5764 Résultats
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge(...)
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge(...)
Titre:
Parachute : the anthology, vol. 1
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge magazine Parachute was launched, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster, Reesa Greenberg, Serge Guilbaut and Laura Mulvey published highly pertinent essays in the journal early on in their careers. The essays collected in this volume have been selected from the first 25 years of Parachute's publication history, from 1975 to 2000.
Parachute : the anthology, vol. 1
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge magazine Parachute was launched, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster, Reesa Greenberg, Serge Guilbaut and Laura Mulvey published highly pertinent essays in the journal early on in their careers. The essays collected in this volume have been selected from the first 25 years of Parachute's publication history, from 1975 to 2000.
Classification:
livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by(...)
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Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by(...)
Titre:
Carlo Mollino: maniera moderna
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Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by examining it across five inventively themed chapters: “Choreography,” “Montage,” “Publications,” “Display” and “Appropriations.” “Choreography” looks at Mollino’s love of motion in his customizations of airplanes and racing cars and his designs for the Lutrario dance hall in Turin. The “Montage” chapter examines Mollino’s architectural photomontages and other uses of photography; “Publications” reproduces a wealth of Mollino first editions, magazine spreads and works on paper; “Display” reveals the influence of Surrealism on Mollino’s interior displays, and also includes his erotic Polaroids; and “Appropriation” looks at his photographs of interior décor.
Carlo Mollino: maniera moderna
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Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by examining it across five inventively themed chapters: “Choreography,” “Montage,” “Publications,” “Display” and “Appropriations.” “Choreography” looks at Mollino’s love of motion in his customizations of airplanes and racing cars and his designs for the Lutrario dance hall in Turin. The “Montage” chapter examines Mollino’s architectural photomontages and other uses of photography; “Publications” reproduces a wealth of Mollino first editions, magazine spreads and works on paper; “Display” reveals the influence of Surrealism on Mollino’s interior displays, and also includes his erotic Polaroids; and “Appropriation” looks at his photographs of interior décor.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Design, monographies
Design, monographies
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livres
livres
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$24.95
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings(...)
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings(...)
Titre:
The ruin of exchange and other writings on art
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here - such as his contributions to the German magazine Texte zur Kunst - appear in English for the first time.
The ruin of exchange and other writings on art
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here - such as his contributions to the German magazine Texte zur Kunst - appear in English for the first time.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are(...)
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are(...)
Titre:
Cartha: On relations in architecture
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are then brought together in an annual book. In 2015, CARTHA’s topic was relations within the architectural spectrum. Contributions explore models of collaboration and the ways in which architects relate to other architects, clients, workers, and users of space. Each of the four issues—Worth Sharing, Confrères, Mannschaft, and Santisima Trinidad—features an introductory interview with a renowned architect or firm, including Diogo Seixas Lopes, Grafton Architects, Samuel Schulze, and Marco Serra. Photography in the 2015 edition of CARTHA includes series by Guido Guidi, Rasmus Norlander, Joël Tettamanti, and Onnis Luque.
Cartha: On relations in architecture
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are then brought together in an annual book. In 2015, CARTHA’s topic was relations within the architectural spectrum. Contributions explore models of collaboration and the ways in which architects relate to other architects, clients, workers, and users of space. Each of the four issues—Worth Sharing, Confrères, Mannschaft, and Santisima Trinidad—features an introductory interview with a renowned architect or firm, including Diogo Seixas Lopes, Grafton Architects, Samuel Schulze, and Marco Serra. Photography in the 2015 edition of CARTHA includes series by Guido Guidi, Rasmus Norlander, Joël Tettamanti, and Onnis Luque.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Among a sea of influences
Among a sea of influences
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This publication documents a series of workshops and conversations hosted by Wendy’s Subway and organized by English-Arabic bilingual magazine Makzhin editor Mirene Arsanios on questions of formative literary influences. Three female Arab writers were invited to choose and discuss ten books that shaped their understanding of poetry and translation. Notwithstanding the(...)
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This publication documents a series of workshops and conversations hosted by Wendy’s Subway and organized by English-Arabic bilingual magazine Makzhin editor Mirene Arsanios on questions of formative literary influences. Three female Arab writers were invited to choose and discuss ten books that shaped their understanding of poetry and translation. Notwithstanding the(...)
Titre:
Among a sea of influences
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This publication documents a series of workshops and conversations hosted by Wendy’s Subway and organized by English-Arabic bilingual magazine Makzhin editor Mirene Arsanios on questions of formative literary influences. Three female Arab writers were invited to choose and discuss ten books that shaped their understanding of poetry and translation. Notwithstanding the difficulty of the task, Marwa Helal, Mona Kareem, and Iman Mersal played along, selecting—among a sea of influences—authors and/or translators whose works were key to their own practice, and to their embodied understanding of what it means to write in Arabic from a female perspective. Asking what kind of writings are/were available to them, and which books or translations unseated their understanding of the world, Helal, Kareem, and Mersal discuss writing within the diaspora and across borders, radical publishing and translation networks, cultural and linguistic translation, vernacular language as resistance, and more.
Among a sea of influences
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This publication documents a series of workshops and conversations hosted by Wendy’s Subway and organized by English-Arabic bilingual magazine Makzhin editor Mirene Arsanios on questions of formative literary influences. Three female Arab writers were invited to choose and discuss ten books that shaped their understanding of poetry and translation. Notwithstanding the difficulty of the task, Marwa Helal, Mona Kareem, and Iman Mersal played along, selecting—among a sea of influences—authors and/or translators whose works were key to their own practice, and to their embodied understanding of what it means to write in Arabic from a female perspective. Asking what kind of writings are/were available to them, and which books or translations unseated their understanding of the world, Helal, Kareem, and Mersal discuss writing within the diaspora and across borders, radical publishing and translation networks, cultural and linguistic translation, vernacular language as resistance, and more.
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livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Littérature et poésie
Littérature et poésie
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livres
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949(...)
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949(...)
Titre:
Conversation avec Lucien Hervé
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949 lorsque, grâce au Père Couturier, ami de Matisse, il rencontre Le Corbusier. Photographe attitré de l’architecte jusqu’au décès de ce dernier en 1965, il collabore, entre autres, avec Alvar Aalto et Oscar Niemeyer, et est également reconnu pour ses images de l’abbaye du Thoronet et de l’Escorial. Son œuvre a été exposée dans de nombreux musées et galeries à travers le monde. Dans cet entretien, réalisé avec l'aide de Federico Nicolao, il revisite avec sincérité et passion ses années de travail.
Conversation avec Lucien Hervé
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949 lorsque, grâce au Père Couturier, ami de Matisse, il rencontre Le Corbusier. Photographe attitré de l’architecte jusqu’au décès de ce dernier en 1965, il collabore, entre autres, avec Alvar Aalto et Oscar Niemeyer, et est également reconnu pour ses images de l’abbaye du Thoronet et de l’Escorial. Son œuvre a été exposée dans de nombreux musées et galeries à travers le monde. Dans cet entretien, réalisé avec l'aide de Federico Nicolao, il revisite avec sincérité et passion ses années de travail.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered(...)
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Résumé:
That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered(...)
Titre:
2G 35 : Burkhalter Sumi, recent work / obra reciente
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That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered refreshingly with modesty. Even though Burkhalter Sumi are now working on larger scale problems and projects than before, their way of thinking and working shows a remarkable consistency over the 21 years since the office's founding. Over years of obervations, mulling and simply following their personal tastes the architects had assembled a host of complicated and contradictory issues about timber architecture, such as tectonics, form and its perception, prefabrication, colour, ecology and hybrid structures. This issue of 2G magazine, devoted to Burkhalter Sumi, collects an illustrative selection of recent works by the Swiss team, including residential projects, urban planning, projects for the workplace and exhibitions.
2G 35 : Burkhalter Sumi, recent work / obra reciente
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That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered refreshingly with modesty. Even though Burkhalter Sumi are now working on larger scale problems and projects than before, their way of thinking and working shows a remarkable consistency over the 21 years since the office's founding. Over years of obervations, mulling and simply following their personal tastes the architects had assembled a host of complicated and contradictory issues about timber architecture, such as tectonics, form and its perception, prefabrication, colour, ecology and hybrid structures. This issue of 2G magazine, devoted to Burkhalter Sumi, collects an illustrative selection of recent works by the Swiss team, including residential projects, urban planning, projects for the workplace and exhibitions.
Classification:
livres
livres
Publication:
octobre 2005, Barcelona
octobre 2005, Barcelona
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$56.95
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
Titre:
The story of graphic design in France
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
The story of graphic design in France
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$56.95
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
Classification:
livres
livres
Publication:
janvier 2005, Corte Madera
janvier 2005, Corte Madera
Sujet:
livres soldés
livres soldés
Classification:
livres
livres
Titre:
Drawings on text
Drawings on text
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$17.00
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As we spend our days increasingly glued to our computers and handheld devices, rapidly tapping keywords into Google, cutting and pasting Word docs and texting urgently truncated messages, it is becoming increasingly rare to pen anything by hand. No wonder hand-written fonts are all the rage in the world of graphic design. Writing, like drawing, has become an endangered(...)
$17.00
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Résumé:
As we spend our days increasingly glued to our computers and handheld devices, rapidly tapping keywords into Google, cutting and pasting Word docs and texting urgently truncated messages, it is becoming increasingly rare to pen anything by hand. No wonder hand-written fonts are all the rage in the world of graphic design. Writing, like drawing, has become an endangered(...)
Titre:
Drawings on text
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$17.00
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As we spend our days increasingly glued to our computers and handheld devices, rapidly tapping keywords into Google, cutting and pasting Word docs and texting urgently truncated messages, it is becoming increasingly rare to pen anything by hand. No wonder hand-written fonts are all the rage in the world of graphic design. Writing, like drawing, has become an endangered act. Drawings on Text--which explores the idea that when a hand-written note is illegible, it becomes a drawing--is the third book in this series, edited by Dutch artist Serge Onnen. The handwritten can take many forms, from an illegibly scrawled letter to initials carved into a tree with a knife. A catholic selection of the hand-written-as-drawing is included in this innovative volume, which was first published in Zing magazine. Included are pieces by John Cage, Napoleon Bonaparte, Olav Westphalen, Roland Barthes, Gustave Flaubert and Victor Hugo, among others.
Drawings on text
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$17.00
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As we spend our days increasingly glued to our computers and handheld devices, rapidly tapping keywords into Google, cutting and pasting Word docs and texting urgently truncated messages, it is becoming increasingly rare to pen anything by hand. No wonder hand-written fonts are all the rage in the world of graphic design. Writing, like drawing, has become an endangered act. Drawings on Text--which explores the idea that when a hand-written note is illegible, it becomes a drawing--is the third book in this series, edited by Dutch artist Serge Onnen. The handwritten can take many forms, from an illegibly scrawled letter to initials carved into a tree with a knife. A catholic selection of the hand-written-as-drawing is included in this innovative volume, which was first published in Zing magazine. Included are pieces by John Cage, Napoleon Bonaparte, Olav Westphalen, Roland Barthes, Gustave Flaubert and Victor Hugo, among others.
Classification:
livres
livres
Publication:
avril 2008, Atlanta
avril 2008, Atlanta
Sujet:
Expositions collectives
Expositions collectives
Classification:
livres
livres
Titre:
Like origami gone wrong
Like origami gone wrong
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$34.00
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
$34.00
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Résumé:
Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
Titre:
Like origami gone wrong
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$34.00
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
Like origami gone wrong
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$34.00
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
Classification:
livres
livres
Publication:
octobre 2007, Thun
octobre 2007, Thun
