354 Résultats
Classification:
livres
livres
Actions:
Prix:
$68.00
(disponible sur commande)
Résumé:
This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of(...)
$68.00
(disponible sur commande)
Résumé:
This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of(...)
Publication:
janvier 2002, London
janvier 2002, London
Titre:
Richard Long : walking the line
Actions:
Prix:
$68.00
(disponible sur commande)
Résumé:
This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of Honshu in Japan. If walking has become Long's trademark, the path is a central image or archetype in his work. With his walks, Richard Long weaves a line through many traditions. Majestic museum pieces made from tons of rock are juxtaposed with dramatic mud works and with photographs recording ephemeral sculptures often made in remote landscapes. Most of the photographs were taken by the artist himself. The book includes Richard Long's own notes and writings, lists of solo and group exhibitions, prizes and awards, and a selected bibliography.
Richard Long : walking the line
Actions:
Prix:
$68.00
(disponible sur commande)
Résumé:
This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of Honshu in Japan. If walking has become Long's trademark, the path is a central image or archetype in his work. With his walks, Richard Long weaves a line through many traditions. Majestic museum pieces made from tons of rock are juxtaposed with dramatic mud works and with photographs recording ephemeral sculptures often made in remote landscapes. Most of the photographs were taken by the artist himself. The book includes Richard Long's own notes and writings, lists of solo and group exhibitions, prizes and awards, and a selected bibliography.
Classification:
livres
livres
Publication:
janvier 2002, London
janvier 2002, London
Classification:
livres
livres
Titre:
Alice Neel: Freedom
Alice Neel: Freedom
Actions:
Prix:
$62.00
(disponible sur commande)
Résumé:
One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the(...)
$62.00
(disponible sur commande)
Résumé:
One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the(...)
Titre:
Alice Neel: Freedom
Actions:
Prix:
$62.00
(disponible sur commande)
Résumé:
One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the body with frankness while celebrating the individuality of each of her subjects, and they exemplify the freedom and courage with which she approached her work and her life. This book documents the solo exhibition of the artist’s work at David Zwirner in New York in 2019. Including works that span the 1920s to the 1980s, this presentation focuses primarily on the nude figure whether male or female, adult or child and demonstrates how Neel rebelled against and challenged the traditional perceptions of sexuality, motherhood and beauty in our society.
Alice Neel: Freedom
Actions:
Prix:
$62.00
(disponible sur commande)
Résumé:
One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the body with frankness while celebrating the individuality of each of her subjects, and they exemplify the freedom and courage with which she approached her work and her life. This book documents the solo exhibition of the artist’s work at David Zwirner in New York in 2019. Including works that span the 1920s to the 1980s, this presentation focuses primarily on the nude figure whether male or female, adult or child and demonstrates how Neel rebelled against and challenged the traditional perceptions of sexuality, motherhood and beauty in our society.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
Classification:
périodiques
périodiques
Titre:
Bauhaus no.7: Collective
Bauhaus no.7: Collective
Actions:
Prix:
$36.00
(disponible sur commande)
Résumé:
The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s(...)
$36.00
(disponible sur commande)
Résumé:
The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s(...)
Titre:
Bauhaus no.7: Collective
Actions:
Prix:
$36.00
(disponible sur commande)
Résumé:
The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s architects collaborative (TAC) in the USA while looking at the options and potentials of collective design today. It sheds light on the link between the Bauhaus and the upcoming Architecture Biennale in Venice, considers why architects in Spain currently invest more in collective design practices and discusses how current cooperative societies influence the collective identity around the world. Contributors include Pelin Tan, Alejandro Aravena, Vesna Meštric, David F. Maulen, Richard Anderson, Thomas Demand, Chris Dercon, DE - 9 architects, artists and urban planners in Berlin, Estudio SIC, Spain, plus many more.
Bauhaus no.7: Collective
Actions:
Prix:
$36.00
(disponible sur commande)
Résumé:
The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s architects collaborative (TAC) in the USA while looking at the options and potentials of collective design today. It sheds light on the link between the Bauhaus and the upcoming Architecture Biennale in Venice, considers why architects in Spain currently invest more in collective design practices and discusses how current cooperative societies influence the collective identity around the world. Contributors include Pelin Tan, Alejandro Aravena, Vesna Meštric, David F. Maulen, Richard Anderson, Thomas Demand, Chris Dercon, DE - 9 architects, artists and urban planners in Berlin, Estudio SIC, Spain, plus many more.
Classification:
périodiques
périodiques
Publication:
mai 2016
mai 2016
Sujet:
Revues
Revues
Classification:
livres
livres
Actions:
Prix:
$100.00
(disponible sur commande)
Résumé:
French-born artist Valerie Galloway graduated from the University of Arizona in 1987 with a B.F.A. in photography, living in New York for many years before settling in Tucson, Arizona. Galloway’s practice includes photography, painting and mixed media, with a focus on nudes, street photography in New York and Paris, and Tucson’s Sonoran Desert. The 32 hand-colored, toned(...)
$100.00
(disponible sur commande)
Résumé:
French-born artist Valerie Galloway graduated from the University of Arizona in 1987 with a B.F.A. in photography, living in New York for many years before settling in Tucson, Arizona. Galloway’s practice includes photography, painting and mixed media, with a focus on nudes, street photography in New York and Paris, and Tucson’s Sonoran Desert. The 32 hand-colored, toned(...)
Titre:
Valerie Galloway: Rêver dans le désert
Actions:
Prix:
$100.00
(disponible sur commande)
Résumé:
French-born artist Valerie Galloway graduated from the University of Arizona in 1987 with a B.F.A. in photography, living in New York for many years before settling in Tucson, Arizona. Galloway’s practice includes photography, painting and mixed media, with a focus on nudes, street photography in New York and Paris, and Tucson’s Sonoran Desert. The 32 hand-colored, toned gelatin silver photographs featured in "Rêver dans le désert" demonstrate her disparate styles: the voyeurism of Eugene Atget, the inexplicability of Man Ray, and the furtive aimlessness of the French New Wave. These images capture both fleeting French cultural references and timeless desert topographical references, each paying homage to the surrealists of the 1930s. "Rêver dans le désert" is bound in coffee-colored silk boards with contrasting linen spine, and beautifully printed on natural textured art paper. This first monograph is published to coincide with solo exhibitions of the artist’s work in Milan and Tokyo. This first edition is limited to 500 copies.
Valerie Galloway: Rêver dans le désert
Actions:
Prix:
$100.00
(disponible sur commande)
Résumé:
French-born artist Valerie Galloway graduated from the University of Arizona in 1987 with a B.F.A. in photography, living in New York for many years before settling in Tucson, Arizona. Galloway’s practice includes photography, painting and mixed media, with a focus on nudes, street photography in New York and Paris, and Tucson’s Sonoran Desert. The 32 hand-colored, toned gelatin silver photographs featured in "Rêver dans le désert" demonstrate her disparate styles: the voyeurism of Eugene Atget, the inexplicability of Man Ray, and the furtive aimlessness of the French New Wave. These images capture both fleeting French cultural references and timeless desert topographical references, each paying homage to the surrealists of the 1930s. "Rêver dans le désert" is bound in coffee-colored silk boards with contrasting linen spine, and beautifully printed on natural textured art paper. This first monograph is published to coincide with solo exhibitions of the artist’s work in Milan and Tokyo. This first edition is limited to 500 copies.
Classification:
livres
livres
Publication:
août 2020
août 2020
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$54.00
(disponible sur commande)
Résumé:
Over the past 30 years, Canadian artists Carole Conde and Karl Beveridge have developed a collaborative practice of working with organized labor to reveal the increasingly complex relationships between paid work and global, ethical and environmental concerns. This volume, with 112 color reproductions of Conde and Beveridge's major projects, is the first comprehensive(...)
$54.00
(disponible sur commande)
Résumé:
Over the past 30 years, Canadian artists Carole Conde and Karl Beveridge have developed a collaborative practice of working with organized labor to reveal the increasingly complex relationships between paid work and global, ethical and environmental concerns. This volume, with 112 color reproductions of Conde and Beveridge's major projects, is the first comprehensive(...)
Titre:
Condé and Beveridge: class works
Actions:
Prix:
$54.00
(disponible sur commande)
Résumé:
Over the past 30 years, Canadian artists Carole Conde and Karl Beveridge have developed a collaborative practice of working with organized labor to reveal the increasingly complex relationships between paid work and global, ethical and environmental concerns. This volume, with 112 color reproductions of Conde and Beveridge's major projects, is the first comprehensive examination of the pair's influential work. Their collaboration began in 1976 when--through their involvement with the New York collaborative Art & Language and the nascent Conceptual art movement--they turned from solo production and formalist art-making to social engagement, which combines left-oriented discourses with the artists' formal and technical innovations, and which presaged the currently prevalent practice in which art-making is understood as an articulation of human conditions and a tool of community formation. This volume includes a chronology of their practice and essays by Jan Allen, D'Arcy Martin, Declan McGonagle, Allan Sekula, Dot Tuer and Bruce Barber and an extensive interview by Clive Robertson.
Condé and Beveridge: class works
Actions:
Prix:
$54.00
(disponible sur commande)
Résumé:
Over the past 30 years, Canadian artists Carole Conde and Karl Beveridge have developed a collaborative practice of working with organized labor to reveal the increasingly complex relationships between paid work and global, ethical and environmental concerns. This volume, with 112 color reproductions of Conde and Beveridge's major projects, is the first comprehensive examination of the pair's influential work. Their collaboration began in 1976 when--through their involvement with the New York collaborative Art & Language and the nascent Conceptual art movement--they turned from solo production and formalist art-making to social engagement, which combines left-oriented discourses with the artists' formal and technical innovations, and which presaged the currently prevalent practice in which art-making is understood as an articulation of human conditions and a tool of community formation. This volume includes a chronology of their practice and essays by Jan Allen, D'Arcy Martin, Declan McGonagle, Allan Sekula, Dot Tuer and Bruce Barber and an extensive interview by Clive Robertson.
Classification:
livres
livres
Publication:
février 2009
février 2009
Classification:
livres
livres
Actions:
Prix:
$69.95
(disponible en magasin)
Résumé:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And(...)
$69.95
(disponible en magasin)
Résumé:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And(...)
Titre:
Sybren Vanoverberghe: Sandcastles and rubbish
Actions:
Prix:
$69.95
(disponible en magasin)
Résumé:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And Rubbish’ a change in materiality took place, a change wherein Vanoverberghe investigates ‘new’ artefacts of our time. Rusted and bend steel, gravel pits, sturdy and raw structures flirt with composition and elegancy. Photographic works are presented alongside artefacts or ‘objets trouvés’. Questions are raised about the value of an object and how value changes as time passes by. Vanoverberghes work is characterised by a constant flux of place and time. Opening of the solo exhibition and book launch ‘Sandcastles and Rubbish’ at Keteleer Gallery opens the 4th of December in Antwerp. The exhibition will be on show until the 15th of January.
Sybren Vanoverberghe: Sandcastles and rubbish
Actions:
Prix:
$69.95
(disponible en magasin)
Résumé:
This publication by Sybren Vanoverberghe is a continuation of his visual research on artefacts and non ordinary sites. Its focus on the site of the port and the industrial landscape around it. In previous projects, Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And Rubbish’ a change in materiality took place, a change wherein Vanoverberghe investigates ‘new’ artefacts of our time. Rusted and bend steel, gravel pits, sturdy and raw structures flirt with composition and elegancy. Photographic works are presented alongside artefacts or ‘objets trouvés’. Questions are raised about the value of an object and how value changes as time passes by. Vanoverberghes work is characterised by a constant flux of place and time. Opening of the solo exhibition and book launch ‘Sandcastles and Rubbish’ at Keteleer Gallery opens the 4th of December in Antwerp. The exhibition will be on show until the 15th of January.
Classification:
livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts(...)
$39.95
(disponible sur commande)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts(...)
Titre:
Gabor Szilasi: the art world in Montréal 1960-1980
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the radical changes that affected Montreal's art world throughout the 1960s and 1970s. Szilasi's significant body of work - totalling approximately 3,600 negatives - provides a rare look at the social lives of Canadian artists during a time of great effervescence and creative possibility.
Gabor Szilasi: the art world in Montréal 1960-1980
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the radical changes that affected Montreal's art world throughout the 1960s and 1970s. Szilasi's significant body of work - totalling approximately 3,600 negatives - provides a rare look at the social lives of Canadian artists during a time of great effervescence and creative possibility.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des(...)
$39.95
(disponible sur commande)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des(...)
Titre:
Gabor Szilasi : le monde de l'art à Montréal, 1960-1980
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des personnages constituant la communauté montréalaise des arts visuels, dont un certain nombre va façonner l'histoire de l'art au Canada. Prolongement d'une exposition solo des photographies de Szilasi au Musée McCord en 2017, cet ouvrage renferme trois essais, une entrevue et plus d'une centaine d'images qui saisissent, avec la franchise, la perspicacité et l'esprit caractéristiques du photographe, certains des changements radicaux qu'a connus le monde de l'art à Montréal au cours des années 1960 et 1970. La remarquable collection de travaux de Szilasi – environ 3 600 négatifs en tout – offre un rare aperçu de la vie sociale des artistes canadiens au cours d'une période de grande effervescence et de possibilités de création exceptionnelles.
Gabor Szilasi : le monde de l'art à Montréal, 1960-1980
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des personnages constituant la communauté montréalaise des arts visuels, dont un certain nombre va façonner l'histoire de l'art au Canada. Prolongement d'une exposition solo des photographies de Szilasi au Musée McCord en 2017, cet ouvrage renferme trois essais, une entrevue et plus d'une centaine d'images qui saisissent, avec la franchise, la perspicacité et l'esprit caractéristiques du photographe, certains des changements radicaux qu'a connus le monde de l'art à Montréal au cours des années 1960 et 1970. La remarquable collection de travaux de Szilasi – environ 3 600 négatifs en tout – offre un rare aperçu de la vie sociale des artistes canadiens au cours d'une période de grande effervescence et de possibilités de création exceptionnelles.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Drawings by Marcel Dzama
Drawings by Marcel Dzama
Actions:
Prix:
$30.00
(disponible sur commande)
Résumé:
Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
$30.00
(disponible sur commande)
Résumé:
Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
Publication:
janvier 2005, Windsor
janvier 2005, Windsor
Titre:
Drawings by Marcel Dzama
Actions:
Prix:
$30.00
(disponible sur commande)
Résumé:
Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
Drawings by Marcel Dzama
Actions:
Prix:
$30.00
(disponible sur commande)
Résumé:
Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
Classification:
livres
livres
Publication:
janvier 2005, Windsor
janvier 2005, Windsor
Classification:
livres
livres
Titre:
Andrew Kuo: What me worry
Andrew Kuo: What me worry
Actions:
Prix:
$55.00
(disponible sur commande)
Résumé:
Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in(...)
$55.00
(disponible sur commande)
Résumé:
Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in(...)
Titre:
Andrew Kuo: What me worry
Actions:
Prix:
$55.00
(disponible sur commande)
Résumé:
Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in the criteria and gradations they measure. Kuo's obsessive charts, which resemble Op art, Concrete art or the abstractions of Josef Albers have reached a wide audience through his music reviews for The New York Times, as well as through numerous solo shows over the past ten years. What Me Worry adopts Mad magazine's slogan to gently poke fun at the artist's compulsive record-keeping, and compiles a range of charts, some of which are also made into colorful sculptures, alongside figurative paintings, diary musings and a series of recipes.
Andrew Kuo: What me worry
Actions:
Prix:
$55.00
(disponible sur commande)
Résumé:
Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in the criteria and gradations they measure. Kuo's obsessive charts, which resemble Op art, Concrete art or the abstractions of Josef Albers have reached a wide audience through his music reviews for The New York Times, as well as through numerous solo shows over the past ten years. What Me Worry adopts Mad magazine's slogan to gently poke fun at the artist's compulsive record-keeping, and compiles a range of charts, some of which are also made into colorful sculptures, alongside figurative paintings, diary musings and a series of recipes.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Signalétique
Signalétique
