3071 Résultats
Titre:
The Immaterial
The Immaterial
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Résumé:
In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy.(...)
$23.95
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Résumé:
In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy.(...)
Titre:
The Immaterial
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$23.95
(disponible sur commande)
Résumé:
In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy. In this volume, Gorz argues instead for the creation of a true knowledge economy. This economy would be based on zero-cost exchange and pooled resources, and knowledge would be treated as humanity's common property. Currently, in order to exploit knowledge and turn it into capital, the capitalist enterprise privatizes specialized knowledge and claims ownership through private licenses and copyright. But as Gorz shows, the traditional foundations of such capitalist economics have begun to crumble because of the immaterial nature of this new form of product, which makes it almost impossible to measure in monetary terms.
The Immaterial
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$23.95
(disponible sur commande)
Résumé:
In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy. In this volume, Gorz argues instead for the creation of a true knowledge economy. This economy would be based on zero-cost exchange and pooled resources, and knowledge would be treated as humanity's common property. Currently, in order to exploit knowledge and turn it into capital, the capitalist enterprise privatizes specialized knowledge and claims ownership through private licenses and copyright. But as Gorz shows, the traditional foundations of such capitalist economics have begun to crumble because of the immaterial nature of this new form of product, which makes it almost impossible to measure in monetary terms.
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Publication:
ZHdK 2014
ZHdK 2014
Classification:
livres
livres
Publication:
ZHdK 2014
ZHdK 2014
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livres
livres
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Description:
x, 198 pages : illustrations ; 24 cm
Description:
x, 198 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Horticultural literature England History 16th century.,
- Horticultural literature England History 17th century.,
- Gardening England History 16th century.,
- Gardening England History 17th century.,
- English literature Early modern, 1500-1700 History and criticism.,
- Gardens in literature.,
- Horticulture Documentation Angleterre Histoire 16e siècle.,
- Horticulture Documentation Angleterre Histoire 17e siècle.,
- Jardinage Angleterre Histoire 16e siècle.,
- Jardinage Angleterre Histoire 17e siècle.,
- Littérature anglaise 16e siècle Histoire et critique.,
- Littérature anglaise 17e siècle Histoire et critique.,
- Jardins dans la littérature.,
- English literature Early modern.,
- Gardening.,
- Horticultural literature.,
- Englisch,
- Garten,
- Gartenarbeit,
- Literatur,
- Ratgeber,
- Horticultural literature Great Britain History 16th century.,
- Horticultural literature Great Britain History 17th century.,
- Gardening Great Britain History 16th century.,
- Gardening Great Britain History 17th century.,
- Horticulture Documentation Grande-Bretagne Angleterre (GB) 16e siècle.,
- Horticulture Documentation Grande-Bretagne Angleterre (GB) 17e siècle.,
- Jardinage Grande-Bretagne Angleterre (GB) 16e siècle.,
- England.,
- Landscaping.,
- Horticulture.,
- Horticultural literature (writings) Great Britain England 1590-1800.,
- Gardening Great Britain England 1590-1800.,
- English literature (writings) Great Britain England 1590-1800.,
- Criticism, interpretation, etc.,
- History.
Publication:
Ithaca, N.Y. : Cornell University Press, 2003.
Ithaca, N.Y. : Cornell University Press, 2003.
Titre:
Green desire : imagining early modern English gardens / Rebecca Bushnell.
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Description:
x, 198 pages : illustrations ; 24 cm
Green desire : imagining early modern English gardens / Rebecca Bushnell.
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Description:
x, 198 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Ithaca, N.Y. : Cornell University Press, 2003.
Ithaca, N.Y. : Cornell University Press, 2003.
Auteur:
Sujet:
- Horticultural literature England History 16th century.,
- Horticultural literature England History 17th century.,
- Gardening England History 16th century.,
- Gardening England History 17th century.,
- English literature Early modern, 1500-1700 History and criticism.,
- Gardens in literature.,
- Horticulture Documentation Angleterre Histoire 16e siècle.,
- Horticulture Documentation Angleterre Histoire 17e siècle.,
- Jardinage Angleterre Histoire 16e siècle.,
- Jardinage Angleterre Histoire 17e siècle.,
- Littérature anglaise 16e siècle Histoire et critique.,
- Littérature anglaise 17e siècle Histoire et critique.,
- Jardins dans la littérature.,
- English literature Early modern.,
- Gardening.,
- Horticultural literature.,
- Englisch,
- Garten,
- Gartenarbeit,
- Literatur,
- Ratgeber,
- Horticultural literature Great Britain History 16th century.,
- Horticultural literature Great Britain History 17th century.,
- Gardening Great Britain History 16th century.,
- Gardening Great Britain History 17th century.,
- Horticulture Documentation Grande-Bretagne Angleterre (GB) 16e siècle.,
- Horticulture Documentation Grande-Bretagne Angleterre (GB) 17e siècle.,
- Jardinage Grande-Bretagne Angleterre (GB) 16e siècle.,
- England.,
- Landscaping.,
- Horticulture.,
- Horticultural literature (writings) Great Britain England 1590-1800.,
- Gardening Great Britain England 1590-1800.,
- English literature (writings) Great Britain England 1590-1800.,
- Criticism, interpretation, etc.,
- History.
Classification:
livres
livres
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Description:
xiii, 272 pages : illustrations, maps ; 24 cm.
Description:
xiii, 272 pages : illustrations, maps ; 24 cm.
Auteur:
Sujet:
- Social archaeology.,
- Dwellings.,
- Households.,
- Architecture, Domestic Social aspects.,
- Family Characteristics,
- Archéologie sociale.,
- Habitations.,
- Ménages (Statistique),
- Architecture domestique Aspect social.,
- dwellings.,
- 73.24 housing (ethnology),
- 49.30 dwelling, home furnishing.,
- Hausform,
- Haushalt,
- Ethnologie,
- Städtebau,
- Internationaler Vergleich,
- Woningen.,
- Huishoudingen.,
- archeologie,
- archaeology,
- architectuur,
- architecture,
- samenstelling,
- composition,
- woningen,
- gezinnen,
- families,
- huishoudens,
- huisvesting,
- housing,
- huisvesting op het platteland,
- rural housing,
- structuur,
- structure,
- wereld,
- world
Publication:
New York : Plenum Press, [1994], ©1994
New York : Plenum Press, [1994], ©1994
Titre:
Houses and households : a comparative study / Richard E. Blanton, Purdue University, West Lafayette, Indiana.
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Description:
xiii, 272 pages : illustrations, maps ; 24 cm.
Houses and households : a comparative study / Richard E. Blanton, Purdue University, West Lafayette, Indiana.
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Description:
xiii, 272 pages : illustrations, maps ; 24 cm.
Classification:
livres
livres
Publication:
New York : Plenum Press, [1994], ©1994
New York : Plenum Press, [1994], ©1994
Auteur:
Sujet:
- Social archaeology.,
- Dwellings.,
- Households.,
- Architecture, Domestic Social aspects.,
- Family Characteristics,
- Archéologie sociale.,
- Habitations.,
- Ménages (Statistique),
- Architecture domestique Aspect social.,
- dwellings.,
- 73.24 housing (ethnology),
- 49.30 dwelling, home furnishing.,
- Hausform,
- Haushalt,
- Ethnologie,
- Städtebau,
- Internationaler Vergleich,
- Woningen.,
- Huishoudingen.,
- archeologie,
- archaeology,
- architectuur,
- architecture,
- samenstelling,
- composition,
- woningen,
- gezinnen,
- families,
- huishoudens,
- huisvesting,
- housing,
- huisvesting op het platteland,
- rural housing,
- structuur,
- structure,
- wereld,
- world
Classification:
livres
livres
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Description:
viii, 217 pages : illustrations ; 23 cm
Description:
viii, 217 pages : illustrations ; 23 cm
Auteur:
Sujet:
- Indians of North America Money.,
- Indigenous peoples Money.,
- Money History.,
- Cryptocurrencies.,
- Cryptomonnaie.,
- Peuples autochtones Monnaie.,
- cryptocurrencies.,
- Money,
- History,
- Informational works,
- Documents d'information.
Publication:
Cambridge, Massachusetts : The MIT Press, [2025]
Cambridge, Massachusetts : The MIT Press, [2025]
Titre:
Indigenous currencies : leaving some for the rest in the digital age / Ashley Cordes.
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Description:
viii, 217 pages : illustrations ; 23 cm
Indigenous currencies : leaving some for the rest in the digital age / Ashley Cordes.
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Description:
viii, 217 pages : illustrations ; 23 cm
Classification:
livres
livres
Publication:
Cambridge, Massachusetts : The MIT Press, [2025]
Cambridge, Massachusetts : The MIT Press, [2025]
Auteur:
Sujet:
- Indians of North America Money.,
- Indigenous peoples Money.,
- Money History.,
- Cryptocurrencies.,
- Cryptomonnaie.,
- Peuples autochtones Monnaie.,
- cryptocurrencies.,
- Money,
- History,
- Informational works,
- Documents d'information.
Classification:
livres
livres
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Description:
xxxii, 159 pages : illustrations, music ; 23 cm
Description:
xxxii, 159 pages : illustrations, music ; 23 cm
Auteur:
Sujet:
- Music and architecture.,
- Jazz Analysis, appreciation.,
- Improvisation (Music),
- Musique et architecture.,
- Improvisation (Musique),
- Jazz.,
- Improvisatie.,
- Modernisme (cultuur),
- Bouwkunst.,
- Jazz Improvisation (Musik) Architektur Geschichte.,
- Architektur Jazz Improvisation (Musik) Geschichte 1900-2000.,
- Modernism (Art),
- Musik.,
- Arkitektur.,
- Improvisation (musik),
- Jazz analys.
Publication:
Minneapolis : University of Minnesota Press, ©2006.
Minneapolis : University of Minnesota Press, ©2006.
Titre:
Noise orders : jazz, improvisation, and architecture / David P. Brown.
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Description:
xxxii, 159 pages : illustrations, music ; 23 cm
Noise orders : jazz, improvisation, and architecture / David P. Brown.
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Description:
xxxii, 159 pages : illustrations, music ; 23 cm
Classification:
livres
livres
Publication:
Minneapolis : University of Minnesota Press, ©2006.
Minneapolis : University of Minnesota Press, ©2006.
Auteur:
Sujet:
- Music and architecture.,
- Jazz Analysis, appreciation.,
- Improvisation (Music),
- Musique et architecture.,
- Improvisation (Musique),
- Jazz.,
- Improvisatie.,
- Modernisme (cultuur),
- Bouwkunst.,
- Jazz Improvisation (Musik) Architektur Geschichte.,
- Architektur Jazz Improvisation (Musik) Geschichte 1900-2000.,
- Modernism (Art),
- Musik.,
- Arkitektur.,
- Improvisation (musik),
- Jazz analys.
Titre:
Chromophobia
Chromophobia
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$24.95
(disponible sur commande)
Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the(...)
$24.95
(disponible sur commande)
Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the(...)
Titre:
Chromophobia
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Prix:
$24.95
(disponible sur commande)
Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analysing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at colour as a positive value. Exploring a wide range of imagery including Melville's 'great white whale', Huxley's reflections on mescaline, and Le Corbusier's 'journey to the East', Batchelor also discusses the use of colour in Pop, Minimal, and more recent art.
Chromophobia
Actions:
Prix:
$24.95
(disponible sur commande)
Résumé:
The central argument of "Chromophobia" is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some 'foreign body' – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analysing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at colour as a positive value. Exploring a wide range of imagery including Melville's 'great white whale', Huxley's reflections on mescaline, and Le Corbusier's 'journey to the East', Batchelor also discusses the use of colour in Pop, Minimal, and more recent art.
Titre:
Donal Judd : architecture
Donal Judd : architecture
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Prix:
$30.00
(disponible sur commande)
Résumé:
One of the leading representatives of Minimalism, Donald Judd's "specific objects," made of steel, wood, aluminum, and Plexiglass, undertook a radical and revolutionary analysis and redefinition of sculpture as it exists in space. Somewhat less familiar are Judd's numerous architectural and furniture designs, works which are closely related in formal terms to his(...)
$30.00
(disponible sur commande)
Résumé:
One of the leading representatives of Minimalism, Donald Judd's "specific objects," made of steel, wood, aluminum, and Plexiglass, undertook a radical and revolutionary analysis and redefinition of sculpture as it exists in space. Somewhat less familiar are Judd's numerous architectural and furniture designs, works which are closely related in formal terms to his(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
septembre 2003, Ostfildern-Ruit, Germany
septembre 2003, Ostfildern-Ruit, Germany
Titre:
Donal Judd : architecture
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Prix:
$30.00
(disponible sur commande)
Résumé:
One of the leading representatives of Minimalism, Donald Judd's "specific objects," made of steel, wood, aluminum, and Plexiglass, undertook a radical and revolutionary analysis and redefinition of sculpture as it exists in space. Somewhat less familiar are Judd's numerous architectural and furniture designs, works which are closely related in formal terms to his ubiquitous art objects but which much more successfully reflect his concerns with utility. In 1971, Judd bought an old fort near Marfa, Texas; by systematically acquiring and transforming more and more local property, he amassed the largest ensemble of contemporary art in the world, with permanent installations of his own work and that of Carl André, John Chamberlan, Dan Flavin, and others. "Donald Judd : Architecture" presents drawings, design sketches, ground plans, and photographs of the grounds and architecture of this Minimalist desert oasis, and bears witness to Judd's role as the visionary architect and stage director of his own oeuvre. This book first appeared in 1991, in German. It has been thoroughly revised and expanded for this, its first English edition
Donal Judd : architecture
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Prix:
$30.00
(disponible sur commande)
Résumé:
One of the leading representatives of Minimalism, Donald Judd's "specific objects," made of steel, wood, aluminum, and Plexiglass, undertook a radical and revolutionary analysis and redefinition of sculpture as it exists in space. Somewhat less familiar are Judd's numerous architectural and furniture designs, works which are closely related in formal terms to his ubiquitous art objects but which much more successfully reflect his concerns with utility. In 1971, Judd bought an old fort near Marfa, Texas; by systematically acquiring and transforming more and more local property, he amassed the largest ensemble of contemporary art in the world, with permanent installations of his own work and that of Carl André, John Chamberlan, Dan Flavin, and others. "Donald Judd : Architecture" presents drawings, design sketches, ground plans, and photographs of the grounds and architecture of this Minimalist desert oasis, and bears witness to Judd's role as the visionary architect and stage director of his own oeuvre. This book first appeared in 1991, in German. It has been thoroughly revised and expanded for this, its first English edition
Sujet:
Architecture, monographies
Architecture, monographies
Prix:
$48.95
(disponible sur commande)
Résumé:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
$48.95
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Résumé:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
octobre 2001
octobre 2001
Titre:
Object to be destroyed : the work of Gordon Matta-Clark
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Prix:
$48.95
(disponible sur commande)
Résumé:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
Actions:
Prix:
$48.95
(disponible sur commande)
Résumé:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Titre:
Spacing Summer 2017
Spacing Summer 2017
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Prix:
$9.00
(disponible sur commande)
Résumé:
We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in(...)
$9.00
(disponible sur commande)
Résumé:
We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in(...)
Titre:
Spacing Summer 2017
Actions:
Prix:
$9.00
(disponible sur commande)
Résumé:
We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in a quickly intensifying city with soaring property values, Toronto is hard-pressed to create the parkland necessary to accommodate the needs of a growing population. Our contributors explore these themes in our 20-page cover section. You’ll also find engaging articles on the neurological reasons why we respond to certain architecture styles, how purpose-built apartments after World War I opened up independent city-living for women, where all of the building permits have been issued in the city over the last 20 years, why local comic artists are using Toronto as the setting in their stories, and how Mayor John Tory has made four horrible decisions that Torontonians will have to live with for generations.
Spacing Summer 2017
Actions:
Prix:
$9.00
(disponible sur commande)
Résumé:
We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in a quickly intensifying city with soaring property values, Toronto is hard-pressed to create the parkland necessary to accommodate the needs of a growing population. Our contributors explore these themes in our 20-page cover section. You’ll also find engaging articles on the neurological reasons why we respond to certain architecture styles, how purpose-built apartments after World War I opened up independent city-living for women, where all of the building permits have been issued in the city over the last 20 years, why local comic artists are using Toronto as the setting in their stories, and how Mayor John Tory has made four horrible decisions that Torontonians will have to live with for generations.
Sujet:
Revues
Revues