3122 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Inter-Action Centre
Inter-Action Centre
Numéro de référence:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Personnes et institutions:
Date:
1964-1992, predominant 1970-1981
1964-1992, predominant 1970-1981
Titre:
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Niveau de description archivistique:
File 82
File 82
Date:
1964-1992, predominant 1970-1981
1964-1992, predominant 1970-1981
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Localisation:
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Date:
10 mai 2017 au 15 octobre 2017
10 mai 2017 au 15 octobre 2017
Titre:
L’histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
L’histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Classification:
expositions
expositions
Date:
10 mai 2017 au
15 octobre 2017
10 mai 2017 au
15 octobre 2017
Localisation:
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-1996
1995-1996
Personnes et institutions:
Classification:
événements
événements
Titre:
À bas les parcs?
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Date:
25 mai 2017
25 mai 2017
Titre:
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Classification:
événements
événements
Date:
25 mai 2017
25 mai 2017
Classification:
événements
événements
Titre:
La connaissance du bâti
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
16 avril 2015 , 18h
16 avril 2015 , 18h
Titre:
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Classification:
événements
événements
Date:
16 avril 2015
18h
16 avril 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
Personnes et institutions:
Date:
circa 1971-2015
circa 1971-2015
Titre:
Kenneth Frampton writings (FR-I)
Actions:
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
Kenneth Frampton writings (FR-I)
Actions:
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
Classification:
documents textuels
documents textuels
Date:
circa 1971-2015
circa 1971-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Stelco
Fonds Stelco
Numéro de référence:
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Personnes et institutions:
Date:
1902-1982
1902-1982
Titre:
Fonds Stelco
Actions:
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Fonds Stelco
Actions:
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1902-1982
1902-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
1971-1983
1971-1983
Titre:
Art Gallery of Ontario, Stage II Expansion, Toronto (1978)
Actions:
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
Art Gallery of Ontario, Stage II Expansion, Toronto (1978)
Actions:
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1971-1983
1971-1983
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Personnes et institutions:
Date:
1958-1993
1958-1993
Titre:
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Classification:
documents textuels
documents textuels
Date:
1958-1993
1958-1993
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Douglas C. Simpson
Fonds Douglas C. Simpson
Numéro de référence:
AP076
Résumé:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
AP076
Résumé:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
Personnes et institutions:
Date:
1938-1992, [predominant ca. 1940-ca. 1960]
1938-1992, [predominant ca. 1940-ca. 1960]
Titre:
Fonds Douglas C. Simpson
Actions:
AP076
Résumé:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
Fonds Douglas C. Simpson
Actions:
AP076
Résumé:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1938-1992, [predominant ca. 1940-ca. 1960]
1938-1992, [predominant ca. 1940-ca. 1960]
Personnes et institutions:
