That house that Max built
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Having worked construction for many years, author and illustrator Maxwell Newhouse shows young readers step-by-step how houses are built in this captivating picture book. From drawing up the plans to excavating the site to laying the foundation, the unique and colorful paintings move through the seasons as Max builds the house of his dreams. Watch the framing crew as they(...)
That house that Max built
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Having worked construction for many years, author and illustrator Maxwell Newhouse shows young readers step-by-step how houses are built in this captivating picture book. From drawing up the plans to excavating the site to laying the foundation, the unique and colorful paintings move through the seasons as Max builds the house of his dreams. Watch the framing crew as they build a floor frame to hold the house, raise the walls into place, and make the roof frame. See them install the windows and doors, bricklayers build the outside walls with bricks and mortar, and roofers nail the shingles into place. Follow the plumber as he puts in the water lines, the electrician as he installs the wiring, and the drywaller as he places wallboard on the inside walls. Along come the tile setter, floor layer, cabinetmaker, and painter, who all do their part to make Max’s house beautiful as his mischievous little dog romps through the pages. Finally, when the property has been landscaped with plants, trees, grass, and stones, Max moves into his beloved new home.
Littérature jeunesse
Glass House
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an(...)
Glass House
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$125.00
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an architectural laboratory, adding nine additional structures over a forty-year period. Among them are the Ghost House, a chain-link tribute to Frank Gehry, and the witty, bright red Gate House. Glass House is a unique presentation of the Glass House complex in words and photographs. Compiled by eminent critic Toshio Nakamura under the sponsorship of YKK AP Inc., the volume features a specially commissioned suite of photographs, taken throughout the four seasons, by renowned architectural photographer Michael Moran, including cross-processed images and images taken with infrared film. The deluxe graphic presentation, with distinctive paper stocks and foldout pages reproducing Johnson's original drawings, was conceived by designer Michael Rock of 2x4.
Architecture, monographies
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''Resisting eviction'' centres tenant organizing in its investigation of gentrification, eviction and the financialization of rental housing. Andrew Crosby argues that racial discrimination, property relations and settler colonialism inform contemporary urban (re)development efforts and impacts affordable housing loss. How can the City of Ottawa aspire to become ''North(...)
Resisting eviction: Domicide and the financialization of rental housing
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''Resisting eviction'' centres tenant organizing in its investigation of gentrification, eviction and the financialization of rental housing. Andrew Crosby argues that racial discrimination, property relations and settler colonialism inform contemporary urban (re)development efforts and impacts affordable housing loss. How can the City of Ottawa aspire to become ''North America’s most liveable mid-sized city'' while large-scale, demolition-driven evictions displace hundreds of people and destroy a community? Troubling discourses of urban liveability, revitalization and improvement, Crosby examines the deliberate destruction of home—domicide—and tenant resistance in the Heron Gate neighbourhood in Ottawa, on unceded Algonquin land. Heron Gate is a large rental neighbourhood owned by one multi-billion-dollar real estate investment firm. Around 800 people—predominantly lower-income, racialized households—have been demovicted and displaced from the neighbourhood since 2016, leading to the emergence of the Herongate Tenant Coalition to fight the evictions and confront the landlord-developer. This case study is meticulously documented through political activist ethnography, making this book a brilliant example of ethical engagement and methodological integrity.
L'humain et la ville
Chromophobia
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The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the(...)
Chromophobia
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The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analysing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at colour as a positive value. Exploring a wide range of imagery including Melville's 'great white whale', Huxley's reflections on mescaline, and Le Corbusier's 'journey to the East', Batchelor also discusses the use of colour in Pop, Minimal, and more recent art.
Donal Judd : architecture
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One of the leading representatives of Minimalism, Donald Judd's "specific objects," made of steel, wood, aluminum, and Plexiglass, undertook a radical and revolutionary analysis and redefinition of sculpture as it exists in space. Somewhat less familiar are Judd's numerous architectural and furniture designs, works which are closely related in formal terms to his(...)
Architecture, monographies
septembre 2003, Ostfildern-Ruit, Germany
Donal Judd : architecture
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One of the leading representatives of Minimalism, Donald Judd's "specific objects," made of steel, wood, aluminum, and Plexiglass, undertook a radical and revolutionary analysis and redefinition of sculpture as it exists in space. Somewhat less familiar are Judd's numerous architectural and furniture designs, works which are closely related in formal terms to his ubiquitous art objects but which much more successfully reflect his concerns with utility. In 1971, Judd bought an old fort near Marfa, Texas; by systematically acquiring and transforming more and more local property, he amassed the largest ensemble of contemporary art in the world, with permanent installations of his own work and that of Carl André, John Chamberlan, Dan Flavin, and others. "Donald Judd : Architecture" presents drawings, design sketches, ground plans, and photographs of the grounds and architecture of this Minimalist desert oasis, and bears witness to Judd's role as the visionary architect and stage director of his own oeuvre. This book first appeared in 1991, in German. It has been thoroughly revised and expanded for this, its first English edition
Architecture, monographies
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
octobre 2001
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
livres
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
décembre 1999, Cambridge, Mass.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
livres
décembre 1999, Cambridge, Mass.
Spacing Summer 2017
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We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in(...)
Spacing Summer 2017
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We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in a quickly intensifying city with soaring property values, Toronto is hard-pressed to create the parkland necessary to accommodate the needs of a growing population. Our contributors explore these themes in our 20-page cover section. You’ll also find engaging articles on the neurological reasons why we respond to certain architecture styles, how purpose-built apartments after World War I opened up independent city-living for women, where all of the building permits have been issued in the city over the last 20 years, why local comic artists are using Toronto as the setting in their stories, and how Mayor John Tory has made four horrible decisions that Torontonians will have to live with for generations.
Revues
Rent
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts,(...)
Rent
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts, in this book Joe Collins provides a comprehensive but concise survey of the theories and debates over rent and rentier capitalism. He examines global gentrification from São Paolo to Dublin, the tyranny of technology from Taipei to San Francisco, and the excesses of extractivism from Sekondi to Karratha. In doing so, he reveals how rent is fundamental to the current dominant form of capitalist social organization across the globe and how we can prevent the next generation from seeing our societies rent asunder. An essential resource for students and scholars alike, this groundbreaking book will be of interest to anyone working on capitalism, property, political economy, economic sociology and contemporary politics.
Social
livres
Description:
xxxii, 159 pages : illustrations, music ; 23 cm
Minneapolis : University of Minnesota Press, ©2006.
Noise orders : jazz, improvisation, and architecture / David P. Brown.
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Description:
xxxii, 159 pages : illustrations, music ; 23 cm
livres
Minneapolis : University of Minnesota Press, ©2006.