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Iconic product designers Moleskine present a new architecture series, Inspiration and Process, which compiles individual monographs approaching the design process of international architects. London-based Zaha Hadid is one of the world's foremost architects renowned for pushing boundaries and pioneering research. The series is presented in a completely new format(...)
Zaha Hadid moleskine notebook
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Iconic product designers Moleskine present a new architecture series, Inspiration and Process, which compiles individual monographs approaching the design process of international architects. London-based Zaha Hadid is one of the world's foremost architects renowned for pushing boundaries and pioneering research. The series is presented in a completely new format combining an 18th century clothbound style with a front and back cover in raw grey cardboard. The books also incorporate classic Moleskine features.
Architecture, monographies
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The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia(...)
The collector's cabinet and miniature pharmacy
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The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia specimens – including seeds, flowers, roots, resins, ores, and a great deal more. The cabinet was probably owned by a wealthy doctor or pharmacist and its contents were intended as a curiosity, for the amusement of a select group of friends. 21st century readers will be equally impressed by this exceptional Dutch collector’s cabinet.
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Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée,(...)
Modern architecture: representation & reality
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Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée, Nicholas Hawksmoor, Louis Kahn, Henri Labrouste, Augustus Welby Pugin, Karl Friedrich Schinkel, John Soane, Louis Sullivan, Mies van der Rohe, Eugène Viollet-le-Duc, and Frank Lloyd Wright.
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This book provides an overview of the extent to which the 18th-century English Landscape Garden spread through Europe and Russia. While this type of garden acted widely as an inspiration, it was not slavishly copied but adapted to local conditions, circumstances and agendas. A garden 'in the English style' is commonly used to denote a landscape garden in Europe, while the(...)
The English landscape garden in Europe
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This book provides an overview of the extent to which the 18th-century English Landscape Garden spread through Europe and Russia. While this type of garden acted widely as an inspiration, it was not slavishly copied but adapted to local conditions, circumstances and agendas. A garden 'in the English style' is commonly used to denote a landscape garden in Europe, while the term 'landscape garden' is used for layouts that are naturalistic in plan and resemble natural scenery, though they might be highly contrived and usually large in scale.
Jardins
In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser(...)
In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser has captured the beauty of Isfahan in photos that present the masterworks of Persian architecture and horticulture from the 16th to 18th centuries, Isfahan's heyday under the Persian Safavid dynasty. He paints a picture of boulevards, covered bridges, palaces, mosques and minarets.
Arch Moyen-Orient
Pictorial zoology
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Laszlo Layton’s artwork comprises modern images that evoke 18th and 19th century natural history drawings. To create his work, Layton first photographs a museum specimen using a restored 11x14-inch mahogany Deardoff camera, fitted with vintage Pinkham & Smith lenses. After making a cyanotype of the image, Layton then painstakingly hand paints the resulting print in subtle(...)
Pictorial zoology
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Laszlo Layton’s artwork comprises modern images that evoke 18th and 19th century natural history drawings. To create his work, Layton first photographs a museum specimen using a restored 11x14-inch mahogany Deardoff camera, fitted with vintage Pinkham & Smith lenses. After making a cyanotype of the image, Layton then painstakingly hand paints the resulting print in subtle hues of color. Each print in the edition is therefore unique, and as much an object as a photographic print. Although Layton’s work operates at the intersection of science and art, it is a call to beauty, not a diagram of reality.
Monographies photo
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Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing(...)
Michael Asher: writings 1973–1983 on works 1969–1979
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Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher’s work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: ''This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.''
Théorie de l’art
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain(...)
Balthus : The painter's house/Das haus der malers
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain area. Both house and occupants remained strictly "off limits" to media and public alike, until 1993 when the ban was graciously lifted for Japanese photographer Kishin Shinoyama. Not only was he allowed to photograph the Grand Chalet, its rooms and the family life there, but he was admitted to the inner sanctum, Balthus' studio, located in a roomy atelier outside. The present selection offers a unique glimpse into the world of an artist whose paintings, personality, lifestyle, and career add up to no less than a 20th century complete art work.
Monographies photo
Plywood: A Material Story
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Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from aeroplanes, boats and automobiles to architecture and furniture.(...)
Plywood: A Material Story
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Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from aeroplanes, boats and automobiles to architecture and furniture. This book traces the history of plywood from its use in 18th-century furniture, through its emergence as an industrial product in the 19th century, to a material celebrated by 20th-century modernists such as Alvar Aalto and Charles and Ray Eames. An ideal material for the digital age, plywood has become popular again in recent years and is widely used in contemporary design and manufacture. Produced to accompany an exhibition at the V, this book is the first comprehensive study of the history of plywood and its myriad applications throughout the ages, unveiling the stories behind objects that surround us and that we often take for granted.
Constructions en bois
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"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern(...)
Modern architecture: The basics
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"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern architecture. These include major historical movements, key figures, and evolving building typologies. There is also an emphasis on the changing city during the 19th and 20th centuries. Approaches to representation and its impacts on architecture are studied, along with the changing global role of architecture as cultural expression. The book introduces new topics, including gender, race, postcolonialism, and indigeneity.
Modernisme