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For the past thirteen years, Autocenter has put its stamp on Berlin’s contemporary arts scene. Founded in 2001 by Maik Schierloh and Joep van Liefland in a former auto body shop in Berlin-Friedrichshain, Autocenter has become an indispensable fixture of the city’s arts scene and one of its most important venues. In March 2013, Autocenter moved to Berlin’s Mitte district,(...)
juillet 2014
Autocenter, space for contemporary art, Berlin
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For the past thirteen years, Autocenter has put its stamp on Berlin’s contemporary arts scene. Founded in 2001 by Maik Schierloh and Joep van Liefland in a former auto body shop in Berlin-Friedrichshain, Autocenter has become an indispensable fixture of the city’s arts scene and one of its most important venues. In March 2013, Autocenter moved to Berlin’s Mitte district, where it continues to present exhibitions and projects by German and international artists in rapid succession. The 160 shows featuring work by more than 750 artists have always been transient affairs — in the early years, most exhibitions were on display for a mere two day. The book is a survey of the artists who visited or moved to Berlin in the past thirteen years and shows how contemporary art changed over time. Autocenter has not only been a keen observer of the city’s arts scene, it also helped shape its evolution.
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Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and(...)
août 2014
Foreign exchange: (or the stories you wouldn't tell a stranger)
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Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and commodification of artifacts and, in particular, the representation of the human body in ethnographic photographs.
Room service
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On the Hotel in the Arts and Artists in the Hotel. Over the past 200 hundred years the topos of the hotel has increasingly become a subject of artistic interest. Artists have not only examined the hotel as a motif but have appropriated its rooms, decorating and inhabiting them.The Staatliche Kunsthalle Baden-Baden exhibition traces these multi-faceted relationships over(...)
Room service
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On the Hotel in the Arts and Artists in the Hotel. Over the past 200 hundred years the topos of the hotel has increasingly become a subject of artistic interest. Artists have not only examined the hotel as a motif but have appropriated its rooms, decorating and inhabiting them.The Staatliche Kunsthalle Baden-Baden exhibition traces these multi-faceted relationships over time and also examines problematic social aspects of this phenomenon.To capture the mythic dimensions of the hotel, the exhibition Room Service, is also accompanied by an exhibition route that leads through the citys prominent hotels.
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
août 2014
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
Architektonika
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Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
septembre 2014
Architektonika
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Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
L'art brut dans le monde
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Les sept auteurs réunis dans cet ouvrage ont conservé cette alliance originelle pour faire cohabiter les deux ordres du rationnel et du poétique. Leurs créations, récemment découvertes ou retrouvées à Bali, au Brésil, au Bénin, en Inde, dans le Grand Nord arctique, en Sicile et en Allemagne, montrent un Art Brut cosmopolite, métissé de poésie. Certains cultivent des liens(...)
septembre 2014
L'art brut dans le monde
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Les sept auteurs réunis dans cet ouvrage ont conservé cette alliance originelle pour faire cohabiter les deux ordres du rationnel et du poétique. Leurs créations, récemment découvertes ou retrouvées à Bali, au Brésil, au Bénin, en Inde, dans le Grand Nord arctique, en Sicile et en Allemagne, montrent un Art Brut cosmopolite, métissé de poésie. Certains cultivent des liens sensibles avec la nature et te cosmos, se mettant à leur écoute attentive, à la manière d'un archer zen. Ces auteurs de divers pays et continents montrent une disponibilité particulière, une sorte d'état exploratoire où la raison se relâche, grâce à laquelle ils se dégagent de la réalité. Ainsi, des guirlandes de visages enchantent les nuits de Ni Tanjung, des peintures tatouent les murs de la ville grâce à Giovanni Bosco, des machines à voler ou à coudre peuplent l'univers de Gustav Mesmer ainsi que celui d'Ezekiel Messou. Ailleurs, divinités et esprits surgissent de l'ombre sous les doigts de Kashinath Chawan et d'Anarqâq. Cet ouvrage contient un DVD avec six films documentaires qui permettent de découvrir les artistes sur leur lieu de vie et de création.
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and(...)
Drawing People: the human figure in contemporary art
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and emotion. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making.
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Thread Lines departs from the typical assumption that drawing means putting pen to paper, framing it instead as an open-ended act in which lines can be woven, stitched, knit, even embodied. Featuring 16 artists who use textile in a variety of formats (embroidery, weaving, collage, performance), the expressive and conceptual possibilities of line are highlighted, with an(...)
février 2015
The Drawing Center 118 : thread lines
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Thread Lines departs from the typical assumption that drawing means putting pen to paper, framing it instead as an open-ended act in which lines can be woven, stitched, knit, even embodied. Featuring 16 artists who use textile in a variety of formats (embroidery, weaving, collage, performance), the expressive and conceptual possibilities of line are highlighted, with an emphasis on its making.
Are you experienced?
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This catalogue accompanies an exhibition of the same name, on view at the Art Gallery of Hamilton through summer and fall 2015, curated by Melissa Bennett, Curator of Contemporary Art at the Art Gallery of Hamilton. The show takes the viewer on a journey through which affect, evocation, empathy, synesthesia, the unconscious and sensual perception live together, providing(...)
Are you experienced?
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This catalogue accompanies an exhibition of the same name, on view at the Art Gallery of Hamilton through summer and fall 2015, curated by Melissa Bennett, Curator of Contemporary Art at the Art Gallery of Hamilton. The show takes the viewer on a journey through which affect, evocation, empathy, synesthesia, the unconscious and sensual perception live together, providing a context for both reflection and engagement. Beyond the physical presence of the artworks, the exhibition explores subtle themes such as transcendence, and the ways in which an artwork can be both immanent and starkly present, while engaging with conceptual or political undercurrents. Contributors include Melissa Bennett, Jennifer Fisher and Jim Drobnick, and Gabrielle Moser.
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic(...)
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic action from the Dadaists to contemporary ramblers. Titled after Michelangelo Pistoletto’s performance Walking Sculpture, the catalogue features 50 color illustrations ranging from photographs of Yvonne Rainer’s street actions to Francis Alÿs’s fantastical processions, poems by Cole Swensen, and a new project by artist Helen Mirra, who produces poetic meditations on landscape, ecology, and locomotion. Sculpture, film, video, photography, and performance converge to address the multi-disciplinary practice of ambulation through the cityscape and the countryside. For those who hike; march in fundraisers, protests, or parades; walk the dog; stroll in the park; or commute daily, this catalogue will invite new thought into basic human movement.