3264 Résultats
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of(...)
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of(...)
Titre:
Curatorial activism: towards an ethics of curating
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, "Curatorial Activism" examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris.
Curatorial activism: towards an ethics of curating
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, "Curatorial Activism" examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris.
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livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Muséologie
Muséologie
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livres
livres
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
Publication:
avril 2006, Ostfildern-Ruit
avril 2006, Ostfildern-Ruit
Titre:
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.
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livres
livres
Publication:
avril 2006, Ostfildern-Ruit
avril 2006, Ostfildern-Ruit
Classification:
livres
livres
Titre:
Those twenties
Those twenties
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Titre:
Those twenties
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
Those twenties
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
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livres
livres
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$98.00
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A multitude of port cities dot Europe’s coastline, each with its own history and relationship to sea transportation and development. In the era of climate change, these cities can offer paradigms and guidance for sustainable development. Taking a comprehensive, map-based approach, "Port city atlas" offers visualizations of 100 port city territories located on four seas(...)
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A multitude of port cities dot Europe’s coastline, each with its own history and relationship to sea transportation and development. In the era of climate change, these cities can offer paradigms and guidance for sustainable development. Taking a comprehensive, map-based approach, "Port city atlas" offers visualizations of 100 port city territories located on four seas(...)
Publication:
octobre 2023
octobre 2023
Titre:
Port city atlas: Mapping European port city territories: From understanding to design
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A multitude of port cities dot Europe’s coastline, each with its own history and relationship to sea transportation and development. In the era of climate change, these cities can offer paradigms and guidance for sustainable development. Taking a comprehensive, map-based approach, "Port city atlas" offers visualizations of 100 port city territories located on four seas and connected through shared waters—from Amsterdam, Antwerp, Barcelona, Bilbao, Bordeaux, Bremen, Calais, Cork, Dover, Dublin, Felixstowe, Fredericia, Ghent, Hamburg, Helsinki, Kiel, Københavns and La Rochelle to Limerick, Liverpool, London, Lübeck, Malmø, Palermo, Ravenna, Riga, Rønne, Rotterdam, Sköldvik, Stockholm, Tallinn, Venice, Zeebrugge and countless others. Conceived as a reference work, "Port city atlas" provides a foundation for comparative analysis beyond the case-study approach, offering a uniquely sea-oriented take on the understanding and urban design of Europe.
Port city atlas: Mapping European port city territories: From understanding to design
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A multitude of port cities dot Europe’s coastline, each with its own history and relationship to sea transportation and development. In the era of climate change, these cities can offer paradigms and guidance for sustainable development. Taking a comprehensive, map-based approach, "Port city atlas" offers visualizations of 100 port city territories located on four seas and connected through shared waters—from Amsterdam, Antwerp, Barcelona, Bilbao, Bordeaux, Bremen, Calais, Cork, Dover, Dublin, Felixstowe, Fredericia, Ghent, Hamburg, Helsinki, Kiel, Københavns and La Rochelle to Limerick, Liverpool, London, Lübeck, Malmø, Palermo, Ravenna, Riga, Rønne, Rotterdam, Sköldvik, Stockholm, Tallinn, Venice, Zeebrugge and countless others. Conceived as a reference work, "Port city atlas" provides a foundation for comparative analysis beyond the case-study approach, offering a uniquely sea-oriented take on the understanding and urban design of Europe.
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livres
livres
Publication:
octobre 2023
octobre 2023
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livres
livres
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how(...)
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how(...)
Titre:
Biennale Architettura 2025: Intelligens. Natural. Artificial. Collective.
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how water and fire are attacking us with unprecedented ferocity." This two-volume publication accompanies the 19th International Architecture Exhibition in Venice, titled "Intelligens. Natural. Artificial. Collective." Contributions from more than 750 participants—including architects and engineers, mathematicians and climate scientists, philosophers and artists, chefs and coders, writers and woodcarvers, farmers and fashion designers, and many more—explore how effective methods of adaptation to our changing environment demand inclusivity and collaboration.
Biennale Architettura 2025: Intelligens. Natural. Artificial. Collective.
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how water and fire are attacking us with unprecedented ferocity." This two-volume publication accompanies the 19th International Architecture Exhibition in Venice, titled "Intelligens. Natural. Artificial. Collective." Contributions from more than 750 participants—including architects and engineers, mathematicians and climate scientists, philosophers and artists, chefs and coders, writers and woodcarvers, farmers and fashion designers, and many more—explore how effective methods of adaptation to our changing environment demand inclusivity and collaboration.
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livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Biennale
Biennale
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livres
livres
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$84.00
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Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom(...)
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Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
février 2007, New York
février 2007, New York
Titre:
Carlo Scarpa : Architecture and design
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Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays by leading architects and architecture critics, offering an extensive overview of Scarpa's life as well as interpretations of his architecture. Known as the "Frank Lloyd Wright of Italy," Scarpa's decorative style has become a model for architects wishing to revive craft and luscious materials in the contemporary manner.
Carlo Scarpa : Architecture and design
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Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays by leading architects and architecture critics, offering an extensive overview of Scarpa's life as well as interpretations of his architecture. Known as the "Frank Lloyd Wright of Italy," Scarpa's decorative style has become a model for architects wishing to revive craft and luscious materials in the contemporary manner.
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livres
livres
Publication:
février 2007, New York
février 2007, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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In the forty years since the first iteration of Venice Architecture Biennale, the field of architecture has seen a remarkable change in the role played by exhibition-making. While architecture and display have long been intertwined practices, a rapid proliferation of large-scale perennial exhibitions—particularly in the twenty-first century—has resulted in the biennial /(...)
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In the forty years since the first iteration of Venice Architecture Biennale, the field of architecture has seen a remarkable change in the role played by exhibition-making. While architecture and display have long been intertwined practices, a rapid proliferation of large-scale perennial exhibitions—particularly in the twenty-first century—has resulted in the biennial /(...)
Titre:
Biennials / Triennials: conversations on the geography of itinerant display
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In the forty years since the first iteration of Venice Architecture Biennale, the field of architecture has seen a remarkable change in the role played by exhibition-making. While architecture and display have long been intertwined practices, a rapid proliferation of large-scale perennial exhibitions—particularly in the twenty-first century—has resulted in the biennial / triennial becoming an integral part of our discipline, a new geography of itinerant display that has profoundly altered the contours of architectural thought. Between format, space, and content, what are the various agencies and effects of these events? Biennials / Triennials asks these questions and others of a range of curatorial agents and visits crucial sites of recent exhibitions that reveal what is at stake in the newfound ubiquity of the architectural –ennial.
Biennials / Triennials: conversations on the geography of itinerant display
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In the forty years since the first iteration of Venice Architecture Biennale, the field of architecture has seen a remarkable change in the role played by exhibition-making. While architecture and display have long been intertwined practices, a rapid proliferation of large-scale perennial exhibitions—particularly in the twenty-first century—has resulted in the biennial / triennial becoming an integral part of our discipline, a new geography of itinerant display that has profoundly altered the contours of architectural thought. Between format, space, and content, what are the various agencies and effects of these events? Biennials / Triennials asks these questions and others of a range of curatorial agents and visits crucial sites of recent exhibitions that reveal what is at stake in the newfound ubiquity of the architectural –ennial.
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Biennale
Biennale
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livres
livres
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
Titre:
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
Classification:
livres
livres
Publication:
août 2022
août 2022
Sujet:
Biennale
Biennale
Classification:
livres
livres
Titre:
Zoe Leonard: Available light
Zoe Leonard: Available light
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In the two related bodies of work that form this volume’s centerpiece, New York–based photographer Zoe Leonard (born 1961) poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations, the artist employed the principle of the camera obscura, pairing it with gelatin silver photographs of the sun. The image in(...)
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In the two related bodies of work that form this volume’s centerpiece, New York–based photographer Zoe Leonard (born 1961) poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations, the artist employed the principle of the camera obscura, pairing it with gelatin silver photographs of the sun. The image in(...)
Titre:
Zoe Leonard: Available light
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In the two related bodies of work that form this volume’s centerpiece, New York–based photographer Zoe Leonard (born 1961) poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations, the artist employed the principle of the camera obscura, pairing it with gelatin silver photographs of the sun. The image in Leonard’s room-size camera obscuras is immersive and continuous, shifting constantly in response to the fleeting light of the outside world and unraveling in the surrounding space to come into its full vibrancy. Leonard’s camera obscuras have been sited in cities in Europe and the United States, from Venice and London to New York and Marfa. This title explores this body of work through photographs that document these installations in five international cities.
Zoe Leonard: Available light
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In the two related bodies of work that form this volume’s centerpiece, New York–based photographer Zoe Leonard (born 1961) poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations, the artist employed the principle of the camera obscura, pairing it with gelatin silver photographs of the sun. The image in Leonard’s room-size camera obscuras is immersive and continuous, shifting constantly in response to the fleeting light of the outside world and unraveling in the surrounding space to come into its full vibrancy. Leonard’s camera obscuras have been sited in cities in Europe and the United States, from Venice and London to New York and Marfa. This title explores this body of work through photographs that document these installations in five international cities.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Fuksas: building
Fuksas: building
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Massimiliano Fuksas is a major international architect with offices in Rome, Paris, Vienna, Frankfurt and China. For many years he has dedicated special attention to the study of urban problems and, in particular, to the suburbs. Four key considerations drive his work: community, culture, spirituality and peace. Some of his major works include the Maison des Arts in(...)
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Massimiliano Fuksas is a major international architect with offices in Rome, Paris, Vienna, Frankfurt and China. For many years he has dedicated special attention to the study of urban problems and, in particular, to the suburbs. Four key considerations drive his work: community, culture, spirituality and peace. Some of his major works include the Maison des Arts in(...)
Titre:
Fuksas: building
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Massimiliano Fuksas is a major international architect with offices in Rome, Paris, Vienna, Frankfurt and China. For many years he has dedicated special attention to the study of urban problems and, in particular, to the suburbs. Four key considerations drive his work: community, culture, spirituality and peace. Some of his major works include the Maison des Arts in Bordeaux, the research centre for Ferrari in Maranello, the Milan Trade Fair, the Zenith Music Hall in Strasbourg and the Peres Centre for Peace in Israel. He is also a professor at several universities and has published widely. In 2000, he directed the VII Venice Biennale of Architecture titled Less Aesthetics, More Ethics. This book compiles high-quality photographs of his major works and never-released sketches and drawings conceived by this multi-faceted mind.
Fuksas: building
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Massimiliano Fuksas is a major international architect with offices in Rome, Paris, Vienna, Frankfurt and China. For many years he has dedicated special attention to the study of urban problems and, in particular, to the suburbs. Four key considerations drive his work: community, culture, spirituality and peace. Some of his major works include the Maison des Arts in Bordeaux, the research centre for Ferrari in Maranello, the Milan Trade Fair, the Zenith Music Hall in Strasbourg and the Peres Centre for Peace in Israel. He is also a professor at several universities and has published widely. In 2000, he directed the VII Venice Biennale of Architecture titled Less Aesthetics, More Ethics. This book compiles high-quality photographs of his major works and never-released sketches and drawings conceived by this multi-faceted mind.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
