David Adjaye Adam Pendleton
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The(...)
David Adjaye Adam Pendleton
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space- whether architectonic or on canvas- and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye’s works to the meeting of ink and canvas in Pendleton’s studio.
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This book contributes to the development of new architectural approaches to informal neighborhoods and to a better understanding of human habitats that relate spatial issues to broader economic and political questions. The contributors analyze feasible and effective practical actions located in Africa, Latin America, and India, drawing upon empiric work to contextualize(...)
juin 2022
Critical neighbourhoods: the architecture of contested communities
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This book contributes to the development of new architectural approaches to informal neighborhoods and to a better understanding of human habitats that relate spatial issues to broader economic and political questions. The contributors analyze feasible and effective practical actions located in Africa, Latin America, and India, drawing upon empiric work to contextualize existing neighborhoods. Complementing essays explore the deeply intertwined nature of spatial practice, cultural identity, and social engagement. Together, the contributors AbdouMaliq Simone, Paulo Moreira, Elisa Silva, Julia King, and Ines Weizman uncover new modes of making architecture; map new ways for architects to engage with contested communities; address geographic differentiations on a local scale, rather than between various continents only; and explore interconnections between particular neighborhoods and their wider contexts. A conversation between the five contributors, moderated by Matthew Barac, rounds out this volume.
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Littérature et poésie
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''Vantage point'' is a collaborative publication between American artist Daniel Everett and Swedish artist Mårten Lange. The project started as a conversation in 2016 at an exhibition for Daniel’s book ''Throughout the Universe in Perpetuity'' (Études, 2015) during the 'One Thousand Books' Art Book Festival at the Kunsthal Charlottenborg in Copenhagen. Mårten was in(...)
Vantage point: Daniel Everett, Mårten Lange
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''Vantage point'' is a collaborative publication between American artist Daniel Everett and Swedish artist Mårten Lange. The project started as a conversation in 2016 at an exhibition for Daniel’s book ''Throughout the Universe in Perpetuity'' (Études, 2015) during the 'One Thousand Books' Art Book Festival at the Kunsthal Charlottenborg in Copenhagen. Mårten was in attendance and instantly recognized one of Daniel’s images. It turned out that he had taken the exact same image from the exact same place/vantage point that Daniel had, just a short time apart in Tokyo. This amazing coincidence prompted the two to begin working together to compile more images from their individual trips to Japan to be shown together in a book. In 2020 FOAM published an excerpt from the project in issue #56 and this book is the full compilation of images.
Monographies photo
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This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of(...)
David Batchelor: found monochrome Vol.1
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This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of backdrops: brick walls, car doors, metal fences and more. They are the backs of signs, number plates that have lost their number, empty billboards or faded messages. This body of work references the once radical tradition of monochrome paintings practiced by Malevich, Rodchenko, Yves Klein, Ad Reinhardt, Ellsworth Kelly and others. Found Monochromes Vol. 1 brings together the largest group of photographs from Batchelor's series, accompanied by a conversation between the philosopher Jonathan Ree and the artist.
Monographies photo
Redesigning leadership
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When designer and computer scientist John Maeda was tapped to be president of the celebrated Rhode Island School of Design in 2008, he had to learn how to be a leader quickly. He had to transform himself from a tenured professor into the head of a hierarchical organization. Maeda has had to teach himself, through trial and error, about leadership. In Redesigning(...)
Redesigning leadership
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When designer and computer scientist John Maeda was tapped to be president of the celebrated Rhode Island School of Design in 2008, he had to learn how to be a leader quickly. He had to transform himself from a tenured professor into the head of a hierarchical organization. Maeda has had to teach himself, through trial and error, about leadership. In Redesigning Leadership, he shares his learning process. Maeda, writing as an artist and designer, a technologist, and a professor, discusses intuition and risk-taking, "transparency," and all the things that a conversation can do that an email can't. In his transition from MIT to RISD he finds that the most effective way to pull people together is not social networking but free food. Hhe uses his experience to reveal a new model of leadership for the next generation of leaders.
Théorie du design
The art-architecture complex
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Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard(...)
The art-architecture complex
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Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a “global style” of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the “international style” of Le Corbusier, Gropius and Mies—a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that “the art-architecture complex” is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate.
Théorie de l’architecture
John Stezaker : film Still
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John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before(...)
John Stezaker : film Still
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John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before shifting towards the undistinguishable mass of 1940s and early 1950s low-budget studio films. Featuring collages based on a combination of film still excisions and superimpositions, this ongoing series is catalogued comprehensively for the first time here. Bringing together Stezaker’s earliest film still collages to his most recent, this publication follows on from Ridinghouse titles Masks and Marriages, with full colour illustrations accompanied by an essay by David Campany and a conversation between the critic and the artist.
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Au début de l’année 2009, Oliver Stone, marqué par la lecture de Pirates of the Caribbean: Axis of Hope de Tariq Ali, essai sur les bouleversements politiques de l’Amérique latine, souhaite discuter avec son auteur, alors que lui-même prépare un ambitieux documentaire d’une dizaine d’heures, The Untold History of the United States, 1900-2012. L’Histoire non dite des(...)
Tariq Ali / Oliver Stone : l'histoire non dite des États-Unis
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Au début de l’année 2009, Oliver Stone, marqué par la lecture de Pirates of the Caribbean: Axis of Hope de Tariq Ali, essai sur les bouleversements politiques de l’Amérique latine, souhaite discuter avec son auteur, alors que lui-même prépare un ambitieux documentaire d’une dizaine d’heures, The Untold History of the United States, 1900-2012. L’Histoire non dite des États-Unis est le fruit de cette conversation. De la Révolution russe à la Seconde Guerre mondiale, de la Guerre froide à la Pax americana et aux contestations récentes, Tariq Ali et Oliver Stone y dressent un vaste panorama critique de l’histoire contemporaine, y réintégrant des épisodes oubliés, volontairement ou non, et faisant ainsi de L’Histoire non dite des États-Unis un livre provocant qui ne manque pas d’inciter à la controverse et de stimuler le débat.
Théorie/ philosophie
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Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in(...)
Mass effect: art and the Internet in the twenty-first century
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Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as "postinternet." Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others. Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.
Théorie de l’art