3264 Résultats
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This fifth volume in Lars Müller’s Architect’s Studio series is dedicated to the Nairobi-based architects Cave_bureau. This acclaimed collective of architects and researchers-- the first Kenyan firm to appear at the Venice Architecture Biennale, in 2021-- explores the synergy between architecture, urbanism and nature, and curates performative events of resistance within(...)
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This fifth volume in Lars Müller’s Architect’s Studio series is dedicated to the Nairobi-based architects Cave_bureau. This acclaimed collective of architects and researchers-- the first Kenyan firm to appear at the Venice Architecture Biennale, in 2021-- explores the synergy between architecture, urbanism and nature, and curates performative events of resistance within(...)
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Architecture, monographies
Architecture, monographies
Publication:
septembre 2023
septembre 2023
Titre:
Cave bureau: The architect's studio
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This fifth volume in Lars Müller’s Architect’s Studio series is dedicated to the Nairobi-based architects Cave_bureau. This acclaimed collective of architects and researchers-- the first Kenyan firm to appear at the Venice Architecture Biennale, in 2021-- explores the synergy between architecture, urbanism and nature, and curates performative events of resistance within caves along the Great Rift Valley in East Africa. The cave, as physical space and as metaphor, is seen by the collective as a provocation to test the limits of contemporary architecture. Here, Cave_bureau’s Stella Mutegi and Kabage Karanja describe eight of their projects. Photographs are accompanied by essays posing questions about the future of architecture in the age of the Anthropocene, the effects of colonial extraction and erasure on African architecture, as well as the specificity of each continent and each geographic space.
Cave bureau: The architect's studio
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This fifth volume in Lars Müller’s Architect’s Studio series is dedicated to the Nairobi-based architects Cave_bureau. This acclaimed collective of architects and researchers-- the first Kenyan firm to appear at the Venice Architecture Biennale, in 2021-- explores the synergy between architecture, urbanism and nature, and curates performative events of resistance within caves along the Great Rift Valley in East Africa. The cave, as physical space and as metaphor, is seen by the collective as a provocation to test the limits of contemporary architecture. Here, Cave_bureau’s Stella Mutegi and Kabage Karanja describe eight of their projects. Photographs are accompanied by essays posing questions about the future of architecture in the age of the Anthropocene, the effects of colonial extraction and erasure on African architecture, as well as the specificity of each continent and each geographic space.
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livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$120.00
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a(...)
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a(...)
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Reporting from the front: 15th International Architecture Exhibition. Biennale di Venezia
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a positive way. This is what people will see at the 15th International Architecture Exhibition: success stories and exemplary cases where architecture has made, is making, and will make a difference. Reporting from the Front aims at explaining to a broader audience what it means to improve the quality of life while working on the margins, under heavy circumstances, and facing pressing challenges. And what it is like to be on the cutting edge trying to conquer new fields.
Reporting from the front: 15th International Architecture Exhibition. Biennale di Venezia
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a positive way. This is what people will see at the 15th International Architecture Exhibition: success stories and exemplary cases where architecture has made, is making, and will make a difference. Reporting from the Front aims at explaining to a broader audience what it means to improve the quality of life while working on the margins, under heavy circumstances, and facing pressing challenges. And what it is like to be on the cutting edge trying to conquer new fields.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Biennale
Biennale
Classification:
périodiques
périodiques
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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of(...)
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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of(...)
Titre:
OASE 103: Critical regionalism revisited
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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of Resistance’ (1983). In this last text, Frampton searched for an alternative approach towards architecture by defining the specifics of topography, climate, light and tectonics as essential to the art of building. This issue of OASE examines the canonical role of Kenneth Frampton’s concept of ‘Critical Regionalism’, reaching beyond its traditional interpretation. It gathers contributions that propose a new genealogy of the text, critical re-readings and explorations by practicing architects and architecture theorists that evaluate the interest of Frampton’s ideas for contemporary architecture.
OASE 103: Critical regionalism revisited
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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of Resistance’ (1983). In this last text, Frampton searched for an alternative approach towards architecture by defining the specifics of topography, climate, light and tectonics as essential to the art of building. This issue of OASE examines the canonical role of Kenneth Frampton’s concept of ‘Critical Regionalism’, reaching beyond its traditional interpretation. It gathers contributions that propose a new genealogy of the text, critical re-readings and explorations by practicing architects and architecture theorists that evaluate the interest of Frampton’s ideas for contemporary architecture.
Classification:
périodiques
périodiques
Publication:
août 2019
août 2019
Sujet:
Expositions en cours
Expositions en cours
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livres
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus(...)
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus(...)
Titre:
Solid, Fluid, Biotic: Changing alpine landscapes. VOGT Landscape Architects
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus on hydrological, biological and geological aspects of the topography. Characterized by a great diversity in all spatial dimensions and qualities, the Alps are not a stable structure, but a dynamic and sensitive organism, defined at the same time by intensive cultivation by humankind. Here, boundaries are ceaselessly overcome and continuously shifted. This book documents the contributions at the Biennale exploring the nature of alpine topography and complements them with scientific essays, artistic works and comprehensive photographs taken during field trips to the Alps.
Solid, Fluid, Biotic: Changing alpine landscapes. VOGT Landscape Architects
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus on hydrological, biological and geological aspects of the topography. Characterized by a great diversity in all spatial dimensions and qualities, the Alps are not a stable structure, but a dynamic and sensitive organism, defined at the same time by intensive cultivation by humankind. Here, boundaries are ceaselessly overcome and continuously shifted. This book documents the contributions at the Biennale exploring the nature of alpine topography and complements them with scientific essays, artistic works and comprehensive photographs taken during field trips to the Alps.
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livres
livres
Publication:
décembre 2021
décembre 2021
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livres
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This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to(...)
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This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to(...)
Publication:
septembre 2022
septembre 2022
Titre:
African modernism and its afterlives
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This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to connect the colonial and postcolonial origins of modernist architecture, the historical processes they underwent, and their present use and habitation, adaptation, and decay. Deriving from a workshop in connection with the 2015 exhibition ''Forms of Freedom'' at the National Museum in Oslo and the Venice Biennale, the volume combines recent developments in architectural history, the anthropology of modernism and of material culture, and contemporary archaeology to move beyond the admiration or preservation of prized architectural ''heritage'' and to complicate the contemplation—or critique—of ''ruins'' and ''ruination.''
African modernism and its afterlives
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This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to connect the colonial and postcolonial origins of modernist architecture, the historical processes they underwent, and their present use and habitation, adaptation, and decay. Deriving from a workshop in connection with the 2015 exhibition ''Forms of Freedom'' at the National Museum in Oslo and the Venice Biennale, the volume combines recent developments in architectural history, the anthropology of modernism and of material culture, and contemporary archaeology to move beyond the admiration or preservation of prized architectural ''heritage'' and to complicate the contemplation—or critique—of ''ruins'' and ''ruination.''
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livres
livres
Publication:
septembre 2022
septembre 2022
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livres
livres
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$25.00
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century(...)
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century(...)
Titre:
Hans Ulrich Obrist, the conversation series 26 : Sanaa
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century Museum of Contemporary Art in Kanazawa, which won the Golden Lion in 2004 as the most significant building at the 9th International Architecture Exhibition at the Venice Biennale. In 2010, Sejima and Nishizawa co-curated the 12th International Architecture Exhibition at the Biennale. Hans Ulrich Obrist caught up with Sejima on several occasions throughout the past few years. They discussed her built and unbuilt projects, her collaborations with other architects and artists and the changing role of women within architecture.
Hans Ulrich Obrist, the conversation series 26 : Sanaa
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century Museum of Contemporary Art in Kanazawa, which won the Golden Lion in 2004 as the most significant building at the 9th International Architecture Exhibition at the Venice Biennale. In 2010, Sejima and Nishizawa co-curated the 12th International Architecture Exhibition at the Biennale. Hans Ulrich Obrist caught up with Sejima on several occasions throughout the past few years. They discussed her built and unbuilt projects, her collaborations with other architects and artists and the changing role of women within architecture.
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livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
Titre:
Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
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livres
livres
Publication:
août 2012
août 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Hans Hollein
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Publication:
avril 2012
avril 2012
Titre:
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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$79.00
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What began as an academic initiative to improve the quality of life of the poor strata of the population has now become a professional “do tank” offering services that cover the entire spectrum of urban development. The celebrated Chilean architect, winner of the 2016 Pritzker Prize and Director of the 2016 Venice Architecture Biennale, Alejandro Aravena (born 1967)(...)
$79.00
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What began as an academic initiative to improve the quality of life of the poor strata of the population has now become a professional “do tank” offering services that cover the entire spectrum of urban development. The celebrated Chilean architect, winner of the 2016 Pritzker Prize and Director of the 2016 Venice Architecture Biennale, Alejandro Aravena (born 1967)(...)
Titre:
Alejandro Aravena. Elemental: incremental housing and participatory design manual
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What began as an academic initiative to improve the quality of life of the poor strata of the population has now become a professional “do tank” offering services that cover the entire spectrum of urban development. The celebrated Chilean architect, winner of the 2016 Pritzker Prize and Director of the 2016 Venice Architecture Biennale, Alejandro Aravena (born 1967) founded Elemental in 2001 in his hometown with the goal of alleviating social deprivation directly instead of hoping for a balance of income relations. Besides building public facilities and public housing, Elemental also develops new approaches for the reorganization of resources and the potential of cities by means of projects devoted to infrastructure and transportation. This volume, first published in 2013 and now back in print, documents the social activity and history of the international architectural team and sheds light on its financing strategies, for example through participatory building.
Alejandro Aravena. Elemental: incremental housing and participatory design manual
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$79.00
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What began as an academic initiative to improve the quality of life of the poor strata of the population has now become a professional “do tank” offering services that cover the entire spectrum of urban development. The celebrated Chilean architect, winner of the 2016 Pritzker Prize and Director of the 2016 Venice Architecture Biennale, Alejandro Aravena (born 1967) founded Elemental in 2001 in his hometown with the goal of alleviating social deprivation directly instead of hoping for a balance of income relations. Besides building public facilities and public housing, Elemental also develops new approaches for the reorganization of resources and the potential of cities by means of projects devoted to infrastructure and transportation. This volume, first published in 2013 and now back in print, documents the social activity and history of the international architectural team and sheds light on its financing strategies, for example through participatory building.
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livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
Titre:
Bauhaus no.7: Collective
Bauhaus no.7: Collective
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s(...)
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s(...)
Titre:
Bauhaus no.7: Collective
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s architects collaborative (TAC) in the USA while looking at the options and potentials of collective design today. It sheds light on the link between the Bauhaus and the upcoming Architecture Biennale in Venice, considers why architects in Spain currently invest more in collective design practices and discusses how current cooperative societies influence the collective identity around the world. Contributors include Pelin Tan, Alejandro Aravena, Vesna Meštric, David F. Maulen, Richard Anderson, Thomas Demand, Chris Dercon, DE - 9 architects, artists and urban planners in Berlin, Estudio SIC, Spain, plus many more.
Bauhaus no.7: Collective
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s architects collaborative (TAC) in the USA while looking at the options and potentials of collective design today. It sheds light on the link between the Bauhaus and the upcoming Architecture Biennale in Venice, considers why architects in Spain currently invest more in collective design practices and discusses how current cooperative societies influence the collective identity around the world. Contributors include Pelin Tan, Alejandro Aravena, Vesna Meštric, David F. Maulen, Richard Anderson, Thomas Demand, Chris Dercon, DE - 9 architects, artists and urban planners in Berlin, Estudio SIC, Spain, plus many more.
Classification:
périodiques
périodiques
Publication:
mai 2016
mai 2016
Sujet:
Revues
Revues
