$70.00
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s(...)
Chacarita Moderna: The Brutalist Necropolis of Buenos Aires
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s first female architects and urban planners, a pioneer of South American modernism who also contributed to Le Corbusier’s master plan for Buenos Aires. In this book, French architect Léa Namer rediscovers the necropolis through an in-depth investigation and feminist re-reading of this unique site and its creator.
$65.70
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Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring(...)
novembre 2017
Architecture and feminisms: ecologies, economies, technologies
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Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world.
$40.00
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon.(...)
Glossary of undisciplined design
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, The Glossary of Undisciplined Design combines a multitude of theories and narratives of varying densities and forms, from visual essay, to hands-on experiment, to interview or advertorial, to poem, to speculative tale and scholarly writing.
$28.00
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The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book. Edited by feminist graphic design collective MMS(...)
mars 2020
Natural enemies of books: a messy history of women in printing and typography
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The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book. Edited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Théorie/ philosophie
livres
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the(...)
Conversation pieces : community + communication in modern art
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
livres
février 2004
Théorie de l’art
$24.95
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In ''Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism'', Françoise Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. Through 38 short sections,(...)
Making the world clean: Wasted lives, wated environment, and racial capitalism
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In ''Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism'', Françoise Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. Through 38 short sections, she looks at the social relations that have made cleaning into drudgery and into a racialized, gendered, poorly paid job that is nevertheless necessary for any society to function. She concludes with the proposition of a feminist, decolonial, antiracist, anti-patriarchal, and anti-capitalist politics of cleaning. Or, simply put, of “decolonial cleaning.”
Théorie/ philosophie
$16.95
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial,(...)
The Funambulist 50: Redefining our terms
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial, antiracist, queer, feminist, among others) nomenclature surge into public imaginaries, has led to a dilution of this vocabulary’s political meanings. Each contribution of this issue thus proposes a subjective definition of a such a term, the issue acting like a useful glossary to reflect on our struggles.
Revues
$49.00
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of(...)
Maria Hupfield: Breaking protocol
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, "Breaking protocol" asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.
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These essays show Angela McRobbie reflecting on a range of issues which have political consequence for women, particularly young women, in a context where it is frequently assumed that progress has been made in the last 30 years, and that with gender issues now 'mainstreamed' in cultural and social life, the moment of feminism per se is now passed. McRobbie trenchantly(...)
The aftermath of feminism: gender, culture and social change
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These essays show Angela McRobbie reflecting on a range of issues which have political consequence for women, particularly young women, in a context where it is frequently assumed that progress has been made in the last 30 years, and that with gender issues now 'mainstreamed' in cultural and social life, the moment of feminism per se is now passed. McRobbie trenchantly argues that it is precisely on these grounds that invidious forms of gender -re-stabilisation are able to be re-established. Consumer culture, she argues, encroaches on the terrain of so called female freedom, appears supportive of female success only to tie women into new post-feminist neurotic dependencies.
Théorie/ philosophie