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''Amaza Lee Meredith imagines herself modern'' tells the captivating story of Amaza Lee Meredith, a Black woman architect, artist, and educator born into the Jim Crow South, whose bold choices in both life and architecture expand our understanding of the Great Migration and the Harlem Renaissance, while revealing the importance of architecture as a force in Black(...)
Amaza Lee Meredith imagines herself modern: Architecture and the Black Amercian middle class
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''Amaza Lee Meredith imagines herself modern'' tells the captivating story of Amaza Lee Meredith, a Black woman architect, artist, and educator born into the Jim Crow South, whose bold choices in both life and architecture expand our understanding of the Great Migration and the Harlem Renaissance, while revealing the importance of architecture as a force in Black middle-class identity. Through her charismatic protagonist, Jacqueline Taylor derives new insights into the experiences of Black women at the forefront of culture in early twentieth-century America, caught between expectation and ambition, responsibility and desire. Central to Taylor’s argument is that Meredith’s response to modern architecture and art, like those of other Black cultural producers, was not marginal to the modernist project; instead, her work reveals the tensions and inconsistencies in how American modernism has been defined. In this way, the book shines a necessary light on modernism’s complexity, while overturning perceived notions of race and gender in relation to the modernist project and challenging the notion of the white male hero of modern architecture.
Théorie de l’architecture
livres
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In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known(...)
Théorie de l’architecture
septembre 1996, Montréal
Chora 2 : intervals in the philosophy of architecture
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In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known essay "Building Dwelling Thinking." Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau. Jean-Pierre Chupin and Bram Ratner explore historical themes in their essays on French Renaissance architect Philibert de l'Orme and the Jewish myth of the Golem. Gregory Caicco addresses ethical questions in his essay on the Greek agora and the death of Socrates, as does Lily Chi in her meditation on the critical issue of use in architectural works. A concern with architectural representation and generative strategies for the making of architecture is present throughout, especially in the essay by Joanna Merwood on the provocative House by British artist Rachel Whiteread.
livres
septembre 1996, Montréal
Théorie de l’architecture
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Created between 1787 and 1823 by George IV, the ''Royal Pavilion in Brighton'' is perhaps the most daring and enchanting example of a building that expresses the European fascination with what in the early nineteenth century was considered the “Orient,” in particular China and India. The building, with its Indian-inspired exterior, was the work of the renowned architect(...)
The Royal Pavilion, Brighton: A Regency palace of colour and sensation
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Created between 1787 and 1823 by George IV, the ''Royal Pavilion in Brighton'' is perhaps the most daring and enchanting example of a building that expresses the European fascination with what in the early nineteenth century was considered the “Orient,” in particular China and India. The building, with its Indian-inspired exterior, was the work of the renowned architect John Nash, who with the contributions of several other gifted and inventive architects, artists, and designers, created a building that draws you in, takes you on a journey, and plays with your senses. Featuring new photography, this lavishly illustrated book will provide a fresh look at the sumptuous Chinoiserie interiors of the Royal Pavilion and their enduring appeal. Drawing on recent research, conservation projects, and the unprecedented loan exhibition A Prince’s Treasure: From Buckingham Palace to the Royal Pavilion (2019–22), this book celebrates the colours and sensual beauty of these interiors while situating the Royal Pavilion in the context of the time of its creation and development under royal ownership, from its beginning in the wake of the French Revolution, through its transformation and extension during and just after the Napoleonic Wars, to its fate and legacy in the early Victorian era.
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Media coverage of Japanese architecture the past twenty years has largely been dominated by the works of SANAA, Sou Fujimoto, Junya Ishigami and their contemporaries. Their skillfully designed, ethereal white spaces and structures, have proved well suited to being exported in an increasingly visual culture. ''Communal Ecologies'', on the other hand, highlights an(...)
décembre 2025
Communal Ecologies: Conversations with Young Japanese Architects
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Media coverage of Japanese architecture the past twenty years has largely been dominated by the works of SANAA, Sou Fujimoto, Junya Ishigami and their contemporaries. Their skillfully designed, ethereal white spaces and structures, have proved well suited to being exported in an increasingly visual culture. ''Communal Ecologies'', on the other hand, highlights an emerging generation of young architects pursuing a very different vision. They strive for an architecture that is rougher, more dynamic, and deeply rooted in social and ecological engagement. With a growing interest in community and network building, and a reevaluation of architecture’s connection to nature, they are developing critical methodologies for practice, and are reimagining the role of the architect in the process. Faced with a lack of opportunities in traditional housing design due to Japan’s economic decline, alongside a heightened awareness of ecological challenges brought on by frequent natural disasters, this generation of architects are crafting innovative strategies to engage with the existing housing stock and address challenges related to sustainability, reuse and transformation.
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"Felder's comprehensive" is an annual desk reference, directory, and product source guide. It contains thousands of listings of reference information for anyone involved in the business or practice of architecture, design, design/build, construction, interior design, facility management, and real-estate development. For example, readers can find listings for more than(...)
Felder's comprehensive : the annual desk reference + resource guide for architects, contractors, engineers, and interior designers, 2005 edition
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"Felder's comprehensive" is an annual desk reference, directory, and product source guide. It contains thousands of listings of reference information for anyone involved in the business or practice of architecture, design, design/build, construction, interior design, facility management, and real-estate development. For example, readers can find listings for more than 12,000 manufacturers of furnishings, fixtures, equipment, and materials listed alphabetically, and, most importantly, by product category. Felder's also lists design competitions, domestic and international trade shows, trade publications and other media, trade associations, professional organizations, and more. Most sections are indexed and cross-referenced for easy referral and identification. Previously priced at $160.00.
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This book gives a survey of Giancarlo De Carlo's work from the beginning in the early 1950s up to the present day, and was published to accompany an exhibition on the architect in the Centre Pompidou in Paris and other venues.
Giancarlo de Carlo: layered places
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This book gives a survey of Giancarlo De Carlo's work from the beginning in the early 1950s up to the present day, and was published to accompany an exhibition on the architect in the Centre Pompidou in Paris and other venues.
Where architects live
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We are used to seeing works created by architects, those designed for other people and for the lives of others. But what are their houses like? Are they an accurate reflection of their poetic design, absolute experimentation or something else altogether? 'Where Architects Live' wants to answer this question and, at the same time, expand the vision of domestic(...)
Where architects live
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We are used to seeing works created by architects, those designed for other people and for the lives of others. But what are their houses like? Are they an accurate reflection of their poetic design, absolute experimentation or something else altogether? 'Where Architects Live' wants to answer this question and, at the same time, expand the vision of domestic architecture. The volume details eight private “rooms” of international architects: Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Studio Mumbai/Bijoy Jain.
Architecture résidentielle
livres
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This book looks at four projects by this Japanese-American landscape architect. Also included are five other projects which fall into the category of what Murase calles "crafted" landscapes, made almost entirely of stone and water.
Robert Murase: Stone and Water
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This book looks at four projects by this Japanese-American landscape architect. Also included are five other projects which fall into the category of what Murase calles "crafted" landscapes, made almost entirely of stone and water.
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mars 1997, Washington
Jardins
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Architectural drawings are charged with responsibility. They have a legal and contractual status, an educational function, command the act of construction and direct the work involved in constructing the building: drawings have a reason for being in the world that goes beyond their own limits. What happens when the drawing is freed from these responsibilities? What idea(...)
Fala architects: Butterflies farfalle
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Architectural drawings are charged with responsibility. They have a legal and contractual status, an educational function, command the act of construction and direct the work involved in constructing the building: drawings have a reason for being in the world that goes beyond their own limits. What happens when the drawing is freed from these responsibilities? What idea of architecture might emerge from drawings that can speak other languages? What might architecture become if it were free to experiment with other concerns? The series of drawings by fala presented in this book seem to ask exactly that question. They are drawings made after the fact. After construction, they are freed from the external responsibility of persuading or instructing; they have no duty to convince about anything that might exist beyond themselves. This is the opposite of the traditional linear process of sketch > drawing > construction. Here, the building acts as a preliminary sketch to the drawing.
Architecture, monographies
Paisea 18: Landscape and Art
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This issue of Paisea is one of those issues which are slightly different in content and move away from the habitual work of the landscape architect, approaching the boundaries of other disciplines in question are related to the world of art in all its forms.
Paisea 18: Landscape and Art
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This issue of Paisea is one of those issues which are slightly different in content and move away from the habitual work of the landscape architect, approaching the boundaries of other disciplines in question are related to the world of art in all its forms.
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