5764 Résultats
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It’s the story of 19 Princelet Street in Spitalfields, built for a Huguenot silk-weaver and later transformed into a synagogue. It’s also the story of a row of modest two-up, two-down houses in Toxteth, a block of flats in London’s East End, and what Ideal Home magazine in 1926 called Britain’s "first modern house" — in Northampton. Together, these buildings reveal how(...)
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It’s the story of 19 Princelet Street in Spitalfields, built for a Huguenot silk-weaver and later transformed into a synagogue. It’s also the story of a row of modest two-up, two-down houses in Toxteth, a block of flats in London’s East End, and what Ideal Home magazine in 1926 called Britain’s "first modern house" — in Northampton. Together, these buildings reveal how(...)
Titre:
The English house: A history in eight buildings
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It’s the story of 19 Princelet Street in Spitalfields, built for a Huguenot silk-weaver and later transformed into a synagogue. It’s also the story of a row of modest two-up, two-down houses in Toxteth, a block of flats in London’s East End, and what Ideal Home magazine in 1926 called Britain’s "first modern house" — in Northampton. Together, these buildings reveal how English homes have evolved and adapted over the past few centuries. At the same time, as historian Dan Cruickshank shows, they offer intimate glimpses into the lives of their first occupants — their ambitions, hardships, and place within their communities. "The English House" masterfully intertwines architectural and social history, creating a vivid and deeply human portrait of the spaces that have shaped English life.
The English house: A history in eight buildings
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It’s the story of 19 Princelet Street in Spitalfields, built for a Huguenot silk-weaver and later transformed into a synagogue. It’s also the story of a row of modest two-up, two-down houses in Toxteth, a block of flats in London’s East End, and what Ideal Home magazine in 1926 called Britain’s "first modern house" — in Northampton. Together, these buildings reveal how English homes have evolved and adapted over the past few centuries. At the same time, as historian Dan Cruickshank shows, they offer intimate glimpses into the lives of their first occupants — their ambitions, hardships, and place within their communities. "The English House" masterfully intertwines architectural and social history, creating a vivid and deeply human portrait of the spaces that have shaped English life.
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livres
livres
Publication:
mars 2026
mars 2026
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livres
livres
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and(...)
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and(...)
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On specific ambiguity by the idea of tropical space or the reasoned practice of the forms
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and creating an ambivalent, complex and contradictory, imprecise, mestizo, and multireferential architecture.' Retrespo is cofounder (with Juliana Gallego Martinez) of the Medellin-based firm AGENdA, and a large portion of this volume is devoted to a selection of works by the firm, mostly located in Medellin and Mexico. In 2020 AGENdA was selected as one of the most creative, interesting and promising emerging architects by Domus magazine.
On specific ambiguity by the idea of tropical space or the reasoned practice of the forms
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and creating an ambivalent, complex and contradictory, imprecise, mestizo, and multireferential architecture.' Retrespo is cofounder (with Juliana Gallego Martinez) of the Medellin-based firm AGENdA, and a large portion of this volume is devoted to a selection of works by the firm, mostly located in Medellin and Mexico. In 2020 AGENdA was selected as one of the most creative, interesting and promising emerging architects by Domus magazine.
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livres
livres
Publication:
juillet 2023
juillet 2023
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$22.00
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Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research(...)
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Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research(...)
Titre:
20/20 : editorial takes on architectural discourse
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Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research collective that at the time of writing was on the cusp of being launched ([bracket]). Also included are contributions from the editors of 306090, AA Files, Actar, An Architektur, Footprint, Grey Room, Harvard Design Magazine, Hunch, Interstices, Log, Manifold, Mark, New Geographies, OASE, Praxis, Scapes, UME and Volume. 20/20 is a timely publication that provides today's architectural reader with concise viewpoints from the editors behind the magazines behind architectural culture.
20/20 : editorial takes on architectural discourse
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Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research collective that at the time of writing was on the cusp of being launched ([bracket]). Also included are contributions from the editors of 306090, AA Files, Actar, An Architektur, Footprint, Grey Room, Harvard Design Magazine, Hunch, Interstices, Log, Manifold, Mark, New Geographies, OASE, Praxis, Scapes, UME and Volume. 20/20 is a timely publication that provides today's architectural reader with concise viewpoints from the editors behind the magazines behind architectural culture.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall,(...)
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall,(...)
Titre:
Speaking of art: four decades of art in conversation
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall, Damien Hirst and Tacita Dean. Dennis Oppenheim, Tadeusz Kantor, Philip Glass, Richard Long, Frank Stella, Joseph Beuys, Mona Hatoum, Roy Lichtenstein, Ilya Kabakov, Jeff Koons, Anish Kapoor, Rachel Whiteread, Mike Kelley, Richard Serra, Marina Abramovic, Bill Viola, Tacita Dean, Ed Ruscha, Wolfgang Tillmans, Damien Hirst, Jeff Wall, Gilbert & George, Thomas Demand, Hans Ulrich Obrist, John Baldessari, Shirin Neshat and many more.
Speaking of art: four decades of art in conversation
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall, Damien Hirst and Tacita Dean. Dennis Oppenheim, Tadeusz Kantor, Philip Glass, Richard Long, Frank Stella, Joseph Beuys, Mona Hatoum, Roy Lichtenstein, Ilya Kabakov, Jeff Koons, Anish Kapoor, Rachel Whiteread, Mike Kelley, Richard Serra, Marina Abramovic, Bill Viola, Tacita Dean, Ed Ruscha, Wolfgang Tillmans, Damien Hirst, Jeff Wall, Gilbert & George, Thomas Demand, Hans Ulrich Obrist, John Baldessari, Shirin Neshat and many more.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Volume—a word that refers to sound, collections, and the measurement of space—is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. This publication is a collection of both new and classic writings by frequent Emigre(...)
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Volume—a word that refers to sound, collections, and the measurement of space—is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. This publication is a collection of both new and classic writings by frequent Emigre(...)
Titre:
Volume: writings on graphic design, music, art and culture
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Volume—a word that refers to sound, collections, and the measurement of space—is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. This publication is a collection of both new and classic writings by frequent Emigre contributor and educator Kenneth FitzGerald that survey the discipline of graphic design in context with the parallel creative fields of contemporary music and art. The topics of the writings are diverse: the roles of class in design, design education, Lester Bangs and Creem magazine, pornography, album cover art, independent record labels, anonymity and imaginary creative identities, and design as cultural chaos-maker.
Volume: writings on graphic design, music, art and culture
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Volume—a word that refers to sound, collections, and the measurement of space—is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. This publication is a collection of both new and classic writings by frequent Emigre contributor and educator Kenneth FitzGerald that survey the discipline of graphic design in context with the parallel creative fields of contemporary music and art. The topics of the writings are diverse: the roles of class in design, design education, Lester Bangs and Creem magazine, pornography, album cover art, independent record labels, anonymity and imaginary creative identities, and design as cultural chaos-maker.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style,(...)
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style,(...)
Titre:
Daddy wouldn't buy me a Bauhaus: profiles in architecture and design
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style, include Reyner Banham, Berthold Lubetkin, Philip Johnson, Paul Rand, Phyllis Lambert, Frank Gehry, Rem Koolhaas, Muriel Cooper, April Greiman, and Michael Bloomberg. Many of the profiles are back in print for the first time, having originally appeared in Blueprint, I.D. magazine, the Independent, and in books and catalogs from the 1980s through the early 2000s. A foreword by Blueprint's founding editor, Deyan Sudjic, and new reflections by Abrams set the stage.
Daddy wouldn't buy me a Bauhaus: profiles in architecture and design
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style, include Reyner Banham, Berthold Lubetkin, Philip Johnson, Paul Rand, Phyllis Lambert, Frank Gehry, Rem Koolhaas, Muriel Cooper, April Greiman, and Michael Bloomberg. Many of the profiles are back in print for the first time, having originally appeared in Blueprint, I.D. magazine, the Independent, and in books and catalogs from the 1980s through the early 2000s. A foreword by Blueprint's founding editor, Deyan Sudjic, and new reflections by Abrams set the stage.
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livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
Titre:
L'univers Playboy
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
$41.00
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
Titre:
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$95.00
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Zeinstra van Gelderen Architects works on a variety of commissions that include architecture, urbanism, public space and interior design. The practice is drawn towards exploring the issues that somehow are related to architecture, art and society. Subsequently, they try to pursue the realisation the designs that follow from this exploration. It’s not so much the(...)
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Zeinstra van Gelderen Architects works on a variety of commissions that include architecture, urbanism, public space and interior design. The practice is drawn towards exploring the issues that somehow are related to architecture, art and society. Subsequently, they try to pursue the realisation the designs that follow from this exploration. It’s not so much the(...)
Titre:
North north west 02 Zeinstra Van Gelderen Architecten
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Zeinstra van Gelderen Architects works on a variety of commissions that include architecture, urbanism, public space and interior design. The practice is drawn towards exploring the issues that somehow are related to architecture, art and society. Subsequently, they try to pursue the realisation the designs that follow from this exploration. It’s not so much the particular scale, but more the experimental challenge they set themselves as designers. The cooperation between Mikel van Gelderen and Jurjen Zeinstra started in 1990, when both were working as editors for the architectural magazine OASE. After winning the Europan competition with their entry 'High-density open space' (1996, together with Ira Koers) this cooperation has become solid and resulted in the design and realisation of many projects.
North north west 02 Zeinstra Van Gelderen Architecten
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Zeinstra van Gelderen Architects works on a variety of commissions that include architecture, urbanism, public space and interior design. The practice is drawn towards exploring the issues that somehow are related to architecture, art and society. Subsequently, they try to pursue the realisation the designs that follow from this exploration. It’s not so much the particular scale, but more the experimental challenge they set themselves as designers. The cooperation between Mikel van Gelderen and Jurjen Zeinstra started in 1990, when both were working as editors for the architectural magazine OASE. After winning the Europan competition with their entry 'High-density open space' (1996, together with Ira Koers) this cooperation has become solid and resulted in the design and realisation of many projects.
Classification:
livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$14.00
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
Titre:
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
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livres
livres
Publication:
mars 2007, Zurich
mars 2007, Zurich
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livres
livres
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is(...)
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is(...)
Titre:
Mademoiselle: Coco Chanel/Summer 62
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line.
Mademoiselle: Coco Chanel/Summer 62
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
