The Shenzhen experiment
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Shenzhen is ground zero for the economic transformation China has seen in recent decades. In 1979, driven by China’s widespread poverty, Deng Xiaoping supported a bold proposal to experiment with economic policies in a rural borderland next to Hong Kong. The site was designated as the City of Shenzhen and soon after became China’s first Special Economic Zone (SEZ). Four(...)
The Shenzhen experiment
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Shenzhen is ground zero for the economic transformation China has seen in recent decades. In 1979, driven by China’s widespread poverty, Deng Xiaoping supported a bold proposal to experiment with economic policies in a rural borderland next to Hong Kong. The site was designated as the City of Shenzhen and soon after became China’s first Special Economic Zone (SEZ). Four decades later, Shenzhen is a megacity of twenty million, an internationally recognized digital technology hub, and the world’s most successful economic zone. Some see it as a modern miracle city that seemingly came from nowhere, attributing its success solely to centralized planning and Shenzhen’s proximity to Hong Kong. The Chinese government has built hundreds of new towns using the Shenzhen model, yet none has come close to replicating the city’s level of economic success. But is it true that Shenzhen has no meaningful history? That the city was planned on a tabula rasa? That the region’s rural past has had no significant impact on the urban present? Juan Du unravels the myth of Shenzhen and shows us how this world-famous “instant city” has a surprising history—filled with oyster fishermen, villages that remain encased within city blocks, a secret informal housing system—and how it has been catapulted to success as much by the ingenuity of its original farmers as by Beijing’s policy makers. “The Shenzhen Experiment” is an important story for all rapidly urbanizing and industrializing nations around the world seeking to replicate China’s economic success in the twenty-first century.
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Judith Butler’s new book shows how an ethic of nonviolence must be connected to a broader political struggle for social equality. Further, it argues that nonviolence is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power. But, in fact, nonviolence is an ethical position(...)
The force of non violence: the ethical in the political
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Judith Butler’s new book shows how an ethic of nonviolence must be connected to a broader political struggle for social equality. Further, it argues that nonviolence is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power. But, in fact, nonviolence is an ethical position found in the midst of the political field. An aggressive form of nonviolence accepts that hostility is part of our psychic constitution, but values ambivalence as a way of checking the conversion of aggression into violence. One contemporary challenge to a politics of nonviolence points out that there is a difference of opinion on what counts as violence and nonviolence. The distinction between them can be mobilized in the service of ratifying the state’s monopoly on violence. Considering nonviolence as an ethical problem within a political philosophy requires a critique of individualism as well as an understanding of the psychosocial dimensions of violence. Butler draws upon Foucault, Fanon, Freud, and Benjamin to consider how the interdiction against violence fails to include lives regarded as ungrievable. By considering how “racial phantasms” inform justifications of state and administrative violence, Butler tracks how violence is often attributed to those who are most severely exposed to its lethal effects. The struggle for nonviolence is found in movements for social transformation that reframe the grievability of lives in light of social equality and whose ethical claims follow from an insight into the interdependency of life as the basis of social and political equality.
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AD : Cities of dispersal
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Questioning the traditional boundaries between cities, suburbs, countryside and wilderness, this issue of AD explores emergent types of public space in low-density environments. It describes this new form of urbanism: decentralised, in a constant process of expansion and contraction, not homogenous or necessarily low-rise, nor guided by one mode of development, typology(...)
AD : Cities of dispersal
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Questioning the traditional boundaries between cities, suburbs, countryside and wilderness, this issue of AD explores emergent types of public space in low-density environments. It describes this new form of urbanism: decentralised, in a constant process of expansion and contraction, not homogenous or necessarily low-rise, nor guided by one mode of development, typology or pattern. While functionally and programmatically dispersed, settlements operate as a form of urbanism; the place of collective spaces within them has yet to be defined and articulated. The physical transformation of the built environment on the one hand, and the change in our notion of the public on the other - due to globalisation, privatisation and segregation - call for renewed interpretations of the nature and character of public space. The concept of public space needs to be examined: replaced, re-created or adapted to fit these conditions. What is the place of the public in this form of urbanism, and how can architecture address the notion of common, collective spaces? What is the current sociopolitical role o such spaces? How does the form and use of these spaces reflect the conception of the public as a political (or non-political) body? And can architecture regain an active role in formulating the notion of the collective? These and other issues are addressed through essays, research projects and built work by distinguished writers such as Bruce Robbins, Albert Pope and Alex Wall, and Practitioners including Zvi Hecker, Vito Acconci, MUTOPIA, Manuel de Sola-Morales, Martha Rosler and Manuel Vicente in a search for new collective architectures within the dispersed city.
Théorie de l’urbanisme
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Between 1990 and 1998, Guido Guidi made five separate trips to Milan and its surrounding areas. ''Cinque viaggi'' brings together the photographs made there, forming an investigation of one city and its peripheries in the throes of economic and social transformation. As Guidi follows the canal from out in the suburbs toward the city centre, his attention and visual(...)
Guido Guidi: Cinque viaggi (1990-98)
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Between 1990 and 1998, Guido Guidi made five separate trips to Milan and its surrounding areas. ''Cinque viaggi'' brings together the photographs made there, forming an investigation of one city and its peripheries in the throes of economic and social transformation. As Guidi follows the canal from out in the suburbs toward the city centre, his attention and visual language move from the vernacular to the metropolitan, from wider horizontal views to vertical ‘cuts’ in the urban fabric, from entire buildings and scenes to glimpsed façades and doorways. Along the way, we also encounter inhabitants: a group of young men gathered in a Pasolini-like scene on a bridge in the city’s outskirts; occasional passers-by working, shopping, or stopping to smoke on the city streets; disconnected couples and disparate individuals whose loose citizenship coheres the urban sprawl. While previous books, such as Per Strada (2018) and Tra l'altro (2020), demonstrated Guidi’s fascination with the rural and small-town landscapes of his native region, ''Cinque viaggi'' turns to metropolitan Italy, documenting the dramatic socio-economic changes that have transformed it over the course of the nineteenth and twentieth centuries. Remnants of rural civilisation and traces of urban expansion are embedded among the first signs of de-industrialisation. These 110 large-format works, many of which have never been seen before, reveal the layers of social and architectural history among which everyday life unfolds. ''Cinque viaggi'' offers an arrestingly subtle picture of Italy's recent past and rumination on its future.
Monographies photo
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xvii, 250 pages, 8 unnumbered pages of plates : illustrations (some color) ; 23 cm
London ; New York : Bloomsbury Visual Arts, 2022., ©2022
Architecture in the age of artificial intelligence : an introduction to AI for architects / Neil Leach.
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xvii, 250 pages, 8 unnumbered pages of plates : illustrations (some color) ; 23 cm
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London ; New York : Bloomsbury Visual Arts, 2022., ©2022
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131 pages, 1 unnumbered page : chiefly illustrations ; 23 x 26 cm
New York : The Quantuck Lane Press, [2006], ©2006
Paterson II / George Tice ; introduction by A.D. Coleman.
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131 pages, 1 unnumbered page : chiefly illustrations ; 23 x 26 cm
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New York : The Quantuck Lane Press, [2006], ©2006
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Sternberg Press Academy of Fine Arts Vienna 2016
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Sternberg Press Academy of Fine Arts Vienna 2016
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xi, 227 pages illustrations (some color), color maps ; 23 cm
Los Angeles : DoppelHouse Press in cooperation with the Wittgenstein Initiative, 2023.
Ludwig Wittgenstein's Tractatus odyssey : the Great War and the writing of the Tractatus-Logico-Philosophicus / edited by Radmila Schweitzer.
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xi, 227 pages illustrations (some color), color maps ; 23 cm
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Los Angeles : DoppelHouse Press in cooperation with the Wittgenstein Initiative, 2023.
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296 pages ; 19 cm.
[Toronto] : Signal, 2016., ©2016
A burglar's guide to the city / Geoff Manaugh.
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296 pages ; 19 cm.
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[Toronto] : Signal, 2016., ©2016
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15 pages, [80] plates : illustrations ; 29 cm
New York : Aperture, 2011., London : Thames & Hudson, 2011., ©1972
Diane Arbus : an Aperture monograph.
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15 pages, [80] plates : illustrations ; 29 cm
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New York : Aperture, 2011., London : Thames & Hudson, 2011., ©1972