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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
Titre:
Art and use Tod Williams Billie Tsien
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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
Art and use Tod Williams Billie Tsien
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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
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livres
livres
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octobre 2007, Buffalo
octobre 2007, Buffalo
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petits formats
petits formats
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livres
livres
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$59.95
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ACADIA 2013 Adaptive Architecture is the proceedings of the 33rd annual international conference of the Association for Computer-Aided Design in Architecture. The conference is held October 24-26, 2013 in Cambridge, Ontario and hosted by the School of Architecture, University of Waterloo, in partnership with the University at Buffalo, SUNY, and the University of(...)
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ACADIA 2013 Adaptive Architecture is the proceedings of the 33rd annual international conference of the Association for Computer-Aided Design in Architecture. The conference is held October 24-26, 2013 in Cambridge, Ontario and hosted by the School of Architecture, University of Waterloo, in partnership with the University at Buffalo, SUNY, and the University of(...)
Sujet:
Architecture numérique
Architecture numérique
Publication:
novembre 2013
novembre 2013
Titre:
Acadia 2013 : adaptive architecture
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ACADIA 2013 Adaptive Architecture is the proceedings of the 33rd annual international conference of the Association for Computer-Aided Design in Architecture. The conference is held October 24-26, 2013 in Cambridge, Ontario and hosted by the School of Architecture, University of Waterloo, in partnership with the University at Buffalo, SUNY, and the University of Nottingham. The proceedings publication contains peer-reviewed and juried research on computational design focused on emerging themes of adaptive and complex systems within contemporary architecture.
Acadia 2013 : adaptive architecture
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ACADIA 2013 Adaptive Architecture is the proceedings of the 33rd annual international conference of the Association for Computer-Aided Design in Architecture. The conference is held October 24-26, 2013 in Cambridge, Ontario and hosted by the School of Architecture, University of Waterloo, in partnership with the University at Buffalo, SUNY, and the University of Nottingham. The proceedings publication contains peer-reviewed and juried research on computational design focused on emerging themes of adaptive and complex systems within contemporary architecture.
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livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Architecture numérique
Architecture numérique
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livres
livres
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$24.00
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
Publication:
janvier 2009, Houston
janvier 2009, Houston
Titre:
On the banks of Bayou city: the center for land use interpretation in Houston
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$24.00
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
On the banks of Bayou city: the center for land use interpretation in Houston
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$24.00
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Résumé:
During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
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livres
livres
Publication:
janvier 2009, Houston
janvier 2009, Houston
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livres
livres
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$44.95
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund (...)
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund (...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2000, Los Angeles
janvier 2000, Los Angeles
Titre:
The victory of the new building style
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund and led an articulate and well-orchestrated campaign in support of the Modern Movement. A friend and colleague of Lewis Mumford, he immigrated in 1934 to the United States, where he taught courses on city planning and housing at Dartmouth College and the University of Buffalo. "The Victory of the New Building Style" (1927)—his principal theoretical work in German and the precursor to Modern Building, which he wrote in English—presents a revisionist conception of style that places equal emphasis on form and function. Behrendt calls for architects to return to basic geometries and to articulate explicitly the new social and economic realities. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public. Introduction by Detlef Mertins and translation by Harry Francis Mallgrave
The victory of the new building style
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Prix:
$44.95
(disponible en magasin)
Résumé:
The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund and led an articulate and well-orchestrated campaign in support of the Modern Movement. A friend and colleague of Lewis Mumford, he immigrated in 1934 to the United States, where he taught courses on city planning and housing at Dartmouth College and the University of Buffalo. "The Victory of the New Building Style" (1927)—his principal theoretical work in German and the precursor to Modern Building, which he wrote in English—presents a revisionist conception of style that places equal emphasis on form and function. Behrendt calls for architects to return to basic geometries and to articulate explicitly the new social and economic realities. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public. Introduction by Detlef Mertins and translation by Harry Francis Mallgrave
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livres
livres
Publication:
janvier 2000, Los Angeles
janvier 2000, Los Angeles
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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OMA NY: Search term
OMA NY: Search term
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$170.00
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
$170.00
(disponible en magasin)
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
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OMA NY: Search term
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$170.00
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
OMA NY: Search term
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$170.00
(disponible en magasin)
Résumé:
Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Architecture, monographies
Architecture, monographies
