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Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural(...)
octobre 2000, Milano
Olivetti builds : modern architecture in Ivrea
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Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural patrimony of Ivrea, seat of Olivetti’s headquarters, the most famous typewriter company in the world. A detailed catalogue of the open-air museum of modern architecture in Ivrea, the text reconstructs the events from the ’thirties to the ’fifties surrounding Adriano Olivetti and his relationship with architecture and urban planning. In the mid-thirties Adriano Olivetti began not only a renewal of industrial production, but also a long process of construction of the territory and its landscape. Beginning in 1945 Ivrea became a reference point not only for Italian intellectuals interested in constructing a new civil society, but also a mecca for architects and urban planners, who brought his ideas to life through their work. Architects such as Luigi Figini and Gino Pollini, Ignazio Gardella, Marco Zanuso, Eduardo Vittoria, Ettore Sottsass, Gino Valle, urban planners such as Giovanni Astengo, Carlo Doglio, Luigi Piccinato not only gave form to the community but also, through the individual works built in Ivrea, contributed to the complex Italian and international architectural debate.
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127 pages : illustrations ; 29 cm
New York, NY : D.A.P., 2000.
The destruction of Penn Station : photographs by Peter Moore / edited and with an introduction by Barbara Moore ; essay by Eric P. Nash ; chronology and captions by Lorraine B. Diehl.
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127 pages : illustrations ; 29 cm
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New York, NY : D.A.P., 2000.
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Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, this publication shows that architecture’s wartime partnership with corporate America was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s reading of magazine(...)
Théorie de l’architecture
février 2009, Minneapolis, London
194X : architecture, planning, and consumer culture on the american home front
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Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, this publication shows that architecture’s wartime partnership with corporate America was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s reading of magazine advertisements for Revere Copper and Brass, U.S. Gypsum, General Electric, and other companies that prominently featured the work of leading progressive architects, including Louis I. Kahn, Eero Saarinen, and Walter Gropius.
Théorie de l’architecture
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x, 183 pages : illustrations (black and white) ; 25 cm
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Rise of the spectacular : America in the 1950s / John Hannigan.
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x, 183 pages : illustrations (black and white) ; 25 cm
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Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
août 2022
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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Architects Nannette Jackowski and Ricardo de Ostos have developed a unique form of experimental architecture that reinvigorates its strength as an agent of political and societal change. Ambiguous Spaces, the newest installment in the Pamphlet Architecture series and a return to Pamphlet’s own progressive roots, features the architectural fictions "The Pregnant Island"(...)
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novembre 2008, New York
Pamphlet Architecture 29: ambiguous spaces
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Architects Nannette Jackowski and Ricardo de Ostos have developed a unique form of experimental architecture that reinvigorates its strength as an agent of political and societal change. Ambiguous Spaces, the newest installment in the Pamphlet Architecture series and a return to Pamphlet’s own progressive roots, features the architectural fictions "The Pregnant Island" and "Nuclear Breeding." These two projects develop alternative urban concepts that address the challenges presented by the specific situations and social dynamics described in controversial locations such as the Brazilian Tucurui dam, the Three Gorges dam in China, and former English nuclear test sites.
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Inspired by Lewis Mumford’s 1932 challenge enjoining architects to go beyond visual experimentation and create complete human environments, "Environmental Design" details the rise of modernist ideas in the architectural disciplines within the novel context of sociopolitical rather than aesthetic responsibilities. Unlike today’s "starchitects," environmental designers saw(...)
Environmental design: architecture, politics and science in postwar America
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Inspired by Lewis Mumford’s 1932 challenge enjoining architects to go beyond visual experimentation and create complete human environments, "Environmental Design" details the rise of modernist ideas in the architectural disciplines within the novel context of sociopolitical rather than aesthetic responsibilities. Unlike today’s "starchitects," environmental designers saw themselves as orchestrators of decision making more than auteurs of form and style. Viewing architectural practice as rooted in Progressive Era politics and the democratic process rather than the European avant-garde, Sachs plots how these social concepts spread via influential architecture schools. This rich examination of pedagogy and practice is a map to both the history of environmental design and the contemporary consequences of architecture understood as a pressing social concern.
Théorie de l’architecture
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344 pages : illustrations (some color), plans ; 29 cm
New York, New York : Monacelli Press, [2020], ©2020
Modern in the middle : Chicago houses 1929-1975 / Susan S. Benjamin, Michelangelo Sabatino ; foreword by Pauline Saliga.
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344 pages : illustrations (some color), plans ; 29 cm
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New York, New York : Monacelli Press, [2020], ©2020
$59.50
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Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today,(...)
août 2020
Umbaukultur: The architecture of altering
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Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today, things have changed. The industrialization of the construction industry has led to environmental degradation, and the reform potential of modernism has been exhausted. Consequently, the existing building stock is one of the resources - perhaps even the most important resource - for the transformation of our cities. Against this backdrop, the architecture of conversion has made an unexpected comeback. Young architects in particular are providing surprising answers to the environmental and social questions of our time with their conversion projects.
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Learn for Life is a diverse collection of architecture and interiors that support progressive models of acquiring knowledge. New interpretations of kindergartens, schools, universities, and libraries are featured along with architecturally innovative offices and conference rooms. These examples are rounded out by more experimental projects that offer further perspectives(...)
juin 2012
Learn for life : new architecture for new learning
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Learn for Life is a diverse collection of architecture and interiors that support progressive models of acquiring knowledge. New interpretations of kindergartens, schools, universities, and libraries are featured along with architecturally innovative offices and conference rooms. These examples are rounded out by more experimental projects that offer further perspectives on the rapidly evolving topic of how best to learn in the new millennium.