116032 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH173835
ARCH173835
Personnes et institutions:
Date:
1983
1983
Classification:
documents textuels
documents textuels
Date:
1983
1983
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP148.S1.1974.PR01.003
Description:
Drawings with annotations.
AP148.S1.1974.PR01.003
Description:
Drawings with annotations.
Personnes et institutions:
Date:
ca. 1974
ca. 1974
Titre:
Circular study drawings, Paper architecture
Actions:
AP148.S1.1974.PR01.003
Description:
Drawings with annotations.
Circular study drawings, Paper architecture
Actions:
AP148.S1.1974.PR01.003
Description:
Drawings with annotations.
Classification:
dessins
dessins
Date:
ca. 1974
ca. 1974
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP148.S1.1974.PR01.004
AP148.S1.1974.PR01.004
Personnes et institutions:
Date:
ca. 1974
ca. 1974
Classification:
dessins
dessins
Date:
ca. 1974
ca. 1974
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH104293
Description:
correspondence, publicity
ARCH104293
Description:
correspondence, publicity
Personnes et institutions:
Date:
1938-1939
1938-1939
Titre:
Werner, Karl - Modern Swiss Architecture
Actions:
ARCH104293
Description:
correspondence, publicity
Werner, Karl - Modern Swiss Architecture
Actions:
ARCH104293
Description:
correspondence, publicity
Classification:
documents textuels
documents textuels
Date:
1938-1939
1938-1939
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH104353
Description:
correspondence
ARCH104353
Description:
correspondence
Personnes et institutions:
Date:
1954-1955
1954-1955
Titre:
Creighton, Thomas H. - Progressive Architecture
Actions:
ARCH104353
Description:
correspondence
Creighton, Thomas H. - Progressive Architecture
Actions:
ARCH104353
Description:
correspondence
Classification:
documents textuels
documents textuels
Date:
1954-1955
1954-1955
Personnes et institutions:
Classification:
documents textuels, né numérique
documents textuels, né numérique
Numéro de référence:
ARCH280008
Description:
Labelled: "Architecture as a Metaphor for Anyone; New Arch as Metaphor". File formats: Microsoft Word for Macintosh Document, unidentified file format, AppleDouble Resource Fork.
ARCH280008
Description:
Labelled: "Architecture as a Metaphor for Anyone; New Arch as Metaphor". File formats: Microsoft Word for Macintosh Document, unidentified file format, AppleDouble Resource Fork.
Personnes et institutions:
Date:
1993
1993
Titre:
Translated texts for Architecture as Metaphor book
Actions:
ARCH280008
Description:
Labelled: "Architecture as a Metaphor for Anyone; New Arch as Metaphor". File formats: Microsoft Word for Macintosh Document, unidentified file format, AppleDouble Resource Fork.
Translated texts for Architecture as Metaphor book
Actions:
ARCH280008
Description:
Labelled: "Architecture as a Metaphor for Anyone; New Arch as Metaphor". File formats: Microsoft Word for Macintosh Document, unidentified file format, AppleDouble Resource Fork.
Classification:
documents textuels, né numérique
documents textuels, né numérique
Date:
1993
1993
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153677
Description:
review by Helene Lipstadt rejected for publication by editorial board of Oppositions magazine
ARCH153677
Description:
review by Helene Lipstadt rejected for publication by editorial board of Oppositions magazine
Personnes et institutions:
Date:
1980-1981
1980-1981
Titre:
Review of "Architecture-design-art" in Stockholm
Actions:
ARCH153677
Description:
review by Helene Lipstadt rejected for publication by editorial board of Oppositions magazine
Review of "Architecture-design-art" in Stockholm
Actions:
ARCH153677
Description:
review by Helene Lipstadt rejected for publication by editorial board of Oppositions magazine
Classification:
documents textuels
documents textuels
Date:
1980-1981
1980-1981
Personnes et institutions:
Classification:
dessins
Quantité:
118 drawing(s)
dessins
Quantité:
118 drawing(s)
Numéro de référence:
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
Personnes et institutions:
Titre:
Drawings for various Architectural Association School of Architecture school projects
Actions:
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
Drawings for various Architectural Association School of Architecture school projects
Actions:
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
Classification:
dessins
Quantité:
118 drawing(s)
dessins
Quantité:
118 drawing(s)
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS2.009
AP197.S1.SS2.009
Personnes et institutions:
Date:
1975-1976
1975-1976
Classification:
documents textuels
documents textuels
Date:
1975-1976
1975-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
