3096 Résultats
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Résumé:
Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women(...)
$72.95
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Résumé:
Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women(...)
Titre:
Women, modernity, and landscape architecture
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$72.95
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Résumé:
Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander).
Women, modernity, and landscape architecture
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$72.95
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Résumé:
Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander).
Classification:
livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Théorie du paysage
Théorie du paysage
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livres
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Description:
299 pages : illustrations (chiefly color) ; 30 cm
Description:
299 pages : illustrations (chiefly color) ; 30 cm
Auteur:
- Green, Renée,,
- Byers, Dan,,
- Allan, Stacey, active 2013-,
- Flint-Gohlke, Lucy,,
- Carpenter Center for the Visual Arts,
Sujet:
- Green, Renée Exhibitions.,
- Green, Renée Interviews.,
- Green, Renée,
- Carpenter Center for the Visual Arts Exhibitions.,
- Carpenter Center for the Visual Arts,
- Art, American 21st century Exhibitions.,
- Installations (Art) Massachusetts Cambridge Exhibitions.,
- Installations (Art) Massachusetts Cambridge.,
- Art américain 21e siècle Expositions.,
- Installations (Art) Massachusetts Cambridge Expositions.,
- Art, American,
- Installations (Art),
- Massachusetts Cambridge,
- exhibition catalogs.,
- interviews.,
- Exhibition catalogs,
- Interviews,
- Catalogues d'exposition.
Publication:
Cambridge, MA : Carpenter Center for the Visual Arts, Harvard University ; Somerville, MA ; New York, NY : Free Agent Media, [2020], ©2020
Cambridge, MA : Carpenter Center for the Visual Arts, Harvard University ; Somerville, MA ; New York, NY : Free Agent Media, [2020], ©2020
Titre:
Pacing / Renée Green ; foreword, Dan Byers ; editors, Stacey Allan and Lucy Flint.
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Description:
299 pages : illustrations (chiefly color) ; 30 cm
Pacing / Renée Green ; foreword, Dan Byers ; editors, Stacey Allan and Lucy Flint.
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Description:
299 pages : illustrations (chiefly color) ; 30 cm
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livres
livres
Publication:
Cambridge, MA : Carpenter Center for the Visual Arts, Harvard University ; Somerville, MA ; New York, NY : Free Agent Media, [2020], ©2020
Cambridge, MA : Carpenter Center for the Visual Arts, Harvard University ; Somerville, MA ; New York, NY : Free Agent Media, [2020], ©2020
Auteur:
- Green, Renée,,
- Byers, Dan,,
- Allan, Stacey, active 2013-,
- Flint-Gohlke, Lucy,,
- Carpenter Center for the Visual Arts,
Sujet:
- Green, Renée Exhibitions.,
- Green, Renée Interviews.,
- Green, Renée,
- Carpenter Center for the Visual Arts Exhibitions.,
- Carpenter Center for the Visual Arts,
- Art, American 21st century Exhibitions.,
- Installations (Art) Massachusetts Cambridge Exhibitions.,
- Installations (Art) Massachusetts Cambridge.,
- Art américain 21e siècle Expositions.,
- Installations (Art) Massachusetts Cambridge Expositions.,
- Art, American,
- Installations (Art),
- Massachusetts Cambridge,
- exhibition catalogs.,
- interviews.,
- Exhibition catalogs,
- Interviews,
- Catalogues d'exposition.
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livres
livres
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Description:
150 pages : illustrations (some color) ; 28 cm
Description:
150 pages : illustrations (some color) ; 28 cm
Auteur:
- Raumplan versus Plan libre. English.,
- Risselada, Max.,
- Colomina, Beatriz.,
- Technische Hogeschool Delft.
Sujet:
- Le Corbusier, 1887-1965 Exhibitions.,
- Loos, Adolf, 1870-1933 Exhibitions.,
- Loos Adolf Hausbau.,
- Le Corbusier, 1887-1965.,
- Loos, Adolf, 1870-1933.,
- Le Corbusier, 1887-1965 Catalogues.,
- Loos, Adolf, 1870-1933 Catalogues.,
- Architecture, Domestic Europe Exhibitions.,
- Interior architecture Europe Exhibitions.,
- Architecture Europe History 20th century Exhibitions.,
- Architecture Europe 20th century Exhibitions.,
- Architecture intérieure Europe 20e siècle Expositions.,
- Architecture Europe 20e siècle Expositions.,
- Architecture domestique Europe Expositions.,
- Architecture intérieure Europe Expositions.,
- Architecture,
- Architecture, Domestic,
- Interior architecture,
- Woningen,
- Bouwkunst,
- Modernisme (cultuur),
- Europe,
- Exhibition catalogs.,
- exhibition catalogs.,
- History,
- Tentoonstellingscatalogi (vorm),
- Catalogues d'exposition.
Publication:
New York : Rizzoli, 1988.
New York : Rizzoli, 1988.
Titre:
Raumplan versus Plan libre : Adolf Loos and Le Corbusier 1919-1930 / edited by Max Risselada ; with contributions by Beatriz Colomina [and others].
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Description:
150 pages : illustrations (some color) ; 28 cm
Raumplan versus Plan libre : Adolf Loos and Le Corbusier 1919-1930 / edited by Max Risselada ; with contributions by Beatriz Colomina [and others].
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Description:
150 pages : illustrations (some color) ; 28 cm
Classification:
livres
livres
Publication:
New York : Rizzoli, 1988.
New York : Rizzoli, 1988.
Auteur:
- Raumplan versus Plan libre. English.,
- Risselada, Max.,
- Colomina, Beatriz.,
- Technische Hogeschool Delft.
Sujet:
- Le Corbusier, 1887-1965 Exhibitions.,
- Loos, Adolf, 1870-1933 Exhibitions.,
- Loos Adolf Hausbau.,
- Le Corbusier, 1887-1965.,
- Loos, Adolf, 1870-1933.,
- Le Corbusier, 1887-1965 Catalogues.,
- Loos, Adolf, 1870-1933 Catalogues.,
- Architecture, Domestic Europe Exhibitions.,
- Interior architecture Europe Exhibitions.,
- Architecture Europe History 20th century Exhibitions.,
- Architecture Europe 20th century Exhibitions.,
- Architecture intérieure Europe 20e siècle Expositions.,
- Architecture Europe 20e siècle Expositions.,
- Architecture domestique Europe Expositions.,
- Architecture intérieure Europe Expositions.,
- Architecture,
- Architecture, Domestic,
- Interior architecture,
- Woningen,
- Bouwkunst,
- Modernisme (cultuur),
- Europe,
- Exhibition catalogs.,
- exhibition catalogs.,
- History,
- Tentoonstellingscatalogi (vorm),
- Catalogues d'exposition.
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livres
livres
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Description:
173 pages : illustrations (some color), plans ; 26 cm
Description:
173 pages : illustrations (some color), plans ; 26 cm
Auteur:
Sujet:
- Midcentury modern (Architecture) Connecticut New Canaan.,
- Architecture Connecticut New Canaan History 20th century.,
- Architecture domestique Connecticut New Canaan Histoire 20e siècle.,
- Modernisme du milieu du siècle (Architecture) Connecticut New Canaan.,
- Architecture Connecticut New Canaan Histoire 20e siècle.,
- Architecture.,
- Buildings.,
- Midcentury modern (Architecture),
- New Canaan (Conn.) Buildings, structures, etc.,
- New Canaan (Conn.) Constructions.,
- Connecticut New Canaan.,
- History.
Publication:
New York : W.W. Norton, ©2006.
New York : W.W. Norton, ©2006.
Titre:
The Harvard Five in New Canaan : midcentury modern houses by Marcel Breuer, Landis Gores, John Johansen, Philip Johnson, Eliot Noyes & others / William D. Earls.
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Description:
173 pages : illustrations (some color), plans ; 26 cm
The Harvard Five in New Canaan : midcentury modern houses by Marcel Breuer, Landis Gores, John Johansen, Philip Johnson, Eliot Noyes & others / William D. Earls.
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Description:
173 pages : illustrations (some color), plans ; 26 cm
Classification:
livres
livres
Publication:
New York : W.W. Norton, ©2006.
New York : W.W. Norton, ©2006.
Auteur:
Sujet:
- Midcentury modern (Architecture) Connecticut New Canaan.,
- Architecture Connecticut New Canaan History 20th century.,
- Architecture domestique Connecticut New Canaan Histoire 20e siècle.,
- Modernisme du milieu du siècle (Architecture) Connecticut New Canaan.,
- Architecture Connecticut New Canaan Histoire 20e siècle.,
- Architecture.,
- Buildings.,
- Midcentury modern (Architecture),
- New Canaan (Conn.) Buildings, structures, etc.,
- New Canaan (Conn.) Constructions.,
- Connecticut New Canaan.,
- History.
Classification:
livres
livres
Titre:
How, when, and why modern art came to New York / Marius de Zayas ; edited by Francis M. Naumann.
How, when, and why modern art came to New York / Marius de Zayas ; edited by Francis M. Naumann.
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Description:
xiv, 260 pages : illustrations ; 24 cm
Description:
xiv, 260 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Zayas, Marius de.,
- Stieglitz, Alfred, 1864-1946.,
- Picasso, Pablo, 1881-1973.,
- Zayas, Marius de, (1880-1961) Influence.,
- Naumann, Francis M. Influence.,
- Stieglitz, Alfred, (1864-1946) Influence.,
- Art, Modern 20th century Marketing.,
- Art patronage New York (State) New York.,
- Art appreciation New York (State) New York.,
- Art New York (État) New York 20e siècle Commercialisation.,
- Mécénat New York (État) New York.,
- Art Appréciation New York (État) New York.,
- Art appreciation,
- Art, Modern Marketing,
- Art patronage,
- Modernisme (cultuur),
- Kunstreceptie.,
- Kunstbevordering.,
- Art 20e siècle Marketing.,
- Critique d'art New York (State) New York.,
- New York (State) New York,
- New York (N.Y.),
- Visual arts,
- Books.
Publication:
Cambridge, Mass. : MIT Press, ©1996.
Cambridge, Mass. : MIT Press, ©1996.
Titre:
How, when, and why modern art came to New York / Marius de Zayas ; edited by Francis M. Naumann.
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Description:
xiv, 260 pages : illustrations ; 24 cm
How, when, and why modern art came to New York / Marius de Zayas ; edited by Francis M. Naumann.
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Description:
xiv, 260 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©1996.
Cambridge, Mass. : MIT Press, ©1996.
Auteur:
Sujet:
- Zayas, Marius de.,
- Stieglitz, Alfred, 1864-1946.,
- Picasso, Pablo, 1881-1973.,
- Zayas, Marius de, (1880-1961) Influence.,
- Naumann, Francis M. Influence.,
- Stieglitz, Alfred, (1864-1946) Influence.,
- Art, Modern 20th century Marketing.,
- Art patronage New York (State) New York.,
- Art appreciation New York (State) New York.,
- Art New York (État) New York 20e siècle Commercialisation.,
- Mécénat New York (État) New York.,
- Art Appréciation New York (État) New York.,
- Art appreciation,
- Art, Modern Marketing,
- Art patronage,
- Modernisme (cultuur),
- Kunstreceptie.,
- Kunstbevordering.,
- Art 20e siècle Marketing.,
- Critique d'art New York (State) New York.,
- New York (State) New York,
- New York (N.Y.),
- Visual arts,
- Books.
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livres
livres
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Description:
446 pages : illustrations ; 24 cm
- Bibliothèque main 211205 | NA44.P479.A35 2000 | Disponible
- Bibliothèque main 211206 | NA44.P479.A35 2000 | Disponible
Description:
446 pages : illustrations ; 24 cm
Auteur:
Sujet:
- City planning Germany Karlsruhe History 20th century.,
- City planning Netherlands Rotterdam History 20th century.,
- City planning France Marseille History 20th century.,
- Architecture, Domestic Germany Karlsruhe.,
- Architecture, Domestic Netherlands Rotterdam.,
- Architecture, Domestic France Marseille.,
- Architecture, Domestic.,
- City planning.,
- Paradigma,
- Stadtforschung,
- Stadtteilplanung,
- Städtebau,
- Woonwijken.,
- Modernisme (cultuur),
- Urbanisme France Marseille (Bouches-du-Rhône) 20e siècle.,
- Urbanisme Allemagne Karlsruhe 20e siècle.,
- Urbanisme Pays-Bas Rotterdam 20e siècle.,
- Villes nouvelles Allemagne 20e siècle.,
- Villes nouvelles France 20e siècle.,
- Villes nouvelles Pays-Bas 20e siècle.,
- France Marseille.,
- Germany Karlsruhe.,
- Netherlands Rotterdam.,
- Deutschland,
- Frankreich,
- Karlsruhe-Rüppurr,
- Niederlande,
- Rotterdam-Spangen,
- Siedlung Dammerstock,
- Unité d'Habitation,
- Karlsruhe Siedlung Dammerstock.,
- Marseille Unité d'Habitation.,
- Geschichte 1910-1950,
- Writings.,
- History.
Publication:
Berlin : Gebr. Mann, ©2000.
Berlin : Gebr. Mann, ©2000.
Titre:
Wohnung, Siedlung, Stadt : Paradigmen der Moderne 1910-1950 / Michael Peterek.
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446 pages : illustrations ; 24 cm
Wohnung, Siedlung, Stadt : Paradigmen der Moderne 1910-1950 / Michael Peterek.
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- Bibliothèque main 211205 | NA44.P479.A35 2000 | Disponible
- Bibliothèque main 211206 | NA44.P479.A35 2000 | Disponible
Description:
446 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Berlin : Gebr. Mann, ©2000.
Berlin : Gebr. Mann, ©2000.
Auteur:
Sujet:
- City planning Germany Karlsruhe History 20th century.,
- City planning Netherlands Rotterdam History 20th century.,
- City planning France Marseille History 20th century.,
- Architecture, Domestic Germany Karlsruhe.,
- Architecture, Domestic Netherlands Rotterdam.,
- Architecture, Domestic France Marseille.,
- Architecture, Domestic.,
- City planning.,
- Paradigma,
- Stadtforschung,
- Stadtteilplanung,
- Städtebau,
- Woonwijken.,
- Modernisme (cultuur),
- Urbanisme France Marseille (Bouches-du-Rhône) 20e siècle.,
- Urbanisme Allemagne Karlsruhe 20e siècle.,
- Urbanisme Pays-Bas Rotterdam 20e siècle.,
- Villes nouvelles Allemagne 20e siècle.,
- Villes nouvelles France 20e siècle.,
- Villes nouvelles Pays-Bas 20e siècle.,
- France Marseille.,
- Germany Karlsruhe.,
- Netherlands Rotterdam.,
- Deutschland,
- Frankreich,
- Karlsruhe-Rüppurr,
- Niederlande,
- Rotterdam-Spangen,
- Siedlung Dammerstock,
- Unité d'Habitation,
- Karlsruhe Siedlung Dammerstock.,
- Marseille Unité d'Habitation.,
- Geschichte 1910-1950,
- Writings.,
- History.
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livres
livres
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Description:
201 pages : illustrations ; 20 cm
Description:
201 pages : illustrations ; 20 cm
Auteur:
Sujet:
- Art and society.,
- Art Political aspects.,
- Public spaces.,
- Urbanization.,
- Art et société.,
- Art Aspect politique.,
- Espaces publics.,
- Urbanisation.,
- political art.,
- urbanization.
Publication:
[Genève] : Métis Presses, [2022].
[Genève] : Métis Presses, [2022].
Titre:
Terrain critique : des nouveaux usages de l'art en urbanisme / Thierry Maeder.
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Description:
201 pages : illustrations ; 20 cm
Terrain critique : des nouveaux usages de l'art en urbanisme / Thierry Maeder.
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Description:
201 pages : illustrations ; 20 cm
Classification:
livres
livres
Publication:
[Genève] : Métis Presses, [2022].
[Genève] : Métis Presses, [2022].
Auteur:
Sujet:
- Art and society.,
- Art Political aspects.,
- Public spaces.,
- Urbanization.,
- Art et société.,
- Art Aspect politique.,
- Espaces publics.,
- Urbanisation.,
- political art.,
- urbanization.
Classification:
livres
livres
Titre:
Grave Matters
Grave Matters
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$39.95
(disponible sur commande)
Résumé:
'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical(...)
$39.95
(disponible sur commande)
Résumé:
'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical(...)
Titre:
Grave Matters
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$39.95
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Résumé:
'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical analysis, cultural commentary and philosophical reflection. Dietrich Christian Lammerts's photographs show us the graves of the artists, architects, writers, philosophers and musicians who shaped Western culture; at once beautiful and disturbing, they suggest an alternative history of modernism and its precursors. Grave Matters raises difficult questions: What place do the modern greats have in the postmodern age? Who decided where and how they would be buried? Who wrote their epitaphs? What do their deaths, and their graves, tell us about their lives and suggest about our own? The words and images of Grave Matters inscribe the future that we all face, and to ponder this memento mori is to meet life anew.
Grave Matters
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$39.95
(disponible sur commande)
Résumé:
'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical analysis, cultural commentary and philosophical reflection. Dietrich Christian Lammerts's photographs show us the graves of the artists, architects, writers, philosophers and musicians who shaped Western culture; at once beautiful and disturbing, they suggest an alternative history of modernism and its precursors. Grave Matters raises difficult questions: What place do the modern greats have in the postmodern age? Who decided where and how they would be buried? Who wrote their epitaphs? What do their deaths, and their graves, tell us about their lives and suggest about our own? The words and images of Grave Matters inscribe the future that we all face, and to ponder this memento mori is to meet life anew.
Classification:
livres
livres
Publication:
juin 2002, London
juin 2002, London
Sujet:
Bouffe
Bouffe
Classification:
livres
livres
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$79.95
(disponible sur commande)
Résumé:
"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the(...)
$79.95
(disponible sur commande)
Résumé:
"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2002, Cambridge, Massachusetts
avril 2002, Cambridge, Massachusetts
Titre:
The portfolio and the diagram : architecture, discourse, and modernity in America
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$79.95
(disponible sur commande)
Résumé:
"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings. More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline.
The portfolio and the diagram : architecture, discourse, and modernity in America
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Prix:
$79.95
(disponible sur commande)
Résumé:
"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings. More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline.
Classification:
livres
livres
Publication:
avril 2002, Cambridge, Massachusetts
avril 2002, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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Prix:
$63.95
(disponible sur commande)
Résumé:
Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in(...)
$63.95
(disponible sur commande)
Résumé:
Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in(...)
Titre:
Reyner Banham : historian of the immediate future
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Prix:
$63.95
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Résumé:
Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in opposition to both traditionalists and orthodox Modernists, but placed him in a unique position to understand the cultural, social, and political implications of the visual arts in the postwar period. His first book, "Theory and Design in the First Machine Age", was central to the overhaul of Modernism, and it gave Futurism and Expressionism credibility amid the dynamism and change of the 1960s. This intellectual biography is the first comprehensive critical examination of Banham’s theories and ideas, not only on architecture but also on the wide variety of subjects that interested him. It covers the full range of his oeuvre and discusses the values, enthusiasms, and influences that formed his thinking.
Reyner Banham : historian of the immediate future
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Prix:
$63.95
(disponible sur commande)
Résumé:
Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in opposition to both traditionalists and orthodox Modernists, but placed him in a unique position to understand the cultural, social, and political implications of the visual arts in the postwar period. His first book, "Theory and Design in the First Machine Age", was central to the overhaul of Modernism, and it gave Futurism and Expressionism credibility amid the dynamism and change of the 1960s. This intellectual biography is the first comprehensive critical examination of Banham’s theories and ideas, not only on architecture but also on the wide variety of subjects that interested him. It covers the full range of his oeuvre and discusses the values, enthusiasms, and influences that formed his thinking.
Classification:
livres
livres
Publication:
octobre 2001, Cambridge, MA
octobre 2001, Cambridge, MA
Sujet:
Théorie de l’architecture
Théorie de l’architecture
