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When we view photographs of unfurnished interiors, what we see looks almost nothing like the homes we ultimately inhabit: blank, labyrinthine spaces, featureless rooms with walls that meet at odd angles and exits that lead nowhere. These strange and seamless spaces make up a peculiar genre of representation: views of the unfurnished interior in architects’ online(...)
Architecture contemporaine
septembre 2018
House tour: Views of the unfurnished interior
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When we view photographs of unfurnished interiors, what we see looks almost nothing like the homes we ultimately inhabit: blank, labyrinthine spaces, featureless rooms with walls that meet at odd angles and exits that lead nowhere. These strange and seamless spaces make up a peculiar genre of representation: views of the unfurnished interior in architects’ online portfolios. 'House Tour' which accompanied Switzerland’s award-winning contribution to the 2018 International Architecture Exhibition of the Venice Biennale, is a playful yet thought-provoking celebration of this genre that is both familiar and not. In a series of essays, the contributors—anthropologists, art and architectural historians, and architectural theorists—consider the ubiquitous contemporary apartment, the void we inhabit with its standard measurements that reflect contemporary architecture’s key constraints. A striking visual journey, House Tour takes as its starting point almost three hundred photographs of such unfurnished interiors designed by leading Swiss architecture firms.
Architecture contemporaine
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Périphériques’ frequent participation in the international ArchiLab exhibition in Orléans and their contribution to the Architecture Biennale 2002 in Venice are sure signs of the national and international recognition which they are receiving. In 2000, Birkhäuser first published an overview of their architectural work entitled M.I.N.N.E.S.O.T.A. now out of print, and the(...)
Architecture, monographies
juin 2003, Paris / Basel
News : Périphériques Architects
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Périphériques’ frequent participation in the international ArchiLab exhibition in Orléans and their contribution to the Architecture Biennale 2002 in Venice are sure signs of the national and international recognition which they are receiving. In 2000, Birkhäuser first published an overview of their architectural work entitled M.I.N.N.E.S.O.T.A. now out of print, and the time has come to document their latest works. This new volume describes Périphériques´ most recent buildings and projects. Amongst the realised buildings are the Maisons Icone and MR, the transformation of the Place Furstenberg in Paris, the Café Charbon in Paris, and no doubt the high point is the Cabinet d’art graphique at the Centre Georges Pompidou. Also included are a number of fascinating new projects such as the Small Towers in Tsumari, Japan, the concept for the Habitat shops in Paris and the urban plans for the new Parisian Cité Universitaire.
Architecture, monographies
Climate inheritance
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Climate Inheritance is a speculative design research publication that reckons with the complexity of world and heritage in the Anthropocene. The impacts of climate change on heritage sites—from Venice flooding to extinction in the Galápagos Islands—have garnered empathetic media attention in a landscape that has otherwise failed to communicate the urgency of the climate(...)
L'écologie de l'architecure
septembre 2023
Climate inheritance
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Climate Inheritance is a speculative design research publication that reckons with the complexity of world and heritage in the Anthropocene. The impacts of climate change on heritage sites—from Venice flooding to extinction in the Galápagos Islands—have garnered empathetic media attention in a landscape that has otherwise failed to communicate the urgency of the climate crisis. In a strategic subversion of the media aura of heritage, DESIGN EARTH casts ten World Heritage sites as narrative figures to visualize pervasive climate risks—rising sea levels, extinction, droughts, air pollution, melting glaciers, material vulnerability, unchecked tourism, and the massive displacement of communities and cultural artifacts—all while situating the present emergency within the wreckages of other ends of world, replete with the salvages of extractivism, racism, and settler colonialism. The possibilities of such climate inheritances are narrated in drawing triptychs and mythologies that bequeath other worlds and values.
L'écologie de l'architecure
Christian Marclay: Action
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When his 24-hour film The Clock was awarded the Golden Lion at the 54th Venice Biennale in 2011, Christian Marclay’s hour had struck. Yet as an artist, performer and pioneer of turntablism, the Swiss-American Christian Marclay (born 1955) had already been famous for his complex oeuvre for more than 30 years, translating sounds and music into visual forms in his(...)
Christian Marclay: Action
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When his 24-hour film The Clock was awarded the Golden Lion at the 54th Venice Biennale in 2011, Christian Marclay’s hour had struck. Yet as an artist, performer and pioneer of turntablism, the Swiss-American Christian Marclay (born 1955) had already been famous for his complex oeuvre for more than 30 years, translating sounds and music into visual forms in his performances, installations, collages, sculptures and photographs, creating new sensory experiences that his viewers had never before experienced. Comic books and mangas are the source material for Marclay’s most recent works: the immersive video animation "Surround Sounds" (2014–15) and the series of Onomatopoeia paintings and works on paper inspired by the wet, liquid sounds of painting. Christian Marclay: Action, an extensive monographic survey, covers the entire spectrum of the artist’s multimedia and synaesthetic oeuvre, from previously little-known early works to his most recent paintings and video.
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Thom Mayne is a deeply theoretical and conceptual architect whose built work and that of the firm Morphosis can be seen worldwide. This volume offers, for the first time ever, an exhaustive look at the models upon which all the rest has been built, and is, as well, an essential history of the work of Mayne and Morphosis. A forty-plus-year office retrospective and a love(...)
M³ : modeled works, archive 1972-2022
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Thom Mayne is a deeply theoretical and conceptual architect whose built work and that of the firm Morphosis can be seen worldwide. This volume offers, for the first time ever, an exhaustive look at the models upon which all the rest has been built, and is, as well, an essential history of the work of Mayne and Morphosis. A forty-plus-year office retrospective and a love letter to models, their process and concepts, and those that made them, the book considers at once the evolution of the model and that of the work of the firm. It features small-scale dwellings, such as the early and award-winning Sedlack Residence in Venice, California—a single room and study set atop a one-car garage—to Unicorn Island, a mixed-use master plan including a transit station, university campus, commerical and office buildings, parks, and green space in Chengdu, China.
Architecture, monographies
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work,(...)
Théorie de l’art
juillet 2010
Personal structures: time-space-existence
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work, plus transcripts from four symposia in different cities: "Time" in Amsterdam, "Space" in New York, "Existence" in Tokyo and "Time-Space-Existence" at the 53rd Venice Biennale. Personal Structures presents the work of 60 artists between the ages of 20 and 90 from 17 countries on four continents. Among the artists represented are Marina Abramovic, Vito Acconci, Carl Andre, Christian Boltanski, Louise Bourgeois, Hanne Darboven, Liam Gillick, Antony Gormley, Dan Graham, Tehching Hsieh, On Kawara, Joseph Kosuth, Sol LeWitt, Giuseppe Penone, Jessica Stockholder, Richard Tuttle, Lawrence Weiner and Fred Wilson.
Théorie de l’art
Morphologie: city metaphors
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First published in 1982, German architect Oswald Mathias Ungers' ''City metaphors'' juxtaposes more than 100 various city maps throughout history with images of flora and fauna and other images from science and nature. Ungers assigns each a title- a single descriptive word printed in both English and German. In Ungers' vision, the divisions of Venice are transformed into(...)
Morphologie: city metaphors
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First published in 1982, German architect Oswald Mathias Ungers' ''City metaphors'' juxtaposes more than 100 various city maps throughout history with images of flora and fauna and other images from science and nature. Ungers assigns each a title- a single descriptive word printed in both English and German. In Ungers' vision, the divisions of Venice are transformed into a handshake and the 1809 plan of St Gallen becomes a womb. Ungers writes in his foreword, “Without a comprehensive vision reality will appear as a mass of unrelated phenomenon and meaningless facts, in other words, totally chaotic. In such a world it would be like living in a vacuum; everything would be of equal importance; nothing could attract our attention; and there would be no possibility to utilize the mind.” A classic of creative cartography and visual thinking, ''City metaphors'' is also an experiment in conscious vision-building.
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict.(...)
Flaka Haliti: speculating on the blue
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict. Haliti’s installation aims at demilitarizing and decontextualizing this specific aesthetic practice by stripping the columns down to their material essence and juxtaposing them with elements that are by nature resistant to the concept of borders. In this scenario, the horizon and the blue pictorial ground, which directly references the blue-painted barriers in front of the Kosovo UN, create a counter image to the concept of borders as a tool to raise new perspectives. In addition is an artist’s conversation with Markus Miessen and an essay by curator Vanessa Joan Müller.
Théorie de l’art
British mosques
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This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them(...)
mai 2021
British mosques
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This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them with purpose-built structures. This timely exploration of the British mosque reveals how ad-hoc adaptations have evolved into a uniquely British-Islamic architecture, tracing its development through waves of twentieth-century migration, and further back to the Orientalist visions of Victorian collectors. Born out of two projects at the Venice Architecture Biennale and the V, ''British mosques'' brings together perspectives from curators, architects and artists. Using approaches ranging from archival study to site-specific installations and 3D scanning, together they tell the story of a hybrid architecture that has quietly found its place in Britain’s urban landscape.
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Peter Eisenman, one of the greatest contemporary architects, taught in Italy in 1986 at the IUAV University of Venice. This book, edited by his students Raffaella Laezza and Shuli Beimel aims to be a lucid witness of a period of great cultural change in international architectural design that found at IUAV, in the academic year 1986-87, in Peter Eisenman’s Architectural(...)
Crash: Peter Eisenman. Iuav Venezia 1986-87
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Peter Eisenman, one of the greatest contemporary architects, taught in Italy in 1986 at the IUAV University of Venice. This book, edited by his students Raffaella Laezza and Shuli Beimel aims to be a lucid witness of a period of great cultural change in international architectural design that found at IUAV, in the academic year 1986-87, in Peter Eisenman’s Architectural Composition III course one of its most significant moments. Twenty-five students, selected by the American professor, were introduced to new thinking and a new design method that confronted the concepts of ''time / site / space'' in a completely innovative way. This caused in each young student a real ''crash''. But wasn’t such a ''crash'' already an unstoppable, international wave? The book invites us into the thinking of the American architect who states in the interview, ''I have always loved Italy, the culture, the food, the people, so making this book was very important to me.''
Théorie de l’architecture