1378 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1985:0455
DR1985:0455
Personnes et institutions:
Date:
late 16th century
late 16th century
Classification:
dessins
dessins
Date:
late 16th century
late 16th century
Personnes et institutions:
Classification:
artéfacts
artéfacts
Actions:
Numéro de référence:
DR1985:0259
DR1985:0259
Personnes et institutions:
Sujet:
architecture
architecture
Date:
16th century ?
16th century ?
Classification:
artéfacts
artéfacts
Date:
16th century ?
16th century ?
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1982:0020:001-033
DR1982:0020:001-033
Personnes et institutions:
Date:
between 1520 and 1550?
between 1520 and 1550?
Classification:
dessins
dessins
Date:
between 1520 and 1550?
between 1520 and 1550?
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1986:0441
DR1986:0441
Personnes et institutions:
Sujet:
topographique
topographique
Date:
published 1556
published 1556
Classification:
oeuvres d'art
oeuvres d'art
Date:
published 1556
published 1556
Personnes et institutions:
Sujet:
topographique
topographique
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1964:0016:004
Description:
- This elevation is for a rectangular frame for an altarpiece with a marble block, possibly the altar, within an arched surround. The altarpiece is flanked on each side by two Corinthian columns and is surmounted by an entablature with a bas-relief of a cherub, a broken pediment with volutes, and a cross.
DR1964:0016:004
Description:
- This elevation is for a rectangular frame for an altarpiece with a marble block, possibly the altar, within an arched surround. The altarpiece is flanked on each side by two Corinthian columns and is surmounted by an entablature with a bas-relief of a cherub, a broken pediment with volutes, and a cross.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
late 16th century
late 16th century
Titre:
Elevation for an altarpiece frame with Corinthian columns and a broken pediment
Actions:
DR1964:0016:004
Description:
- This elevation is for a rectangular frame for an altarpiece with a marble block, possibly the altar, within an arched surround. The altarpiece is flanked on each side by two Corinthian columns and is surmounted by an entablature with a bas-relief of a cherub, a broken pediment with volutes, and a cross.
Elevation for an altarpiece frame with Corinthian columns and a broken pediment
Actions:
DR1964:0016:004
Description:
- This elevation is for a rectangular frame for an altarpiece with a marble block, possibly the altar, within an arched surround. The altarpiece is flanked on each side by two Corinthian columns and is surmounted by an entablature with a bas-relief of a cherub, a broken pediment with volutes, and a cross.
Classification:
dessins
dessins
Date:
late 16th century
late 16th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1979:0278
DR1979:0278
Personnes et institutions:
Sujet:
architecture, militaire
architecture, militaire
Date:
printed after 1553
printed after 1553
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed after 1553
printed after 1553
Personnes et institutions:
Sujet:
architecture, militaire
architecture, militaire
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Personnes et institutions:
Date:
1967-1968
1967-1968
Titre:
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Niveau de description archivistique:
Project
Project
Date:
1967-1968
1967-1968
Personnes et institutions:
Classification:
documents textuels, oeuvres d'art
Quantité:
23 print(s) and manuscript(s)
documents textuels, oeuvres d'art
Quantité:
23 print(s) and manuscript(s)
Titre:
Vues d'optique
Vues d'optique
Actions:
Numéro de référence:
DR1990:0048:001-023
Description:
- Set of 22 prints by Jacques Androuet du Cerceau, showing imaginary architectural settings demonstrating the use of linear perspective.
DR1990:0048:001-023
Description:
- Set of 22 prints by Jacques Androuet du Cerceau, showing imaginary architectural settings demonstrating the use of linear perspective.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1551
1551
Titre:
Vues d'optique
Actions:
DR1990:0048:001-023
Description:
- Set of 22 prints by Jacques Androuet du Cerceau, showing imaginary architectural settings demonstrating the use of linear perspective.
Vues d'optique
Actions:
DR1990:0048:001-023
Description:
- Set of 22 prints by Jacques Androuet du Cerceau, showing imaginary architectural settings demonstrating the use of linear perspective.
Classification:
documents textuels, oeuvres d'art
Quantité:
23 print(s) and manuscript(s)
documents textuels, oeuvres d'art
Quantité:
23 print(s) and manuscript(s)
Date:
1551
1551
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1979:0276
DR1979:0276
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed 1550
printed 1550
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1550
printed 1550
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1979:0313
DR1979:0313
Personnes et institutions:
Sujet:
sculpture
sculpture
Date:
printed 1567
printed 1567
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1567
printed 1567
Personnes et institutions:
Sujet:
sculpture
sculpture
