13067 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Personnes et institutions:
Date:
1920, 1990-2008
1920, 1990-2008
Titre:
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Niveau de description archivistique:
Series
Series
Date:
1920, 1990-2008
1920, 1990-2008
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh
Actions:
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh
Actions:
ARCH274002
Description:
Duplicates of writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of articles by Malhotra: - "Article de J. L. Malhotra" about Pierre Jeanneret's design for furniture (in French) - "A Summary of my Views on Contemporary Indian Architecture" - "Memorial Shadeed Bhagat Singh à Hussainewala Head Works, Ferozepur, Punjab" about the construction of the Memorial Shadeed Bhagat Singh (in French) - Articles by Malhotra for the "Chandigarh News Letter." - "Pour Jeet Malhotra" consisting in advices from Pierre Jeanneret to Jeet Malhotra (in French) - "Talwara Town, Punjab" about Talwara - 2 copies of the article "Chandigarh Club" (in French and in English) - "Deux maisons de Chandigarh" about two houses in Chandigarh - "Pour le corps et l'âme" about education - "École maternelle du Secteur 9, Chandigarh" about a nursery school in Chandigarh
Classification:
documents textuels
documents textuels
Date:
n.d.
n.d.
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Personnes et institutions:
Date:
2000-2008
2000-2008
Titre:
Documents d'archives de l'installation "Météorologie d'intérieur" de Philippe Rahm
Actions:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Documents d'archives de l'installation "Météorologie d'intérieur" de Philippe Rahm
Actions:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2000-2008
2000-2008
Personnes et institutions:
Classification:
expositions
expositions
![June-14 Meyer-Grohbrügge & Sam Chermayeff, Triangle bed [Lit en triangle]](/img/HxRjUMYcXgiZzgZgX8fDTy8AzZc=/250x0/15832/14773/ASON_expo_Banner.jpeg)
Titre:
Une portion du présent : les normes et rituels sociaux comme sites d’intervention architecturale
Une portion du présent : les normes et rituels sociaux comme sites d’intervention architecturale
Actions:
Date:
13 novembre 2021 au 1 mai 2022
13 novembre 2021 au 1 mai 2022
Classification:
expositions
expositions
Date:
13 novembre 2021 au
1 mai 2022
13 novembre 2021 au
1 mai 2022
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Kenneth Frampton
Fonds Kenneth Frampton
Numéro de référence:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Personnes et institutions:
Date:
1958-2016
1958-2016
Titre:
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2016
1958-2016
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Localisation:
Vitrines
Vitrines
Date:
16 février 2012 au 10 juin 2012
16 février 2012 au 10 juin 2012
Titre:
Sur les traces de… The Suburbs
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Sur les traces de… The Suburbs
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Classification:
expositions
expositions
Date:
16 février 2012 au
10 juin 2012
16 février 2012 au
10 juin 2012
Localisation:
Vitrines
Vitrines
Classification:
expositions
expositions
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Localisation:
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Date:
10 mai 2017 au 15 octobre 2017
10 mai 2017 au 15 octobre 2017
Titre:
L’histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
L’histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Classification:
expositions
expositions
Date:
10 mai 2017 au
15 octobre 2017
10 mai 2017 au
15 octobre 2017
Localisation:
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
Personnes et institutions:
Date:
1987-1988
1987-1988
Titre:
Ottawa City Hall Competition, Ontario (1987-1988)
Actions:
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
Ottawa City Hall Competition, Ontario (1987-1988)
Actions:
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
Niveau de description archivistique:
Project
Project
Date:
1987-1988
1987-1988
Personnes et institutions:
