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Taking the Matter into Common Hands maps out the issues surrounding collaborative art from a practitioner's perspective. With contributions from Marion von Osten, Nav Haq, 16 Beaver, Copenhagen Free University, Maria Lind and Lars Nilsson, it examines the working relations between artists and other producers of culture, and explores the future of collective action in the(...)
Théorie de l’art
septembre 2008, London
Taking the matter into common hands: on contemporary art and collaborative practices
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Taking the Matter into Common Hands maps out the issues surrounding collaborative art from a practitioner's perspective. With contributions from Marion von Osten, Nav Haq, 16 Beaver, Copenhagen Free University, Maria Lind and Lars Nilsson, it examines the working relations between artists and other producers of culture, and explores the future of collective action in the art world. In recent years, the art world has shown a renewed interest in collective work and activity. Collaborations between artists and artists, artists and curators, and artists and outside professionals have begun to rival the traditional focus on the individual artist. This type of collaboration has called into question how we view works of art that are not the voice of a single individual, and how that impacts on the concept of art as a means of self-expression.
Théorie de l’art
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Barbara Bloom and Ben Lerner share a fascination with intricate dramas of framing and reframing: what happens to an image or a phrase when it is re-encountered, recontextualized, recombined — when a particular frame of reference is established or collapses? How is meaning accrued or eroded through repetition, across pages or generations? How are images or sentences(...)
Gold Custody: Barbara Bloom and Ben Lerner
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Barbara Bloom and Ben Lerner share a fascination with intricate dramas of framing and reframing: what happens to an image or a phrase when it is re-encountered, recontextualized, recombined — when a particular frame of reference is established or collapses? How is meaning accrued or eroded through repetition, across pages or generations? How are images or sentences enlisted in — or suddenly freed from — the construction of our personal and collective mythologies? In this collaborative book, bringing together Bloom’s artworks and Lerner’s prose poems, these questions are rendered beautiful as they are sensitively felt, veering between the promises of abstraction — ‘the showroom of grammar, its glitter and ghosts,’ collective nouns, songs without lyrics that everyone can sing — and verbal and visual languages of extreme privacy. Other topics include: false fathers, lice, stone fruit, Casper Rappaport, color words, alephs, forever stamps, and Goethe’s corridor.
Monographies photo
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Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early(...)
Our rural selves: memory and the visual in Canadian childhoods
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Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early twentieth century to today, such as photographs, films, objects, picture books, and digital games, contributors offer readings of childhood that are geographically, ethnically, and culturally diverse. They examine the memories of Indigenous children, the experiences of back-to-the-land youth, and boom-or-bust childhoods within the petroleum, farming, and fishing industries. Illustrating often neglected and overlooked aspects of adolescence, this collection suggests new ways of studying social connectedness and collective futures. "Our Rural Selves" explores representation, imagination, and what it means to grow up rural in Canada.
Architecture du Canada
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Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected(...)
Make everything new: a project on communism
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Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art. Contributors include: 16Beaver, Gopal Balakrishnan, Michael Blum, AA Bronson, Maria Eichorn, Factotum, Dmitry Gutov, Wu Ming, Aleksandra Mir, Sarah Pierce/The Metropolitan Complex, CK Rajan, Raqs Media Collective, Dont Rhine, Martha Rosler, Rob Stone, Alberto Toscano, and Klaus Weber.
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Quaderns 278 'Images Fall Short', first under Urtzi Grau and Guillermo Fernández-Abascal's directorship, questions why they do so. Continuing Quaderns' active role in shaping our collective imaginary, it asks Olivier Campagne, Karina Castro, Max Creasy, Rory Gardiner, Stefano Graziani, Gili Merin, Giulietta Margot, Javier Agustín Rojas and Milena Villalba to survey Catalunya.
Quaderns 278: Images fall short
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Quaderns 278 'Images Fall Short', first under Urtzi Grau and Guillermo Fernández-Abascal's directorship, questions why they do so. Continuing Quaderns' active role in shaping our collective imaginary, it asks Olivier Campagne, Karina Castro, Max Creasy, Rory Gardiner, Stefano Graziani, Gili Merin, Giulietta Margot, Javier Agustín Rojas and Milena Villalba to survey Catalunya.
Revues
Ciel variable 114
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
Ciel variable 114
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
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livres
Description:
333 pages : chiefly color illustrations ; 31 x 39 cm
Göttingen : Steidl, 2006., ©2006
After the flood / Robert Polidori.
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333 pages : chiefly color illustrations ; 31 x 39 cm
livres
Göttingen : Steidl, 2006., ©2006
livres
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xvi, 430 pages : illustrations (some color) ; 26 cm
Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2005.
The Parthenon : from antiquity to the present / edited by Jenifer Neils.
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xvi, 430 pages : illustrations (some color) ; 26 cm
livres
Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2005.
livres
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96 pages : illustrations (some colour) ; 22 cm.
Halifax, Nova Scotia, Canada : Dalhousie Architectural Press, [2014], ©2014
Architecture and national identity : the Centennial projects 50 years on = Architecture et identité nationale : les projets du Centenaire, 50 ans plus tard / Marco Polo, Colin Ripley.
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96 pages : illustrations (some colour) ; 22 cm.
livres
Halifax, Nova Scotia, Canada : Dalhousie Architectural Press, [2014], ©2014
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Focusing on the theme of ‘the private and the collective’, Insiders brings together over eighty architects and collectives from a variety of backgrounds who have in common their ways of crossing the frontiers of their respective disciplines. With contributions by Stefan Canham & Rufina Wu, Terunobu Fujimori, Donisio Gonzalez, Adelfo Scaranello and Andrea Zittel
Architecture contemporaine
août 2010
Insiders: Arc en rêve/ CAPC Bordeaux
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Focusing on the theme of ‘the private and the collective’, Insiders brings together over eighty architects and collectives from a variety of backgrounds who have in common their ways of crossing the frontiers of their respective disciplines. With contributions by Stefan Canham & Rufina Wu, Terunobu Fujimori, Donisio Gonzalez, Adelfo Scaranello and Andrea Zittel
Architecture contemporaine