3091 Résultats
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Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and(...)
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Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and(...)
Titre:
Subjective atlas of Palestine
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Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and more human vantage point. The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it. Given their closeness to the subject, this has resulted in unconventional, very human impressions of the landscape and the architecture, the cuisine, the music and the poetry of thought and expression. The drawings, photographs, maps and narratives made for this atlas reveal individual life experiences, from preparing chickpeas to a manual on water pipe smoking, from historic dress to modern music. Pages containing humorous and caustic newspaper cartoons and invented Palestinian currency followed by colourful cultural diaries and moving letters from prisoners. All in all, the contributions give an entirely different angle on a nation in occupied territory. In this subjective atlas it is the Palestinians themselves who show the disarming reverse side of the black-and-white image generally resorted to by the media.
Subjective atlas of Palestine
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Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and more human vantage point. The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it. Given their closeness to the subject, this has resulted in unconventional, very human impressions of the landscape and the architecture, the cuisine, the music and the poetry of thought and expression. The drawings, photographs, maps and narratives made for this atlas reveal individual life experiences, from preparing chickpeas to a manual on water pipe smoking, from historic dress to modern music. Pages containing humorous and caustic newspaper cartoons and invented Palestinian currency followed by colourful cultural diaries and moving letters from prisoners. All in all, the contributions give an entirely different angle on a nation in occupied territory. In this subjective atlas it is the Palestinians themselves who show the disarming reverse side of the black-and-white image generally resorted to by the media.
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livres
livres
Publication:
octobre 2007, Rotterdam
octobre 2007, Rotterdam
Sujet:
Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
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2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast(...)
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2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast(...)
Titre:
René Burri, Brasilia: photographs 1960-1993
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2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast open spaces, was named a UNESCO World Heritage site in 1987. The author of this publication visited Brasilia's vast building sites for the first time in 1958. He returned many times over the years, documenting with his camera growth and further development of this built Utopia. Besides documenting the buildings in various stages of completion, Burri took portraits of Niemeyer and his workers and photographed Brasilia's street scenes and people and aerial views of the city's first slums. His images capture the strong sense of a new era and a vibrant atmosphere of hard work and strain; they reflect the huge dimensions of the landscape and the great scale of this project and its ambition to design and build a new capital. This book presents a large selection from hundreds of colour and black-and-white photographs, the majority of them published in this book for the first time.
René Burri, Brasilia: photographs 1960-1993
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2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast open spaces, was named a UNESCO World Heritage site in 1987. The author of this publication visited Brasilia's vast building sites for the first time in 1958. He returned many times over the years, documenting with his camera growth and further development of this built Utopia. Besides documenting the buildings in various stages of completion, Burri took portraits of Niemeyer and his workers and photographed Brasilia's street scenes and people and aerial views of the city's first slums. His images capture the strong sense of a new era and a vibrant atmosphere of hard work and strain; they reflect the huge dimensions of the landscape and the great scale of this project and its ambition to design and build a new capital. This book presents a large selection from hundreds of colour and black-and-white photographs, the majority of them published in this book for the first time.
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livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in(...)
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juillet 2014
juillet 2014
Titre:
Loose ends : Maria Guiseppina Grasso Cannizzo
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.
Loose ends : Maria Guiseppina Grasso Cannizzo
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.
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livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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Cet ouvrage traite de tous les aspects de la construction en extérieur, en mettant l’accent sur les bonnes pratiques et le développement durable. Il recense les différents choix de matériaux et de modes de construction, s'intéresse à des thèmes comme l’influence de la mondialisation, le développement durable et le changement climatique. Il traite des propriétés des(...)
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Cet ouvrage traite de tous les aspects de la construction en extérieur, en mettant l’accent sur les bonnes pratiques et le développement durable. Il recense les différents choix de matériaux et de modes de construction, s'intéresse à des thèmes comme l’influence de la mondialisation, le développement durable et le changement climatique. Il traite des propriétés des(...)
Publication:
janvier 2012
janvier 2012
Titre:
Construction et architecture paysagère
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Cet ouvrage traite de tous les aspects de la construction en extérieur, en mettant l’accent sur les bonnes pratiques et le développement durable. Il recense les différents choix de matériaux et de modes de construction, s'intéresse à des thèmes comme l’influence de la mondialisation, le développement durable et le changement climatique. Il traite des propriétés des matériaux, des structures et de la mécanique ; présente les matériaux de construction, conventionnels ou non ; considère différents types d’ouvrages, le terrassement, la terre arable, les structures de soutènement, les murs, les revêtements de sol et les pièces d’eau ; traite de l’assemblage des éléments bâtis, et énumère les différentes techniques de finition et de protection des matériaux.
Construction et architecture paysagère
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Cet ouvrage traite de tous les aspects de la construction en extérieur, en mettant l’accent sur les bonnes pratiques et le développement durable. Il recense les différents choix de matériaux et de modes de construction, s'intéresse à des thèmes comme l’influence de la mondialisation, le développement durable et le changement climatique. Il traite des propriétés des matériaux, des structures et de la mécanique ; présente les matériaux de construction, conventionnels ou non ; considère différents types d’ouvrages, le terrassement, la terre arable, les structures de soutènement, les murs, les revêtements de sol et les pièces d’eau ; traite de l’assemblage des éléments bâtis, et énumère les différentes techniques de finition et de protection des matériaux.
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livres
livres
Publication:
janvier 2012
janvier 2012
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livres
livres
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$45.95
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Robert Venturi exploded onto the architectural scene in 1966 with a radical call to arms in "Complexity and Contradiction". Further accolades and outrage ensued in 1972 when Venturi and Denise Scott Brown (along with Steven Izenour) analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas". Now, for the first time, these two observer-designer-theorists(...)
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Robert Venturi exploded onto the architectural scene in 1966 with a radical call to arms in "Complexity and Contradiction". Further accolades and outrage ensued in 1972 when Venturi and Denise Scott Brown (along with Steven Izenour) analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas". Now, for the first time, these two observer-designer-theorists(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2004, Cambridge, Mass.
octobre 2004, Cambridge, Mass.
Titre:
Architecture as signs and systems for a mannerist time
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Robert Venturi exploded onto the architectural scene in 1966 with a radical call to arms in "Complexity and Contradiction". Further accolades and outrage ensued in 1972 when Venturi and Denise Scott Brown (along with Steven Izenour) analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas". Now, for the first time, these two observer-designer-theorists turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has informed. The views of Venturi and Scott Brown have influenced architects worldwide for nearly half a century. Pluralism and multiculturalism; symbolism and iconography; popular culture and the everyday landscape; generic building and electronic communication are among the many ideas they have championed. Here, they present both a fascinating retrospective of their life work and a definitive statement of its theoretical underpinnings. Accessible, informative, and beautifully illustrated, Architecture as Signs and Systems is a must for students of architecture and urban planning, as well as anyone intrigued by these seminal cultural figures. Venturi and Scott Brown have devoted their professional lives to broadening our view of the built world and enlarging the purview of practitioners within it. By looking backward over their own life work, they discover signs and systems that point forward, toward a humane Mannerist architecture for a complex, multicultural society.
Architecture as signs and systems for a mannerist time
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Robert Venturi exploded onto the architectural scene in 1966 with a radical call to arms in "Complexity and Contradiction". Further accolades and outrage ensued in 1972 when Venturi and Denise Scott Brown (along with Steven Izenour) analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas". Now, for the first time, these two observer-designer-theorists turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has informed. The views of Venturi and Scott Brown have influenced architects worldwide for nearly half a century. Pluralism and multiculturalism; symbolism and iconography; popular culture and the everyday landscape; generic building and electronic communication are among the many ideas they have championed. Here, they present both a fascinating retrospective of their life work and a definitive statement of its theoretical underpinnings. Accessible, informative, and beautifully illustrated, Architecture as Signs and Systems is a must for students of architecture and urban planning, as well as anyone intrigued by these seminal cultural figures. Venturi and Scott Brown have devoted their professional lives to broadening our view of the built world and enlarging the purview of practitioners within it. By looking backward over their own life work, they discover signs and systems that point forward, toward a humane Mannerist architecture for a complex, multicultural society.
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livres
livres
Publication:
octobre 2004, Cambridge, Mass.
octobre 2004, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$63.95
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From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem(...)
$63.95
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From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem(...)
Sujet:
Design d’intérieur
Design d’intérieur
Publication:
janvier 1900, Milan
janvier 1900, Milan
Titre:
Total living : fashion, architecture, design, art, communication
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From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem Koolhaas, Helmut Lang, Le Corbusier, Levi's, Mandarina Duck, Marni, Steven Meisel, Alessandro Mendini, Ludwig Mies van der Rohe, Issey Miyake, Moschino, Helmut Newton, Nike, NL Architects, Ora-Ito Studio, John Powson, Prada, Emilio Pucci, Ralph Lauren, Claudio Silvestrin, Hedi Slimane, Paul Smith, Ettore Sottsass, Philippe Starck, Versace, Louis Vuitton, Bruce Weber, Yves Saint Laurent. Styles and lifestyles are fast becoming uniform under labels and definitions of fashion, and as an industry and a cultural form. Total Living is the point of no return in a project which, step-by-step, develops strategies whose goal it is to offer an even more sophisticated and targeted lifestyle. It is a place where there are definitions for clothes, behavior modes, and even the atmoshpheres and spaces in which one moves. Assuming the contours of a landscape of the future, this scenario raises topical themes and problems connected with the overwhelming power of consumerism. Accompanying scholarly essays consider the thematic universes of fashion designers and brands; models of total living in 20th century history; references to total living in mass culture; living and eating; arty fashion and fashionable art; the world of fashion design; the languages of shopping; urban fashion districts; and advertising as a narrative. A rich and interconnected iconographic passage visually narrates the various forms and ramifications of total living today and in the recent past through a succession of utopias, life-projects, urban visions, architecture, special homes, stores, art galleries, museums, and editorial pages and ads from fashion and lifestyle magazines. With texts by Papla Antonelli, Francesco Bonami, Michele Ciavarella, Emanuela de Cecco, Riccardo Dirindin, Roberto Monelli, Herbert Muschamp, Chee Pearlman, Michele Sernini, Dietmar Steiner, and Deyan Sudjic.
Total living : fashion, architecture, design, art, communication
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$63.95
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From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem Koolhaas, Helmut Lang, Le Corbusier, Levi's, Mandarina Duck, Marni, Steven Meisel, Alessandro Mendini, Ludwig Mies van der Rohe, Issey Miyake, Moschino, Helmut Newton, Nike, NL Architects, Ora-Ito Studio, John Powson, Prada, Emilio Pucci, Ralph Lauren, Claudio Silvestrin, Hedi Slimane, Paul Smith, Ettore Sottsass, Philippe Starck, Versace, Louis Vuitton, Bruce Weber, Yves Saint Laurent. Styles and lifestyles are fast becoming uniform under labels and definitions of fashion, and as an industry and a cultural form. Total Living is the point of no return in a project which, step-by-step, develops strategies whose goal it is to offer an even more sophisticated and targeted lifestyle. It is a place where there are definitions for clothes, behavior modes, and even the atmoshpheres and spaces in which one moves. Assuming the contours of a landscape of the future, this scenario raises topical themes and problems connected with the overwhelming power of consumerism. Accompanying scholarly essays consider the thematic universes of fashion designers and brands; models of total living in 20th century history; references to total living in mass culture; living and eating; arty fashion and fashionable art; the world of fashion design; the languages of shopping; urban fashion districts; and advertising as a narrative. A rich and interconnected iconographic passage visually narrates the various forms and ramifications of total living today and in the recent past through a succession of utopias, life-projects, urban visions, architecture, special homes, stores, art galleries, museums, and editorial pages and ads from fashion and lifestyle magazines. With texts by Papla Antonelli, Francesco Bonami, Michele Ciavarella, Emanuela de Cecco, Riccardo Dirindin, Roberto Monelli, Herbert Muschamp, Chee Pearlman, Michele Sernini, Dietmar Steiner, and Deyan Sudjic.
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livres
livres
Publication:
janvier 1900, Milan
janvier 1900, Milan
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
Titre:
Charles Rose, architect
Charles Rose, architect
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of(...)
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of(...)
Titre:
Charles Rose, architect
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of modernism) in favor of a local style, becomes a practice of the highest order in the hands of Rose, one of America's most accomplished young architects. With both the rigor of geometry and a commitment to ecosensitivity, his work is as attuned to the dense urban fabric of New York City as it is to the rural outback of Wyoming. The profile of his award-winning Camp Paint Rock in Hyattville, Wyoming, follows the contours of a nearby canyon; Roses's adaptive reuse of an industrial structure in New York City's Chelsea neighborhood preserves the existing streetscape while creating a seamless flow between inside and out; and the shape of his United States Port of Entry project in Del Rio, Texas, was determined by the scorching Texan sun and features sustainable landscapes. With surprising use of volumes, materials, and geometries, agile movement of spaces, and an active language of planes and lines, Rose creates dynamic, expressive architecture that reminds us that buildings can be both sensitive to their locale and embrace the timeless principles of geometry, material, light, and shadow.
Charles Rose, architect
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of modernism) in favor of a local style, becomes a practice of the highest order in the hands of Rose, one of America's most accomplished young architects. With both the rigor of geometry and a commitment to ecosensitivity, his work is as attuned to the dense urban fabric of New York City as it is to the rural outback of Wyoming. The profile of his award-winning Camp Paint Rock in Hyattville, Wyoming, follows the contours of a nearby canyon; Roses's adaptive reuse of an industrial structure in New York City's Chelsea neighborhood preserves the existing streetscape while creating a seamless flow between inside and out; and the shape of his United States Port of Entry project in Del Rio, Texas, was determined by the scorching Texan sun and features sustainable landscapes. With surprising use of volumes, materials, and geometries, agile movement of spaces, and an active language of planes and lines, Rose creates dynamic, expressive architecture that reminds us that buildings can be both sensitive to their locale and embrace the timeless principles of geometry, material, light, and shadow.
Classification:
livres
livres
Publication:
février 2006, New York
février 2006, New York
Sujet:
livres soldés
livres soldés
Classification:
livres
livres
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$34.95
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Offers an innovative approach to understanding the cultural history of Tel Aviv by exploring the mythical dimension and texture of the city. Founded in 1909 as a "garden suburb" of the Mediterranean port of Jaffa, Tel Aviv soon became a model of Jewish self-rule and was celebrated as a jewel in the crown of Hebrew revival. Over time the city has transformed into a(...)
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Offers an innovative approach to understanding the cultural history of Tel Aviv by exploring the mythical dimension and texture of the city. Founded in 1909 as a "garden suburb" of the Mediterranean port of Jaffa, Tel Aviv soon became a model of Jewish self-rule and was celebrated as a jewel in the crown of Hebrew revival. Over time the city has transformed into a(...)
Publication:
octobre 2006, New York
octobre 2006, New York
Titre:
Tel Aviv : mythography of a city
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Offers an innovative approach to understanding the cultural history of Tel Aviv by exploring the mythical dimension and texture of the city. Founded in 1909 as a "garden suburb" of the Mediterranean port of Jaffa, Tel Aviv soon became a model of Jewish self-rule and was celebrated as a jewel in the crown of Hebrew revival. Over time the city has transformed into a lively metropolis, renowned for its architecture and culture, openness and vitality. A young city about to celebrate its 100th anniversity, the mythic Tel Aviv continues to represent a fundamental idea that transcends the physical texture of the city and the everyday experiences of its residents. Combining historical research and cultural analysis, Maoz Azaryahu explores the different myths that have been part of the vernacular and perception of the city. He relates Tel Aviv’s mythology to its physicality through buildings, streets, personal experiences, and municipal policies. With critical insight, he evaluates specific myths and their propagation in the spheres of both official and popular culture. Azaryahu explores three distinct stages in the history of the mythic Tel Aviv: "The First Hebrew City" assesses Tel Aviv as Zionist vision and seed of the actual city; "Non-Stop City" depicts trendy, global post-Zionist Tel Aviv; and "The White City" describes Tel Aviv’s architectural landscape, created in the 1930s and imbued with nostalgia and local prestige. Tel Aviv: Mythography of a City will appeal to urban geographers, cultural historians, scholars of myth, and students of Israeli society and culture.
Tel Aviv : mythography of a city
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Offers an innovative approach to understanding the cultural history of Tel Aviv by exploring the mythical dimension and texture of the city. Founded in 1909 as a "garden suburb" of the Mediterranean port of Jaffa, Tel Aviv soon became a model of Jewish self-rule and was celebrated as a jewel in the crown of Hebrew revival. Over time the city has transformed into a lively metropolis, renowned for its architecture and culture, openness and vitality. A young city about to celebrate its 100th anniversity, the mythic Tel Aviv continues to represent a fundamental idea that transcends the physical texture of the city and the everyday experiences of its residents. Combining historical research and cultural analysis, Maoz Azaryahu explores the different myths that have been part of the vernacular and perception of the city. He relates Tel Aviv’s mythology to its physicality through buildings, streets, personal experiences, and municipal policies. With critical insight, he evaluates specific myths and their propagation in the spheres of both official and popular culture. Azaryahu explores three distinct stages in the history of the mythic Tel Aviv: "The First Hebrew City" assesses Tel Aviv as Zionist vision and seed of the actual city; "Non-Stop City" depicts trendy, global post-Zionist Tel Aviv; and "The White City" describes Tel Aviv’s architectural landscape, created in the 1930s and imbued with nostalgia and local prestige. Tel Aviv: Mythography of a City will appeal to urban geographers, cultural historians, scholars of myth, and students of Israeli society and culture.
Classification:
livres
livres
Publication:
octobre 2006, New York
octobre 2006, New York
Classification:
périodiques
périodiques
Titre:
OASE #84: Models Maquettes
OASE #84: Models Maquettes
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$39.00
(disponible sur commande)
Résumé:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
$39.00
(disponible sur commande)
Résumé:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
Titre:
OASE #84: Models Maquettes
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
OASE #84: Models Maquettes
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
Classification:
périodiques
périodiques
Publication:
août 2011
août 2011
Classification:
livres
livres
Titre:
Zaha Hadid
Zaha Hadid
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$10.50
(disponible sur commande)
Résumé:
This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has(...)
$10.50
(disponible sur commande)
Résumé:
This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has(...)
Publication:
août 2006, New York
août 2006, New York
Titre:
Zaha Hadid
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Prix:
$10.50
(disponible sur commande)
Résumé:
This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has collaborated with the Guggenheim on several projects leading up to this comprehensive retrospective, including the design for the museum’s exhibition The Great Utopia in 1992. Each of Hadid’s dynamic and innovative works builds on over 30 years of experimentation and research in the interrelated fields of urbanism, architecture and design. True to Hadid’s interdisciplinary approach to architecture, all mediums will be covered here. Having first achieved international recognition through her striking images and designs, Zaha Hadid is now widely known as an innovator who consistently tests the boundaries of architecture, urbanism and design. One of her most important "testing fields" has been her drawings. Her reconsideration of the architectural drawing through nontraditional floor plans has had a major impact on all areas of design and architecture. Once considered unbuildable, her projects can now be seen around the world, including major projects in Europe, North America and Asia. Hadid’s most recent work incorporates smooth surfaces where walls seem to melt, floors curving upward, and ceilings that appear to compress, bend and expand. In her designs, architecture emerges not as an isolated object but out of the surrounding landscape and urban environment, and as a result of its users' movements and paths. Her work addresses "fluid geometries" and "artificial natures." The book features color illustrations of designs and models, previously unpublished paintings and photographs of buildings at all stages of construction, as well as two previously unpublished interviews with Hadid by Alvin Boyarsky.
Zaha Hadid
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Prix:
$10.50
(disponible sur commande)
Résumé:
This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has collaborated with the Guggenheim on several projects leading up to this comprehensive retrospective, including the design for the museum’s exhibition The Great Utopia in 1992. Each of Hadid’s dynamic and innovative works builds on over 30 years of experimentation and research in the interrelated fields of urbanism, architecture and design. True to Hadid’s interdisciplinary approach to architecture, all mediums will be covered here. Having first achieved international recognition through her striking images and designs, Zaha Hadid is now widely known as an innovator who consistently tests the boundaries of architecture, urbanism and design. One of her most important "testing fields" has been her drawings. Her reconsideration of the architectural drawing through nontraditional floor plans has had a major impact on all areas of design and architecture. Once considered unbuildable, her projects can now be seen around the world, including major projects in Europe, North America and Asia. Hadid’s most recent work incorporates smooth surfaces where walls seem to melt, floors curving upward, and ceilings that appear to compress, bend and expand. In her designs, architecture emerges not as an isolated object but out of the surrounding landscape and urban environment, and as a result of its users' movements and paths. Her work addresses "fluid geometries" and "artificial natures." The book features color illustrations of designs and models, previously unpublished paintings and photographs of buildings at all stages of construction, as well as two previously unpublished interviews with Hadid by Alvin Boyarsky.
Classification:
livres
livres
Publication:
août 2006, New York
août 2006, New York
