3264 Résultats
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
Titre:
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
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livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Pomodori a grappolo is a set of three interconnected books by photographer and bookmaker John Gossage. Each book gathers images made in Northern Italy and Sardinia between 2009 and 2011, and each includes a short text by Marlene Klein. The written pieces-two stories and one epilogue-have been created in response to Gossage's pictures, and reflect the 30 years that Klein(...)
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Pomodori a grappolo is a set of three interconnected books by photographer and bookmaker John Gossage. Each book gathers images made in Northern Italy and Sardinia between 2009 and 2011, and each includes a short text by Marlene Klein. The written pieces-two stories and one epilogue-have been created in response to Gossage's pictures, and reflect the 30 years that Klein(...)
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John Gossage : pomodori a grappolo
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Pomodori a grappolo is a set of three interconnected books by photographer and bookmaker John Gossage. Each book gathers images made in Northern Italy and Sardinia between 2009 and 2011, and each includes a short text by Marlene Klein. The written pieces-two stories and one epilogue-have been created in response to Gossage's pictures, and reflect the 30 years that Klein has spent living and working in Venice. An unexpected approach runs through all the details of the books, from the way elements repeat, or don't, to the choice of materials and color. Since these three books are each a different trim size but include photos that are reproduced at the exact same size, the collective project functions as a study of the way that ink on paper can inform perception.
John Gossage : pomodori a grappolo
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Pomodori a grappolo is a set of three interconnected books by photographer and bookmaker John Gossage. Each book gathers images made in Northern Italy and Sardinia between 2009 and 2011, and each includes a short text by Marlene Klein. The written pieces-two stories and one epilogue-have been created in response to Gossage's pictures, and reflect the 30 years that Klein has spent living and working in Venice. An unexpected approach runs through all the details of the books, from the way elements repeat, or don't, to the choice of materials and color. Since these three books are each a different trim size but include photos that are reproduced at the exact same size, the collective project functions as a study of the way that ink on paper can inform perception.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Monographies photo
Monographies photo
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livres
livres
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CLOG 13: Guggenheim
CLOG 13: Guggenheim
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In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las(...)
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In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las(...)
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CLOG 13: Guggenheim
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In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las Vegas, and downtown New York. Designed by some of the world’s most prominent architects, these museums have often been distinguished as much by their architecture as by the art displayed within. They have also sparked debates ranging from the intrusiveness of architecture in an art museum to the ability of a single building to transform an entire city. This new issue of CLOG will critically examine the past, present, and future architectural impact of this global institution.
CLOG 13: Guggenheim
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In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las Vegas, and downtown New York. Designed by some of the world’s most prominent architects, these museums have often been distinguished as much by their architecture as by the art displayed within. They have also sparked debates ranging from the intrusiveness of architecture in an art museum to the ability of a single building to transform an entire city. This new issue of CLOG will critically examine the past, present, and future architectural impact of this global institution.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Revues
Revues
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livres
livres
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his(...)
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2005, Pittsburg
juin 2005, Pittsburg
Titre:
Michael Maltzan : allternate ground
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his best-known projects is MoMA QNS, Maltzan’s reworking of a former factory into a temporary accommodation for the Museum of Modern Art, which opened in Queens, New York, in June 2002. Projects currently in design or under construction include several innovative residences in California, the Fresno Metropolitan Museum, and Kidspace Children’s Museum, Pasadena, which was selected for the 2002 Venice Biennale International Exhibition of Architecture. Edited by Raymund Ryan with essays by Ai Weiwei and Mirko Zardini and a foreword by Richard Armstrong.
Michael Maltzan : allternate ground
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his best-known projects is MoMA QNS, Maltzan’s reworking of a former factory into a temporary accommodation for the Museum of Modern Art, which opened in Queens, New York, in June 2002. Projects currently in design or under construction include several innovative residences in California, the Fresno Metropolitan Museum, and Kidspace Children’s Museum, Pasadena, which was selected for the 2002 Venice Biennale International Exhibition of Architecture. Edited by Raymund Ryan with essays by Ai Weiwei and Mirko Zardini and a foreword by Richard Armstrong.
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livres
livres
Publication:
juin 2005, Pittsburg
juin 2005, Pittsburg
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$52.00
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a(...)
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
octobre 2007, Cologne
octobre 2007, Cologne
Titre:
Your black horizon art pavilion : Olafur Eliasson and David Adjaye: Thyssen-Bornemisza art contemporary
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a horizon line that emanates through a narrow gap in an architectural structure. This is the only light source, and it runs around the entire dark gallery space, without any visual obstruction. The optical illusion that is achieved is that of a reversed horizon line. This publication is presented in conjunction with the installation of this project in Croatia. Critic and curator Daniel Birnbaum, writer Eva Ebersberger and curator Daniela Zyman contribute in-depth essays, which are accompanied by large-scale spreads of the project.
Your black horizon art pavilion : Olafur Eliasson and David Adjaye: Thyssen-Bornemisza art contemporary
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a horizon line that emanates through a narrow gap in an architectural structure. This is the only light source, and it runs around the entire dark gallery space, without any visual obstruction. The optical illusion that is achieved is that of a reversed horizon line. This publication is presented in conjunction with the installation of this project in Croatia. Critic and curator Daniel Birnbaum, writer Eva Ebersberger and curator Daniela Zyman contribute in-depth essays, which are accompanied by large-scale spreads of the project.
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livres
livres
Publication:
octobre 2007, Cologne
octobre 2007, Cologne
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
Titre:
Border crossing issue 144
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge(...)
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge(...)
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Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge takes an in-depth look at the National Gallery of Canada after the recent reconfiguration of its Canadian and Indigenous Galleries; Stephen Horne takes the “grand tour” of arts exhibitions as the Venice Biennale, documenta, and the Münster Skulptur Projekte align in what is nearly a once-in-a-lifetime exhibition lineup; Aryen Hoekstra discuses fakery and fiction in the work of artist Thomas Demand, filmmaker Alexander Kluge and scenographer Anna Viebrock in “The Boat is Leaking. The Captain Lied.”
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge takes an in-depth look at the National Gallery of Canada after the recent reconfiguration of its Canadian and Indigenous Galleries; Stephen Horne takes the “grand tour” of arts exhibitions as the Venice Biennale, documenta, and the Münster Skulptur Projekte align in what is nearly a once-in-a-lifetime exhibition lineup; Aryen Hoekstra discuses fakery and fiction in the work of artist Thomas Demand, filmmaker Alexander Kluge and scenographer Anna Viebrock in “The Boat is Leaking. The Captain Lied.”
Classification:
périodiques
périodiques
Publication:
décembre 2017
décembre 2017
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Log 38
Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
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Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Classification:
périodiques
périodiques
Publication:
octobre 2016
octobre 2016
Sujet:
Revues
Revues
Classification:
livres
livres
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$112.50
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This comprehensive volume, published for the artist's exhibition at Museum Frieder Burda in Baden-Baden, Germany, combines key works from Turrell's various phases. Among the works included are ''Sloan Red'', one of his early projections in which geometric light objects appear to float in space. A piece from 2016, from the important series of ''Wedgeworks'', shows how the(...)
$112.50
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This comprehensive volume, published for the artist's exhibition at Museum Frieder Burda in Baden-Baden, Germany, combines key works from Turrell's various phases. Among the works included are ''Sloan Red'', one of his early projections in which geometric light objects appear to float in space. A piece from 2016, from the important series of ''Wedgeworks'', shows how the(...)
Titre:
James Turrell: extraordinary ideas, realized
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$112.50
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This comprehensive volume, published for the artist's exhibition at Museum Frieder Burda in Baden-Baden, Germany, combines key works from Turrell's various phases. Among the works included are ''Sloan Red'', one of his early projections in which geometric light objects appear to float in space. A piece from 2016, from the important series of ''Wedgeworks'', shows how the artist creates illusionist spatial situations using light. The "ganzfeld" experiment ''Apani'', which attracted much attention at the Venice Biennale in 2011, allows the visitor to experience how all imaginable spatial contours can be made to dissolve in light and color. Turrell's famous long-term project ''Roden Crater''- an extinct volcano in the Arizona desert, which the artist has been converting into a kind of observatory since the 1970s- is also represented here, alongside artworks created especially for the Museum Frieder Burda.
James Turrell: extraordinary ideas, realized
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$112.50
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This comprehensive volume, published for the artist's exhibition at Museum Frieder Burda in Baden-Baden, Germany, combines key works from Turrell's various phases. Among the works included are ''Sloan Red'', one of his early projections in which geometric light objects appear to float in space. A piece from 2016, from the important series of ''Wedgeworks'', shows how the artist creates illusionist spatial situations using light. The "ganzfeld" experiment ''Apani'', which attracted much attention at the Venice Biennale in 2011, allows the visitor to experience how all imaginable spatial contours can be made to dissolve in light and color. Turrell's famous long-term project ''Roden Crater''- an extinct volcano in the Arizona desert, which the artist has been converting into a kind of observatory since the 1970s- is also represented here, alongside artworks created especially for the Museum Frieder Burda.
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livres
livres
Publication:
août 2018
août 2018
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livres
livres
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$33.95
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003,(...)
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003,(...)
Titre:
Marcosandmarjan : interfaces / intrafaces
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003, and the participation in the `Metaflux´ exhibition at the Venice Biennale in 2004. They just finished two pavilions and the general layout for the 75th Lisbon Book Fair in Portugal and are currently developing a large entertainment complex in Beijing. With "Interfaces / Intrafaces" marcosandmarjan present for the first time a comprehensive monographic documentation of their work within the scope of the Consequence Book Series on Fresh Architecture. The book contains an introduction by Peter Cook and numerous colored illustrations.
Marcosandmarjan : interfaces / intrafaces
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003, and the participation in the `Metaflux´ exhibition at the Venice Biennale in 2004. They just finished two pavilions and the general layout for the 75th Lisbon Book Fair in Portugal and are currently developing a large entertainment complex in Beijing. With "Interfaces / Intrafaces" marcosandmarjan present for the first time a comprehensive monographic documentation of their work within the scope of the Consequence Book Series on Fresh Architecture. The book contains an introduction by Peter Cook and numerous colored illustrations.
Classification:
livres
livres
Publication:
décembre 2005, Vienna
décembre 2005, Vienna
Sujet:
petits formats
petits formats
Classification:
livres
livres
Titre:
Rome new architecture
Rome new architecture
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$56.25
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Many of the architects responsible for modern-day Rome—such as Hadid, Fuksas, Baldeweg, and Meier—have reached international stature. Many contemporary Italian architects—such as King Roselli, Labics, and IaN+—use Rome as a lab for testing their ideas. While some might note the weakness of the residential sector in attracting architectural quality, it is hard to escape(...)
$56.25
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Many of the architects responsible for modern-day Rome—such as Hadid, Fuksas, Baldeweg, and Meier—have reached international stature. Many contemporary Italian architects—such as King Roselli, Labics, and IaN+—use Rome as a lab for testing their ideas. While some might note the weakness of the residential sector in attracting architectural quality, it is hard to escape(...)
Publication:
février 2009, Milano
février 2009, Milano
Titre:
Rome new architecture
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$56.25
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Many of the architects responsible for modern-day Rome—such as Hadid, Fuksas, Baldeweg, and Meier—have reached international stature. Many contemporary Italian architects—such as King Roselli, Labics, and IaN+—use Rome as a lab for testing their ideas. While some might note the weakness of the residential sector in attracting architectural quality, it is hard to escape the growing attention paid to public spaces and infrastructures. This volume surveys Rome’s varied architectural landscape and contains over forty projects and a map, demonstrating how the geography of the city is evolving, and how quality can be found both in the center and on the edge of town. Sebastiano Brandolini writes for many specialized journals and is particularly interested in the relationship between architecture and engineering. Over the years he taught at the Milan Polytechnic, IUAV in Venice, London School of Economics.
Rome new architecture
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$56.25
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Many of the architects responsible for modern-day Rome—such as Hadid, Fuksas, Baldeweg, and Meier—have reached international stature. Many contemporary Italian architects—such as King Roselli, Labics, and IaN+—use Rome as a lab for testing their ideas. While some might note the weakness of the residential sector in attracting architectural quality, it is hard to escape the growing attention paid to public spaces and infrastructures. This volume surveys Rome’s varied architectural landscape and contains over forty projects and a map, demonstrating how the geography of the city is evolving, and how quality can be found both in the center and on the edge of town. Sebastiano Brandolini writes for many specialized journals and is particularly interested in the relationship between architecture and engineering. Over the years he taught at the Milan Polytechnic, IUAV in Venice, London School of Economics.
Classification:
livres
livres
Publication:
février 2009, Milano
février 2009, Milano
