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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An(...)
The right to look: a counterhistory of visuality
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"--plantation slavery, imperialism, and the present-day military-industrial complex--and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. This publication is a work of geographic, temporal, and conceptual reach.
Théorie/ philosophie
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In forty brief chapters, Nigel Warburton guides us on a chronological tour of the major ideas in the history of philosophy. He provides interesting and often quirky stories of the lives and deaths of thought-provoking philosophers from Socrates, who chose to die by hemlock poisoning rather than live on without the freedom to think for himself, to Peter Singer, who asks(...)
A little history of philosophy
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In forty brief chapters, Nigel Warburton guides us on a chronological tour of the major ideas in the history of philosophy. He provides interesting and often quirky stories of the lives and deaths of thought-provoking philosophers from Socrates, who chose to die by hemlock poisoning rather than live on without the freedom to think for himself, to Peter Singer, who asks the disquieting philosophical and ethical questions that haunt our own times.
Théorie/ philosophie
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Both creatively and methodologically speaking, art and science have grown closer together: in creative processes, science demonstrates its proximity to art, while significant aspects of art represent production based on research. The focus of this work is on the concept of research as it is understood in art, taking into particular account research into art, research(...)
Art and research : can artists be researchers?
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Both creatively and methodologically speaking, art and science have grown closer together: in creative processes, science demonstrates its proximity to art, while significant aspects of art represent production based on research. The focus of this work is on the concept of research as it is understood in art, taking into particular account research into art, research through art, and research in art. In the process, it also defines the task art universities are charged with when asked to develop the arts and make them accessible.
Théorie/ philosophie
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan(...)
Seeing things: from Shakespeare to Pixar
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations.
Théorie/ philosophie
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité(...)
Théorie/ philosophie
septembre 2011
L'ère électrique / The electric age
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité a inspiré des écrivains et des artistes, a servi de force d'impulsion au monde de l'industrie et de l'innovation et a redéfini les comportements sociaux. En explorant l'incidence de l'électricité sur le savoir, les pratiques sociales, les médias, la vie sociale et les expériences personnelles, cet ouvrage tente d'en saisir les aspects techniques et culturels dans toute leur complexité. -- The scientific discovery and mastery of electricity created as many important changes in modern society as did the invention of alphabetical writing in antiquity and movable type in the fifteenth century. It is more than a natural phenomenon that science has harnessed for human use; it is a central feature of the modern episteme. It has inspired writers and artists, propelled industry and innovation, and reshaped human social behaviour. Looking at a variety of topics including film, politics, and contemporary art, this volume explores the impact of electricity on knowledge, social practices, media, community life, and subjective experience.
Théorie/ philosophie
Paris insolite
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Une plongée dans un Paris interlope, populaire et englouti, par un clochard, compagnon de Doisneau et d’autres piliers du Paris poétique. Dans les années 50, Jean-Paul Clébert fit de ses errances dans Paris des voyages épiques et sensibles. « La traversée de Paris est plus lente que celle d’un département », prévient-il à son entrée dans la ville. D’ailleurs, il lui(...)
Paris insolite
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Une plongée dans un Paris interlope, populaire et englouti, par un clochard, compagnon de Doisneau et d’autres piliers du Paris poétique. Dans les années 50, Jean-Paul Clébert fit de ses errances dans Paris des voyages épiques et sensibles. « La traversée de Paris est plus lente que celle d’un département », prévient-il à son entrée dans la ville. D’ailleurs, il lui faut quatre mois pour aller d’un bout à l’autre du quatrième arrondissement... Clébert ne suit pas d’itinéraire, comme le ferait un guide, mais nous promène au hasard de ses besoins (dormir... manger... faire l’amour), de ses envies, de ses rencontres et de ses mille petits boulots : métreur, assureur, peintre, vendeur de L’Intran... Il apprend à connaître Paris par « les mains, les narines et les fesses ». C’est la ville envisagée d’un point de vue très pratique : celui d’un clochard qui vit avec moins que rien. Et qui traduit ça dans une écriture à couper le souffle : longues phrases rythmées ; portraits croqués à traits vifs ; charge poétique brutale. Ce roman-chronique est paru une première fois en 1952. Et cet éloge de la Cloche à Paris, l’auteur ne l’a pas offert au musée de l’Homme, comme il en avait caressé le désir, mais à Denoël, à l’époque éditeur de Calaferte, de Giraud, de Cendrars, de Malaparte... Un an après la sortie du livre, l’auteur est retourné sur ces lieux en compagnie d’un photographe, Patrice Molinard, qui en a ramené 115 documents bruts et beaux. Ce sont ces photos - d’un Doisneau sans pathos - qui illustrent la présente édition.
Théorie/ philosophie
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The publication A Cookbook for Political Imagination accompanies the exhibition “… and Europe will be stunned” for the Polish Pavilion at the 54th Biennale of Art in Venice. This is not a traditional exhibition catalogue but rather a manual of political instructions and recipes, delivered by more than forty international authors. Covering a broad spectrum of themes, the(...)
A cookbook for political imagination
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The publication A Cookbook for Political Imagination accompanies the exhibition “… and Europe will be stunned” for the Polish Pavilion at the 54th Biennale of Art in Venice. This is not a traditional exhibition catalogue but rather a manual of political instructions and recipes, delivered by more than forty international authors. Covering a broad spectrum of themes, the cookbook comprises manifestos, artistic contributions, fictional stories to elements of visual identity, food recipes, social advice and guidance for members of the movement. It is the first book published under the auspices of the Jewish Renaissance Movement in Poland, and has been edited by the curators of the exhibition, Sebastian Cichocki and Galit Eilat, and designed by Guy Saggee from Shual Studio
Théorie/ philosophie
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On both economic and psychological grounds, author Matthew B. Crawford questions the educational imperative of turning everyone into a "knowledge worker," based on a misguided separation of thinking from doing. Using his own experience as an electrician and mechanic, Crawford presents a call for self-reliance and a moving reflection on how we can live concretely in an(...)
Shop class as soulcraft: an inquiry into the value of work
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On both economic and psychological grounds, author Matthew B. Crawford questions the educational imperative of turning everyone into a "knowledge worker," based on a misguided separation of thinking from doing. Using his own experience as an electrician and mechanic, Crawford presents a call for self-reliance and a moving reflection on how we can live concretely in an ever more abstract world.
Théorie/ philosophie
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The Gutenberg Galaxy catapulted Marshall McLuhan to fame as a media theorist and, in time, a new media prognosticator. Fifty years after its initial publication, this landmark text is more significant than ever before. The edition also includes new introductory essays that illuminate McLuhan’s lasting effect on a variety of scholarly fields and popular culture.
Marshall McLuhan: The Gutenberg galaxy
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The Gutenberg Galaxy catapulted Marshall McLuhan to fame as a media theorist and, in time, a new media prognosticator. Fifty years after its initial publication, this landmark text is more significant than ever before. The edition also includes new introductory essays that illuminate McLuhan’s lasting effect on a variety of scholarly fields and popular culture.
Théorie/ philosophie
Food & trembling
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If you take a six hundred-dollar bottle of scotch, and drink it all in three hours, you're going to throw up the same as a ten-dollar jug of hooch. Food and Trembling is the gourmet's equalizer, a collection of writing about the world's finest culinary pleasures from Jonah Campbell; metalhead, misanthrope, and unrepentant good-eater. Be it through the subtle perfection(...)
Food & trembling
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If you take a six hundred-dollar bottle of scotch, and drink it all in three hours, you're going to throw up the same as a ten-dollar jug of hooch. Food and Trembling is the gourmet's equalizer, a collection of writing about the world's finest culinary pleasures from Jonah Campbell; metalhead, misanthrope, and unrepentant good-eater. Be it through the subtle perfection of a BLT, or the etymology of the croissant, Food and Trembling approaches eating not with a four-figure expense account, but a rare insight and a fierce appetite for the pleasures of the table.
Théorie/ philosophie