3091 Résultats
Classification:
périodiques
périodiques
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost)(...)
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost)(...)
Titre:
2G 27 : Mansilla+Tunon, recent work
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost) complete works of these Madrid architects, works grouped around the basic ideas which define their projects, namely memory and the city, system and restrictions, sameness and difference, and lastly trace and landscape. These concepts are not watertight entities, however, but are present in each and every one of their designs as intersecting references, and they enable us to dissect the architects' way of thinking and influencing reality. Similarly, the articles accompanying the presentation of their buildings scrutinise in kaleidoscopic form the modus operandi of their work.
2G 27 : Mansilla+Tunon, recent work
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost) complete works of these Madrid architects, works grouped around the basic ideas which define their projects, namely memory and the city, system and restrictions, sameness and difference, and lastly trace and landscape. These concepts are not watertight entities, however, but are present in each and every one of their designs as intersecting references, and they enable us to dissect the architects' way of thinking and influencing reality. Similarly, the articles accompanying the presentation of their buildings scrutinise in kaleidoscopic form the modus operandi of their work.
Classification:
périodiques
périodiques
Publication:
octobre 2003, Barcelona
octobre 2003, Barcelona
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Roy Arden against the day
Roy Arden against the day
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Over the past two decades, Roy Arden has become one of Canada�s most respected artists. Along with that of Jeff Wall, Ian Wallace, Rodney Graham and Stan Douglas, his work has contributed to Vancouver�s reputation as a vital centre for contemporary photographic art. This important book looks at Arden�s unique approach to photography and his investigations into(...)
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Over the past two decades, Roy Arden has become one of Canada�s most respected artists. Along with that of Jeff Wall, Ian Wallace, Rodney Graham and Stan Douglas, his work has contributed to Vancouver�s reputation as a vital centre for contemporary photographic art. This important book looks at Arden�s unique approach to photography and his investigations into(...)
Sujet:
Monographies photo
Monographies photo
Publication:
octobre 2007, Vancouver, Toronto
octobre 2007, Vancouver, Toronto
Titre:
Roy Arden against the day
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Over the past two decades, Roy Arden has become one of Canada�s most respected artists. Along with that of Jeff Wall, Ian Wallace, Rodney Graham and Stan Douglas, his work has contributed to Vancouver�s reputation as a vital centre for contemporary photographic art. This important book looks at Arden�s unique approach to photography and his investigations into modern city life. Arden�s work can be divided into three periods. From 1981 to 1985 he produced Fragments, lyrical colour portraits and urban details. The years 1985 to 1990 were dedicated to what Arden calls his �meta-photography,� art about photography and its history. Since 1990 he has focused on �the landscape of the economy� in images of the city and its never-ending transformations. This handsome catalogue includes two major scholarly texts about Arden�s work along with shorter texts by six artists, curators and critics.
Roy Arden against the day
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Over the past two decades, Roy Arden has become one of Canada�s most respected artists. Along with that of Jeff Wall, Ian Wallace, Rodney Graham and Stan Douglas, his work has contributed to Vancouver�s reputation as a vital centre for contemporary photographic art. This important book looks at Arden�s unique approach to photography and his investigations into modern city life. Arden�s work can be divided into three periods. From 1981 to 1985 he produced Fragments, lyrical colour portraits and urban details. The years 1985 to 1990 were dedicated to what Arden calls his �meta-photography,� art about photography and its history. Since 1990 he has focused on �the landscape of the economy� in images of the city and its never-ending transformations. This handsome catalogue includes two major scholarly texts about Arden�s work along with shorter texts by six artists, curators and critics.
Classification:
livres
livres
Publication:
octobre 2007, Vancouver, Toronto
octobre 2007, Vancouver, Toronto
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Lewis Baltz
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
Publication:
avril 2017
avril 2017
Titre:
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Classification:
livres
livres
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$45.00
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"Emerging Nature" documents the work of the Argentinian architect, graphic designer and industrial designer Emilio Ambasz. The publication discusses his projects ranging from buildings and urban gardens including green facade vertical gardens to exhibition designs and everyday objects. The comprehensive volume features essays by various experts, interviews, a wealth of(...)
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"Emerging Nature" documents the work of the Argentinian architect, graphic designer and industrial designer Emilio Ambasz. The publication discusses his projects ranging from buildings and urban gardens including green facade vertical gardens to exhibition designs and everyday objects. The comprehensive volume features essays by various experts, interviews, a wealth of(...)
Titre:
Emilio Ambasz : emerging nature, precursor of architecture and design
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"Emerging Nature" documents the work of the Argentinian architect, graphic designer and industrial designer Emilio Ambasz. The publication discusses his projects ranging from buildings and urban gardens including green facade vertical gardens to exhibition designs and everyday objects. The comprehensive volume features essays by various experts, interviews, a wealth of color photographs and drawings. Ambasz’s main concern is to integrate nature and construction into architectural design, which is why he is regarded as one of the most important pioneers of Green Architecture. In his work a combination of landscape and architecture emerges, in which his respect for the environment and ecological sustainability becomes clear. A prime example of this is the Fukuoka Prefectural International Hall in Japan: a building that houses more than 100,000 m2 of exhibition spaces, theaters and offices is also an open green area in the form of a hanging garden.
Emilio Ambasz : emerging nature, precursor of architecture and design
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"Emerging Nature" documents the work of the Argentinian architect, graphic designer and industrial designer Emilio Ambasz. The publication discusses his projects ranging from buildings and urban gardens including green facade vertical gardens to exhibition designs and everyday objects. The comprehensive volume features essays by various experts, interviews, a wealth of color photographs and drawings. Ambasz’s main concern is to integrate nature and construction into architectural design, which is why he is regarded as one of the most important pioneers of Green Architecture. In his work a combination of landscape and architecture emerges, in which his respect for the environment and ecological sustainability becomes clear. A prime example of this is the Fukuoka Prefectural International Hall in Japan: a building that houses more than 100,000 m2 of exhibition spaces, theaters and offices is also an open green area in the form of a hanging garden.
Classification:
livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
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$84.95
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A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture(...)
$84.95
(disponible sur commande)
Résumé:
A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture(...)
Titre:
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
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$84.95
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Résumé:
A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture competitions held in the last seventy years. Especially in recent years, both public and private institutions have organized competitions across Canada, producing hundreds of architectural, urban planning, and landscape design projects. Together these proposals, most of which remain unbuilt, constitute a fantastic treasure in our tangible and intangible common heritage. Given that competition organizers, designers, juries, and critics never operate alone, there is no doubt whatsoever that this book results from the collaboration of a myriad of people, contributing to and competing for excellence in architecture.
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
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$84.95
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Résumé:
A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture competitions held in the last seventy years. Especially in recent years, both public and private institutions have organized competitions across Canada, producing hundreds of architectural, urban planning, and landscape design projects. Together these proposals, most of which remain unbuilt, constitute a fantastic treasure in our tangible and intangible common heritage. Given that competition organizers, designers, juries, and critics never operate alone, there is no doubt whatsoever that this book results from the collaboration of a myriad of people, contributing to and competing for excellence in architecture.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
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$63.00
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In this book, Edwin Heathcote looks at the cultural impact of street furniture using photography as a measure of how these things have become indispensable components of the cityscape. Based mainly in and on London – but including New York, Paris and Budapest – Heathcote uses history, personal reflection and the lenses of photographers to examine the status of these urban(...)
$63.00
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In this book, Edwin Heathcote looks at the cultural impact of street furniture using photography as a measure of how these things have become indispensable components of the cityscape. Based mainly in and on London – but including New York, Paris and Budapest – Heathcote uses history, personal reflection and the lenses of photographers to examine the status of these urban(...)
Titre:
On the street- In-between architecture
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$63.00
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In this book, Edwin Heathcote looks at the cultural impact of street furniture using photography as a measure of how these things have become indispensable components of the cityscape. Based mainly in and on London – but including New York, Paris and Budapest – Heathcote uses history, personal reflection and the lenses of photographers to examine the status of these urban artefacts in both the contemporary imagination and the city streets themselves. It looks at the changing landscape of the cityscape and the way in which street furniture has been adapted to address new technologies, the culture of surveillance and shifts in taste, orthodoxy and material culture. On the Street looks at the language of street furniture reflected through the gaze of photography and contemporary culture. It is a book about the elements of the streetscape which can exert an increasing impact on our interaction with the cities we inhabit.
On the street- In-between architecture
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In this book, Edwin Heathcote looks at the cultural impact of street furniture using photography as a measure of how these things have become indispensable components of the cityscape. Based mainly in and on London – but including New York, Paris and Budapest – Heathcote uses history, personal reflection and the lenses of photographers to examine the status of these urban artefacts in both the contemporary imagination and the city streets themselves. It looks at the changing landscape of the cityscape and the way in which street furniture has been adapted to address new technologies, the culture of surveillance and shifts in taste, orthodoxy and material culture. On the Street looks at the language of street furniture reflected through the gaze of photography and contemporary culture. It is a book about the elements of the streetscape which can exert an increasing impact on our interaction with the cities we inhabit.
Classification:
livres
livres
Publication:
février 2023
février 2023
Sujet:
Espaces Public
Espaces Public
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livres
livres
Prix:
$25.95
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Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program(...)
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program(...)
Publication:
avril 2009
avril 2009
Titre:
The glass state: the technology of the spectacle, Paris 1981-1998
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Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand's glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets - the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and André Citroën and the Bibliotheque nationale de France - Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
The glass state: the technology of the spectacle, Paris 1981-1998
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand's glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets - the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and André Citroën and the Bibliotheque nationale de France - Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Classification:
livres
livres
Publication:
avril 2009
avril 2009
Classification:
livres
livres
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$72.00
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Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
$72.00
(disponible sur commande)
Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
Publication:
décembre 2002, Cambridge / London
décembre 2002, Cambridge / London
Titre:
The glass state : the technology of the spectacle - Paris, 1981-1998
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$72.00
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Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
The glass state : the technology of the spectacle - Paris, 1981-1998
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$72.00
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Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Classification:
livres
livres
Publication:
décembre 2002, Cambridge / London
décembre 2002, Cambridge / London
Classification:
livres
livres
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$18.00
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Résumé:
“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet(...)
$18.00
(disponible sur commande)
Résumé:
“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet(...)
Sujet:
petits formats
petits formats
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
Titre:
Latz+partner bad places and oases
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$18.00
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“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet continually create new wastelands. “Oases” – selective interventions and special places give an answer to bad places. Primarily, this revolves around the acceptance of devastated and polluted spaces, around the qualities that even such spaces can hold and around the layers that define them and hold the potential of fascinating information. Landscape does not merely exist physically. It represents a repertoire of information which is continually interpreted and re-interpreted by the beholder. The design philosophy of Latz + Partner is rooted in the ambition of facilitating and furnishing new ideas to this process. The exhibition focuses on two key, future-oriented projects: Hiriya, Tel Aviv and Crystal Palace Park, London. These projects, both of which are currently in the planning phase, are complemented by images of built projects, such as the blast furnace park in Duisburg, the Old Harbour in Bremerhaven and the urban transformation on the Plateau de Kirchberg in Luxembourg. Public participation is of great significance in all projects and ecological principles are innate to all of the work.
Latz+partner bad places and oases
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$18.00
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Résumé:
“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet continually create new wastelands. “Oases” – selective interventions and special places give an answer to bad places. Primarily, this revolves around the acceptance of devastated and polluted spaces, around the qualities that even such spaces can hold and around the layers that define them and hold the potential of fascinating information. Landscape does not merely exist physically. It represents a repertoire of information which is continually interpreted and re-interpreted by the beholder. The design philosophy of Latz + Partner is rooted in the ambition of facilitating and furnishing new ideas to this process. The exhibition focuses on two key, future-oriented projects: Hiriya, Tel Aviv and Crystal Palace Park, London. These projects, both of which are currently in the planning phase, are complemented by images of built projects, such as the blast furnace park in Duisburg, the Old Harbour in Bremerhaven and the urban transformation on the Plateau de Kirchberg in Luxembourg. Public participation is of great significance in all projects and ecological principles are innate to all of the work.
Classification:
livres
livres
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
Sujet:
petits formats
petits formats
Classification:
livres
livres
Titre:
Graftworld
Graftworld
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$21.95
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Résumé:
In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public(...)
$21.95
(disponible sur commande)
Résumé:
In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public(...)
Titre:
Graftworld
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$21.95
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Résumé:
In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public projects. Graftworld refers to Graft’s specific method of work process, which fuses syntactic, semantic and phenomenological aspects into architecture. Graft uses narrative elements of cinema, exploiting space - time interconnections through storyboarding with progressive technical research of long term collaborations with various companies. The exhibit will showcase this methodology in an accessible, usable exhibition sculpture, an interactive lounge displaying not only projects of all three office locations but providing chillout zones to relax as well. Classical distinctive architecture elements like floor, wall and ceiling will be fused into a lounge-display-hybrid. Graftworld is thought to be inclusive and rather crosses and blurs boundaries than accepting their exclusive nature. This approach also touches on the increasing transition of distinct modern mono-functional living and working environments, that are blending into new urban lifestyles of the metropolitan nomads. Graftworld proposes architecture that can evolve to be sculpture, be furniture, be a product, be an urban scenario, be landscape at the same time. Design, methodology and technology are not classically “displayed”, but are integrated in the Graftworld.
Graftworld
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Résumé:
In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public projects. Graftworld refers to Graft’s specific method of work process, which fuses syntactic, semantic and phenomenological aspects into architecture. Graft uses narrative elements of cinema, exploiting space - time interconnections through storyboarding with progressive technical research of long term collaborations with various companies. The exhibit will showcase this methodology in an accessible, usable exhibition sculpture, an interactive lounge displaying not only projects of all three office locations but providing chillout zones to relax as well. Classical distinctive architecture elements like floor, wall and ceiling will be fused into a lounge-display-hybrid. Graftworld is thought to be inclusive and rather crosses and blurs boundaries than accepting their exclusive nature. This approach also touches on the increasing transition of distinct modern mono-functional living and working environments, that are blending into new urban lifestyles of the metropolitan nomads. Graftworld proposes architecture that can evolve to be sculpture, be furniture, be a product, be an urban scenario, be landscape at the same time. Design, methodology and technology are not classically “displayed”, but are integrated in the Graftworld.
Classification:
livres
livres
Publication:
janvier 2007, Berlin
janvier 2007, Berlin
Sujet:
petits formats
petits formats
