4292 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
Actions:
Numéro de référence:
PH2007:0013:001-012
Description:
Series shows a scale model of the the streets and skyscrapers of New York City, New York, at Tobu World Square in Kinugawa, Tochigi, Japan. Series is one of an edition of ten. From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
PH2007:0013:001-012
Description:
Series shows a scale model of the the streets and skyscrapers of New York City, New York, at Tobu World Square in Kinugawa, Tochigi, Japan. Series is one of an edition of ten. From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
Personnes et institutions:
Date:
2003-2004
2003-2004
Titre:
New York / Tobu World Square, 2003-2004
Actions:
PH2007:0013:001-012
Description:
Series shows a scale model of the the streets and skyscrapers of New York City, New York, at Tobu World Square in Kinugawa, Tochigi, Japan. Series is one of an edition of ten. From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
New York / Tobu World Square, 2003-2004
Actions:
PH2007:0013:001-012
Description:
Series shows a scale model of the the streets and skyscrapers of New York City, New York, at Tobu World Square in Kinugawa, Tochigi, Japan. Series is one of an edition of ten. From the CCA photographic commission "Scales". Les photographies de la série "Scales" font partie d'une commande accordée par le Centre Canadien d'Architecture.
Date:
2003-2004
2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Niveau de description archivistique:
Project
Project
Date:
1990-1993
1990-1993
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP178.S1.1998.PR08.024
Description:
Original file title: Biblioteca de Humanidades Salamanca informe comisión patrimonio
AP178.S1.1998.PR08.024
Description:
Original file title: Biblioteca de Humanidades Salamanca informe comisión patrimonio
Personnes et institutions:
Date:
April 2002
April 2002
Titre:
Documentation, photographs, and drawings presented to the Comisión patrimonio, Biblioteca de Humanidades da Universidade de Salamanca, Salamanca
Actions:
AP178.S1.1998.PR08.024
Description:
Original file title: Biblioteca de Humanidades Salamanca informe comisión patrimonio
Documentation, photographs, and drawings presented to the Comisión patrimonio, Biblioteca de Humanidades da Universidade de Salamanca, Salamanca
Actions:
AP178.S1.1998.PR08.024
Description:
Original file title: Biblioteca de Humanidades Salamanca informe comisión patrimonio
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
April 2002
April 2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Personnes et institutions:
Date:
2000-2005
2000-2005
Titre:
Hotel Toyo, Almería, Spain (2002)
Actions:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Hotel Toyo, Almería, Spain (2002)
Actions:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Niveau de description archivistique:
Project
Project
Date:
2000-2005
2000-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1943.PR1
Description:
The director of the De Nederlanden van 1845 insurance company, J.G.H. Sauveplanne, commissioned Oud with the design of a memorial for The Hague to celebrate the company's 100-year founding. The planned commemoration was kept secret as a surprise to the inhabitants and ultimately its construction was interrupted by the advent of the Second World War. Oud created a design in 1944, which was then altered to propose the creation of a Memorial in Meer en Bosch Park. His revised plan consisted of a central pillar located at the meeting point of the park's six footpaths. The central pillar is also decorated with groups of sculptures and inscription outlining the history of The Hague (Taverne et al. 2001, 451-452). Project series includes plans and sketches of the memorial.
CI005.S1.1943.PR1
Description:
The director of the De Nederlanden van 1845 insurance company, J.G.H. Sauveplanne, commissioned Oud with the design of a memorial for The Hague to celebrate the company's 100-year founding. The planned commemoration was kept secret as a surprise to the inhabitants and ultimately its construction was interrupted by the advent of the Second World War. Oud created a design in 1944, which was then altered to propose the creation of a Memorial in Meer en Bosch Park. His revised plan consisted of a central pillar located at the meeting point of the park's six footpaths. The central pillar is also decorated with groups of sculptures and inscription outlining the history of The Hague (Taverne et al. 2001, 451-452). Project series includes plans and sketches of the memorial.
Personnes et institutions:
Date:
1943-1945
1943-1945
Titre:
Monument for De Nederlanden van 1845 (War Memorial), The Hague, Netherlands (1943-1945)
Actions:
CI005.S1.1943.PR1
Description:
The director of the De Nederlanden van 1845 insurance company, J.G.H. Sauveplanne, commissioned Oud with the design of a memorial for The Hague to celebrate the company's 100-year founding. The planned commemoration was kept secret as a surprise to the inhabitants and ultimately its construction was interrupted by the advent of the Second World War. Oud created a design in 1944, which was then altered to propose the creation of a Memorial in Meer en Bosch Park. His revised plan consisted of a central pillar located at the meeting point of the park's six footpaths. The central pillar is also decorated with groups of sculptures and inscription outlining the history of The Hague (Taverne et al. 2001, 451-452). Project series includes plans and sketches of the memorial.
Monument for De Nederlanden van 1845 (War Memorial), The Hague, Netherlands (1943-1945)
Actions:
CI005.S1.1943.PR1
Description:
The director of the De Nederlanden van 1845 insurance company, J.G.H. Sauveplanne, commissioned Oud with the design of a memorial for The Hague to celebrate the company's 100-year founding. The planned commemoration was kept secret as a surprise to the inhabitants and ultimately its construction was interrupted by the advent of the Second World War. Oud created a design in 1944, which was then altered to propose the creation of a Memorial in Meer en Bosch Park. His revised plan consisted of a central pillar located at the meeting point of the park's six footpaths. The central pillar is also decorated with groups of sculptures and inscription outlining the history of The Hague (Taverne et al. 2001, 451-452). Project series includes plans and sketches of the memorial.
Niveau de description archivistique:
project
project
Date:
1943-1945
1943-1945
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1967.PR03
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67150. This project consisted of the second stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970, which include a set of plans, sections, details and elevations.
AP018.S1.1967.PR03
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67150. This project consisted of the second stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970, which include a set of plans, sections, details and elevations.
Personnes et institutions:
Date:
1970
1970
Titre:
Toronto International Airport Terminal Number Two, Phase Two Stage Two, Mississauga, Ontario (1967-1972)
Actions:
AP018.S1.1967.PR03
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67150. This project consisted of the second stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970, which include a set of plans, sections, details and elevations.
Toronto International Airport Terminal Number Two, Phase Two Stage Two, Mississauga, Ontario (1967-1972)
Actions:
AP018.S1.1967.PR03
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67150. This project consisted of the second stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970, which include a set of plans, sections, details and elevations.
Niveau de description archivistique:
Project
Project
Date:
1970
1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Personnes et institutions:
Date:
1970
1970
Titre:
Air Canada Ramp Equipment Maintenance and Commissary Stores, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Air Canada Ramp Equipment Maintenance and Commissary Stores, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Niveau de description archivistique:
Project
Project
Date:
1970
1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1972.PR15
Description:
This project series documents the design of a hotel and commercial complex in Stratford, Ontario from 1972-1973. The office identified the project number as 7220. The project consisted of a three storey hotel and commercial space with four levels of parking, 150 hotel rooms and a pool and sundeck. The project, proposed at the corners of Downie and Wellington Streets, was commissioned by Warrick Consultants Limited of Toronto. A project list created by the office, which accompanied the donation of this fonds, referred to this project as Hotel for CN (David S. Owen). David S. Owen worked for Warrick Consultants Limited. The project is recorded original drawings of floor plans, an elevation, a section, presentation drawings, and a project painting dating from around 1972-1973.
AP018.S1.1972.PR15
Description:
This project series documents the design of a hotel and commercial complex in Stratford, Ontario from 1972-1973. The office identified the project number as 7220. The project consisted of a three storey hotel and commercial space with four levels of parking, 150 hotel rooms and a pool and sundeck. The project, proposed at the corners of Downie and Wellington Streets, was commissioned by Warrick Consultants Limited of Toronto. A project list created by the office, which accompanied the donation of this fonds, referred to this project as Hotel for CN (David S. Owen). David S. Owen worked for Warrick Consultants Limited. The project is recorded original drawings of floor plans, an elevation, a section, presentation drawings, and a project painting dating from around 1972-1973.
Personnes et institutions:
Date:
circa 1972-1973
circa 1972-1973
Titre:
A Stratford Hotel and Commercial Complex, Stratford, Ontario (1972-1973)
Actions:
AP018.S1.1972.PR15
Description:
This project series documents the design of a hotel and commercial complex in Stratford, Ontario from 1972-1973. The office identified the project number as 7220. The project consisted of a three storey hotel and commercial space with four levels of parking, 150 hotel rooms and a pool and sundeck. The project, proposed at the corners of Downie and Wellington Streets, was commissioned by Warrick Consultants Limited of Toronto. A project list created by the office, which accompanied the donation of this fonds, referred to this project as Hotel for CN (David S. Owen). David S. Owen worked for Warrick Consultants Limited. The project is recorded original drawings of floor plans, an elevation, a section, presentation drawings, and a project painting dating from around 1972-1973.
A Stratford Hotel and Commercial Complex, Stratford, Ontario (1972-1973)
Actions:
AP018.S1.1972.PR15
Description:
This project series documents the design of a hotel and commercial complex in Stratford, Ontario from 1972-1973. The office identified the project number as 7220. The project consisted of a three storey hotel and commercial space with four levels of parking, 150 hotel rooms and a pool and sundeck. The project, proposed at the corners of Downie and Wellington Streets, was commissioned by Warrick Consultants Limited of Toronto. A project list created by the office, which accompanied the donation of this fonds, referred to this project as Hotel for CN (David S. Owen). David S. Owen worked for Warrick Consultants Limited. The project is recorded original drawings of floor plans, an elevation, a section, presentation drawings, and a project painting dating from around 1972-1973.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-1973
circa 1972-1973
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
