On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves(...)
On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves us stranded on the bridge between writing and art that he set out to construct in the first place. Like the great writers Walter Benjamin and Hermann Broch before him, Aira operates in the space between fiction and essay writing, art and analysis. Pursuing questions about reproducibility, art making, and limits of language, Aira's unique voice adds new insights to the essential conversations that continue to inform our understanding of art.
Théorie de l’art
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In ''Building and dwelling,'' Richard Sennett distils a lifetime's thinking and practical experience to explore the relationship between the good built environment and the good life. He argues for, and describes in rich detail, the idea of an open city, one in which people learn to manage complexity. He shows how the design of cities can enrich or diminish the everyday(...)
Building and dwelling: ethics for the city
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In ''Building and dwelling,'' Richard Sennett distils a lifetime's thinking and practical experience to explore the relationship between the good built environment and the good life. He argues for, and describes in rich detail, the idea of an open city, one in which people learn to manage complexity. He shows how the design of cities can enrich or diminish the everyday experience of those who dwell in them. The book ranges widely - from London, Paris and Barcelona to Shanghai, Mumbai and Medellin in Colombia - and draws on classic thinkers such as Tocqueville, Heidegger, Max Weber, and Walter Benjamin. It also draws on Sennett's many decades as a practical planner himself, testing what works, what doesn't, and why. He shows what works ethically is often the most practical solution for cities' problems.
Théorie de l’urbanisme
(Mis)Reading Masquerades
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This publication focuses on the notion of Masquerade. For the past two years, "If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution" has been exploring the cultural, social and political meanings of this concept from a critical and interdisciplinary perspective together with more than fifty artists, curators, writers and theoreticians. This book comprises a(...)
(Mis)Reading Masquerades
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This publication focuses on the notion of Masquerade. For the past two years, "If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution" has been exploring the cultural, social and political meanings of this concept from a critical and interdisciplinary perspective together with more than fifty artists, curators, writers and theoreticians. This book comprises a selection of theoretical texts drawn from different fields of knowledge that address questions such as transgression, gender identity and subversion, gesture, the carnivalesque, the construction of subjectivity, authorship, mimesis, and alterity. With : Giorgio Agamben, Mikhail Bakhtin, Roland Barthes, Walter Benjamin, Homi K. Bhabha, Judith Butler, Gilles Deleuze & Felix Guattari, Jacques Derrida, Frantz Fanon, Michel Foucault, Francoise Frontisi-Ducroux, René Girard, Philippe-Alain Michaud, Fernando Pessoa, Peggy Phelan, Beatriz Preciado, Joan Riviere, Dieter Roelstraete, Suely Rolnik, Peter Stallybrass & Allon White, Michael Taussig.
Théorie/ philosophie
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure(...)
Sensing the future: Moholy-Nagy, media and the arts.Revised edition
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism. Moholy-Nagy felt that people needed guidance to cope with the onslaught of sensory input in an increasingly technologized, mediatized, hyper-stimulating environment. His ideas informed media theorists such as Walter Benjamin, John Cage, Sigfried Giedion, and Marshall McLuhan, who anticipated digital culture as it emerged. Should we then regard Moholy-Nagy as a pioneer of the digital? His aesthetic engagement with the technology/body problematic broached the notions of immersion, interactivity and bodily participation, innately offering a critique of today’s disembodiment.
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Dans son étude magistrale de 1948, Sigfried Giedion propose d'ausculter la vie moderne à partir de ses objets les plus insignifiants. Les protagonistes de cette « histoire anonyme » sont des machines à pain, des moissonneuses-batteuses, des tapis roulants et des fauteuils de barbier. En s'intéressant ainsi moins à ses créateurs illustres qu'aux processus de(...)
La mécanisation au pouvoir : Une contribution à l'histoire anonyme
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Dans son étude magistrale de 1948, Sigfried Giedion propose d'ausculter la vie moderne à partir de ses objets les plus insignifiants. Les protagonistes de cette « histoire anonyme » sont des machines à pain, des moissonneuses-batteuses, des tapis roulants et des fauteuils de barbier. En s'intéressant ainsi moins à ses créateurs illustres qu'aux processus de standardisation et de mécanisation, Giedion prouve que la modernité est autant une affaire de singularité que de numéro de série. Référence incontournable pour l'histoire des techniques, la sociologie du quotidien, la théorie du design et l'étude des médias, « La mécanisation au pouvoir » est de ces livres dont on n'a toujours pas assimilé toutes les fulgurances. Epuisée depuis longtemps, cette édition nouvelle restitue enfin toute l'importance du montage visuel qui fascina tant de lecteurs de Giedion, de Walter Benjamin à Marshall McLuhan. Avec une préface d'Emmanuel Alloa et une postface d'Emanuele Quinz.
Théorie/ philosophie
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C'est l'histoire d'un petit bout de terre au coeur de Tel-Aviv, sur lequel est bâti aujourd'hui le centre commercial Dizengoff Center ; qui était auparavant Nordia, le quartier de baraquements des immigrés polonais immortalisé par Yaacov Shabtaï dans Pour inventaire ; qui était auparavant une étendue de vignes, de sables et d'orangeraies appartenant à un grand(...)
Place Dizengoff, une dramaturgie urbaine
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C'est l'histoire d'un petit bout de terre au coeur de Tel-Aviv, sur lequel est bâti aujourd'hui le centre commercial Dizengoff Center ; qui était auparavant Nordia, le quartier de baraquements des immigrés polonais immortalisé par Yaacov Shabtaï dans Pour inventaire ; qui était auparavant une étendue de vignes, de sables et d'orangeraies appartenant à un grand propriétaire terrien arabe de Jaffa : Adib Mahmad Hinawi. Lequel est mystérieusement assassiné à l'arme blanche, le 3 novembre 1939, dans une rue de Jaffa... De ce crime "originel" à l'explosion d'un autobus en 1996, Tamar Berger livre une passionnante enquête sur la naissance d'une jeune métropole, véritable généalogie urbaine d'un territoire ultrasensible : Tel-Aviv. Flânerie littéraire et historique hantée par Walter Benjamin et Charles Baudelaire, réflexion poétique et politique sur la ville, un document d'une richesse unique, entre histoire littéraire, archéologie familiale et saga immobilière, enquête cadastrale et analyse géopolitique.
Théorie de l’architecture
livres
The House at Capo d'Orso
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How does a house shape experience? How does architecture establish a practice of living? Architect Sebastiano Brandolini invites readers on a meditative tour of his family’s house on the Sardinian coast, describing everything from the geology of the rocks beneath, to the history of the surrounding villages, to the way the shifting light measures the day. More than the(...)
The House at Capo d'Orso
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How does a house shape experience? How does architecture establish a practice of living? Architect Sebastiano Brandolini invites readers on a meditative tour of his family’s house on the Sardinian coast, describing everything from the geology of the rocks beneath, to the history of the surrounding villages, to the way the shifting light measures the day. More than the story of a single summer home written by an accomplished architect, this is a study of how place, the built environment, and daily practice make up our lives, at the most minute level of detail. Recalling the essays of Walter Benjamin, Bill Bryson, Rebecca Solnit, and Lawrence Weschler, Brandolini’s writing weaves literature, art history, and the transformation of Sardinia since the 1960s into a single fabric. "The House at Capo d’Orso" is not only a study of architecture and life in the built environment, but of family life, and the way the Brandolini family adapted themselves to the house they built.
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mai 2023
Théorie de l’architecture
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La présence juive à Paris est très ancienne (on en trouve des attestations dès le Moyen Âge) mais intermittente, car les communautés ont connu des expulsions et des persécutions. C’est au XIXe siècle que les grandes synagogues parisiennes sont construites, qu’un patrimoine monumental se constitue. Mais les pierres ne sauraient, à elles seules, résumer la culture juive(...)
Guide du patrimoine juif Parisien
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La présence juive à Paris est très ancienne (on en trouve des attestations dès le Moyen Âge) mais intermittente, car les communautés ont connu des expulsions et des persécutions. C’est au XIXe siècle que les grandes synagogues parisiennes sont construites, qu’un patrimoine monumental se constitue. Mais les pierres ne sauraient, à elles seules, résumer la culture juive parisienne qui s’est tout autant forgée dans l’émancipation gagnée pendant la Révolution, dans les affrontements de l’affaire Dreyfus, dans l’épanouissement de la yiddichkeit de l’entre-deux-guerres, ou dans la tragédie de la Choa. Elle s’incarne également dans l’œuvre des mécènes et des philanthropes qui financèrent des fondations, des dispensaires, des logements à bon marché et firent de considérables donations aux grands musées parisiens. Elle s’illustre encore avec des écrivains majeurs, de Henri Heine à Walter Benjamin ou plane entre Montparnasse et Montmartre, en compagnie de Chagall, Soutine, Kisling, Modigliani… Ce guide présente ainsi le patrimoine, mais aussi les lieux de mémoire du judaïsme parisien.
Histoire jusqu’à 1900
The postconceptual condition
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If, as Walter Benjamin claimed, "it is the function of artistic form […] to make historical content into a philosophical truth” then it is the function of criticism to recover and to complete that truth. Contemporary art makes this work more difficult than ever. Today’s art is a point of condensation for a vast array of social and historical forces, economic and political(...)
The postconceptual condition
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If, as Walter Benjamin claimed, "it is the function of artistic form […] to make historical content into a philosophical truth” then it is the function of criticism to recover and to complete that truth. Contemporary art makes this work more difficult than ever. Today’s art is a point of condensation for a vast array of social and historical forces, economic and political forms, and technologies of image production. Contemporary art, Osborne maintains, expresses this condition through its distinctively postconceptual form. These essays—extending the scope and arguments of Osborne’s Anywhere or Not At All: Philosophy of Contemporary Art—move from a philosophical consideration of the changing temporal conditions of capitalist modernity, via problems of formalism, the politics of art and the changing shape of art institutions, to interpretation and analysis of particular works by Akram Zaatari, Xavier Le Roy and Ilya Kabakov, and the postconceptual situation of a crisis-ridden New Music.
Théorie de l’art
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los(...)
The history of forgetting: Los Angeles and the erasure of the memory
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los Angeleno, and finally looks at the way information technology has recreated the city, turning cyberspace into the last suburb. In this new edition, Norman Klein explores the evolution of the Latino majority, how the Pacific economy is changing the structure of urban life, the impact of collapsing infrastructure in the city, and the restructuring of those very districts that had been "forgotten." Norman M. Klein is a critic and historian of mass culture, author of most recently, The Vatican to Vegas: The History of Special Effects. He teaches at the California Institute of the Arts in Los Angeles.
Théorie de l’urbanisme