48 Résultats
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livres
livres
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Publication:
Noxious Sector Press 2025
Noxious Sector Press 2025
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livres
livres
Publication:
Noxious Sector Press 2025
Noxious Sector Press 2025
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livres
livres
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Description:
137 pages : illustrations (some color) ; 27 cm
Description:
137 pages : illustrations (some color) ; 27 cm
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Publication:
New Haven : Yale University Press, 1996.
New Haven : Yale University Press, 1996.
Titre:
Venice & the grand tour / Bruce Redford.
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Description:
137 pages : illustrations (some color) ; 27 cm
Venice & the grand tour / Bruce Redford.
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Exemplaires:
Description:
137 pages : illustrations (some color) ; 27 cm
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livres
livres
Publication:
New Haven : Yale University Press, 1996.
New Haven : Yale University Press, 1996.
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livres
livres
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Description:
x, 181 pages, 4 unnumbered leaves of plates : illustrations, maps (on lining papers) ; 24 cm
Description:
x, 181 pages, 4 unnumbered leaves of plates : illustrations, maps (on lining papers) ; 24 cm
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Publication:
Toronto : Oxford University Press, 1967.
Toronto : Oxford University Press, 1967.
Titre:
Brant County : a history, 1784-1945 / C.M. Johnston.
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Description:
x, 181 pages, 4 unnumbered leaves of plates : illustrations, maps (on lining papers) ; 24 cm
Brant County : a history, 1784-1945 / C.M. Johnston.
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Exemplaires:
Description:
x, 181 pages, 4 unnumbered leaves of plates : illustrations, maps (on lining papers) ; 24 cm
Classification:
livres
livres
Publication:
Toronto : Oxford University Press, 1967.
Toronto : Oxford University Press, 1967.
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Classification:
audio
audio
Titre:
FONS ÀUDIO : Dora Garcia.
FONS ÀUDIO : Dora Garcia.
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1 online resource
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Publication:
[Place of publication not identified] : MACBA, 2016.
[Place of publication not identified] : MACBA, 2016.
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audio
audio
Publication:
[Place of publication not identified] : MACBA, 2016.
[Place of publication not identified] : MACBA, 2016.
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livres
livres
Prix:
$44.99
(disponible sur commande)
Résumé:
Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour(...)
$44.99
(disponible sur commande)
Résumé:
Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour(...)
Titre:
Glamour in six dimensions: modernism and the radiance of form
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$44.99
(disponible sur commande)
Résumé:
Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour is the defining aesthetic of modernism. In the clean lines of modernism she finds the ideal conditions for glamour-blankness, polish, impenetrability, and the suspicion of emptiness behind it all.
Glamour in six dimensions: modernism and the radiance of form
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Prix:
$44.99
(disponible sur commande)
Résumé:
Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour is the defining aesthetic of modernism. In the clean lines of modernism she finds the ideal conditions for glamour-blankness, polish, impenetrability, and the suspicion of emptiness behind it all.
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livres
livres
Publication:
mai 2009
mai 2009
Sujet:
Création de mode
Création de mode
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livres
livres
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onestar press 2003
onestar press 2003
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livres
livres
Publication:
onestar press 2003
onestar press 2003
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audio
audio
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2019.
[Place of publication not identified] : Lateral Addition, 2019.
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audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2019.
[Place of publication not identified] : Lateral Addition, 2019.
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livres
livres
Prix:
$49.95
(disponible sur commande)
Résumé:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
$49.95
(disponible sur commande)
Résumé:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
Titre:
The National Gallery of Canada : ideas and architecture
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$49.95
(disponible sur commande)
Résumé:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
The National Gallery of Canada : ideas and architecture
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Prix:
$49.95
(disponible sur commande)
Résumé:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
Classification:
livres
livres
Publication:
juin 2003, Montréal
juin 2003, Montréal
Sujet:
Architecture du Canada
Architecture du Canada
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livres
livres
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$52.95
(disponible sur commande)
Résumé:
The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on(...)
$52.95
(disponible sur commande)
Résumé:
The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on(...)
Titre:
Medievalism : the Middle Ages in modern England
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Prix:
$52.95
(disponible sur commande)
Résumé:
The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on the reverberations of medievalism in the present day. The rebuilding of the Palace of Westminster, after its destruction by fire in 1834, re-established Gothic as the national style. But medieval imitation manifests itself wherever one cares to look: in literature, architecture, the applied arts, religion, politics, and even Hollywood. In this skilled dissection of the components of this pervasive cultural movement, Michael Alexander rejects the idea that medievalism was confined to the Victorian period, and overturns the suspicion that it is by its nature escapist.
Medievalism : the Middle Ages in modern England
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Prix:
$52.95
(disponible sur commande)
Résumé:
The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on the reverberations of medievalism in the present day. The rebuilding of the Palace of Westminster, after its destruction by fire in 1834, re-established Gothic as the national style. But medieval imitation manifests itself wherever one cares to look: in literature, architecture, the applied arts, religion, politics, and even Hollywood. In this skilled dissection of the components of this pervasive cultural movement, Michael Alexander rejects the idea that medievalism was confined to the Victorian period, and overturns the suspicion that it is by its nature escapist.
Classification:
livres
livres
Publication:
mars 2007, New Haven, London
mars 2007, New Haven, London
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
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$65.95
(disponible sur commande)
Résumé:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary(...)
$65.95
(disponible sur commande)
Résumé:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary(...)
Titre:
Literature and architecture in early Modern England
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Prix:
$65.95
(disponible sur commande)
Résumé:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Literature and architecture in early Modern England
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Prix:
$65.95
(disponible sur commande)
Résumé:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Classification:
livres
livres
Publication:
août 2012
août 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
