3044 Résultats
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the(...)
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
mars 2006, San Francisco
mars 2006, San Francisco
Titre:
After the ruins 1906 and 2006 : rephotographing the San Francisco earthquake and fire
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point. The result is a comparison that challenges our preconceptions about time, history, and culture. This publication accompanies an exhibition at The Fine Arts Museums of San Francisco. After the Ruins, 1906 and 2006 features a vivid essay by noted environmental historian Philip Fradkin on the events surrounding and following the 1906 earthquake, which he describes as "the equivalent of an intensive, three-day bombing raid, complete with many tons of dynamite that acted as incendiary devices." A lyrical essay by acclaimed writer Rebecca Solnit considers the meaning of ruins, resurrection, and the evolving geography and history of San Francisco.
After the ruins 1906 and 2006 : rephotographing the San Francisco earthquake and fire
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point. The result is a comparison that challenges our preconceptions about time, history, and culture. This publication accompanies an exhibition at The Fine Arts Museums of San Francisco. After the Ruins, 1906 and 2006 features a vivid essay by noted environmental historian Philip Fradkin on the events surrounding and following the 1906 earthquake, which he describes as "the equivalent of an intensive, three-day bombing raid, complete with many tons of dynamite that acted as incendiary devices." A lyrical essay by acclaimed writer Rebecca Solnit considers the meaning of ruins, resurrection, and the evolving geography and history of San Francisco.
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livres
livres
Publication:
mars 2006, San Francisco
mars 2006, San Francisco
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Alessandro Mendini
Alessandro Mendini
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro(...)
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro(...)
Titre:
Alessandro Mendini
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro Mendini published by Corraini is a non-stop stream of images and occasions among the renowned Milanese architect’s works and philosophy. Designing horizons, rooms, bodies and thoughts are the four moments of a personal and evocative course through Mendini’s works: from urban landscape to interior furnishing, to body accessories, to his activity as architecture and design theorist, Mendini is a protagonist of a personal and aesthetic approach to the project. His design is famous for its emotional and individual character, as well as for the greater importance given to psychological and sensory influences rather than rational contents. In fact, his projects have often been associated with definitions such as “visual poetry”, “fairy and baroque design”, and “labyrinth expansion of spaces and sensations”.
Alessandro Mendini
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro Mendini published by Corraini is a non-stop stream of images and occasions among the renowned Milanese architect’s works and philosophy. Designing horizons, rooms, bodies and thoughts are the four moments of a personal and evocative course through Mendini’s works: from urban landscape to interior furnishing, to body accessories, to his activity as architecture and design theorist, Mendini is a protagonist of a personal and aesthetic approach to the project. His design is famous for its emotional and individual character, as well as for the greater importance given to psychological and sensory influences rather than rational contents. In fact, his projects have often been associated with definitions such as “visual poetry”, “fairy and baroque design”, and “labyrinth expansion of spaces and sensations”.
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livres
livres
Publication:
avril 2009
avril 2009
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$88.00
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Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the(...)
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Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the(...)
Titre:
Jock Peters: Architecture and design. The varieties of Modernism
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Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the once-famous Hollander department store in New York City and for Bullock's Wilshire in Los Angeles (the building was recently restored by Southwestern Law School). Both projects brought him international recognition. Peters also designed a dynamic sales office building for the short-lived Maddux Air Lines, as well as stores and houses for the developer William Lingenbrink, a major supporter of the burgeoning modernism in Southern California. Aside from his architectural work, Peters designed film sets for Famous Players-Lasky (later Paramount Pictures), working in the famed art department of Hans Dreier. Despite his early death, Peters managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.
Jock Peters: Architecture and design. The varieties of Modernism
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Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the once-famous Hollander department store in New York City and for Bullock's Wilshire in Los Angeles (the building was recently restored by Southwestern Law School). Both projects brought him international recognition. Peters also designed a dynamic sales office building for the short-lived Maddux Air Lines, as well as stores and houses for the developer William Lingenbrink, a major supporter of the burgeoning modernism in Southern California. Aside from his architectural work, Peters designed film sets for Famous Players-Lasky (later Paramount Pictures), working in the famed art department of Hans Dreier. Despite his early death, Peters managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Modernisme
Modernisme
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livres
livres
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's(...)
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's(...)
Titre:
Diller Scofidio & Renfro: Institute of Contemporary Art (ICA) Boston
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's decision to hire Diller + Scofidio reflected our belief in the firm's vision that architecture can shape as well as reflect contemporary experience,” stated Jill Medvedow, director of ICA. The architects balanced use of cool and transparent glass with the warmth of wood and the energy of light, as well as their design of spare, flexible spaces for presenting contemporary art, was a revelation for a city and an architectural community. ''Their brilliant and beautiful design of the ICA was a harbinger of change: edgy, bold and breathtaking, transforming the landscape for contemporary art and culture in Boston and for the artists, art and ideas of our time,” Medvedow has said.
Diller Scofidio & Renfro: Institute of Contemporary Art (ICA) Boston
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's decision to hire Diller + Scofidio reflected our belief in the firm's vision that architecture can shape as well as reflect contemporary experience,” stated Jill Medvedow, director of ICA. The architects balanced use of cool and transparent glass with the warmth of wood and the energy of light, as well as their design of spare, flexible spaces for presenting contemporary art, was a revelation for a city and an architectural community. ''Their brilliant and beautiful design of the ICA was a harbinger of change: edgy, bold and breathtaking, transforming the landscape for contemporary art and culture in Boston and for the artists, art and ideas of our time,” Medvedow has said.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
1972: Nakagin Capsule Tower
1972: Nakagin Capsule Tower
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In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual(...)
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In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual(...)
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1972: Nakagin Capsule Tower
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In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual growth and renewal of architecture. As the first capsule apartment in history constructed for everyday use, the Nakagin Capsule Tower is considered the most ambitious attempt in implementing the principles of Metabolism. Kurokawa attached the building with 140 removable capsules to promote modifications to the structure over time, theoretically improving its capacity to adjust to the rapidly changing conditions of the post-industrial society. When the building first opened in March of 1972, it was advertised in the media to signal “the dawn of the capsule age.” At the time, Kurokawa had additional capsule projects planned in the coming years and predicted the mass production of these living unit. Noritaka Minami has been photographing the Nakagin Capsule Tower in Tokyo for the past four years.
1972: Nakagin Capsule Tower
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In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual growth and renewal of architecture. As the first capsule apartment in history constructed for everyday use, the Nakagin Capsule Tower is considered the most ambitious attempt in implementing the principles of Metabolism. Kurokawa attached the building with 140 removable capsules to promote modifications to the structure over time, theoretically improving its capacity to adjust to the rapidly changing conditions of the post-industrial society. When the building first opened in March of 1972, it was advertised in the media to signal “the dawn of the capsule age.” At the time, Kurokawa had additional capsule projects planned in the coming years and predicted the mass production of these living unit. Noritaka Minami has been photographing the Nakagin Capsule Tower in Tokyo for the past four years.
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
21st century Tokyo
21st century Tokyo
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Authors Julian Worrall and Erez Golani Solomon present eighty-three buildings, from world-renowned projects such as Herzog & de Meuron's Prada building and FOA's Yokohama International Passenger Terminal, to private houses and office towers of glass and steel. Alongside Western architects, who have built some of their most outstanding projects in Tokyo, the authors(...)
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Authors Julian Worrall and Erez Golani Solomon present eighty-three buildings, from world-renowned projects such as Herzog & de Meuron's Prada building and FOA's Yokohama International Passenger Terminal, to private houses and office towers of glass and steel. Alongside Western architects, who have built some of their most outstanding projects in Tokyo, the authors(...)
Titre:
21st century Tokyo
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Authors Julian Worrall and Erez Golani Solomon present eighty-three buildings, from world-renowned projects such as Herzog & de Meuron's Prada building and FOA's Yokohama International Passenger Terminal, to private houses and office towers of glass and steel. Alongside Western architects, who have built some of their most outstanding projects in Tokyo, the authors showcase recent works of celebrated Japanese architects, including Tadao Ando, Toyo Ito, Fumihiko Maki, and Kenzo Tange. Essays introduce each building not just from an architectural perspective, but also as part of the social, cultural, and political tapestry of the city, creating a full portrait of the metropolis. The book is divided into seven easy-to-navigate chapters, each covering a different Tokyo district, with detailed maps and access information, and illustrated throughout with black-and-white photography by Joshua Lieberman. This is an indispensable guidebook for the professional architect, the sightseer, or anyone with an interest in contemporary Japan. Tokyo—one of the most innovative and forward-thinking cities in the world, and nowhere is this more evident than in its modern architecture. Eighty-three of the city's latest buildings are gathered in these pages and introduced not just from an architectural perspective but as part of the social, cultural, and political tapestry of the city. With black-and-white photography spotlighting a wide range of projects, from the monumental masterpieces of famous architects to the everyday buildings often overlooked, this is a full overview of the architectural landscape of twenty-first-century Tokyo.
21st century Tokyo
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Authors Julian Worrall and Erez Golani Solomon present eighty-three buildings, from world-renowned projects such as Herzog & de Meuron's Prada building and FOA's Yokohama International Passenger Terminal, to private houses and office towers of glass and steel. Alongside Western architects, who have built some of their most outstanding projects in Tokyo, the authors showcase recent works of celebrated Japanese architects, including Tadao Ando, Toyo Ito, Fumihiko Maki, and Kenzo Tange. Essays introduce each building not just from an architectural perspective, but also as part of the social, cultural, and political tapestry of the city, creating a full portrait of the metropolis. The book is divided into seven easy-to-navigate chapters, each covering a different Tokyo district, with detailed maps and access information, and illustrated throughout with black-and-white photography by Joshua Lieberman. This is an indispensable guidebook for the professional architect, the sightseer, or anyone with an interest in contemporary Japan. Tokyo—one of the most innovative and forward-thinking cities in the world, and nowhere is this more evident than in its modern architecture. Eighty-three of the city's latest buildings are gathered in these pages and introduced not just from an architectural perspective but as part of the social, cultural, and political tapestry of the city. With black-and-white photography spotlighting a wide range of projects, from the monumental masterpieces of famous architects to the everyday buildings often overlooked, this is a full overview of the architectural landscape of twenty-first-century Tokyo.
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livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
Titre:
Socrates sculpture park
Socrates sculpture park
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and(...)
$72.95
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and(...)
Sujet:
Paysages urbains
Paysages urbains
Publication:
octobre 2006, New Haven, London
octobre 2006, New Haven, London
Titre:
Socrates sculpture park
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and it is the first major publication on this unique outdoor museum. Sculptor Mark di Suvero founded the Park with the assistance of fellow artists, community members, and city officials who transformed an abandoned lot into an award-winning urban renewal project. The history, spirit, and nature of this collaborative enterprise is presented through photographs and essays that reveal the beauty, energy, and import of this successful public art space.
Socrates sculpture park
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$72.95
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and it is the first major publication on this unique outdoor museum. Sculptor Mark di Suvero founded the Park with the assistance of fellow artists, community members, and city officials who transformed an abandoned lot into an award-winning urban renewal project. The history, spirit, and nature of this collaborative enterprise is presented through photographs and essays that reveal the beauty, energy, and import of this successful public art space.
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livres
livres
Publication:
octobre 2006, New Haven, London
octobre 2006, New Haven, London
Sujet:
Paysages urbains
Paysages urbains
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livres
livres
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$82.50
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Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly(...)
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Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly(...)
Publication:
octobre 2001, New York
octobre 2001, New York
Titre:
Cities from the sky : an aerial portrait of America
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Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly every major city in the United States. Their images, bot maplike shots from high above and low-angle raking views, form a definitive portrait of the American landscape. By the 1970s, the Fairchild archive was scattered across the country. Painstakingly reassembled for this book, the images (many of which have never been seen before) are brought together here for the first time. This large-format book collects over 125 extraordinary images taken between the 1920s and the 1960s. The photographs, valued both as works of art and as tools for urban historians, often capture historic moments: the Capitol Building during Franklin Delano Roosevelt's first inauguration and Yankee Stadium during Don Larsen's perfect game in the 1956 World Series. Others depict architectural lands: the Empire State Building, the Statue of Liberty, the Washington Monument, Hoover Dam, and Alcatraz, to name a few.
Cities from the sky : an aerial portrait of America
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$82.50
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Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly every major city in the United States. Their images, bot maplike shots from high above and low-angle raking views, form a definitive portrait of the American landscape. By the 1970s, the Fairchild archive was scattered across the country. Painstakingly reassembled for this book, the images (many of which have never been seen before) are brought together here for the first time. This large-format book collects over 125 extraordinary images taken between the 1920s and the 1960s. The photographs, valued both as works of art and as tools for urban historians, often capture historic moments: the Capitol Building during Franklin Delano Roosevelt's first inauguration and Yankee Stadium during Don Larsen's perfect game in the 1956 World Series. Others depict architectural lands: the Empire State Building, the Statue of Liberty, the Washington Monument, Hoover Dam, and Alcatraz, to name a few.
Classification:
livres
livres
Publication:
octobre 2001, New York
octobre 2001, New York
Classification:
livres
livres
Titre:
Adam Bartos : boulevard
Adam Bartos : boulevard
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"Boulevard" is a visual tale of two disparate cities: Paris and Los Angeles. In the early seventies, Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a certain quietude and finding composition in even the most random corners of life. He often focused his lens on his native New York, and he published a(...)
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"Boulevard" is a visual tale of two disparate cities: Paris and Los Angeles. In the early seventies, Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a certain quietude and finding composition in even the most random corners of life. He often focused his lens on his native New York, and he published a(...)
Titre:
Adam Bartos : boulevard
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"Boulevard" is a visual tale of two disparate cities: Paris and Los Angeles. In the early seventies, Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a certain quietude and finding composition in even the most random corners of life. He often focused his lens on his native New York, and he published a monumental series of photographs of the modern architecture of the United Nations. In the late seventies, and then again in the early eighties, Bartos traveled to Los Angeles and Paris, taking his camera with him. The two trips would have a strong and lasting impact on his vision, and yet until recently, he had never considered the two cities — or bodies of work — together. In "Boulevard", this is not the L.A. or Paris of postcards. As we venture through the scarcely inhabited hotel rooms, backyards, gas stations, and inevitably, city streets, we are struck by the graphical relationships and the surprisingly similar color palates. There is a magnetic attraction and repulsion between these two photo series and cities — polar opposites that, at unexpected moments, converge and suddenly attract. With a preface by Geoff Dyer.
Adam Bartos : boulevard
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"Boulevard" is a visual tale of two disparate cities: Paris and Los Angeles. In the early seventies, Adam Bartos began to use color photography to document the contemporary urban landscape, infusing his images with a certain quietude and finding composition in even the most random corners of life. He often focused his lens on his native New York, and he published a monumental series of photographs of the modern architecture of the United Nations. In the late seventies, and then again in the early eighties, Bartos traveled to Los Angeles and Paris, taking his camera with him. The two trips would have a strong and lasting impact on his vision, and yet until recently, he had never considered the two cities — or bodies of work — together. In "Boulevard", this is not the L.A. or Paris of postcards. As we venture through the scarcely inhabited hotel rooms, backyards, gas stations, and inevitably, city streets, we are struck by the graphical relationships and the surprisingly similar color palates. There is a magnetic attraction and repulsion between these two photo series and cities — polar opposites that, at unexpected moments, converge and suddenly attract. With a preface by Geoff Dyer.
Classification:
livres
livres
Publication:
janvier 2006, Göttingen
janvier 2006, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$22.50
(disponible en magasin)
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The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches(...)
$22.50
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The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches(...)
Titre:
Vito Acconci : courtyard in the wind
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$22.50
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Résumé:
The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches Rathaus in Munich, a building which houses the city´s architectural department, was the first permanent structure by Acconci to be realized in a public space: A revolving ring of landscape in the courtyard may be moved with the aid of the artist´s wind power plant located on top of the Rathaus tower. This title is the first to document this project by the artist and at the same time grants valuable insights into the paradigm of architectural designs by the Acconci Studio. The book also features texts by Vito Acconci about the body, architecture and public space. An instructive essay by Heinz Schütz reviewing Acconci's works from the last decades opens up the horizon against which Courtyard in the Wind is set.
Vito Acconci : courtyard in the wind
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Prix:
$22.50
(disponible en magasin)
Résumé:
The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches Rathaus in Munich, a building which houses the city´s architectural department, was the first permanent structure by Acconci to be realized in a public space: A revolving ring of landscape in the courtyard may be moved with the aid of the artist´s wind power plant located on top of the Rathaus tower. This title is the first to document this project by the artist and at the same time grants valuable insights into the paradigm of architectural designs by the Acconci Studio. The book also features texts by Vito Acconci about the body, architecture and public space. An instructive essay by Heinz Schütz reviewing Acconci's works from the last decades opens up the horizon against which Courtyard in the Wind is set.
Classification:
livres
livres
Publication:
août 2003, Ostfildern
août 2003, Ostfildern
Sujet:
Architecture, monographies
Architecture, monographies
