3425 Résultats
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France: Éditions de l'Eclat, 2024.
France: Éditions de l'Eclat, 2024.
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France: Éditions de l'Eclat, 2024.
France: Éditions de l'Eclat, 2024.
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livres
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$34.00
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Résumé:
"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even(...)
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"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even(...)
Titre:
The signature of all things: On method
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"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even invent, a method attuned to a "world supported by a thick plot of resemblances and sympathies, analogies and correspondences." The range of authors and of topics Agamben collects in this slim but dense volume exemplifies this search to create a science of signatures that exceeds either a semiology or hermeneutics vainly attempting to determine the pure and unmarked signs that signify univocally, neutrally, and eternally.
The signature of all things: On method
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"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even invent, a method attuned to a "world supported by a thick plot of resemblances and sympathies, analogies and correspondences." The range of authors and of topics Agamben collects in this slim but dense volume exemplifies this search to create a science of signatures that exceeds either a semiology or hermeneutics vainly attempting to determine the pure and unmarked signs that signify univocally, neutrally, and eternally.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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Unfamiliar journeys
Unfamiliar journeys
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar(...)
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar(...)
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Unfamiliar journeys
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar journeys" captures deserted warehouses, boarded-up butchers’ shops, the cathedral glimpsed between shabby terraces. Signs of Liverpool’s recent economic boom – billboards, towering high-rises, skeletal construction cranes – also feature. It takes a moment to realize that there are no people in McKernan’s vision of the city. The unusual viewpoints and stark pattern of cast shadows caught on black and white silver-based film enhances this feeling of eerie enchantment.
Unfamiliar journeys
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar journeys" captures deserted warehouses, boarded-up butchers’ shops, the cathedral glimpsed between shabby terraces. Signs of Liverpool’s recent economic boom – billboards, towering high-rises, skeletal construction cranes – also feature. It takes a moment to realize that there are no people in McKernan’s vision of the city. The unusual viewpoints and stark pattern of cast shadows caught on black and white silver-based film enhances this feeling of eerie enchantment.
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livres
livres
Publication:
juillet 2006, Liverpool
juillet 2006, Liverpool
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$55.00
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by(...)
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by(...)
Publication:
janvier 1900, Barcelona
janvier 1900, Barcelona
Titre:
Mies van der Rohe Award 2003 : European Union prize for contemporary architecture
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by virtue of the high average standard of the entries, particularly of the winning projects and 40 runner-up featured in this catalogue. In the end, the winning project encompasses all this : Zaha Hadid's tram station in Strasbourg is at the same time a strategy, open-ended, imperfect, intelligent and playful. But it also resolved and unafraid to identify with conventional architectural qualities.
Mies van der Rohe Award 2003 : European Union prize for contemporary architecture
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by virtue of the high average standard of the entries, particularly of the winning projects and 40 runner-up featured in this catalogue. In the end, the winning project encompasses all this : Zaha Hadid's tram station in Strasbourg is at the same time a strategy, open-ended, imperfect, intelligent and playful. But it also resolved and unafraid to identify with conventional architectural qualities.
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livres
livres
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janvier 1900, Barcelona
janvier 1900, Barcelona
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livres
livres
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The masons of Djenné
The masons of Djenné
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The town of Djenne on the Bani River in Mali has been a thriving settlement for more than two millennia. Renowned for its mud-brick architecture, monumental mosque, and merchant-traders' houses, Djenne remains one of Africa's most distinctive cities. Trevor Marchand signs on as a builder's apprentice and takes readers on his journey from raw labourer to skilled craftsman.(...)
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The town of Djenne on the Bani River in Mali has been a thriving settlement for more than two millennia. Renowned for its mud-brick architecture, monumental mosque, and merchant-traders' houses, Djenne remains one of Africa's most distinctive cities. Trevor Marchand signs on as a builder's apprentice and takes readers on his journey from raw labourer to skilled craftsman.(...)
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The masons of Djenné
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The town of Djenne on the Bani River in Mali has been a thriving settlement for more than two millennia. Renowned for its mud-brick architecture, monumental mosque, and merchant-traders' houses, Djenne remains one of Africa's most distinctive cities. Trevor Marchand signs on as a builder's apprentice and takes readers on his journey from raw labourer to skilled craftsman. He explores the professional associations of masons, their social networks, training regimes, and changing fortunes. With his fellow builders, he produces mud bricks and plasters, constructs walls and ceilings, and sculpts rooftop crenellations using specialized tools. Marchand describes the raising of a mud-brick house and explores the technical, social, and magical processes involved in making buildings and renewing the unique urban environment of Djenne.
The masons of Djenné
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The town of Djenne on the Bani River in Mali has been a thriving settlement for more than two millennia. Renowned for its mud-brick architecture, monumental mosque, and merchant-traders' houses, Djenne remains one of Africa's most distinctive cities. Trevor Marchand signs on as a builder's apprentice and takes readers on his journey from raw labourer to skilled craftsman. He explores the professional associations of masons, their social networks, training regimes, and changing fortunes. With his fellow builders, he produces mud bricks and plasters, constructs walls and ceilings, and sculpts rooftop crenellations using specialized tools. Marchand describes the raising of a mud-brick house and explores the technical, social, and magical processes involved in making buildings and renewing the unique urban environment of Djenne.
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livres
livres
Publication:
mai 2009
mai 2009
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Arch Moyen-Orient
Arch Moyen-Orient
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livres
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This book features images by American photographer William Wylie (b. 1957) taken over the course of five years. The photographs reanimate the ancient city of Pompeii, showing the ongoing cycles of deterioration and preservation that mark it as a living landscape. Wylie captures Pompeii’s former grandeur, including its terracotta reliefs and wall paintings, while also(...)
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This book features images by American photographer William Wylie (b. 1957) taken over the course of five years. The photographs reanimate the ancient city of Pompeii, showing the ongoing cycles of deterioration and preservation that mark it as a living landscape. Wylie captures Pompeii’s former grandeur, including its terracotta reliefs and wall paintings, while also(...)
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William Wylie: Pompeii archive
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This book features images by American photographer William Wylie (b. 1957) taken over the course of five years. The photographs reanimate the ancient city of Pompeii, showing the ongoing cycles of deterioration and preservation that mark it as a living landscape. Wylie captures Pompeii’s former grandeur, including its terracotta reliefs and wall paintings, while also drawing attention to the signs of an active excavation site, from plaster casts in glass cases to ceramic fragments in storage facilities. His elegant compositions and command of light and shadow highlight how natural phenomena, pollution, and human intervention are continually reshaping the city. People, however, are notably absent in the photographs. Wylie beautifully documents Pompeii’s present by engaging with the tenuous relationship that the archaeological site maintains with the past.
William Wylie: Pompeii archive
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This book features images by American photographer William Wylie (b. 1957) taken over the course of five years. The photographs reanimate the ancient city of Pompeii, showing the ongoing cycles of deterioration and preservation that mark it as a living landscape. Wylie captures Pompeii’s former grandeur, including its terracotta reliefs and wall paintings, while also drawing attention to the signs of an active excavation site, from plaster casts in glass cases to ceramic fragments in storage facilities. His elegant compositions and command of light and shadow highlight how natural phenomena, pollution, and human intervention are continually reshaping the city. People, however, are notably absent in the photographs. Wylie beautifully documents Pompeii’s present by engaging with the tenuous relationship that the archaeological site maintains with the past.
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livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
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$28.00
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This special edition was conceived on the occasion of the Centenary of the Università Cattolica del Sacro Cuore, which relied on Promemoria to talk about its archives through a new perspective and an unusual format as proposed by the editorial staff of Archivio Magazine. Every archive hides a special story, one or more tales that have never been read, never been heard:(...)
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This special edition was conceived on the occasion of the Centenary of the Università Cattolica del Sacro Cuore, which relied on Promemoria to talk about its archives through a new perspective and an unusual format as proposed by the editorial staff of Archivio Magazine. Every archive hides a special story, one or more tales that have never been read, never been heard:(...)
Titre:
Archivio : UCSC Centenary Edition
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$28.00
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This special edition was conceived on the occasion of the Centenary of the Università Cattolica del Sacro Cuore, which relied on Promemoria to talk about its archives through a new perspective and an unusual format as proposed by the editorial staff of Archivio Magazine. Every archive hides a special story, one or more tales that have never been read, never been heard: traces, signs that can give life to new interpretations of the past and the present. To sharper visions of our future. The UCSC Centenary Edition by Archivio Magazine is a work of research and narration, an unprecedented witness to how unexpected a project born at the center of a story, at the center of History—in the archives—can be.
Archivio : UCSC Centenary Edition
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This special edition was conceived on the occasion of the Centenary of the Università Cattolica del Sacro Cuore, which relied on Promemoria to talk about its archives through a new perspective and an unusual format as proposed by the editorial staff of Archivio Magazine. Every archive hides a special story, one or more tales that have never been read, never been heard: traces, signs that can give life to new interpretations of the past and the present. To sharper visions of our future. The UCSC Centenary Edition by Archivio Magazine is a work of research and narration, an unprecedented witness to how unexpected a project born at the center of a story, at the center of History—in the archives—can be.
Classification:
périodiques
périodiques
Publication:
mars 2022
mars 2022
Sujet:
Revues
Revues
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livres
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$31.95
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations(...)
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations(...)
Publication:
octobre 2022
octobre 2022
Titre:
Ludovic Chemarin © : Total recall, 112 398 signes (espaces compris)
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations performatives, activations ou augmentations de travaux anciens, et également de nouvelles créations. Au travers de cette « exploitation » inédite dans l’histoire de l’art, Ludovic Chemarin© interroge et remet en cause l’inaliénabilité du droit d’auteur et du geste artistique, le statut de l’œuvre d’art et de l’artiste, le principe d’auctorialité. Sous la forme d’un journal, cette biographie relate sur dix ans plus de 100 jours marquants du projet. De façon précise et distanciée elle documente le travail au quotidien d’une œuvre en cours d’élaboration.
Ludovic Chemarin © : Total recall, 112 398 signes (espaces compris)
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations performatives, activations ou augmentations de travaux anciens, et également de nouvelles créations. Au travers de cette « exploitation » inédite dans l’histoire de l’art, Ludovic Chemarin© interroge et remet en cause l’inaliénabilité du droit d’auteur et du geste artistique, le statut de l’œuvre d’art et de l’artiste, le principe d’auctorialité. Sous la forme d’un journal, cette biographie relate sur dix ans plus de 100 jours marquants du projet. De façon précise et distanciée elle documente le travail au quotidien d’une œuvre en cours d’élaboration.
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livres
livres
Publication:
octobre 2022
octobre 2022
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66 pages, 60 illustrations on 41 plates : illustrations ; cm (fol.)
Description:
66 pages, 60 illustrations on 41 plates : illustrations ; cm (fol.)
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London : Printed by Joseph Moxon, and sold at his shop in Russel Street, at the signe of Atlas, 1670.
London : Printed by Joseph Moxon, and sold at his shop in Russel Street, at the signe of Atlas, 1670.
Titre:
Practical perspective, or, Perspective made easie : teaching by the opticks, how to delineate all bodies, buildings, or landskips, &c. ; by the catoptricks, how to delineate confused appearences so as when seen in a mirror or pollisht body of any intended shape, the reflection shall shew a designe ; by the dioptircks [sic], how to draw parts of many figures into one, when seen through a glass or christal cut into many faces. Usefull for all painters, engravers architects, Ge. and all others that are any waies inclined to speculatory ingenuity. / by Joseph Moxon hydrographer to the Kings most excellent majesty.
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66 pages, 60 illustrations on 41 plates : illustrations ; cm (fol.)
Practical perspective, or, Perspective made easie : teaching by the opticks, how to delineate all bodies, buildings, or landskips, &c. ; by the catoptricks, how to delineate confused appearences so as when seen in a mirror or pollisht body of any intended shape, the reflection shall shew a designe ; by the dioptircks [sic], how to draw parts of many figures into one, when seen through a glass or christal cut into many faces. Usefull for all painters, engravers architects, Ge. and all others that are any waies inclined to speculatory ingenuity. / by Joseph Moxon hydrographer to the Kings most excellent majesty.
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66 pages, 60 illustrations on 41 plates : illustrations ; cm (fol.)
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livres
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London : Printed by Joseph Moxon, and sold at his shop in Russel Street, at the signe of Atlas, 1670.
London : Printed by Joseph Moxon, and sold at his shop in Russel Street, at the signe of Atlas, 1670.
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[12], 323, [1] pages, [1] folded etch. plates : illustrations (wdcut) ; 20.3 cm (8)̲
Description:
[12], 323, [1] pages, [1] folded etch. plates : illustrations (wdcut) ; 20.3 cm (8)̲
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London: Printed for T. Davies ..., 1773.
London: Printed for T. Davies ..., 1773.
Titre:
The history of churches in England : wherein is shewn, the time, means, and manner of founding, building, and endowing of churches, both cathedral and rural, with their furniture and appendages ... / by Thomas Staveley ...
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[12], 323, [1] pages, [1] folded etch. plates : illustrations (wdcut) ; 20.3 cm (8)̲
The history of churches in England : wherein is shewn, the time, means, and manner of founding, building, and endowing of churches, both cathedral and rural, with their furniture and appendages ... / by Thomas Staveley ...
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[12], 323, [1] pages, [1] folded etch. plates : illustrations (wdcut) ; 20.3 cm (8)̲
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livres
livres
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London: Printed for T. Davies ..., 1773.
London: Printed for T. Davies ..., 1773.
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