3167 Résultats
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livres
livres
Titre:
Architecture and the right to heal: Resettler nationalism in the aftermath of conflict and disaster
Architecture and the right to heal: Resettler nationalism in the aftermath of conflict and disaster
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$52.95
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In "Architecture and the right to heal," Esra Akcan calls for architecture to take an active role in healing communities affected by socioeconomic, political, and environmental disasters. Akcan frames these processes by discussing buildings and spaces in relation to climate change mitigation and transitional justice. Focusing on lands held by the former Ottoman Empire,(...)
$52.95
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In "Architecture and the right to heal," Esra Akcan calls for architecture to take an active role in healing communities affected by socioeconomic, political, and environmental disasters. Akcan frames these processes by discussing buildings and spaces in relation to climate change mitigation and transitional justice. Focusing on lands held by the former Ottoman Empire,(...)
Titre:
Architecture and the right to heal: Resettler nationalism in the aftermath of conflict and disaster
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$52.95
(disponible en magasin)
Résumé:
In "Architecture and the right to heal," Esra Akcan calls for architecture to take an active role in healing communities affected by socioeconomic, political, and environmental disasters. Akcan frames these processes by discussing buildings and spaces in relation to climate change mitigation and transitional justice. Focusing on lands held by the former Ottoman Empire, Akcan highlights the ongoing struggle to heal after internal social, state, and business-led violence ranging from forced disappearance to mass extinction. Putting forth the concept of resettler nationalism as a source of displacement and partition, she argues that while architecture and urban planning have been weaponized to segregate and subjugate minorities throughout history, they could instead confront systemic violence and make accountability and reparations possible. For Akcan, healing constitutes a matter of rights as well as a holistic notion of justice that addresses the intersections of social, global, and environmental issues and one can be achieved through architecture. By locating spaces of political and ecological harm, Akcan advocates for healing on individual, communal, and planetary levels.
Architecture and the right to heal: Resettler nationalism in the aftermath of conflict and disaster
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$52.95
(disponible en magasin)
Résumé:
In "Architecture and the right to heal," Esra Akcan calls for architecture to take an active role in healing communities affected by socioeconomic, political, and environmental disasters. Akcan frames these processes by discussing buildings and spaces in relation to climate change mitigation and transitional justice. Focusing on lands held by the former Ottoman Empire, Akcan highlights the ongoing struggle to heal after internal social, state, and business-led violence ranging from forced disappearance to mass extinction. Putting forth the concept of resettler nationalism as a source of displacement and partition, she argues that while architecture and urban planning have been weaponized to segregate and subjugate minorities throughout history, they could instead confront systemic violence and make accountability and reparations possible. For Akcan, healing constitutes a matter of rights as well as a holistic notion of justice that addresses the intersections of social, global, and environmental issues and one can be achieved through architecture. By locating spaces of political and ecological harm, Akcan advocates for healing on individual, communal, and planetary levels.
Classification:
livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
L'écologie de l'architecure
L'écologie de l'architecure
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livres
livres
Titre:
The Forbidden City
The Forbidden City
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and(...)
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and(...)
Titre:
The Forbidden City
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and terrible in dynastic China’s legacy. The Forbidden City’s vermilion walls have fueled literary fantasies that have become an intrinsic part of its disputed and documented history. Mao Zedong even considered razing the entire structure to make way for the buildings of a new socialist China. The fictions surrounding the Forbidden City have also had an international reach, and writers like Franz Kafka, Elias Canetti, Jorge Luis Borges, and Mervyn Peake have all succumbed to its myths. The politics it enshrined have provided the vocabulary of power that is used in China to the present day, though it is now better known as a film set or the background of displays of opera, rock, and fashion.
The Forbidden City
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and terrible in dynastic China’s legacy. The Forbidden City’s vermilion walls have fueled literary fantasies that have become an intrinsic part of its disputed and documented history. Mao Zedong even considered razing the entire structure to make way for the buildings of a new socialist China. The fictions surrounding the Forbidden City have also had an international reach, and writers like Franz Kafka, Elias Canetti, Jorge Luis Borges, and Mervyn Peake have all succumbed to its myths. The politics it enshrined have provided the vocabulary of power that is used in China to the present day, though it is now better known as a film set or the background of displays of opera, rock, and fashion.
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livres
livres
Publication:
mai 2008, Cambridge
mai 2008, Cambridge
Sujet:
Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
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livres
livres
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$48.00
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Résumé:
Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une(...)
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Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une(...)
Publication:
juillet 2012
juillet 2012
Titre:
David Harvey : Paris, capitale de la modernité
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$48.00
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Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une nouvelle forme de capitalisme dominée par les puissances financières et industrielles ; transformation culturelle, avec l’irruption de ce qu’on appellera plus tard le modernisme ; transformation sociale, avec l’émergence de violents antagonismes de classes qui atteignent leur paroxysme dans les révolutions de 1848 et de 1871. En présentant la ville moderne comme le produit instable de forces hétérogènes et contradictoires, David Harvey nous offre une image vivante du fonctionnement de Paris ainsi qu’une vision panoramique de la période décisive que fut le Second Empire. Mais cette analyse de la ville moderne est aussi l’occasion d’une réflexion magistrale sur la ville contemporaine – sur la part de la population dans l’urbanisation, sur son accès aux ressources, en somme sur le «droit à la ville».
David Harvey : Paris, capitale de la modernité
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Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une nouvelle forme de capitalisme dominée par les puissances financières et industrielles ; transformation culturelle, avec l’irruption de ce qu’on appellera plus tard le modernisme ; transformation sociale, avec l’émergence de violents antagonismes de classes qui atteignent leur paroxysme dans les révolutions de 1848 et de 1871. En présentant la ville moderne comme le produit instable de forces hétérogènes et contradictoires, David Harvey nous offre une image vivante du fonctionnement de Paris ainsi qu’une vision panoramique de la période décisive que fut le Second Empire. Mais cette analyse de la ville moderne est aussi l’occasion d’une réflexion magistrale sur la ville contemporaine – sur la part de la population dans l’urbanisation, sur son accès aux ressources, en somme sur le «droit à la ville».
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livres
livres
Publication:
juillet 2012
juillet 2012
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livres
livres
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$75.00
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''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of(...)
$75.00
(disponible en magasin)
Résumé:
''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of(...)
Titre:
Photography and architecture: 1839-1939
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$75.00
(disponible en magasin)
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''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of photography in Britain and France, the pioneering expeditions accompanied by photographers who recorded the great monuments of the world from the Mediterranean to the Far East, and the great surveys of the nineteenth century. Individual images document the expansion of the United States in works that reflect the growth of American cities. Urban renewal is seen in works from the Second Empire in France and from the 1880s in England and Scotland. Works from the American renaissance in photography of the 1920s and 1930s explore new aspects of the modern vertical city. The final section of the book is devoted to works that reflect the architectural ideas developped in Germany between the two world wars. Introduction by Phyllis Lambert.
Photography and architecture: 1839-1939
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$75.00
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Résumé:
''Photography and Architecture: 1839–1939'' presents works that show aspects of the history of architecture seen through photography, and the history of photography through architecture. One hundred and forty-eight photographs from the collection of the CCA have been selected to demonstrate the great richness of the subject, including the origins of photography in Britain and France, the pioneering expeditions accompanied by photographers who recorded the great monuments of the world from the Mediterranean to the Far East, and the great surveys of the nineteenth century. Individual images document the expansion of the United States in works that reflect the growth of American cities. Urban renewal is seen in works from the Second Empire in France and from the 1880s in England and Scotland. Works from the American renaissance in photography of the 1920s and 1930s explore new aspects of the modern vertical city. The final section of the book is devoted to works that reflect the architectural ideas developped in Germany between the two world wars. Introduction by Phyllis Lambert.
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livres
livres
Publication:
janvier 1982, Montréal
janvier 1982, Montréal
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
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$70.00
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From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of(...)
$70.00
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From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of(...)
Titre:
Impressions of New York : prints from the New-York historical society
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$70.00
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From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of these views of the city—including two spectacular gatefold panoramas—speak eloquently of the surging power of this dynamic urban centre. At the same time, they present an intimate portrait of everyday life as it has been lived and savoured in this great city for more than three centuries. The companion to an exhibition celebrating the New-York Historical Society's bicentennial anniversary, this beautifully printed volume presents a full range of historic images, from 1672 to the present. In the lively essay and information-filled captions, curator and historian Marilyn Symmes tells the unique stories behind the people and places, parks and buildings, streets and neighbourhoods, parades and events depicted in each image—in essence, the story of New York City itself.
Impressions of New York : prints from the New-York historical society
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$70.00
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From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of these views of the city—including two spectacular gatefold panoramas—speak eloquently of the surging power of this dynamic urban centre. At the same time, they present an intimate portrait of everyday life as it has been lived and savoured in this great city for more than three centuries. The companion to an exhibition celebrating the New-York Historical Society's bicentennial anniversary, this beautifully printed volume presents a full range of historic images, from 1672 to the present. In the lively essay and information-filled captions, curator and historian Marilyn Symmes tells the unique stories behind the people and places, parks and buildings, streets and neighbourhoods, parades and events depicted in each image—in essence, the story of New York City itself.
Classification:
livres
livres
Publication:
décembre 2004, New York
décembre 2004, New York
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
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Description:
320 pages
Description:
320 pages
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Publication:
La Garenne Colombes : Bernard Chauveau Editeur 2019.
La Garenne Colombes : Bernard Chauveau Editeur 2019.
Titre:
Otto Wagner. Maître de l'Art nouveau viennois. Hervé Doucet.
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Description:
320 pages
Otto Wagner. Maître de l'Art nouveau viennois. Hervé Doucet.
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Description:
320 pages
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livres
livres
Publication:
La Garenne Colombes : Bernard Chauveau Editeur 2019.
La Garenne Colombes : Bernard Chauveau Editeur 2019.
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livres
livres
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$82.50
(disponible sur commande)
Résumé:
Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly(...)
$82.50
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Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly(...)
Publication:
octobre 2001, New York
octobre 2001, New York
Titre:
Cities from the sky : an aerial portrait of America
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$82.50
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Résumé:
Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly every major city in the United States. Their images, bot maplike shots from high above and low-angle raking views, form a definitive portrait of the American landscape. By the 1970s, the Fairchild archive was scattered across the country. Painstakingly reassembled for this book, the images (many of which have never been seen before) are brought together here for the first time. This large-format book collects over 125 extraordinary images taken between the 1920s and the 1960s. The photographs, valued both as works of art and as tools for urban historians, often capture historic moments: the Capitol Building during Franklin Delano Roosevelt's first inauguration and Yankee Stadium during Don Larsen's perfect game in the 1956 World Series. Others depict architectural lands: the Empire State Building, the Statue of Liberty, the Washington Monument, Hoover Dam, and Alcatraz, to name a few.
Cities from the sky : an aerial portrait of America
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$82.50
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Résumé:
Piloting a single-engine biplane high above Washington D.C. in 1920, the intrepid inventor and aviation pioneer Sherman Fairchild first tested his custom-built sky camera, effectively founding the aerial photography company that would bear his name. Roaming America's skies for the next 40 years, the photographers of the Fairchild Aerial Survey Company documented nearly every major city in the United States. Their images, bot maplike shots from high above and low-angle raking views, form a definitive portrait of the American landscape. By the 1970s, the Fairchild archive was scattered across the country. Painstakingly reassembled for this book, the images (many of which have never been seen before) are brought together here for the first time. This large-format book collects over 125 extraordinary images taken between the 1920s and the 1960s. The photographs, valued both as works of art and as tools for urban historians, often capture historic moments: the Capitol Building during Franklin Delano Roosevelt's first inauguration and Yankee Stadium during Don Larsen's perfect game in the 1956 World Series. Others depict architectural lands: the Empire State Building, the Statue of Liberty, the Washington Monument, Hoover Dam, and Alcatraz, to name a few.
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livres
livres
Publication:
octobre 2001, New York
octobre 2001, New York
Classification:
livres
livres
Titre:
Don't build, rebuild
Don't build, rebuild
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$43.95
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
$43.95
(disponible sur commande)
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
Titre:
Don't build, rebuild
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$43.95
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well. Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.
Don't build, rebuild
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$43.95
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well. Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Orsay : l'architecture
Orsay : l'architecture
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$29.50
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Moins connus que les collections de peinture ou de sculpture, les dessins d'architecture du musée d'Orsay comptent plus de dix-huit mille pièces parmi lesquelles on peut distinguer deux ensembles exceptionnels le fonds Eiffel et le fonds Guimard. L'idée de constituer une "galerie de dessins d'architecture" avait germé dès 1890, mais, malgré différents dons et la collecte(...)
$29.50
(disponible sur commande)
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Moins connus que les collections de peinture ou de sculpture, les dessins d'architecture du musée d'Orsay comptent plus de dix-huit mille pièces parmi lesquelles on peut distinguer deux ensembles exceptionnels le fonds Eiffel et le fonds Guimard. L'idée de constituer une "galerie de dessins d'architecture" avait germé dès 1890, mais, malgré différents dons et la collecte(...)
Titre:
Orsay : l'architecture
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Moins connus que les collections de peinture ou de sculpture, les dessins d'architecture du musée d'Orsay comptent plus de dix-huit mille pièces parmi lesquelles on peut distinguer deux ensembles exceptionnels le fonds Eiffel et le fonds Guimard. L'idée de constituer une "galerie de dessins d'architecture" avait germé dès 1890, mais, malgré différents dons et la collecte de quelques dizaines dé dessins, cette galerie permanente ne vit jamais le jour. Ce n'est qu'un siècle plus tard, avec la création du musée d'Orsay, que l'architecture trouva sa place dans un musée pluridisciplinaire consacré à cette période si riche de la deuxième moitié du XIXe siècle et du début du XXe siècle. Sous le Second Empire et plus encore sous la Troisième République, la société industrielle en plein essor réclame toujours plus de nouveaux bâtiments publics, d'églises, de prisons, de théâtres et d'immeubles. Parallèlement, les Expositions universelles sont un creuset d'imaginations fertiles : la tour Eiffel reste l'exemple le plus emblématique. Enfin, au tournant du siècle, l'Art nouveau fait souffler un vent d'émancipation et d'innovation. Cet ouvrage fait enfin connaître ce fonds aux richesses insoupçonnées, à travers quatre-vingts œuvres choisies et présentées par leur conservateur.
Orsay : l'architecture
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$29.50
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Moins connus que les collections de peinture ou de sculpture, les dessins d'architecture du musée d'Orsay comptent plus de dix-huit mille pièces parmi lesquelles on peut distinguer deux ensembles exceptionnels le fonds Eiffel et le fonds Guimard. L'idée de constituer une "galerie de dessins d'architecture" avait germé dès 1890, mais, malgré différents dons et la collecte de quelques dizaines dé dessins, cette galerie permanente ne vit jamais le jour. Ce n'est qu'un siècle plus tard, avec la création du musée d'Orsay, que l'architecture trouva sa place dans un musée pluridisciplinaire consacré à cette période si riche de la deuxième moitié du XIXe siècle et du début du XXe siècle. Sous le Second Empire et plus encore sous la Troisième République, la société industrielle en plein essor réclame toujours plus de nouveaux bâtiments publics, d'églises, de prisons, de théâtres et d'immeubles. Parallèlement, les Expositions universelles sont un creuset d'imaginations fertiles : la tour Eiffel reste l'exemple le plus emblématique. Enfin, au tournant du siècle, l'Art nouveau fait souffler un vent d'émancipation et d'innovation. Cet ouvrage fait enfin connaître ce fonds aux richesses insoupçonnées, à travers quatre-vingts œuvres choisies et présentées par leur conservateur.
Classification:
livres
livres
Publication:
novembre 2003, Paris
novembre 2003, Paris
Sujet:
Dessin d’architecture
Dessin d’architecture
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livres
livres
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$56.95
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Ludwig Mies van der Rohe (1886–1969) is one of the outstanding representatives of the Bauhaus movement. He achieved legendary fame as the director of the Bauhaus in Berlin, and later as a teacher at the Illinois Institute of Technology in Chicago. Two of his major projects—the pavilion built at the World Exhibition in Barcelona in 1929 and the Haus Tugendhat in Brno,(...)
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Ludwig Mies van der Rohe (1886–1969) is one of the outstanding representatives of the Bauhaus movement. He achieved legendary fame as the director of the Bauhaus in Berlin, and later as a teacher at the Illinois Institute of Technology in Chicago. Two of his major projects—the pavilion built at the World Exhibition in Barcelona in 1929 and the Haus Tugendhat in Brno,(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
janvier 2021
janvier 2021
Titre:
Ludwig Mies van der Rohe Barcelona Pavillon 1929, Rekonstruktion/reconstruction 1986
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Résumé:
Ludwig Mies van der Rohe (1886–1969) is one of the outstanding representatives of the Bauhaus movement. He achieved legendary fame as the director of the Bauhaus in Berlin, and later as a teacher at the Illinois Institute of Technology in Chicago. Two of his major projects—the pavilion built at the World Exhibition in Barcelona in 1929 and the Haus Tugendhat in Brno, Czech Republic, completed one year later—became icons of Modernist style. The Pavilion of the German Empire was dismantled at the end of the exhibition in Barcelona and underwent a large-scale reconstruction in 1986 to mark the architect’s 100th birthday. The Haus Tugendhat, on the other hand, has largely survived despite seventy years of neglect. It was only between 2010 and 2012, however, that it could be meticulously restored to its original state. To mark these reconstructions, the architecture photographer Klaus Kinold has portrayed both buildings in accurate, detailed photographs. To complete the volume, the historians of architecture Wolf Tegethoff and Christoph Hölz outline the construction histories of the two projects, and pursue the question of justification for the reconstruction of modern architecture.
Ludwig Mies van der Rohe Barcelona Pavillon 1929, Rekonstruktion/reconstruction 1986
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Prix:
$56.95
(disponible sur commande)
Résumé:
Ludwig Mies van der Rohe (1886–1969) is one of the outstanding representatives of the Bauhaus movement. He achieved legendary fame as the director of the Bauhaus in Berlin, and later as a teacher at the Illinois Institute of Technology in Chicago. Two of his major projects—the pavilion built at the World Exhibition in Barcelona in 1929 and the Haus Tugendhat in Brno, Czech Republic, completed one year later—became icons of Modernist style. The Pavilion of the German Empire was dismantled at the end of the exhibition in Barcelona and underwent a large-scale reconstruction in 1986 to mark the architect’s 100th birthday. The Haus Tugendhat, on the other hand, has largely survived despite seventy years of neglect. It was only between 2010 and 2012, however, that it could be meticulously restored to its original state. To mark these reconstructions, the architecture photographer Klaus Kinold has portrayed both buildings in accurate, detailed photographs. To complete the volume, the historians of architecture Wolf Tegethoff and Christoph Hölz outline the construction histories of the two projects, and pursue the question of justification for the reconstruction of modern architecture.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Architecture, monographies
Architecture, monographies
