beauty of the outside world inside, through windows, materials, and colour palettes. They’re inspired by local craftspeople and artists and by design from far flung places—the places from which the world has gathered on Canada’s West Coast.
West Coast North: Interiors designed for living
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Nestled in British Columbia between the Rocky Mountains and the sea, Canada’s Pacific Northwest is home to interior designers and architects with their eyes on the outdoors, a varied population, and the future. In this book, design writer Julia Dilworth talks to them about their motivations and how they work, and showcases their projects, in full-colour photographs and their own words. The 29 firms profiled bring varied backgrounds and approaches to projects from old-home renos to new builds and from rooms and apartments to breweries, working closely with their clients and other firms. With a characteristic West Coast concern for the environment, they’re keeping old builds out of landfills and bringing the beauty of the outside world inside, through windows, materials, and colour palettes. They’re inspired by local craftspeople and artists and by design from far flung places—the places from which the world has gathered on Canada’s West Coast.
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livres
livres
Publication:
octobre 2022
octobre 2022
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$116.00
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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937–2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a(...)
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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937–2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a(...)
Titre:
Jan Kaplicky: For the future and for beauty
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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937–2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a number of talented artists, writers and designers, some of whom were forced, like Kaplicky, to emigrate from Czechoslovakia in order to expand their skills and search for beauty through living in freedom in democratic countries. After immigrating to the United Kingdom in 1968, Kaplicky applied his imagination and diligence and enhanced his skills and aptitude, gaining admiration and respect following the co-founding of the innovative Future Systems studio in 1979. With his wide-ranging architectural and design œuvre Kaplicky affirmed greatness of his immense talent and ability.
Jan Kaplicky: For the future and for beauty
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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937–2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a number of talented artists, writers and designers, some of whom were forced, like Kaplicky, to emigrate from Czechoslovakia in order to expand their skills and search for beauty through living in freedom in democratic countries. After immigrating to the United Kingdom in 1968, Kaplicky applied his imagination and diligence and enhanced his skills and aptitude, gaining admiration and respect following the co-founding of the innovative Future Systems studio in 1979. With his wide-ranging architectural and design œuvre Kaplicky affirmed greatness of his immense talent and ability.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$38.95
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In this book, Timothy Hyde considers the role of aesthetic judgment in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural(...)
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In this book, Timothy Hyde considers the role of aesthetic judgment in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural(...)
Titre:
Ugliness and judgment: On architecture in the public eye
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In this book, Timothy Hyde considers the role of aesthetic judgment in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society. Hyde explores how accidental and willful conditions of ugliness have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state.
Ugliness and judgment: On architecture in the public eye
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In this book, Timothy Hyde considers the role of aesthetic judgment in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society. Hyde explores how accidental and willful conditions of ugliness have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state.
Classification:
livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$79.95
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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews(...)
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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews(...)
Titre:
Stirling and Gowan: architecture from austerity to affluence
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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.
Stirling and Gowan: architecture from austerity to affluence
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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.
Classification:
livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$44.25
(disponible sur commande)
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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to(...)
$44.25
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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to(...)
Sujet:
Architecture et l'imaginaire
Architecture et l'imaginaire
Publication:
mai 2004, London
mai 2004, London
Titre:
Fantasy architecture 1500-2036
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$44.25
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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to that already familiar from science fiction films and the fantastic virtual environments of computer games? "Fantasy Architecture" proposes answers to these questions by focusing on 130 imagined buildings, structures, and schemes from the late medieval period to the present. Artists and architects include Robert Adam, Archigram, Charles Barry, Étienne-Louis Boullée, William Chambers, FAT, Foreign Office Architects, Foster and Partners, Ernö Goldfinger, Louis Hellman, Inigo Jones, Berthold Lubetkin, Edwin Lutyens, Eric Mendelsohn, Nils Norman, Claes Oldenburg, Joseph Paxton, Sir John Soane, Softroom and Paolo Soleri.~Essayists include Neil Bingham, previously Assistant Curator of the Royal Institute of British Architecture (RIBA) Drawings Collections, London and author of monographs on Christopher Nicholson and C.A. Busby; Clare Carolin, Exhibitions Curator at the Hayward Gallery in London; Rob Wilson, Curator at the RIBA Gallery; and architect Peter Cook, professor at the Bartlett School of Architecture and former member of the group Archigram, who offers a personal text.
Fantasy architecture 1500-2036
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$44.25
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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to that already familiar from science fiction films and the fantastic virtual environments of computer games? "Fantasy Architecture" proposes answers to these questions by focusing on 130 imagined buildings, structures, and schemes from the late medieval period to the present. Artists and architects include Robert Adam, Archigram, Charles Barry, Étienne-Louis Boullée, William Chambers, FAT, Foreign Office Architects, Foster and Partners, Ernö Goldfinger, Louis Hellman, Inigo Jones, Berthold Lubetkin, Edwin Lutyens, Eric Mendelsohn, Nils Norman, Claes Oldenburg, Joseph Paxton, Sir John Soane, Softroom and Paolo Soleri.~Essayists include Neil Bingham, previously Assistant Curator of the Royal Institute of British Architecture (RIBA) Drawings Collections, London and author of monographs on Christopher Nicholson and C.A. Busby; Clare Carolin, Exhibitions Curator at the Hayward Gallery in London; Rob Wilson, Curator at the RIBA Gallery; and architect Peter Cook, professor at the Bartlett School of Architecture and former member of the group Archigram, who offers a personal text.
Classification:
livres
livres
Publication:
mai 2004, London
mai 2004, London
Sujet:
Architecture et l'imaginaire
Architecture et l'imaginaire
