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From June 6, 2021 to September 5, 2021, UCCA Center for Contemporary Art presents “Wang Tuo: Empty-handed into History.” As Wang Tuo’s (b. 1984, Changchun) first institutional solo show, this exhibition collects eight of the artist's single- and multi-channel video works, including, in its complete form for the first time, “The Northeast Tetralogy,” as well as related(...)
Wang Tuo: Empty-handed into history
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From June 6, 2021 to September 5, 2021, UCCA Center for Contemporary Art presents “Wang Tuo: Empty-handed into History.” As Wang Tuo’s (b. 1984, Changchun) first institutional solo show, this exhibition collects eight of the artist's single- and multi-channel video works, including, in its complete form for the first time, “The Northeast Tetralogy,” as well as related archival materials and sketches from the artist, presenting an overview of the artist's early-career works. On the occasion of the exhibition, UCCA published Wang Tuo's first-ever catalogue, which reproduces his video works through still images and script excerpts. Essays by exhibition curator Luan Shixuan and critics Fu Liaoliao and Zian Chen contextualize the artist's oeuvre through the perspectives of history, literary theory, Chinese traditional beliefs, and other frameworks.
François Morelli
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Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de(...)
novembre 2017
François Morelli
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Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de François Morelli trouve son fondement dans une pratique quotidienne du dessin, croisée d’une volonté constante d’intervenir dans le tissu social. À travers une démarche très polyvalente, François Morelli s’intéresse aux notions de passage, de migration et de transformation. Il investit le corps comme sujet d’étude tant au niveau personnel qu’au niveau social et historique. L’œuvre traite des frontières entre mémoire collective et mémoire personnelle, des rapports entre le politique et le domestique, entre le tragique et le grotesque.
The art of encounter
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Lee Ufan, a painter, sculptor, writer and philosopher, is known for his leading role in the Japanese avant-garde group Monoha. A new edition of a collection of writings first published in 2004, this volume features previously unpublished essays and spans from 1967-2007. Topics range from emptiness to the use of the brush to individual artists. Lee Ufan was born in(...)
The art of encounter
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Lee Ufan, a painter, sculptor, writer and philosopher, is known for his leading role in the Japanese avant-garde group Monoha. A new edition of a collection of writings first published in 2004, this volume features previously unpublished essays and spans from 1967-2007. Topics range from emptiness to the use of the brush to individual artists. Lee Ufan was born in Kyongsangnarndo, South Korea, in 1936. He is internationally regarded as the most significant Asian artist of his generation. After his first solo exhibition in Japan in 1967, he went on to participate in Documenta VI (1977) and in 1969 and 1973 represented Korea in the Sao Paulo Bienal. His most recent exhibition was held at the Lisson Gallery in London in 2004. He currently lives in Japan and France.
Théorie de l’architecture
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L'automobile a transformé radicalement nos villes, au point de s'imposer comme l'étalon de mesure de la planification urbaine. Architectes et urbanistes ont embrassé cette vision de la ville qui mène à des espaces pollués, peu sécuritaires, et dont les infrastructures pèsent lourd sur le trésor public. Devant l'urgence climatique, Olivier Ducharme veut renverser ce modèle(...)
Ville contre automobiles : redonner l'espace urbain aux piétons
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L'automobile a transformé radicalement nos villes, au point de s'imposer comme l'étalon de mesure de la planification urbaine. Architectes et urbanistes ont embrassé cette vision de la ville qui mène à des espaces pollués, peu sécuritaires, et dont les infrastructures pèsent lourd sur le trésor public. Devant l'urgence climatique, Olivier Ducharme veut renverser ce modèle pour redonner au piéton la place qui lui revient. Il livre une charge pour sortir de nos villes ces « requins d'acier », qu'ils soient électriques ou à essence, et remettre la vie de quartier et le transport collectif au centre de l'aménagement urbain. Pour se libérer des embouteillages et amorcer la transition écologique, nous devons avoir le courage politique de bannir l'auto solo de nos villes. L'automobile est un piège, il est temps de s'en libérer.
Théorie de l’urbanisme
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Published for his first solo show as an artist at Lafayette Anticipations in Paris, this book presents, for the first time, more than 40 artworks by Belgian fashion designer Martin Margiela. Reproducing images of installations, sculptures, collages, paintings and films, the book also advances the thesis that Martin Margiela has always been an artist. Internationally(...)
Martin Margiela at Lafayette anticipations
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Published for his first solo show as an artist at Lafayette Anticipations in Paris, this book presents, for the first time, more than 40 artworks by Belgian fashion designer Martin Margiela. Reproducing images of installations, sculptures, collages, paintings and films, the book also advances the thesis that Martin Margiela has always been an artist. Internationally renowned in the fashion world since the late 1980s, throughout his career as a designer Margiela has deliberately upended the conventions of fashion through his materials and his runway shows. The works at the Lafayette Anticipations exhibition, most of which were made in the Foundation’s studio, return to the artist’s obsessions. The body is very much in evidence here, from anatomies inspired by the academic tradition to hair and skin in almost abstract form.
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Widely considered to be one of the most influential American living artists, Carrie Mae Weems has developed a practice celebrated for her exploration of cultural identity, power dynamics, desire, intimacy and social justice through a body of work that challenges the prevailing representations of race, gender, and class. Defined by the use of photography, installation,(...)
novembre 2023
Carrie Mae Weems: Reflections for now
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Widely considered to be one of the most influential American living artists, Carrie Mae Weems has developed a practice celebrated for her exploration of cultural identity, power dynamics, desire, intimacy and social justice through a body of work that challenges the prevailing representations of race, gender, and class. Defined by the use of photography, installation, film, performance and textile, her remarkably diverse and radical practice questions dominant ideologies and historical narratives created and disseminated within science, architecture, and mass media. Published in the context of her solo exhibitions at Barbican Art Gallery London and Kunstmuseum Basel, this book brings together a selection of Weems’ own writings, lectures, and conversations for the first time, providing personal insights into themes such as the consequences of power, artistic appropriation, music as inspiration, history-making, and the normative role of architecture.
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"A lot of work" is a new monograph dedicated to the work of the restlessly inventive Belgian design studio Muller Van Severen. Shaped by 15 years of seminal practice, it is the first to present Fien Muller and Hannes Van Severen both together and as individual artists, charting the energies of their solo trajectories alongside their shared design language. Approaching the(...)
Muller Van Severen: A lot of work
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"A lot of work" is a new monograph dedicated to the work of the restlessly inventive Belgian design studio Muller Van Severen. Shaped by 15 years of seminal practice, it is the first to present Fien Muller and Hannes Van Severen both together and as individual artists, charting the energies of their solo trajectories alongside their shared design language. Approaching the monograph as a collage, the book traces what has unfolded over the past decade and a half, what preceded it, and what may yet come—shaped, as the title suggests, by a lot of work. Raw and ruminative in structure, it draws from their private and public archives to allow "images to speak through adjacency rather than explanation," as Hannes explains in his opening text. The result "feels less like a retrospective and more like a pause," he writes—"A breath."
Design, monographies
livres
RZLBD: Hopscotch
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'Rzlbd HopScotch', the first monograph on rzlbd’s work, focuses on its built projects over the last five years, while including a selection of past works and polemical writings that set the foundation for the practice. With a particular interest in the house as an archetypal model of the world, whilst implementing the guiding idea that design belongs to everyone and that(...)
RZLBD: Hopscotch
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'Rzlbd HopScotch', the first monograph on rzlbd’s work, focuses on its built projects over the last five years, while including a selection of past works and polemical writings that set the foundation for the practice. With a particular interest in the house as an archetypal model of the world, whilst implementing the guiding idea that design belongs to everyone and that “modern has to be affordable”, the work of rzlbd occupies a unique position in its exploration of new ideas for contemporary infill dwellings. Along with architectural projects and writings, the book is also a record of Aliabadi’s search for a design language and his unique perspective coming out of his three major solo expeditions?to the North Pole, round the world in 49 days and the ‘Trans-Canada’, across the country from Atlantic to Pacific.
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janvier 2018
$55.00
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often(...)
Expositions collectives
septembre 2008, Köln
Elmgreen & Dragset: home is the place you left
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often disconnected to one's individual desires. The Norwegian-Danish artist duo asked friends and colleagues to react to their own notions of home--as a place they left... or didn't. Featuring texts and image-based contributions by the likes of Bill Arning, Henrik Olesen, Jakob Kolding, Monica Bonvicini, Jens Hoffmann and David Shrigley, among many others. Berlin-based Michael Elmgreen and Ingar Dragset have collaborated since 1995. They have had recent solo exhibitions at the Serpentine Gallery in London and The Power Plant in Toronto.
Expositions collectives
livres
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
juillet 2008, Köln
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
livres
juillet 2008, Köln