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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York(...)
Bastien Aubry : Agglorhythmus
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York and MABA in Paris. Since 2017, Bastien Aubry continues his sculptural practice as a solo artist. Bastien Aubry's artistic approach consists of alienating everyday objects in a playful and ironic way. His mischievous works evoke fascinating visual effects by mixing design, art history and pop culture. His creations celebrate the poetry of failure and the beauty of the less than perfect, an accident by design. The artist stages reality in his own world, exposing everyday absurdities and toying with the boundaries set by traditional artistic practices. Three-dimensional works are constrained by the material they are made of, and for Bastien Aubry, it is most important to recognize the physical property of each material in order to experiment with visually exiting effects. To exaggerate, enlarge, stack, fill, crush… There is always an element of surprise and spontaneity present in his oeuvre.
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211 pages : illustrations (some color) ; 24 cm.
Houston : Rice University School of Architecture, ©2004.
Row : trajectories through the shotgun house / [David Brown and William Williams, editors].
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211 pages : illustrations (some color) ; 24 cm.
livres
Houston : Rice University School of Architecture, ©2004.
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208 pages : illustrations (some color) ; 30 cm
San Francisco : Chronicle Books, 1993.
Women's work : textile art from the Bauhaus / Sigrid Wortmann Weltge.
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208 pages : illustrations (some color) ; 30 cm
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San Francisco : Chronicle Books, 1993.
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xv, 285 pages : illustrations ; 24 cm
New York : Knopf, 1993.
New York, New York : how the apartment house transformed the life of the city (1869-1930) / Elizabeth Hawes.
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xv, 285 pages : illustrations ; 24 cm
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New York : Knopf, 1993.
vidéo
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1 online resource (1 video file (27 minutes)) : sound, color
London, England : Pidgeon Digital, 1987.
Intelligent Buildings / [presented by] Mike Davies (Rogers Stirk Harbour + Partners).
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1 online resource (1 video file (27 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1987.
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223 pages : illustrations ; 29 cm
New York : Routledge, Taylor & Francis Group, 2013., ©2013
Material strategies in digital fabrication / Christopher Beorkrem.
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223 pages : illustrations ; 29 cm
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New York : Routledge, Taylor & Francis Group, 2013., ©2013
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296 pages : illustrations ; 24 cm.
Aldershot : Ashgate, 2006.
Total landscape, theme parks, public space / Miodrag Mitrasinovic.
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296 pages : illustrations ; 24 cm.
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Aldershot : Ashgate, 2006.
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191 pages : illustrations (chiefly color), plans ; 29 cm
[Salenstein, Switzerland] : Braun Publishing, 2021.
Fascination concrete / Chris van Uffelen.
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191 pages : illustrations (chiefly color), plans ; 29 cm
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[Salenstein, Switzerland] : Braun Publishing, 2021.
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When the property to the south of Rudolph M. Schindler’s historic house and studio on Kings Road in Los Angeles was sold to the developer of a 3-story, 18-unit condominium complex, a question urgently emerged: How does one build next to the Schindler House? To incite the exchange of ideas on the Schindler House problem, the MAK Center at the Schindler House initiated an(...)
mars 2004, Ostfildern-Ruit
Architectural resistance : contemporary architects face Schindler today
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When the property to the south of Rudolph M. Schindler’s historic house and studio on Kings Road in Los Angeles was sold to the developer of a 3-story, 18-unit condominium complex, a question urgently emerged: How does one build next to the Schindler House? To incite the exchange of ideas on the Schindler House problem, the MAK Center at the Schindler House initiated an architectural invitational in which architects were asked to envision a companion to Schindler’s masterwork. Juried by a distinguished international panel, entries were solicited from a roster of both established and young architects. Proposals were contributed by architect teams COOP HIMMEL(B)LAU, Vienna, Christophe Cornubert, PUSH, Los Angeles, Eichinger oder Knechtl, Vienna, Peter Eisenman, New York, Andrea Lenardin-Madden, Los Angeles, Durfee/Regn, Los Angeles, Günther Domenig, Graz, Eric Owen Moss, Los Angeles, Dominique Perrault, Paris, Odile Decq + Benoît Cornette, Paris, Zaha Hadid, London, Georg Driendl, Vienna, Michael Rotondi, Los Angeles, Klaus Stattmann, Vienna, Sandrine von Klot, Vienna, Lebbeus Woods, New York, Bernhard Sommer, Vienna, Mark Mack, Los Angeles, Umbrella Organization, Los Angeles, and The Next Enterprise, Vienna. "Architectural Resistance: Contemporary Architects Face Schindler Today" presents each of their 20 proposals in the context of a discussion about architecture, urban change, site, and historic preservation.
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The German photographer Kerstin Flake has made an impact with her enigmatic pictures of bizarre configurations, taken with an analog large-format camera. In Replaces she has photographed installations in empty industrial premises at the Gründerzeithaus in Leipzig, which functions as her studio. The geography here is significant, as this part of the former East Germany is(...)
Angle 15°: Kerstin Flake, replaces
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The German photographer Kerstin Flake has made an impact with her enigmatic pictures of bizarre configurations, taken with an analog large-format camera. In Replaces she has photographed installations in empty industrial premises at the Gründerzeithaus in Leipzig, which functions as her studio. The geography here is significant, as this part of the former East Germany is rapidly changing. New capital is being generated as a result of hectic property speculation, and in parallel old industry has ground to a halt – its traditional rooting has been lost, and the present is in a state of flux. In Flake’s work the spaces have been emptied of their original function, and the normal physical rules of the game have been abandoned. The places emerge anew, now dominated by irrational compositional principles. Objects are animated like props on a stage. Worn-out window frames on edge and doors stand vertically in the room – the spatial elements stand like absurd exclamation marks that prevent both exit and entry. Furniture is stacked hysterically, with a crazed logic. Men in suits appear in the compositions as rigid horizontal objects, trousered legs create diagonal lines. As a pointed statement this publication is a poetic but also politically oriented investigation of displacements and alternative logic
Monographies photo