504 Résultats
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around(...)
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around(...)
Titre:
A book of noises: Notes on the auraculous
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things ''auraculous.'' Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the ''earworm'' songs that get stuck in our heads.''A book of noises'' also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. ''A book of noises'' will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
A book of noises: Notes on the auraculous
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things ''auraculous.'' Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the ''earworm'' songs that get stuck in our heads.''A book of noises'' also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. ''A book of noises'' will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Acoustique
Acoustique
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livres
livres
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
Titre:
La recherche comme composition
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
La recherche comme composition
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
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livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Acoustique
Acoustique
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livres
livres
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
Titre:
Noise orders : jazz, improvisation, and architecture
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
Noise orders : jazz, improvisation, and architecture
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
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livres
livres
Publication:
février 2006, Minneapolis, London
février 2006, Minneapolis, London
Sujet:
Acoustique
Acoustique
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livres
livres
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$52.95
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Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des(...)
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Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des(...)
Titre:
Une histoire naturelle des sons : Notes sur l'audible
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Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des sonorités qui nous entourent. Avec sa prodigieuse érudition scientifique et son sens unique du merveilleux, Caspar Henderson nous ouvre la voie des espaces sonores méconnus ou inaccessibles, plus généralement de l’aventure des sons, qu’ils appartiennent à des temps très anciens, ou qu’ils demeurent l’objet de spéculations scientifiques — quand ils ne relèvent pas carrément de la science-fiction.
Une histoire naturelle des sons : Notes sur l'audible
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Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des sonorités qui nous entourent. Avec sa prodigieuse érudition scientifique et son sens unique du merveilleux, Caspar Henderson nous ouvre la voie des espaces sonores méconnus ou inaccessibles, plus généralement de l’aventure des sons, qu’ils appartiennent à des temps très anciens, ou qu’ils demeurent l’objet de spéculations scientifiques — quand ils ne relèvent pas carrément de la science-fiction.
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livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Donner lieu au son
Donner lieu au son
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Résonner, réverbérer, paysager, cartographier, retentir : une réflexion philosophique sur le lieu du son, de l'esthétique musicale à l'habitat sonore, au croisement des études du son, de la musique et de la technique, et de la phénoménologie. Que signifie le fait que le son ait (un) lieu, à l'ère du son enregistré et donc délocalisé ? En cinq parties, l'ouvrage se propose(...)
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Résonner, réverbérer, paysager, cartographier, retentir : une réflexion philosophique sur le lieu du son, de l'esthétique musicale à l'habitat sonore, au croisement des études du son, de la musique et de la technique, et de la phénoménologie. Que signifie le fait que le son ait (un) lieu, à l'ère du son enregistré et donc délocalisé ? En cinq parties, l'ouvrage se propose(...)
Titre:
Donner lieu au son
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Résonner, réverbérer, paysager, cartographier, retentir : une réflexion philosophique sur le lieu du son, de l'esthétique musicale à l'habitat sonore, au croisement des études du son, de la musique et de la technique, et de la phénoménologie. Que signifie le fait que le son ait (un) lieu, à l'ère du son enregistré et donc délocalisé ? En cinq parties, l'ouvrage se propose de questionner le lieu du son (qui est aussi, mais pas seulement, celui de la musique), en se donnant pour point de départ l'émergence, au cours du XIXe siècle, des techniques de son enregistrement. Il faut mobiliser la physique (résonner), l'acoustique architecturale (réverbérer), l'écologie sonore (paysager) et le soundmapping (cartographier), mais aussi, in fine, la phénoménologie (retentir), pour savoir si le son a vraiment lieu, si son retentissement n'est pas bien plutôt l'éclatement de toute assignation possible à un lieu.
Donner lieu au son
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Résonner, réverbérer, paysager, cartographier, retentir : une réflexion philosophique sur le lieu du son, de l'esthétique musicale à l'habitat sonore, au croisement des études du son, de la musique et de la technique, et de la phénoménologie. Que signifie le fait que le son ait (un) lieu, à l'ère du son enregistré et donc délocalisé ? En cinq parties, l'ouvrage se propose de questionner le lieu du son (qui est aussi, mais pas seulement, celui de la musique), en se donnant pour point de départ l'émergence, au cours du XIXe siècle, des techniques de son enregistrement. Il faut mobiliser la physique (résonner), l'acoustique architecturale (réverbérer), l'écologie sonore (paysager) et le soundmapping (cartographier), mais aussi, in fine, la phénoménologie (retentir), pour savoir si le son a vraiment lieu, si son retentissement n'est pas bien plutôt l'éclatement de toute assignation possible à un lieu.
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livres
livres
Publication:
octobre 2024
octobre 2024
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$29.95
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Résumé:
The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around(...)
$29.95
(disponible en magasin)
Résumé:
The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around(...)
Titre:
A book of noises: notes on the auraculous
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$29.95
(disponible en magasin)
Résumé:
The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things ''auraculous.'' Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the ''earworm'' songs that get stuck in our heads.''A book of noises'' also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. ''A book of noises'' will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
A book of noises: notes on the auraculous
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$29.95
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Résumé:
The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things ''auraculous.'' Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the ''earworm'' songs that get stuck in our heads.''A book of noises'' also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. ''A book of noises'' will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
Classification:
livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$34.95
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
$34.95
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Résumé:
Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
Titre:
Sonic experience : a guide to everyday sounds
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Sonic experience : a guide to everyday sounds
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$34.95
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Classification:
livres
livres
Publication:
mars 2006, Montreal
mars 2006, Montreal
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$18.00
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills(...)
$18.00
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills(...)
Sujet:
Acoustique
Acoustique
Publication:
juin 2006, Copenhagen, Los Angeles
juin 2006, Copenhagen, Los Angeles
Titre:
Surface tension - supplement no 1
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills Landfill, Scott Berzofsky, Nicholas Petr, Nicholas Wisniewski & Michael Rakowitz on artistic interventions in Baltimore, and by Claudine Isé, curator of "Vanishing Point", an exhibition at the Wexner Center for the Arts, which questions the aesthetics of urban non-spaces through recent photography and film. In addition field reports by Robin Wilson on public art projects in Bristol, Goto Newton on the cultures of interventionist practice in Curitiba Brazil, and Ken Ehrlich on the infrastructure of signage in Los Angeles as seen through the photographic works of Brandon Lattu complement the articles. In addition, documentation of public projects in Tijuana and Ohio by the artist groups Simparch and e-Xplo will be presented, along with projects designed specifically for the book by Sophie Warren and Jonathan Mosely, a Bristol-based team working with questions of utopian architecture, and Brandon LaBelle with a textual-photographic meditation on experimental architecture. Additional writings by Kathy Battista and Aoife O’Brien provide critical and creative perspectives on recent events, books, and exhibitions working with questions of architecture, performance, and media.
Surface tension - supplement no 1
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills Landfill, Scott Berzofsky, Nicholas Petr, Nicholas Wisniewski & Michael Rakowitz on artistic interventions in Baltimore, and by Claudine Isé, curator of "Vanishing Point", an exhibition at the Wexner Center for the Arts, which questions the aesthetics of urban non-spaces through recent photography and film. In addition field reports by Robin Wilson on public art projects in Bristol, Goto Newton on the cultures of interventionist practice in Curitiba Brazil, and Ken Ehrlich on the infrastructure of signage in Los Angeles as seen through the photographic works of Brandon Lattu complement the articles. In addition, documentation of public projects in Tijuana and Ohio by the artist groups Simparch and e-Xplo will be presented, along with projects designed specifically for the book by Sophie Warren and Jonathan Mosely, a Bristol-based team working with questions of utopian architecture, and Brandon LaBelle with a textual-photographic meditation on experimental architecture. Additional writings by Kathy Battista and Aoife O’Brien provide critical and creative perspectives on recent events, books, and exhibitions working with questions of architecture, performance, and media.
Classification:
livres
livres
Publication:
juin 2006, Copenhagen, Los Angeles
juin 2006, Copenhagen, Los Angeles
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$30.00
(disponible en magasin)
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Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
$30.00
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Résumé:
Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
Titre:
Saadane Afif: technical specifications
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Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
Saadane Afif: technical specifications
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Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
Classification:
livres
livres
Publication:
mai 2009
mai 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$18.00
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
$18.00
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
Titre:
La musica contemporanea e il suo spazio
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$18.00
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Résumé:
Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
La musica contemporanea e il suo spazio
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Prix:
$18.00
(disponible en magasin)
Résumé:
Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Acoustique
Acoustique
