2733 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1995:0004
Description:
- Details include capitals of two Composite columns, entablature, base, and a drawing of an unidentified motif.
DR1995:0004
Description:
- Details include capitals of two Composite columns, entablature, base, and a drawing of an unidentified motif.
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
18 January 1845
18 January 1845
Titre:
Details of the cloister garth, Basilica di S. Giovanni in Laterano, Rome, Italy
Actions:
DR1995:0004
Description:
- Details include capitals of two Composite columns, entablature, base, and a drawing of an unidentified motif.
Details of the cloister garth, Basilica di S. Giovanni in Laterano, Rome, Italy
Actions:
DR1995:0004
Description:
- Details include capitals of two Composite columns, entablature, base, and a drawing of an unidentified motif.
Classification:
dessins
dessins
Date:
18 January 1845
18 January 1845
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0050
Description:
- Drawing of or for the upper portion of a compound pier, including the shaft, capitals and the springing of the arches.
DR1988:0050
Description:
- Drawing of or for the upper portion of a compound pier, including the shaft, capitals and the springing of the arches.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1919
1919
Titre:
Drawing showing the upper half of a compound pier
Actions:
DR1988:0050
Description:
- Drawing of or for the upper portion of a compound pier, including the shaft, capitals and the springing of the arches.
Drawing showing the upper half of a compound pier
Actions:
DR1988:0050
Description:
- Drawing of or for the upper portion of a compound pier, including the shaft, capitals and the springing of the arches.
Classification:
dessins
dessins
Date:
1919
1919
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0030
Description:
- Sketch for the exterior of a chapel set in a landscape, including entrance portico, drum, and dome. Human heads are used as decorative motifs on the pediments and as capitals on the square posts, forming herms.
DR1988:0030
Description:
- Sketch for the exterior of a chapel set in a landscape, including entrance portico, drum, and dome. Human heads are used as decorative motifs on the pediments and as capitals on the square posts, forming herms.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1918
1918
Titre:
Design for a chapel using representations of human heads as decorative elements
Actions:
DR1988:0030
Description:
- Sketch for the exterior of a chapel set in a landscape, including entrance portico, drum, and dome. Human heads are used as decorative motifs on the pediments and as capitals on the square posts, forming herms.
Design for a chapel using representations of human heads as decorative elements
Actions:
DR1988:0030
Description:
- Sketch for the exterior of a chapel set in a landscape, including entrance portico, drum, and dome. Human heads are used as decorative motifs on the pediments and as capitals on the square posts, forming herms.
Classification:
dessins
dessins
Date:
1918
1918
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1981:1267:004
Description:
- This photograph shows Arnaldo Marchetti using a photograph identical to PH1981:1267:003 as a reference while sculpting the clay master for the restoration of the Corinthian capitals of the principal façade of the Head Office of the Bank of Montréal.
PH1981:1267:004
Description:
- This photograph shows Arnaldo Marchetti using a photograph identical to PH1981:1267:003 as a reference while sculpting the clay master for the restoration of the Corinthian capitals of the principal façade of the Head Office of the Bank of Montréal.
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
1969
1969
Titre:
Close-up view of Arnaldo Marchetti at the Western Pattern Works sculpting a full-scale one-quarter section clay master for the restoration of the Corinthian capitals of the principal façade of the Head Office of the Bank of Montréal, Montréal, Québec
Actions:
PH1981:1267:004
Description:
- This photograph shows Arnaldo Marchetti using a photograph identical to PH1981:1267:003 as a reference while sculpting the clay master for the restoration of the Corinthian capitals of the principal façade of the Head Office of the Bank of Montréal.
Close-up view of Arnaldo Marchetti at the Western Pattern Works sculpting a full-scale one-quarter section clay master for the restoration of the Corinthian capitals of the principal façade of the Head Office of the Bank of Montréal, Montréal, Québec
Actions:
PH1981:1267:004
Description:
- This photograph shows Arnaldo Marchetti using a photograph identical to PH1981:1267:003 as a reference while sculpting the clay master for the restoration of the Corinthian capitals of the principal façade of the Head Office of the Bank of Montréal.
Classification:
photographies
photographies
Date:
1969
1969
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0437:044
Description:
- This etching for a fireworks construction or macchina is dedicated to Chinese philosophy. The macchina is in the form of a wall articulated with a specially designed order of architecture. The capitals of the order consist of two dragons looking in opposite directions. Statues representing chinese philosophers are placed between the columns.
DR1988:0437:044
Description:
- This etching for a fireworks construction or macchina is dedicated to Chinese philosophy. The macchina is in the form of a wall articulated with a specially designed order of architecture. The capitals of the order consist of two dragons looking in opposite directions. Statues representing chinese philosophers are placed between the columns.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
printed 1772
printed 1772
Titre:
Etching of Posi's design for the "prima macchina" of 1772
Actions:
DR1988:0437:044
Description:
- This etching for a fireworks construction or macchina is dedicated to Chinese philosophy. The macchina is in the form of a wall articulated with a specially designed order of architecture. The capitals of the order consist of two dragons looking in opposite directions. Statues representing chinese philosophers are placed between the columns.
Etching of Posi's design for the "prima macchina" of 1772
Actions:
DR1988:0437:044
Description:
- This etching for a fireworks construction or macchina is dedicated to Chinese philosophy. The macchina is in the form of a wall articulated with a specially designed order of architecture. The capitals of the order consist of two dragons looking in opposite directions. Statues representing chinese philosophers are placed between the columns.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1772
printed 1772
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
Personnes et institutions:
Date:
ca. 1860-1886
ca. 1860-1886
Titre:
View of the William Ravenel house, 13 East Battery, Charleston, South Carolina, United States of America
Actions:
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
View of the William Ravenel house, 13 East Battery, Charleston, South Carolina, United States of America
Actions:
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
Classification:
photographies
photographies
Date:
ca. 1860-1886
ca. 1860-1886
Personnes et institutions:
Classification:
dessins
Quantité:
8 reprographic copy(ies)
dessins
Quantité:
8 reprographic copy(ies)
Numéro de référence:
ARCH269659
Description:
Group consists of reproduction of plans for Chandigarh, India, including: - Plan of the sector 22 - Plan of the business district - Master plan of Punjab University in sector 14 - General layout plan of Chandigarh - Plan of the Capitol Complex - Drawing by Le Corbusier "Chandigarh, Naissance d'une capitale" dated March 3, 1957 - Maps of India showing the situation of Chandigarh
ARCH269659
Description:
Group consists of reproduction of plans for Chandigarh, India, including: - Plan of the sector 22 - Plan of the business district - Master plan of Punjab University in sector 14 - General layout plan of Chandigarh - Plan of the Capitol Complex - Drawing by Le Corbusier "Chandigarh, Naissance d'une capitale" dated March 3, 1957 - Maps of India showing the situation of Chandigarh
Personnes et institutions:
Date:
between 1951 and 1965
between 1951 and 1965
Titre:
Reproduction of plans for Chandigarh
Actions:
ARCH269659
Description:
Group consists of reproduction of plans for Chandigarh, India, including: - Plan of the sector 22 - Plan of the business district - Master plan of Punjab University in sector 14 - General layout plan of Chandigarh - Plan of the Capitol Complex - Drawing by Le Corbusier "Chandigarh, Naissance d'une capitale" dated March 3, 1957 - Maps of India showing the situation of Chandigarh
Reproduction of plans for Chandigarh
Actions:
ARCH269659
Description:
Group consists of reproduction of plans for Chandigarh, India, including: - Plan of the sector 22 - Plan of the business district - Master plan of Punjab University in sector 14 - General layout plan of Chandigarh - Plan of the Capitol Complex - Drawing by Le Corbusier "Chandigarh, Naissance d'une capitale" dated March 3, 1957 - Maps of India showing the situation of Chandigarh
Classification:
dessins
Quantité:
8 reprographic copy(ies)
dessins
Quantité:
8 reprographic copy(ies)
Date:
between 1951 and 1965
between 1951 and 1965
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Shim-Sutcliffe
Fonds Shim-Sutcliffe
Numéro de référence:
AP110
Résumé:
The Shim-Sutcliffe fonds documents the work of the architectural firm Shim-Sutcliffe. The fonds includes drawings, models, and objects related to architectural projects dating from 1988-2009.
AP110
Résumé:
The Shim-Sutcliffe fonds documents the work of the architectural firm Shim-Sutcliffe. The fonds includes drawings, models, and objects related to architectural projects dating from 1988-2009.
Personnes et institutions:
Date:
1988-2009
1988-2009
Titre:
Fonds Shim-Sutcliffe
Actions:
AP110
Résumé:
The Shim-Sutcliffe fonds documents the work of the architectural firm Shim-Sutcliffe. The fonds includes drawings, models, and objects related to architectural projects dating from 1988-2009.
Fonds Shim-Sutcliffe
Actions:
AP110
Résumé:
The Shim-Sutcliffe fonds documents the work of the architectural firm Shim-Sutcliffe. The fonds includes drawings, models, and objects related to architectural projects dating from 1988-2009.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1988-2009
1988-2009
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Titre:
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Classification:
oeuvres d'art
oeuvres d'art
Titre:
Design for a triumphal arch
Design for a triumphal arch
Actions:
Numéro de référence:
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
early 1530s
early 1530s
Titre:
Design for a triumphal arch
Actions:
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
Design for a triumphal arch
Actions:
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
Classification:
oeuvres d'art
oeuvres d'art
Date:
early 1530s
early 1530s
Personnes et institutions:
Sujet:
architecture
architecture
