photographies
AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
circa 1950s-1970s
Views of buildings by Le Corbusier including Pavillon Suisse
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AP140.S1.SS2.D2.P4
Description:
views of buildings by Le Corbusier including Pavillon Suisse, Cité Universitaire, Unité d`Habitation, Cité-Refuge de l'Armée du Salut [Salvation Army Refuge], Notre-Dame-du-Haut, Ronchamp, and Villa Savoye, as well as a letter from The Winter Thomas Company Ltd. that discusses James Stirling`s photographs of the work of Le Corbusier; views of Italian architecture and sculpture predominantly in Florence and Pisa;
photographies
circa 1950s-1970s
photographies
ARCH269183
Description:
Group consists of photographs of various schools and colleges in Chandigarh, India, including the College of Arts in sector 10, the Architecture College in sector 10, the Government College for Women and Government College for Men, both in sector 11, the Technical Teachers Training Institute in sector 26 and the Polytechnic for Men in sector 26.
1951-c.1970
Photographs of schools and colleges in Chandigarh, India
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ARCH269183
Description:
Group consists of photographs of various schools and colleges in Chandigarh, India, including the College of Arts in sector 10, the Architecture College in sector 10, the Government College for Women and Government College for Men, both in sector 11, the Technical Teachers Training Institute in sector 26 and the Polytechnic for Men in sector 26.
photographies
1951-c.1970
documents textuels, photographies
DR2012:0015:024:011
Description:
File containing documents in English and French (predominant), including photographs, and press clippings. Also includes one copy of a 10th anniversary booklet for Sauve construction limitée, based in Saint-Thérèse, Quebec. Materials possibly gathered for inclusion in Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: MC ANTHO - IMAGES QUEBEC 1960's/70's
1972-1974
Reference materials possibly used to article "On architecture: Melvin Charney: a critical anthology"
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DR2012:0015:024:011
Description:
File containing documents in English and French (predominant), including photographs, and press clippings. Also includes one copy of a 10th anniversary booklet for Sauve construction limitée, based in Saint-Thérèse, Quebec. Materials possibly gathered for inclusion in Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: MC ANTHO - IMAGES QUEBEC 1960's/70's
documents textuels, photographies
1972-1974
Projet
AP140.S2.SS3.D15
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the Six British Architects exhibition at the Fondation Claude-Nicolas Ledoux, in Arc-et-Senans, France. This was the second showing of the British Architecture Today exhibition, first held in 1991 at the British Pavilion, Biennale di Venezia in Venice, Italy. Material in this file was produced between 1992 and 1993. File contains textual records, including correspondence and photographs. File also contains correspondence relating to door handles designed by James Stirling.
1992-1993
Six British Architects, Fondation Claude-Nicolas Ledoux
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AP140.S2.SS3.D15
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the Six British Architects exhibition at the Fondation Claude-Nicolas Ledoux, in Arc-et-Senans, France. This was the second showing of the British Architecture Today exhibition, first held in 1991 at the British Pavilion, Biennale di Venezia in Venice, Italy. Material in this file was produced between 1992 and 1993. File contains textual records, including correspondence and photographs. File also contains correspondence relating to door handles designed by James Stirling.
File 15
1992-1993
Projet
CI005.S1.1914.PR3
Description:
In 1914, the Society for the Advancement of Architecture, with architect H.P. Berlage acting as jury member, held a competition for the design of its public baths. Although Oud did not submit his designs, he created plans for a bathhouse with three round-arch portals. The design was for a fairly simple and functional symmetrical building. He considered his design as indebted to Hendrik Petrus Berlage’s Stock Exchange (Taverne et al. 2001, 109). The project series includes a photograph of Oud's plan for Public Baths.
1914-1915
Competition Design for Public Baths, Blaricum, Netherlands (1914-1915)
Actions:
CI005.S1.1914.PR3
Description:
In 1914, the Society for the Advancement of Architecture, with architect H.P. Berlage acting as jury member, held a competition for the design of its public baths. Although Oud did not submit his designs, he created plans for a bathhouse with three round-arch portals. The design was for a fairly simple and functional symmetrical building. He considered his design as indebted to Hendrik Petrus Berlage’s Stock Exchange (Taverne et al. 2001, 109). The project series includes a photograph of Oud's plan for Public Baths.
project
1914-1915
Sous-série
AP116.S3.SS20
Description:
Sub-series documents the planning and production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May) and its accompanying In ANY Event Symposium, held January 25, 1997 at the Guggenheim Museum, New York City, New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1997. Sub-series contains drafts, research materials, documents relating to publicity, articles, illustrations and photographs, mock-ups, videocassettes and audiocassettes of symposium and copies of the issue.
1996-1997
Public Fear: What's So Scary About Architecture?
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AP116.S3.SS20
Description:
Sub-series documents the planning and production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May) and its accompanying In ANY Event Symposium, held January 25, 1997 at the Guggenheim Museum, New York City, New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1997. Sub-series contains drafts, research materials, documents relating to publicity, articles, illustrations and photographs, mock-ups, videocassettes and audiocassettes of symposium and copies of the issue.
Sub-series 20
1996-1997
Sous-série
AP075.S4.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's research for private and public landscaping projects. It includes documents on various subjects such as documentation on historical preservation, documents on plants, forest and forest management, documents on other landscape projects or urban gardens of interest for Oberlander, and documentation on green roofs projects and sustainable architecture. The sub-series contains research notes and documentation, including correspondence, reports from various organizations and associations, small publications, press clippings, and reference photographs of landscape designs and gardens for private residences, including some of her own projects.
1936-1999
Research for private and public landscaping projects
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AP075.S4.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's research for private and public landscaping projects. It includes documents on various subjects such as documentation on historical preservation, documents on plants, forest and forest management, documents on other landscape projects or urban gardens of interest for Oberlander, and documentation on green roofs projects and sustainable architecture. The sub-series contains research notes and documentation, including correspondence, reports from various organizations and associations, small publications, press clippings, and reference photographs of landscape designs and gardens for private residences, including some of her own projects.
Sub-series
1936-1999
Série(s)
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
1958-2016
Research files
Actions:
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
Series
1958-2016
Tout comme la villa Rotonda d’Andrea Palladio a contribué à définir, pour les générations suivantes, l’architecture de la Renaissance en Italie, Chiswick est le locus classicus du renouveau palladien au XVIIIe siècle. L’exposition suit le déroulement de la pensée d’un grand architecte qui transforme successivement ses sources d’inspiration en projet architectural, puis(...)
Salles principales
19 juillet 1994 au 25 septembre 1994
Le renouveau palladien : la villa et les jardins de Lord Burlington à Chiswick
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Description:
Tout comme la villa Rotonda d’Andrea Palladio a contribué à définir, pour les générations suivantes, l’architecture de la Renaissance en Italie, Chiswick est le locus classicus du renouveau palladien au XVIIIe siècle. L’exposition suit le déroulement de la pensée d’un grand architecte qui transforme successivement ses sources d’inspiration en projet architectural, puis(...)
Salles principales
L’exposition se concentre sur un aspect déterminant et actuel de l’œuvre de Scarpa : l’approche originale qu’il utilisait pour composer avec les strates historiques qui forment le tissu d’une ville ou d’un bâtiment. En se concentrant sur l’habileté avec laquelle Scarpa pouvait développer une nouvelle œuvre à l’intérieur même, et souvent à partir, de fragments disparates(...)
Salles principales
26 mai 1999 au 31 octobre 1999
Carlo Scarpa, architecte : composer avec l’histoire
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Description:
L’exposition se concentre sur un aspect déterminant et actuel de l’œuvre de Scarpa : l’approche originale qu’il utilisait pour composer avec les strates historiques qui forment le tissu d’une ville ou d’un bâtiment. En se concentrant sur l’habileté avec laquelle Scarpa pouvait développer une nouvelle œuvre à l’intérieur même, et souvent à partir, de fragments disparates(...)
Salles principales