315 Résultats
Classification:
expositions
expositions
Titre:
Archéologie du numérique
Archéologie du numérique
Actions:
Description:
Archéologie du numérique examine les fondements de l’architecture numérique à la fin des années 1980 et au début des années 1990 à partir de quatre projets précurseurs qui ont réorienté la recherche architecturale en s’appuyant sur l’expérimentation de nouveaux outils numériques : la résidence Lewis conçue par Frank Gehry (1985-1995), le Biozentrum non réalisé de Peter(...)
Archéologie du numérique examine les fondements de l’architecture numérique à la fin des années 1980 et au début des années 1990 à partir de quatre projets précurseurs qui ont réorienté la recherche architecturale en s’appuyant sur l’expérimentation de nouveaux outils numériques : la résidence Lewis conçue par Frank Gehry (1985-1995), le Biozentrum non réalisé de Peter(...)
Localisation:
Salles principales
Salles principales
Date:
7 mai 2013 au 27 octobre 2013
7 mai 2013 au 27 octobre 2013
Titre:
Archéologie du numérique
Actions:
Description:
Archéologie du numérique examine les fondements de l’architecture numérique à la fin des années 1980 et au début des années 1990 à partir de quatre projets précurseurs qui ont réorienté la recherche architecturale en s’appuyant sur l’expérimentation de nouveaux outils numériques : la résidence Lewis conçue par Frank Gehry (1985-1995), le Biozentrum non réalisé de Peter(...)
Archéologie du numérique
Actions:
Description:
Archéologie du numérique examine les fondements de l’architecture numérique à la fin des années 1980 et au début des années 1990 à partir de quatre projets précurseurs qui ont réorienté la recherche architecturale en s’appuyant sur l’expérimentation de nouveaux outils numériques : la résidence Lewis conçue par Frank Gehry (1985-1995), le Biozentrum non réalisé de Peter(...)
Classification:
expositions
expositions
Date:
7 mai 2013 au
27 octobre 2013
7 mai 2013 au
27 octobre 2013
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Actions:
Description:
Environnements virtuels, objets interactifs marque la seconde étape du projet de recherche amorcé avec l’exposition Archéologie du numérique en 2013. Sous le commissariat de Greg Lynn, cette initiative explore les liens entre architecture et technologie numérique des années 1980 à la fin du XXe siècle. La première exposition s’intéressait aux pratiques émergentes(...)
Environnements virtuels, objets interactifs marque la seconde étape du projet de recherche amorcé avec l’exposition Archéologie du numérique en 2013. Sous le commissariat de Greg Lynn, cette initiative explore les liens entre architecture et technologie numérique des années 1980 à la fin du XXe siècle. La première exposition s’intéressait aux pratiques émergentes(...)
Localisation:
Salles principales
Salles principales
Date:
21 mai 2014 au 5 octobre 2014
21 mai 2014 au 5 octobre 2014
Titre:
Archéologie du numérique : Environnements virtuels, objets interactifs
Actions:
Description:
Environnements virtuels, objets interactifs marque la seconde étape du projet de recherche amorcé avec l’exposition Archéologie du numérique en 2013. Sous le commissariat de Greg Lynn, cette initiative explore les liens entre architecture et technologie numérique des années 1980 à la fin du XXe siècle. La première exposition s’intéressait aux pratiques émergentes(...)
Archéologie du numérique : Environnements virtuels, objets interactifs
Actions:
Description:
Environnements virtuels, objets interactifs marque la seconde étape du projet de recherche amorcé avec l’exposition Archéologie du numérique en 2013. Sous le commissariat de Greg Lynn, cette initiative explore les liens entre architecture et technologie numérique des années 1980 à la fin du XXe siècle. La première exposition s’intéressait aux pratiques émergentes(...)
Classification:
expositions
expositions
Date:
21 mai 2014 au
5 octobre 2014
21 mai 2014 au
5 octobre 2014
Localisation:
Salles principales
Salles principales
Classification:
articles
articles
Actions:
Classification:
articles
articles
Titre:
Le nuage et la forêt
Le nuage et la forêt
Actions:
Dossier:
Des origines du numérique
Des origines du numérique
Classification:
documents textuels
Quantité:
13 file
documents textuels
Quantité:
13 file
Numéro de référence:
ARCH242880
Description:
Stan Allen (2 files) Andrew Benjamin Jennifer Bloomer Cynthia C. Davidson - Dear Reader Jacques Derrida / Peter Eisenman Interview John Hejduk Arata Isozaki Rem Koolhaas Greg Lynn Fritz Neumeyer David D'Heilly Wolf Prix (Coop Himmelblau) S-T Articles - Renato Rizzi, Ignasi de Solà-Morales, Michael Sorkin, Michael Speaks, Stanley Tigerman, Bernard Tschumi
ARCH242880
Description:
Stan Allen (2 files) Andrew Benjamin Jennifer Bloomer Cynthia C. Davidson - Dear Reader Jacques Derrida / Peter Eisenman Interview John Hejduk Arata Isozaki Rem Koolhaas Greg Lynn Fritz Neumeyer David D'Heilly Wolf Prix (Coop Himmelblau) S-T Articles - Renato Rizzi, Ignasi de Solà-Morales, Michael Sorkin, Michael Speaks, Stanley Tigerman, Bernard Tschumi
Personnes et institutions:
Date:
1992-1993
1992-1993
Titre:
Articles - Edited Texts, 1992-1993
Actions:
ARCH242880
Description:
Stan Allen (2 files) Andrew Benjamin Jennifer Bloomer Cynthia C. Davidson - Dear Reader Jacques Derrida / Peter Eisenman Interview John Hejduk Arata Isozaki Rem Koolhaas Greg Lynn Fritz Neumeyer David D'Heilly Wolf Prix (Coop Himmelblau) S-T Articles - Renato Rizzi, Ignasi de Solà-Morales, Michael Sorkin, Michael Speaks, Stanley Tigerman, Bernard Tschumi
Articles - Edited Texts, 1992-1993
Actions:
ARCH242880
Description:
Stan Allen (2 files) Andrew Benjamin Jennifer Bloomer Cynthia C. Davidson - Dear Reader Jacques Derrida / Peter Eisenman Interview John Hejduk Arata Isozaki Rem Koolhaas Greg Lynn Fritz Neumeyer David D'Heilly Wolf Prix (Coop Himmelblau) S-T Articles - Renato Rizzi, Ignasi de Solà-Morales, Michael Sorkin, Michael Speaks, Stanley Tigerman, Bernard Tschumi
Classification:
documents textuels
Quantité:
13 file
documents textuels
Quantité:
13 file
Date:
1992-1993
1992-1993
Personnes et institutions:
Classification:
documents textuels
Quantité:
24 file
documents textuels
Quantité:
24 file
Numéro de référence:
ARCH242841
Description:
Individual Presentations, Correspondence, etc: Paul Andreu Akira Asada & Arata Isozaki Ben van Berkel Ole Bouman Rosi Braidotti Beatriz Colomina Hubert Damisch Peter Eisenman Adriaan Geuze Elizabeth Grosz Francesca Hughes Fredric Jameson Kojin Karatani Rem Koolhaas Sanford Kwinter Greg Lynn Joost Meuwisson John Rajchman Saskia Sassen Nasrine Séraji Ignasi de Solà-Morales Ed Taverne Bernard Tschumi Alejandro Zaera-Polo
ARCH242841
Description:
Individual Presentations, Correspondence, etc: Paul Andreu Akira Asada & Arata Isozaki Ben van Berkel Ole Bouman Rosi Braidotti Beatriz Colomina Hubert Damisch Peter Eisenman Adriaan Geuze Elizabeth Grosz Francesca Hughes Fredric Jameson Kojin Karatani Rem Koolhaas Sanford Kwinter Greg Lynn Joost Meuwisson John Rajchman Saskia Sassen Nasrine Séraji Ignasi de Solà-Morales Ed Taverne Bernard Tschumi Alejandro Zaera-Polo
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Individual Presentations, Correspondence, etc
Actions:
ARCH242841
Description:
Individual Presentations, Correspondence, etc: Paul Andreu Akira Asada & Arata Isozaki Ben van Berkel Ole Bouman Rosi Braidotti Beatriz Colomina Hubert Damisch Peter Eisenman Adriaan Geuze Elizabeth Grosz Francesca Hughes Fredric Jameson Kojin Karatani Rem Koolhaas Sanford Kwinter Greg Lynn Joost Meuwisson John Rajchman Saskia Sassen Nasrine Séraji Ignasi de Solà-Morales Ed Taverne Bernard Tschumi Alejandro Zaera-Polo
Individual Presentations, Correspondence, etc
Actions:
ARCH242841
Description:
Individual Presentations, Correspondence, etc: Paul Andreu Akira Asada & Arata Isozaki Ben van Berkel Ole Bouman Rosi Braidotti Beatriz Colomina Hubert Damisch Peter Eisenman Adriaan Geuze Elizabeth Grosz Francesca Hughes Fredric Jameson Kojin Karatani Rem Koolhaas Sanford Kwinter Greg Lynn Joost Meuwisson John Rajchman Saskia Sassen Nasrine Séraji Ignasi de Solà-Morales Ed Taverne Bernard Tschumi Alejandro Zaera-Polo
Classification:
documents textuels
Quantité:
24 file
documents textuels
Quantité:
24 file
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997
1997
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Alessandro Poli
Fonds Alessandro Poli
Numéro de référence:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1963-1996
1963-1996
Personnes et institutions:
Classification:
documents textuels, né numérique, photographies
documents textuels, né numérique, photographies
Numéro de référence:
ARCH269763
Description:
This group is composed of digital images related to the proposal for the Odawara Municipal Sports Complex. The files include floor plans, sections, elevations and site plans. There are also computer-generated images, including 3-D wireframes and internal perspectives of the roof, 3-D models of the entire building, and views of the roof surface. There is also a text by Greg Lynn originally published in Architectural design (v. 63, no. 3/4 (Mar./Apr. 1993)) and dimensions in tabular format. Prevalent file types: .jpg
ARCH269763
Description:
This group is composed of digital images related to the proposal for the Odawara Municipal Sports Complex. The files include floor plans, sections, elevations and site plans. There are also computer-generated images, including 3-D wireframes and internal perspectives of the roof, 3-D models of the entire building, and views of the roof surface. There is also a text by Greg Lynn originally published in Architectural design (v. 63, no. 3/4 (Mar./Apr. 1993)) and dimensions in tabular format. Prevalent file types: .jpg
Personnes et institutions:
Date:
1990 - 1991
1990 - 1991
Titre:
Images for proposal, Odawara Municipal Sports Complex, Odawara, Kanagawa Prefecture, Japan
Actions:
ARCH269763
Description:
This group is composed of digital images related to the proposal for the Odawara Municipal Sports Complex. The files include floor plans, sections, elevations and site plans. There are also computer-generated images, including 3-D wireframes and internal perspectives of the roof, 3-D models of the entire building, and views of the roof surface. There is also a text by Greg Lynn originally published in Architectural design (v. 63, no. 3/4 (Mar./Apr. 1993)) and dimensions in tabular format. Prevalent file types: .jpg
Images for proposal, Odawara Municipal Sports Complex, Odawara, Kanagawa Prefecture, Japan
Actions:
ARCH269763
Description:
This group is composed of digital images related to the proposal for the Odawara Municipal Sports Complex. The files include floor plans, sections, elevations and site plans. There are also computer-generated images, including 3-D wireframes and internal perspectives of the roof, 3-D models of the entire building, and views of the roof surface. There is also a text by Greg Lynn originally published in Architectural design (v. 63, no. 3/4 (Mar./Apr. 1993)) and dimensions in tabular format. Prevalent file types: .jpg
Classification:
documents textuels, né numérique, photographies
documents textuels, né numérique, photographies
Date:
1990 - 1991
1990 - 1991
Personnes et institutions:
