Newspaper
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Published by Steve Lawrence and edited alongside Peter Hujar and Andrew Ullrick, Newspaper was issued in New York City between 1968 and 1971. A wordless, picture-only periodical that replicated the scale of the New York Times, Newspaper ran for 14 issues and featured the disparate practices of over 40 artists. With an editorial focus on placing appropriated material(...)
Photographie- collections
mars 2023
Newspaper
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Published by Steve Lawrence and edited alongside Peter Hujar and Andrew Ullrick, Newspaper was issued in New York City between 1968 and 1971. A wordless, picture-only periodical that replicated the scale of the New York Times, Newspaper ran for 14 issues and featured the disparate practices of over 40 artists. With an editorial focus on placing appropriated material alongside new artworks, the periodical sought to codify a visual language of high and low culture that represented contemporary society in the late 1960s. While largely overlooked in art-historical discourse, Newspaper showcased many of the most revered artists working in the United States at the time, as well as an emerging coterie of queer artists.
Photographie- collections
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The 48th issue of The Funambulist is entitled 'Fifty shades of White(ness).'' Beyond its tongue-in-cheek title, the general editorial argument is that if we are to consider whiteness at the global scale, we require a more complex understanding of it than the one constructed in opposition to white supremacy in the United States. As stated in Léopold Lambert‘s introduction,(...)
The Funambulist n. 48 : Fifty shades of white(ness)
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The 48th issue of The Funambulist is entitled 'Fifty shades of White(ness).'' Beyond its tongue-in-cheek title, the general editorial argument is that if we are to consider whiteness at the global scale, we require a more complex understanding of it than the one constructed in opposition to white supremacy in the United States. As stated in Léopold Lambert‘s introduction, ''The distinctions this issue intends to make is that we understand whiteness as fundamentally produced by two affirmations: first, we cannot approach race solely through a regime of visibility (i.e. what’s 'visible' to us) and second, race is a space-time (i.e. racializing processes always have to be understood contextually).''
Revues
Michael Goldgruber: Bruchzonen. Modulations in the alpine world in the age of the climate crisis
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It is a known fact that manmade climate change is especially prominent in alpine topography. The Austrian photographer Michael Goldgruber examines the marginal parts of glacier, snow, and rock zones with a critical eye. Goldgruber’s photographic works show sections of these landscapes that reflect a human dilemma – the longing for romantic landscape images on the one(...)
Michael Goldgruber: Bruchzonen. Modulations in the alpine world in the age of the climate crisis
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It is a known fact that manmade climate change is especially prominent in alpine topography. The Austrian photographer Michael Goldgruber examines the marginal parts of glacier, snow, and rock zones with a critical eye. Goldgruber’s photographic works show sections of these landscapes that reflect a human dilemma – the longing for romantic landscape images on the one hand, and the reality of the countryside as altered by human activity on the other. Unlike classic landscape panoramas with their idealized images of nature, in Goldgruber’s works there is often no horizon, the proportions and scale remain unclear, the ice and rock formations fill the picture completely. The alpine world becomes an actor in its own right – it crumbles, melts, transforms.
Monographies photo
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed(...)
Soviet Factography: Reality without realism
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed photography and film practices in their campaign to inscribe facts and to chronicle modernization as it transformed human experience and society. Fore considers factography in light of the period’s explosion of new media technologies—including radio broadcasting, sound in film, and photo-media innovations—that allowed the press to transform culture on a massive scale.
Théorie de la photographie
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Building measures in existing buildings is of crucial importance for the path to a climate-neutral future. Nevertheless, continuing to build not only requires planners to take great care in planning, but also to be patient and imaginative when dealing with unforeseeable problems. This book chronicles outstanding quality of living conditions that can be created through(...)
décembre 2024
Building in existing contexts: Living
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Building measures in existing buildings is of crucial importance for the path to a climate-neutral future. Nevertheless, continuing to build not only requires planners to take great care in planning, but also to be patient and imaginative when dealing with unforeseeable problems. This book chronicles outstanding quality of living conditions that can be created through alterations and conversions, refurbishments, renovations and modernisations carried out on existing buildings. It shows 26 exciting best practice projects from the years 2017 to 2023 – from a converted church in London to a multi-storey car park extension in Cologne. Detailed drawings at a 1:20 scale provide a precise picture of each of the construction solutions along with floor plans and sections.
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
septembre 2006, Seattle
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
livres
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Existing patterns of urbanization are unsustainable in the long run. Current development practices consume enormous amounts of land and resources, damage local ecosystems, produce pollutants, create huge inequalities between groups of people, and undermine local community and quality of life. Unfortunately planning has itself led to many unsustainable development(...)
Planning for sustainability : creating livable, equitable, and ecological communities
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Existing patterns of urbanization are unsustainable in the long run. Current development practices consume enormous amounts of land and resources, damage local ecosystems, produce pollutants, create huge inequalities between groups of people, and undermine local community and quality of life. Unfortunately planning has itself led to many unsustainable development practices. "Planning for Sustainability" presents a straightforward, systematic analysis of how more sustainable cities and towns can be brought about. It does so in a highly readable manner that considers in turn each scale of planning: international, national, regional, municipal, neighbourhood, site, and building. In the process it illustrates how sustainability initiatives at these different scales interrelate and how an overall framework can be developed for more liveable communities.
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août 2004, Abingdon, UK
Théorie de l’urbanisme
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible."(...)
décembre 2023
Precarious solidarities: Artists for democracy 1974-1977
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible." Over the next three years, the collective arranged several large-scale festivals dedicated to the relief of political crises in Chile, Vietnam, Indochina and the United States. Through detailed contextualization, scholastic and artistic commissions and extensive archival documentation, "Precarious solidarities" applies a variety of lenses—artistic, social, political, historical and geographic—to explore AFD’s legacy today.
Anish Kapoor : Marsyas
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Anish Kapoor's output ranges from works on a human scale, including powdered pigment sculptures and convex mirrors, to massive installations, both inside buildings and in the landscape. Taking on the challenge of the cavernous space of the Turbine Hall at the Tate Modern in London, Kapoor created his largest sculpture ever: built of PVC membrane, stetched taut across(...)
Anish Kapoor : Marsyas
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Anish Kapoor's output ranges from works on a human scale, including powdered pigment sculptures and convex mirrors, to massive installations, both inside buildings and in the landscape. Taking on the challenge of the cavernous space of the Turbine Hall at the Tate Modern in London, Kapoor created his largest sculpture ever: built of PVC membrane, stetched taut across massive steel hoops and hovering in mid-air, the sculpture dominates the space in a way no other artist has attempted. The creative process behind this ambitious project is documented here in specially commissioned photographs, drawings, and maquettes, and further explored in conversations with Kapoor, and Cecil Balmond's essay on the process of engineering this project.
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"A House in Japan" examines the Japanese home as a site of architectural inquiry—an intimate scale through which ideas about space, structure, and domesticity are continually reimagined. In a context shaped by constraint, precision, and cultural continuity, the residential realm becomes a space of subtle provocation and quiet experimentation. The projects in this volume(...)
A House in Japan: Lessons in living
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"A House in Japan" examines the Japanese home as a site of architectural inquiry—an intimate scale through which ideas about space, structure, and domesticity are continually reimagined. In a context shaped by constraint, precision, and cultural continuity, the residential realm becomes a space of subtle provocation and quiet experimentation. The projects in this volume are not guided by aesthetics alone, but by spatial intelligence. Each home is rigorous in design, elastic in use, and attuned to the rhythms of daily life. "A House in Japan" presents works that privilege clarity over excess and intent over display. It is a study of how architecture, when quietly radical, can propose new ways of living.